# Stonewall News Northwest > Serving the LGBTQ+ Communities of the Pacific Northwest Public Ghost content for AI and LLM tooling. This file includes a bounded export of public pages first, then recent public posts. Append `.md` to any post or page URL to get the content in Markdown (for example, `/example-post.md`). ## Pages ### About Stonewall News Northwest URL: https://www.stonewallnews.net/about/ Last updated: 2026-07-30T22:01:52.000Z Founded in 1992 as the Inland Pacific Northwest's flagship LGBTQ+ newspaper, Stonewall News Northwest was relaunched across the Pacific Northwest in 2025 through its website, www.stonewallnews.net. In 2026, Stonewall News Northwest also debuted Stonewall Directory at www.stonewalldirectory.net. This online platform elevates the visibility of Queer and allied businesses, organizations, and professionals. Today we reach tens of thousands of loyal readers a month bringing news, information, profiles, and entertainment from in-house writers and collaborative partnerships. We reach LGBTQ+ communities across the Pacific Northwest, from western Montana and Idaho to Washington and Oregon with multiplatform visibility through online content, email subscribers, social media, PDF and print distribution, and our Queer and allied business directory. With over $1.7 trillion in spending power, at both the B2B and B2C levels, LGBTQ Americans cement themselves as the 10th largest economy in the world. Let’s add some perspective to that statement: this makes the LGBTQ American economy bigger than those of Australia, Canada, and South Korea combined! Future-forward marketers recognize that is it not only the smart choice to start investing in this large consumer market but one that, with the right positioning, ensures a loyal customer base for their brand for years to come. The LGBTQ community isn’t the only buying group paying attention to inclusive advertising. Millennials represent $2.45 trillion in spending power and are 60% more likely to engage with brands that discuss social causes. Let us help you reach this demographic and spending power. --- ### Tags URL: https://www.stonewallnews.net/tags/ Last updated: 2026-07-10T11:05:02.000Z _No content available._ ### Authors URL: https://www.stonewallnews.net/authors/ Last updated: 2026-07-10T11:05:46.000Z _No content available._ ### Contact URL: https://www.stonewallnews.net/contact/ Last updated: 2026-08-13T15:15:59.000Z **Mailing Address:** PO Box 871112 Vancouver, WA 98687 **Mike Schultz** Publisher [publisher@stonewallnews.org](mailto:publisher@stonewallnews.org) **Rhonda Brown** Oregon Managing Editor [oregon-editor@stonewallnews.org](mailto:oregon-editor@stonewallnews.org) **Advertising** [advertising@stonewallnews.org](mailto:advertising@stonewallnews.org) --- ### ### LGBTQ+ Pacific Northwest Publication Archive URL: https://www.stonewallnews.net/pdf-issues/ Last updated: 2026-09-11T13:11:51.000Z ### With over 35,000 pages across thousands of issues from Seattle to Portland and Spokane going back to 1971, welcome to the largest online high-resolution LGBTQ+ publication archive in the Pacific Northwest. This archive is comprised of newer issues published in PDF and older paper issues scanned to PDF in 300dpi full color. Grouped by title and year, all of the publications below, except *Just Out* and *Willamette Bridge*, are copyright Stratus Group LLC/Mike Schultz. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---2.jpg) ## **Stonewall News Northwest** **(c) Stratus Group LLC / Mike Schultz** Launched in Spokane, WA in 1992, relaunched in 2025 across the Pacific Northwest ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Sept-2026-Cover-1.jpg) Open the current September 2026 online issue [here](https://issuu.com/stratusmedia/docs/stonewall%5Fseptember%5F2026?fr=sZjdiNzg4MjM4OTE&ref=stonewallnews.net). The PDF in press-quality individual pages can also be downloaded [here](https://www.stonewallnews.net/stonewall-september-issue-is-here/) for viewing and printed to 11x17 paper. Stonewall News Northwest issues by year | Current uploaded issue count: 204 [2026](https://issuu.com/stratusmedia/stacks/f9c5696ee4464e7797185a62ad7cbea5?ref=stonewallnews.net) | [2025](https://issuu.com/stratusmedia/stacks/e0504b0449cf4190802dcbfd94d71970?ref=stonewallnews.net) | [2007](https://issuu.com/stratusmedia/stacks/0e9eeda750814211ae759f0066cae01d?ref=stonewallnews.net) | [2006](https://issuu.com/stratusmedia/stacks/359c4ab4f72b4463ae61228e5c12fdc0?ref=stonewallnews.net) | [2005 ](https://issuu.com/stratusmedia/stacks/78d3e15413684b7996ea3f1ad80cfe3c?ref=stonewallnews.net)| [2004](https://issuu.com/stratusmedia/stacks/79a4ad677f944c8682eb4094b944bf74?ref=stonewallnews.net) | [2003](https://issuu.com/stratusmedia/stacks/3a56afd093cb4f07a5d89b5e244743a7?ref=stonewallnews.net) | [2002](https://issuu.com/stratusmedia/stacks/aecb58cb2a4d4f7196786c0c64cad91d?ref=stonewallnews.net) | [2001](https://issuu.com/stratusmedia/stacks/cc16a0f6be024525839509aa792ec69e?ref=stonewallnews.net) | [2000](https://issuu.com/stratusmedia/stacks/28021fc52c934383a84ef4571d94281b?ref=stonewallnews.net) | [1999](https://issuu.com/stratusmedia/stacks/566e03d5ca55427b80054a91351e98a0?ref=stonewallnews.net) | [1998](https://issuu.com/stratusmedia/stacks/dd5a7f88ba694f6cbe19a6aa9c7eb494?ref=stonewallnews.net) | [1997](https://issuu.com/stratusmedia/stacks/2b919ddf64164930ae0cee4e425e9afe?ref=stonewallnews.net) | [1996](https://issuu.com/stratusmedia/stacks/9c3151d8da464d52a59d74ab9340c5da?ref=stonewallnews.net) | [1995](https://issuu.com/stratusmedia/stacks/e4c3616333ec4b6d874ee91686841221?ref=stonewallnews.net) | [1994](https://issuu.com/stratusmedia/stacks/d4f7671fd94843d69067f92040bdfd4c?ref=stonewallnews.net) | [1993](https://issuu.com/stratusmedia/stacks/eb42ec47834040bba48b6c97c8076ec8?ref=stonewallnews.net) | [1992](https://issuu.com/stratusmedia/stacks/0f502414909648b1b6332128687e094e?ref=stonewallnews.net) ### Related Stonewall News Northwest Articles: [This Information Belongs to UsQueer history is not background. It is infrastructure. It is how communities survive erasure, recognize themselves, and pass forward the knowledge required to live openly and fully. When queer media disappears, it is not just stories that are lost—it is strategy, memory, and proof of possibility. The newly digitized![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/S-icon-ce1342a9-ce38-45ae-bd55-f25905d232b9.jpg)Stonewall News NorthwestPercy Laird![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/Stonewall-1992-7541077b-dcee-4f59-9fca-a5b12af7d8b1.jpg)](https://www.stonewallnews.net/this-information-belongs-to-us/) [New Rural LGBTQ+ Publication in the PNW“I consider this Stonewall reboot in its infancy,” says Mike Schultz, the publisher of Stonewall News Northwest. “Stonewall” is a symbolic word in LGBTQ+ communities, hearkening back to the Stonewall…![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-32x32-68dd9aa5-c683-4d07-bbfc-1ba5704a6512.png)Eugene WeeklySeira Kitagawa![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/20250626cs-mike1-c02d0035-5f38-42d4-88d1-7c09dbb8ee93.jpg)](https://eugeneweekly.com/2025/06/26/new-rural-lgbtq-publication-in-the-pnw/?ref=stonewallnews.net) [SGN:: Stonewall News Northwest: Capturing the stories of rural communities across the PNWMt. Rainier or Brokeback Mountain? They may as well be the same at Stonewall News Northwest, in which publisher Mike Schultz showcases the voices and stories of rural LGBTQIA+ communities…![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-32x32-b67f6f1c-aaa6-4f07-b065-c859a5571fdf.png)Seattle Gay News![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/158533-365fef84-aecb-4e3f-b56a-09d7a14c2bde)](https://www.sgn.org/story/158533/News/Regional/?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---2-1.jpg) > Tens of thousands of older printed pages of *SGN* and *Just Out* are in the process of being individually scanned, page by page, in high-resolution color and uploaded. ## **SGN/Seattle Gay News** **(c) Stratus Group LLC / Mike Schultz** Seattle, WA | Originally a news bulletin of Seattle's Gay Community Center, the publication became Seattle Gay News and then the SGN. The archive below runs from the first issue in 1974 through Mike Schultz's last issue as publisher in June 2024\. More recent issues of SGN since June 2024 can be found [here](https://www.sgn.org/?ref=stonewallnews.net). > SGN issues by year | Current uploaded issue count: 1,462 | Last updated: Aug 21, 2026 [2024](https://issuu.com/stratusmedia/stacks/457c1531b15f41beb77c283aed970479?ref=stonewallnews.net) | [2023](https://issuu.com/stratusmedia/stacks/8bad6add37504f489dea860aeb10bb84?ref=stonewallnews.net) | [2022](https://issuu.com/stratusmedia/stacks/0260ad3740434ccd83cd4808b1572e91?ref=stonewallnews.net) | [2021](https://issuu.com/stratusmedia/stacks/1d49ccebcec542b697d2b447544ed2b9?ref=stonewallnews.net) | [2020](https://issuu.com/stratusmedia/stacks/e953d0c6914746cebe19564171d94acf?ref=stonewallnews.net) | [2019](https://issuu.com/stratusmedia/stacks/b495c8fb961247c49d8b06ed7f49fc8a?ref=stonewallnews.net) | [2018](https://issuu.com/stratusmedia/stacks/8b08876f8220446fa61c91a0131482c6?ref=stonewallnews.net) | [2017](https://issuu.com/stratusmedia/stacks/7d5a5fbb6c5f4bd3ba48a12f099b6e14?ps=25&ref=stonewallnews.net) | [2016](https://issuu.com/stratusmedia/stacks/1cb0748e20694d0ea11da57c598a1158?ps=25&ref=stonewallnews.net) | [2015](https://issuu.com/stratusmedia/stacks/2fbd1a4be6fb4aaeb231ab9c155b5fe5?ps=25&ref=stonewallnews.net) | [2014](https://issuu.com/stratusmedia/stacks/a55aa86885e24f699d2aad6aa4892e80?ps=25&ref=stonewallnews.net) | [2013](https://issuu.com/stratusmedia/stacks/98b12f624e854897ab444b54f289246b?ps=25&ref=stonewallnews.net) | [2012](https://issuu.com/stratusmedia/stacks/203bc4af0291486a971bd141b3378d26?ps=25&ref=stonewallnews.net) | [2011](https://issuu.com/stratusmedia/stacks/16a7f5e1da3d4aa7a240a6b02b7f1228?ps=25&ref=stonewallnews.net) | [2010](https://issuu.com/stratusmedia/stacks/5924dc5681b3444294c714c8614f90b4?ps=25&ref=stonewallnews.net) | [2009](https://issuu.com/stratusmedia/stacks/81e3fa00492544f4b6f9628fdf0388b4?ps=25&ref=stonewallnews.net) | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996 | 1995 | 1994 | 1993 | 1992 | 1991 | 1990 | 1989 | 1988 | 1987 | 1986 | 1985 | 1984 | 1983 | [1982](https://issuu.com/stratusmedia/stacks/1359d3c6f5c04c0a89160770bc4dee00?ref=stonewallnews.net) | [1981](https://issuu.com/stratusmedia/stacks/65e997cb7798454eae9bc2b9fda59f38?ref=stonewallnews.net) | [1980](https://issuu.com/stratusmedia/stacks/b4417d2e88954ed780932621bef57ba1?ref=stonewallnews.net) | [1979](https://issuu.com/stratusmedia/stacks/45763074347b4bb4bca16b8f90eadcf2?ref=stonewallnews.net) | [1978](https://issuu.com/stratusmedia/stacks/c7007e096a6c4f9cafaef73ef8eedf06?ref=stonewallnews.net) | [1977](https://issuu.com/stratusmedia/stacks/0e41af4912b3495a86bd946ad7bfcd58?ref=stonewallnews.net) | 1976 | [1975](https://issuu.com/stratusmedia/stacks/2459e23bb61a4b1bb28ef51766d0ea9e?ref=stonewallnews.net) | [1974](https://issuu.com/stratusmedia/stacks/067c6fd1af3e4f4095306717fec32ca2?ref=stonewallnews.net) ### Related SGN archive videos and exhibits: 0:00 /2:13 1× ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---2-1.gif) ## **Just Out** Portland, OR > Just Out issues by year | Current uploaded issue count: 52 | Last updated: Aug 27, 2026 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996 | 1995 | 1994 | 1993 | 1992 | 1991 | 1990 | 1989 | [1988](https://issuu.com/stratusmedia/stacks/e0594277e9c14a2da3a1be607b10f2c4?ps=25&ref=stonewallnews.net) | [1987](https://issuu.com/stratusmedia/stacks/736c36252cf5410eb2fe4bced2efb238?ps=25&ref=stonewallnews.net) | [1986](https://issuu.com/stratusmedia/stacks/6d203c3b7d684d98867f7991b8185010?ps=25&ref=stonewallnews.net) | [1985](https://issuu.com/stratusmedia/stacks/8f15259e7a13417faa73cf9955bd0f19?ps=25&ref=stonewallnews.net) | [1984](https://issuu.com/stratusmedia/stacks/7c1bd9b19a504c6aa05d04189f6b2cb3?ps=25&ref=stonewallnews.net) | [1983](https://issuu.com/stratusmedia/stacks/6622839f4b2a44dcbf7be1abdcefacfa?ref=stonewallnews.net) ### Related Just Out articles: [Just Out: Three People Behind the Most Important Queer Publication in Portland HistoryStonewall News Northwest interviewed three key members of Just Out who share their history with the publication and what they’re doing now. Just Out co-founder and publisher (1983-1999) Renee Lachance, art director Rupert Kinnard and second publisher (1999-2011) Marty Davis talked with Stonewall News Northwest. Jonathan![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/S-icon-da4866e3-05bb-4168-91f1-ec00e0fcda3a.jpg)Stonewall News NorthwestPercy Laird![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/1983-Oct-18-Cover-Page-150dpi--1336x890-95ee1314-d9ae-4b97-b676-a9b70bca11b5.jpg)](https://www.stonewallnews.net/pacific-northwests-lgbtq-community-discovers-inclusive-faith-spaces-2/) [Just OutJust Out was the most important queer publication in Portland history.![](https://static.ghost.org/v5.0.0/images/link-icon.svg)PDX Design HistoryMelissa Delzio![](https://static.wixstatic.com/media/0ae2d2_e8c1ebfc3c4a47349853a2f9e9f95b46~mv2.jpg/v1/fill/w_823,h_1000,al_c,q_85,usm_0.66_1.00_0.01/0ae2d2_e8c1ebfc3c4a47349853a2f9e9f95b46~mv2.jpg)](https://www.portlanddesignhistory.com/post/just-out?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---4-1.gif) ## **Willamette Bridge** Portland, OR *(this issue courtesy of Melissa Delzio)* > *Current uploaded issue count: 1* [Vol 3, No 29 - July 17-23, 1971](https://issuu.com/stratusmedia/docs/willamette%5Fbridge%5Fvol%5F3%5Fno%5F29%5F-%5F1971%5Fjul%5F17-23%5F-%5F3?fr=sZDNiYTg4MjM4OTE&ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---2-2.gif) ## **Coastal Pride** **(c) Stratus Group LLC / Mike Schultz** Ocean Shores, WA and Southwest Grays Harbor County > Uploaded issue count: 4 [2023](https://issuu.com/stratusmedia/stacks/d7e41d60099046618d22f130a5d79674?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/AdobeStock_1909593062---4.gif) ## **Q View Northwest** **(c) Stratus Group LLC / Mike Schultz** Spokane, WA > Uploaded issue count: 11 [2009](https://issuu.com/stratusmedia/stacks/01f2509941124db59c3e2355c758a85f?ref=stonewallnews.net) | [2008](https://issuu.com/stratusmedia/stacks/1da61225e11e4a7f8f610d33f8b55ddd?ref=stonewallnews.net) | [2007](https://issuu.com/stratusmedia/stacks/e60a752b8f164161be29ba7e941051e9?ref=stonewallnews.net) --- ### Advertising with Stonewall News Northwest URL: https://www.stonewallnews.net/advertising-with-stonewall-news-northwest/ Last updated: 2026-09-12T13:50:19.000Z [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Medi-Kit-Cover-with-drop-shadow-1.jpg)](https://www.dropbox.com/scl/fi/wywlb5hccfvc1tv8wf7bo/Stonewall-News-Northwest-2026-Media-Kit-v5.pdf?rlkey=6fe9l7fqmqjsfyi726m5scea8&st=oon7hyoh&raw=1&ref=stonewallnews.net) ## Our Audience With over $1.7 trillion in spending power, at both the B2B and B2C levels, LGBTQ+ Americans cement themselves as the 10th largest economy in the world.\* Let’s add some perspective to that statement: this makes the LGBTQ American economy bigger than those of Australia, Canada, and South Korea combined. Future-forward marketers recognize that it’s not only the smart choice to invest in this large consumer market but one that, with the right positioning, ensures a loyal customer base for their brand for years to come. The LGBTQ+ community isn’t the only buying group paying attention to inclusive advertising. Millennials represent $2.45 trillion in spending power and are 60% more likely to engage with brands that discuss social causes. *Stonewall News Northwest* can help you reach this demographic and spending power. ### Who We Are Founded in 1992, *Stonewall News Northwest* was relaunched in 2025 through its website, www.stonewallnews.net. In 2026, *Stonewall News Northwest* also debuted the Stonewall Directory at www.stonewalldirectory.net. This online platform elevates the visibility of Queer and allied businesses, organizations, and professionals. Today, we bring our readers news, information, profiles, and entertainment from in-house writers and collaborative partnerships. We reach LGBTQ+ communities across the Pacific Northwest, from western Montana and Idaho to Washington and Oregon with multiplatform visibility through online content, email subscribers, social media, monthly PDF and select print distribution, and our Queer and allied business directory. Download the 2026 *Stonewall News Northwest* Media Kit: [Stonewall News Northwest 2026 Media Kit v9Stonewall News Northwest 2026 Media Kit v9.pdf12 MBdownload-circle](https://www.stonewallnews.net/content/files/2026/09/Stonewall-News-Northwest-2026-Media-Kit-v9.pdf "Download") Email us at: [advertising@stonewallnews.org](mailto:advertising@stonewallnews.org) --- ### Links & Resources URL: https://www.stonewallnews.net/links/ Last updated: 2026-08-05T19:57:03.000Z > [Shoutout](https://www.facebook.com/ShoutOUTpdx) ## Stonewall News Northwest Supporter Websites [(no title)Visit the post for more.![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/cropped-moviereviewinstagram5-de08cd16-44d4-4dc4-b0f0-f9f400932b22.jpeg)Frank Gaimari![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/Screenshot_9-4-2026_192359_www.facebook.com_-ab644e69-ea6f-4b23-b1bf-6ce0259d1f50.jpeg)](https://franksfilmreview.com/?ref=stonewallnews.net) [Spokane Signs | Banners | Wraps | Instant Sign FactoryWe provide Spokane, WA. with custom signs, banners, vehicle wraps/graphics, promo items and much more. Quick turnaround time, quality products, great pricing.![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-0af9c717-fb7b-41e4-a305-bb36d499c6d5.ico)Instant Sign Factory - Custom Signs FAST![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/instant-sign-factory-295478f8-727d-4d4c-9acc-6763a1edf977.png)](https://instantsignfactory.com/?ref=stonewallnews.net) [Premium Ghost themesFunctional and beautiful Ghost themes. Easily build your amazing websites using our premium quality SEO friendly themes![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-b25e35dd-3139-4600-bd36-00cee4bb0154.ico)GBJ solution![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/site-feature-image-b9c412e2-3856-481a-b59f-0bfcc3da056a.jpg)](https://gbjsolution.com/?ref=stonewallnews.net) ## Stonewall News Northwest Content Partner Websites [https://favs.news](https://favs.news/?ref=stonewallnews.net) [RANGE MediaRANGE is a local worker-owned news organization for people who love the Inland Northwest and want to make it better.![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/8-967373ac-8be7-4749-bcd7-2750c8256067.png)RANGE MediaDaniel Walters![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/marmot-emails--1--bd6512ed-d77f-45ca-a8e1-e41b2f637bfb.png)](https://www.rangemedia.co/?ref=stonewallnews.net) | Cell 1 | Cell 2 | Cell 3 | | ------ | ------ | ------ | --- ### Eastern Washington LGBTQ+ Info Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | ### Eastern Washington LGBTQ+ Pride Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | ### Oregon LGBTQ+ Info Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | ### Oregon LGBTQ+ Pride Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | ### Idaho LGBTQ+ Info Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | ### Idaho LGBTQ+ Pride Facebook Pages | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | [Shoutout](https://www.facebook.com/ShoutOUTpdx) | | ------------------------------------------------ | ------------------------------------------------ | I’m always a little surprised by LGBTQ+ people who put so much hope in the U.S. midterms and *“November”* to solve our community’s problems. Elections matter, and American elections matter for a disproportionate number of people. But the past few years have shown that our future cannot depend on a single country, a political party, even one that is generally more supportive of LGBTQ+ rights, or one strategy. This week’s [Michigan primaries](https://substack.com/redirect/3f744391-24bd-4408-ba27-5d73b44f274a?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) are a reminder that political coalitions are always shifting. Our movement has made its greatest gains not by waiting for politicians to save us, but by organizing, persuading, and changing the culture that politicians eventually follow, something Evan Wolfson reminds us of in a Slate op-ed this week. **This week:** *WorldPride, Scouting America, the Paul Weiss debacle, Lifting a ban on bathhouses,* [*Dan Savage’s “campsite rule”*](https://substack.com/redirect/64994006-5d12-4925-9b2b-1d56a2d66ddf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)*, Perez Hilton, Mary Oliver, Rosie O’Donnell and much more…* ## Posts ### “The Terrible, Horrible, No Good, Very Bad Gay: Essays” by Eliot Glazer URL: https://www.stonewallnews.net/the-terrible-horrible-no-good-very-bad-gay-essays-by-eliot-glazer/ Last updated: 2026-09-12T13:59:27.000Z You try, and you try. Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in **“The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer,** and it’s all good. Throughout his life, Eliot Glazer has made mistakes. And it’s okay, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book. He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people. Even with all those jobs , he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones. Glazer says that he had just recently come out when gayness exploded on TV with *Will and Grace* and *Queer Eye for the Straight Guy,* with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it. The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun. As for finding love, well, that’s a long, boy-meets-boy-meets-boy story... So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t *have to* read everything. Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right. Readers who want a quick, mostly-lite book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/Terrible-Horrible-author-CREDIT--Sela-Shiloni-1.jpg) #### Author Eliot Glazer | Photo by Sela Shiloni --- ### Weekly Update on National & International LGBTQ+ Equality – Wed, September 9, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-september-9-2026/ Last updated: 2026-09-09T17:29:02.000Z **This week:** Ecuador restricts adoption by LGBTQ+ parents, UN shenanigans, the ABA and DEI, lessons from *“ex-gay”* changes of heart, a *“lesbian picnic,”* Chris Pappas, Alice Weidel, and much more… > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* Welcome back. I hope you are ready for September. Based on Outright’s latest news, it seems that a fight is brewing at the United Nations. This week, we have news from Switzerland and Ecuador, a fascinating look at why some people leave the “ex-gay” movement, and the launch of PRISM’s new website. On the cultural side, The L Word has resurfaced, along with my inexplicable crush on Shane, and a Kehinde Wiley controversy has reminded me of my excellent taste in lesbian picnics. Thank you for reading, and please forward this to someone who might enjoy a little LGBTQ+ news with their morning coffee (well, really with their Wednesday lunch). ### **Global News** #### **Switzerland: National Conversion Therapy Ban** Switzerland’s federal government has formally endorsed nationwide legislation banning so-called conversion therapy, moving beyond the current patchwork of cantonal bans in Neuchâtel, Valais, and Vaud. The position, set out in a report published this week, would align Switzerland with Germany, France, Belgium, and several other European countries that have already outlawed the practice. [See in ](https://www.washingtonblade.com/2026/09/04/swiss-government-backs-nationwide-conversion-therapy-ban/?ref=stonewallnews.net)[*The Blade.*](https://www.washingtonblade.com/2026/09/04/swiss-government-backs-nationwide-conversion-therapy-ban/?ref=stonewallnews.net) #### **Ecuador: New Adoption Law Bars LGBTQ+ Couples** Ecuador’s National Assembly passed adoption reform, in force since August 14, that restricts adoption to different-sex couples and requires single applicants to be straight, while opening a path to custody loss for parents accused of “*promoting”* gender-affirming care for trans children. [Human Rights Watch called ](https://www.hrw.org/news/2026/08/27/ecuador-new-adoption-law-entrenches-bias?ref=stonewallnews.net)the law a pretext to “*entrench discrimination,”* and the Ecuadorian LGBT Federation noted that *“being heterosexual does not demonstrate parental fitness.”* The country legalized same-sex marriage in 2019\. According to [*PinkNews*](https://www.thepinknews.com/2026/09/06/ecuador-adoption-law-2026/?ref=stonewallnews.net)*.* #### **UNGA: It Might Get Complicated** New York’s UN General Assembly High-Level Week is approaching, and the diplomatic family gathering may be more contentious than usual. Outright flagged the expected launch of a new [*“Pro Family and Pro Life”* ](https://evangelicalfocus.com/latin-american-perspectives/35641/at-the-un-a-pro-life-and-pro-family-core-group-could-represent-millions?ref=stonewallnews.net)[Core Group](https://evangelicalfocus.com/latin-american-perspectives/35641/at-the-un-a-pro-life-and-pro-family-core-group-could-represent-millions?ref=stonewallnews.net) that could position itself as a counterpoint to [the UN LGBTI Core Group](https://unlgbticoregroup.org/?ref=stonewallnews.net). Meanwhile, the latter will hold its annual High-Level Week event, *Championing Diversity in Times of Adversity: Standing Up for LGBTI Persons*, on **Monday, September 21, from 3:00 to 4:30 p.m. New York time**, at UN Headquarters, Conference Room 12\. Special event tickets are limited, and the deadline is **9 a.m. on September 14**. > *\[The Pro-LGBTI+ Core Group\] has been so ‘successful’ that so-called sexual diversity appears to have no moral, legal, or physical limits today.* #### **Surrogacy’s New Resistance** French legal publisher Dalloz-Lefebvre has just released[ ](https://www.lgdj.fr/les-nouvelles-resistances-a-la-gpa-9782247249695.html?ref=stonewallnews.net)[*Les nouvelles résistances à la GPA*](https://www.lgdj.fr/les-nouvelles-resistances-a-la-gpa-9782247249695.html?ref=stonewallnews.net)[ ](https://www.lgdj.fr/les-nouvelles-resistances-a-la-gpa-9782247249695.html?ref=stonewallnews.net)(*New Resistances to Surrogacy*), the proceedings of a June 2025 conference co-organized by Paris lawyer Caroline Mecary (whom I consulted for the twins’ French citizenship at the time). The collection brings together legal scholars and practitioners to examine the increasingly contested landscape of surrogacy, from restrictions in France and Italy to developments in Argentina and the United States. Some chapters address feminist opposition, the recognition of parent-child relationships established abroad, and the practical obstacles families encounter when seeking legal recognition. #### **United Nations: 63rd Human Rights Council Session Opens** The Human Rights Council’s latest session opened Monday and runs through October 7, with ILGA World hosting an *“Intersex Superweek”* bringing activists from multiple regions on implementing last year’s landmark intersex rights report. See [*ILGA World*](https://ilga.org/news/human-rights-council-63-lgbti/?ref=stonewallnews.net). --- ### **US News** #### **Musk-Aligned Super PAC Spends on Anti-Trans Senate Ads** Make America Awesome, a super PAC tied to Elon Musk, has spent more than $1 million on ads in Nevada and Pennsylvania attacking Democratic Senate candidates over transgender rights and gender-affirming care, featuring Republicans Adam Laxalt and Lou Barletta. GLAAD’s Sarah Kate Ellis called the ads *“designed to spread fear and misinformati*on,” while Rep. Pramila Jayapal called them *“hateful and harmful.”* See [*Axios*](https://www.axios.com/2026/09/09/musk-pac-trans-senate-ads?ref=stonewallnews.net) and [HRC.](https://www.hrc.org/press-releases/elon-back-to-meddling-in-american-elections-unleashing-anti-lgbtq-ad-spending-to-distract-from-maga-failures?ref=stonewallnews.net) #### **EEOC Settlement Shields Christian Employers** A new EEOC settlement gives religious employers broad latitude to decline to hire or accommodate transgender employees on faith grounds, a shift advocacy group Alliance Defending Freedom celebrated as employers being *“free to conduct business consistent with their faith.”* Critics warn the indefinite settlement could strip transgender workers of federal discrimination protections across a wide swath of employers. From [*The Intercept*](https://theintercept.com/2026/09/01/christian-employers-settlement-gender-discrimination-eeoc/?ref=stonewallnews.net). #### **Why Some People Leave the “Ex-Gay” World — and Others Don’t** [Michael Airhart has published a thoughtful two-part essay ](https://exgaywatch.com/2026/09/part-1-why-some-ex-gay-leaders-change-their-minds-and-others-double-down/?ref=stonewallnews.net)on a question LGBTQ+ advocates have wrestled with for decades: why do some leaders of the *“ex-gay”* movement eventually repudiate its ideology, while others remain committed to it despite mounting evidence and personal contradiction? Drawing on Jonathan Haidt’s *The Righteous Mind*, Airhart argues that facts alone rarely change beliefs when those beliefs are bound up with identity, faith, community, livelihood, and a sense of moral purpose. He suggests that curiosity, tolerance for uncertainty, relationships outside one’s ideological bubble, and having somewhere to *“land”* after changing one’s mind may matter as much as argument. The second essay asks an equally difficult question: whether anyone can help someone leave that worldview, concluding that persuasion is less about winning debates than about creating the conditions in which doubt, reflection, and ultimately change become possible. --- ### **Queering the Boardroom** #### **PRISM’s New Website Is Live** PRISM: The Association of LGBTQ+ Corporate Directors has a new digital home.[ ](https://prismdirectors.org/?ref=stonewallnews.net)[**prismdirectors.org**](https://prismdirectors.org/?ref=stonewallnews.net) is now live, with a cleaner, more ambitious platform for the Association of LGBTQ+ Corporate Directors and the community we are building around LGBTQ+ board leadership. The new site brings together our membership information, board leadership, events, partners, speeches, and resources in one place, with more to come in the months ahead. It is a small milestone, but an important one for an organization that has grown considerably since its launch in June 2022: [go have a look.](http://prismdirectors.org/?ref=stonewallnews.net) #### **October 26: *Sharper Perspective. Stronger Boards*** On October 26, LGBTQ+ Directors will gather again in New York for PRISM’s **4th Annual LGBTQ+ Corporate Directors’ Summit**, bringing together roughly 150 corporate directors, CEOs, investors, governance leaders, board recruiters, and senior executives. This year’s theme: *Sharper Perspective. Stronger Boards,* reflects PRISM’s belief that boards benefit from a wider range of experiences and perspectives, particularly as they navigate an increasingly complex business environment. [Enquire here.](mailto: raquel@lgbtqdirectors.org) #### **Board Appointments and Departures** Congratulations to **Edward J. van Luinen**, CEO and Board Advisor of Global Talent Builders, LLC, on joining the National Peace Corps Association’s Advisory Council, which advises NPCA’s leadership on advancing its mission and serving its community of nearly 240,000 Returned Peace Corps Volunteers. In other board news, **Vanessa Pegueros** departed the board of LivePerson on September 4, while **Matthew K. Fust** departed the board of Crinetics Pharmaceuticals on September 1\. [See NPCA’s announcement.](https://www.peacecorpsconnect.org/advisory-council/?ref=stonewallnews.net) #### **Sophia Bush Joins Women Business Collaborative’s Summit** The Women Business Collaborative has added Sophia Bush to its **Women’s Capital Summit**, taking place October 6–7 in New York. Bush — actress, activist, producer, author, general partner at Union Heritage Ventures, and investor and co-owner of Angel City FC — will join WBC CEO Gwen Young for a conversation on the rapid rise of women’s sports as an investment opportunity. Their session, *Where Capital Meets Culture: The Rise of Women Sports Investing*, will look at what happens when capital, culture, influence, and opportunity converge in a sector that has moved decisively from niche to mainstream. [Register here.](https://wbcollaborative.org/wbc-events/womens-capital-summit-2026/?ref=stonewallnews.net) --- ### **The Gay Business** #### **Grindr to Pay £26 Million Over UK HIV Status Data-Sharing Claims** Grindr agreed to settle a UK lawsuit brought by 12,000 users alleging the app shared sensitive data, including HIV status, with advertising companies before 2020\. Each affected user will receive roughly £2,167, with payments running through March 2027\. Grindr disputes the core allegations but “*acknowledges the distress and loss of trust”* from that period, before new ownership overhauled its privacy practices. Details in [*GCN*](https://gcn.ie/grindr-26-million-settlement-sharing-hiv-status-info/?ref=stonewallnews.net). #### **Did the ABA Cave In?** The American Bar Association’s accreditation council voted 10-6 on Tuesday to eliminate its longtime requirement that law schools demonstrate *“concrete action”* toward diversity and inclusion, a standard in place since 1980 and suspended since February 2025 amid the Trump administration’s broader campaign against DEI in higher education. The move followed a 2025 executive order in which Trump accused the ABA of violating the Supreme Court’s 2023 ruling against race-conscious admissions, and came after an ABA committee warned in May that keeping the standard risked the group’s federal recognition as an accreditor. Council chair Melissa Hart said continued recognition by state courts and the Education Department was in students’ and the profession’s best interest, while critics like Yale law professor Justin Driver argued the ABA had capitulated rather than defend a standard meant to address the profession’s history of exclusion. [See here.](https://www.nytimes.com/2026/09/08/us/american-bar-association-dei-standards-end.html?ref=stonewallnews.net) --- ### **The Semi-Cultural Desk** #### **The L Word and Parasites** [*The Guardian* ](https://www.theguardian.com/culture/2026/sep/09/the-l-word-22-years-on-sexy-lesbian-series-streaming-australia-lgbtq-ntwnfb?ref=stonewallnews.net)[revisited ](https://www.theguardian.com/culture/2026/sep/09/the-l-word-22-years-on-sexy-lesbian-series-streaming-australia-lgbtq-ntwnfb?ref=stonewallnews.net)[*The L Word*](https://www.theguardian.com/culture/2026/sep/09/the-l-word-22-years-on-sexy-lesbian-series-streaming-australia-lgbtq-ntwnfb?ref=stonewallnews.net)[ this week, ](https://www.theguardian.com/culture/2026/sep/09/the-l-word-22-years-on-sexy-lesbian-series-streaming-australia-lgbtq-ntwnfb?ref=stonewallnews.net)22 years after its debut, arguing that the series remains a cornerstone of sapphic culture despite everything that has aged badly: the whiteness, the transphobia, the improbable plotlines and, of course, the relentless sex. I am a fan of the show. In my younger days, when I was covering DRCongo for the World Bank, I once came down with parasites and, during a trip to Chicago, ended up binge-watching the entire series while recovering. Somewhere between the fever, the medication, and six seasons of lesbian melodrama, I found myself strangely attracted to Shane. The Guardian calls her *“irresistible”.* #### **State Department Removes Kehinde Wiley Painting** Where can we apply to obtain the discarded painting?The administration has come under scrutiny for quietly removing a 2015 Kehinde Wiley painting from the U.S. Embassy in the Dominican Republic, initially citing misconduct allegations against the artist and remarks he’d made about race in another work. However, a previously overlooked April radio interview revealed a further motive: [Ambassador Leah Campos ](https://do.usembassy.gov/ambassador-leah-francis-campos/?ref=stonewallnews.net)had criticized the piece, which depicts art students against a floral backdrop, for appearing to show a same-sex gathering, framing it as ideological indoctrination despite the fact that the painting was commissioned under the Obama administration and that the Dominican Republic decriminalized same-sex relations back in 1822\. The removal, carried out alongside Erin Scavino of the State Department’s Art in Embassies program, fits a broader pattern of the administration targeting government-funded artworks on political or aesthetic grounds. [See in the ](https://www.nytimes.com/2026/09/04/arts/design/trump-administration-kehinde-wiley-embassy-lesbian-picnic.html?ref=stonewallnews.net)[*NYTimes.*](https://www.nytimes.com/2026/09/04/arts/design/trump-administration-kehinde-wiley-embassy-lesbian-picnic.html?ref=stonewallnews.net) ![Trump team looks to offload 'woke' and 'terrifying' painting ...](https://substackcdn.com/image/fetch/$s_!xZnU!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb247eb98-d5c9-46fb-ba26-a6f127a79015_1200x1200.png "Trump team looks to offload 'woke' and 'terrifying' painting ...") I personally liked the painting, but then again I did just go to a lesbian picnic this past Monday --- ### **Coming and Going** #### **A Historic First in Milwaukee** The Episcopal Church has marked a significant milestone with the installation of the Rev. Micah Cronin as dean of All Saints’ Cathedral in Milwaukee, believed to be the denomination’s first transgender cathedral dean. Cronin, who took up the role in August, has described the Episcopal Church as the place where he first felt able to live both his faith and his identity openly. His appointment is especially notable given the long and often contentious history of LGBTQ+ inclusion in American churches, from the consecration of Gene Robinson as the Episcopal Church’s first openly gay bishop in 2003 to today’s broader debates over transgender clergy. [The ](https://www.christianpost.com/news/wisconsin-cathedral-gets-episcopal-churchs-first-trans-dean.html?utm%5Fsource=christianpost.beehiiv.com&utm%5Fmedium=newsletter&utm%5Fcampaign=daily&%5Fbhlid=6869eec9869385f5ddcba81eaca42eeb6495fe66)[*Christian Post*](https://www.christianpost.com/news/wisconsin-cathedral-gets-episcopal-churchs-first-trans-dean.html?utm%5Fsource=christianpost.beehiiv.com&utm%5Fmedium=newsletter&utm%5Fcampaign=daily&%5Fbhlid=6869eec9869385f5ddcba81eaca42eeb6495fe66)[ covered the appointment ](https://www.christianpost.com/news/wisconsin-cathedral-gets-episcopal-churchs-first-trans-dean.html?utm%5Fsource=christianpost.beehiiv.com&utm%5Fmedium=newsletter&utm%5Fcampaign=daily&%5Fbhlid=6869eec9869385f5ddcba81eaca42eeb6495fe66)in characteristically hostile language. #### **Alice Weidel and the Politics of Contradiction** Germany’s Alice Weidel remains one of the more striking paradoxes in European politics: the openly gay co-leader of the far-right AfD lives with her Sri Lankan-born female partner and their two sons, while leading a party that has opposed expanding LGBTQ+ rights, emphasized traditional family structures, and taken an increasingly hard line on immigration. The contradiction has become more visible as Weidel’s stature has grown nationally and the AfD has expanded its electoral influence. [See here.](https://theprint.in/feature/the-openly-gay-face-of-germanys-far-right-afd-a-lesbian-with-sri-lankan-partner/3035715/?ref=stonewallnews.net) #### **Chris Pappas Wins New Hampshire Senate Primary** U.S. Rep. Chris Pappas won New Hampshire’s Democratic Senate primary Tuesday with 60% of the vote, advancing to a competitive November race for Sen. Jeanne Shaheen’s open seat against Republican John Sununu. A win would make Pappas the first out gay man elected to the U.S. Senate. Details in [*The Advocate*](https://www.advocate.com/politics/election/chris-pappas-new-hampshire-primary?ref=stonewallnews.net). #### **Gloria Steinem, Feminist Icon and Evolving LGBTQ+ Ally, Dies at 92** Steinem died September 3 at her New York home. Beyond her foundational feminist work, she published trans writer Jan Morris’s autobiography excerpt in *Ms.* magazine in 1974, publicly revised early missteps on trans issues, and declared in 2013 that “transgender people... are living out real, authentic lives.” She co-signed a 2020 letter opposing Trump-era attacks on trans healthcare and joined over 460 feminists in 2021 affirming solidarity with transgender women and girls. See in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/09/feminist-icon-gloria-steinem-dies-at-92/?ref=stonewallnews.net). #### **Vivian Wilson On Disobedience** Transgender model, Vivian Jenna Wilson stars in Desigual’s new *Born to Disobey* campaign, celebrating individuality and self-expression. Speaking to *Out*, she reflects on how fashion has helped her find confidence and urges queer people to build community: *“You are not alone. Find queer community however you can.”*[ Read more.](https://www.out.com/celebs/vivian-jenna-wilson-desigual?ref=stonewallnews.net) --- ### **The Gay Agenda** #### **September 18–28: UN General Assembly High-Level Week, New York** The main event of UN Week brings world leaders to Manhattan for the General Debate and a dense schedule of side events, including the diplomatic sparring over LGBTQ+ rights that plays out annually on the margins. See [*United Nations*](https://www.un.org/en/high-level-week-2026?ref=stonewallnews.net). #### **September 22–23: Clinton Global Initiative Annual Meeting, New York** CGI returns to New York for its annual meeting bringing together global leaders, philanthropists, and civil society on development and human rights commitments, timed to overlap with UN High-Level Week. Details in [*Clinton Foundation*](https://www.clintonfoundation.org/press-and-news/annual-meeting/clinton-global-initiative-returns-to-new-york-city-september-22-23/?ref=stonewallnews.net). #### **October 28-29: Koppa’s Annual Forum** On October 29–30, [KOPPA — the LGBTI+ Economic Power Lab ](http://koppalab.org/?ref=stonewallnews.net)I co-founded — will host the second Global Inclusive Finance Forum at the Deutsche Bank Center in New York. This year, we are organizing the Forum around a simple but ambitious question: *what would it take to build LGBTQ+ economies?* [Enquire here.](mailto: swathi@koppalab.org) --- Well, that’s it for this week. I had such a nice long weekend despite being away from [the twins, who had a big day on Monday](https://www.instagram.com/p/Dc%5FZah%5FhRft/?utm%5Fsource=ig%5Fweb%5Fcopy%5Flink&stkn=MzRlODBiNWFlZA==). I went to the beach twice and saw many friends. I read all of *London Falling*, which I highly recommend, but as a result, I haven’t made any progress [reading ](https://www.amazon.com/Disappearers-Novel-Marlon-James-ebook/dp/B0GJ755BD7/ref=sr%5F1%5F1?dib=eyJ2IjoiMSJ9.V9RTNrMzT%5FYWXCd8p3%5FiSj65KpbHhZb662wSz29VX1CcVNrHMH3f5TeGN1PQmzp3ONBeO5lGfJqmEb%5FuLEhk5Rjgb3fKKErLj5ZZTpIHe9k%5FXHiozQJ5Fuyy%5F7znNVyRf6D3wUoG0cZcJgzeYyoE4N0f8OBSBM4YelYXrWyE7Gh5ncALOj6mjFcL1IjImJCnCe-yAOyU8RRjfFUEJ1zqO1GH%5F4VYSBg5cY49jEYegac.czRN%5FF6Yxrxuxn-AjL09Y11LclqUQUqetnIcphLfTNs&dib%5Ftag=se&hvadid=694137731445&hvdev=c&hvexpln=67&hvlocphy=9004077&hvnetw=g&hvocijid=5880692008578296579--&hvqmt=e&hvrand=5880692008578296579&hvtargid=kwd-2465421886999&hydadcr=17263%5F13438582&keywords=the+disappearers&mcid=f39ace8776e834c8be119137049681cf&qid=1788970396&sr=8-1&ref=stonewallnews.net)[*The Disappearers.*](https://www.amazon.com/Disappearers-Novel-Marlon-James-ebook/dp/B0GJ755BD7/ref=sr%5F1%5F1?dib=eyJ2IjoiMSJ9.V9RTNrMzT%5FYWXCd8p3%5FiSj65KpbHhZb662wSz29VX1CcVNrHMH3f5TeGN1PQmzp3ONBeO5lGfJqmEb%5FuLEhk5Rjgb3fKKErLj5ZZTpIHe9k%5FXHiozQJ5Fuyy%5F7znNVyRf6D3wUoG0cZcJgzeYyoE4N0f8OBSBM4YelYXrWyE7Gh5ncALOj6mjFcL1IjImJCnCe-yAOyU8RRjfFUEJ1zqO1GH%5F4VYSBg5cY49jEYegac.czRN%5FF6Yxrxuxn-AjL09Y11LclqUQUqetnIcphLfTNs&dib%5Ftag=se&hvadid=694137731445&hvdev=c&hvexpln=67&hvlocphy=9004077&hvnetw=g&hvocijid=5880692008578296579--&hvqmt=e&hvrand=5880692008578296579&hvtargid=kwd-2465421886999&hydadcr=17263%5F13438582&keywords=the+disappearers&mcid=f39ace8776e834c8be119137049681cf&qid=1788970396&sr=8-1&ref=stonewallnews.net)I guess we still have next weekend. --- ### Tacoma's Safety Net Clinic: A Place to Turn When Gender-Affirming Care Is Hard to Find URL: https://www.stonewallnews.net/tacomas-safety-net-clinic-a-place-to-turn-when-gender-affirming-care-is-hard-to-find/ Last updated: 2026-09-07T21:17:48.000Z The description of gender-affirming care is “an individualized spectrum of social, psychological, and medical services that support people in aligning their physical expression of identity with their internal sense of gender.” Washington state law protects access to gender-affirming care for both youth and adults. However, where do parents or youth turn to for it? Generally, major hospitals and children’s hospitals have supported these needs. Now, given federal funding restrictions and legal pressures, over forty major hospitals nationwide are being forced to end medical interventions for minors. While some may still offer mental health support, access to medications, hormone therapy, or other services is often being discontinued. With the federal government recently blocking funding to Medicaid and the Children’s Health Insurance Program (CHIP) for gender-affirming medical care for minors — set to take effect on October 13, 2026 — the situation leaves youth vulnerable. States may opt to still pay for these treatments, but only by using their own money, and they would no longer receive federal matching funds. The new regulations have thus greatly impacted numerous programs that have either scaled back significantly or ultimately closed. **Safety Net Clinic** Recognizing the need to support these youth seeking care, a group of health professionals—pediatricians, physicians, and mental health therapists—met earlier in the year to determine how they might offer it. What they created became the Safety Net Clinic in Tacoma, WA, whose goal is to provide ethical, evidence-based, and compassionate support to young people during this period of disruption and uncertainty. A letter addressed to community organizations states, “The Safety Net Clinic is an LGBTQ-led collective of volunteer healthcare professionals who have come together in response to the growing crisis in access to medically assisted gender-congruence care for youth in our region.” During my recent interview with Dr. Ezekiel “Zeke” Melquist, MD, FAAP, he shared that many questions arose initially from parents and others, such as “How does it work with insurance?” His answer: “We don’t use insurance. It’s free.” Yes, you read that correctly: FREE! Likewise, the clinic addresses the fact that gender-affirming care is always individualized. Its services will look different for everyone. It may be aligning one person’s physicality with their internal gender identity. For another , it may be medications, or even something as simple yet important as affirming their name in their perceived gender. **The process** You may ask, “At what age does gender-affirming care begin?” Generally speaking, it begins at puberty, usually around the age of 13\. It is important to note, though, that if youth haven’t reached puberty, they wouldn’t receive medication, according to Dr. Melquist. Puberty varies and is assessed individually, with the clinic following national guidelines to help people get the care they need. Clients first receive a physical and, after identifying their affirming goals, then meet with a mental health therapist, who drafts a letter of support that is then sent to the medical team. Parents are included in this process, and a client may begin medication, with regular blood tests, if agreed upon. Additional referrals are provided as needed. Dr. Melquist stated that “thus far, there’s a fine line between getting the word out and encouraging youth to feel safe to access \[services\]. Youth may have privacy concerns and fears \[about reaching\] out.” Luckily, community organizations such as the Oasis Youth Center and the Rainbow Center in Tacoma, provide logistical support, as does the Tacoma Needle Exchange. Oasis, founded in 1985, provides a safe place for Queer and questioning youth aged 11-24 to connect, learn, and grow. The Rainbow Center, now 29 years old, supports, educates, and celebrates the local Queer community. The Tacoma Needle Exchange, founded in 1988, offers crucial services, education, and an outreach team committed to harm reduction for all, community collaborations, and inclusion. These organizations assist youth in navigating the process and connecting them to the Safety Net Clinic when the time comes. **Information** To ensure privacy, the clinic uses a secure email address to connect to the team: [allcare4allpeople@protonmail.com](mailto:allcare4allpeople@protonmail.com). Currently, it operates as a drop-in pop-up clinic on Fridays from 3:00 to 5:00 p.m. in downtown Tacoma. Dr. Melquist stated that flyers are distributed to areas where Queer events are held and at Pride, and letters have been sent to various organizations. Now that school is back in session, the clinic plans to send letters and flyers to school counselors, as well as put up more posters throughout the community. The clinic welcomes volunteers (both clinical and administrative) who are committed to supporting gender-diverse youth. Dr. Melquist is also a wonderful resource and pleased to answer any questions you may have. If you know someone who needs assistance, please don’t hesitate to contact the clinic. Despite the federal guidelines limiting access to gender-affirming health care, youth and parents can rest assured that a dedicated healthcare team in Tacoma is mindful of the needs of gender-diverse youth. Their commitment created the Safety Net Clinic*.* --- ### Older and Out: Understanding Oregon's Aging LGBTQ+ Population URL: https://www.stonewallnews.net/older-and-out-understanding-oregons-aging-lgbtq-population/ Last updated: 2026-09-07T21:18:18.000Z I want to let you in on a little secret: I’m getting older. So are all of you. Minute by minute, time marches on, and all we can do is try to keep up to the best of our abilities. Getting old isn’t easy, and we often don’t get to choose how and when circumstances lead us to directly address the hard facts that maybe we’re already there (I can tell when a storm is coming with more accuracy than NOAA in some of my joints these days). One thing we do know: We’re not alone. Large percentages of our population are entering retirement age, needing access to Social Security, Medicare, or Medicaid, and even looking at changing their living situations. An estimated 3.4% of Oregonians over the age of 55 are LGBTQ, based on a 2021 survey performed by the Goldsen Institute and the Oregon Department of Human Services. The extensive research they did ended up highlighting a number of items of greater concern for many respondents than for our heterosexual counterparts. We have a larger population of people of color. We are more likely to live alone, lack equal economic or housing stability, and concerns about discrimination in health and housing care. In their words, “...it will be critical to further extend the initial work and advocacy of LGBTQ+ organizations to promote partnerships between these communities, aging agencies, and state and local policymakers to develop a comprehensive approach to addressing \[the\] aging and health needs of LGBTQ+ older adults.” Brandy Penner, executive director of the Oregon LGBTQ+ Aging Coalition is one such person working to build and promote those partnerships. For over a decade, the organization operated as a volunteer coalition of mostly retired people, promoting education and advocacy. It holds a monthly Zoom forum with a variety of speakers on issues that directly affect this population: from the Oregon Queer History Collective to local initiatives and legal challenges and everything in between. A little over a year ago, a private angel investor was able to provide funding for an operating budget, and while Penner is currently the first paid employee, the coalition is pushing to increase its overall operations so as to sustainably work for our growing population for many years to come. A new public-facing website is expected soon, where current advocacy projects, information on past progress, and a calendar of events and meeting presentations can all be easily accessed. In the meantime, examples of the coalition’s hard work can be seen are on the [Oregon.gov](http://oregon.gov/?ref=stonewallnews.net) website. SB 99 established a LGBTQIA2S+ subcommittee of the Governor’s Commission on Senior Services, made up of local citizens. One of the items that has grown out of this group is the Respect Program, a targeted campaign to create awareness and empowerment for older people who may be experiencing abuse and may not recognize it or know who to ask for help. If you or someone you know in Oregon is experiencing abuse, you can always call the SAFE Line at **855-503-SAFE (7233)**. If you would like more information on the Governor’s Commission, or are interested in joining, you can email [lgbtqia2s.commission@odhs.oregon.gov](mailto:lgbtqia2s.commission@odhs.oregon.gov). In addition to addressing LGBTQ+ concerns, Penner is also trying to create a resource library and connecting point for all of the issues that nobody can escape, such as an end-of-life guide, educational materials on how to be an advocate, and a direct connection to a variety of organizations, like housing coalitions and Elder Pride Services. Penner and all the many volunteers around the state see fighting for social justice — reminding us “we are still here” as we age — as completely worth the struggle. Moreover, the coalition will also continue to survey the population about who we are and what we need, because as we grow, so do our priorities. What with political divides driving some who fear discrimination in other states to move here, the possibility that the original volunteer sample population was underreported, and the greater visibility of the work being done to support older Oregonians, we may see an even larger level of need and a broadening of who is included in the demographics. Discrimination continues to be a great concern. Twenty-five percent of respondents reported not being open with their personal doctor regarding their orientation, and also shared concerns about not being able to be out if they need to move into an assisted or full-care living situation. “Over half of participants had unmet needs for at least one service, said the 2021 survey. The highest rates of unmet needs include social support services, mental health/substance use treatments, information and referral services, adult day programs, medical and health services, and housing services.” The United States Census does not address LGBTQ issues in any of its data collection, but in the overall population, we are seeing similar trends. When data on adults without children was analyzed, the likelihood of living alone was twice as likely as living with parents (whether a family member or other person). The fear of isolation, even in such a broad and supportive community, is one that cannot just be fixed with a rainbow sticker. Data aside, I get a warm and fuzzy feeling from all of this. When my bones creak, when my friends and I pick a matinee instead of hitting the club, and when I get the constant social media ads that somehow know I need more fiber, I can rest assured that I have all those that have come before me once again forging the way forward. Hopefully we can all make that journey less strenuous than ones we’ve endured in the past. > Oregon LGBTQ Aging Coalition > [https://lgbtagingcenter.org/resource/oregon-sagecollab-partners/](https://lgbtagingcenter.org/resource/oregon-sagecollab-partners/?ref=stonewallnews.net) > Their website link redirects to LinkedIn right now. > National Sage website to find organizations in other areas is > [https://lgbtagingcenter.org/](https://lgbtagingcenter.org/?ref=stonewallnews.net) > Age+ is the partnering organization that covers issues for all Oregon older population, regardless of orientation. > [https://ageplus.org/](https://ageplus.org/?ref=stonewallnews.net) --- ### The Dogs of Venice: Steven Rowley’s Novella of Starting Over URL: https://www.stonewallnews.net/the-dogs-of-venice-steven-rowleys-novella-of-starting-over/ Last updated: 2026-09-06T14:19:39.000Z This book might be short, but it's packed with heart. I picked it up on a quiet afternoon and finished it before dinner — and honestly, I wasn't expecting it to stick with me the way it did. In *The Dogs of Venice*, Paul finds himself alone in Venice after his marriage ends abruptly, just before what was meant to be a romantic getaway for two. So, there he is, wandering through one of the most beautiful cities on earth, completely by himself, not entirely sure what to do with any of it. Then he spots a stray dog — small, scruffy, utterly unbothered — trotting along the canal as if it hasn't got a care in the world. And for some reason, Paul can't stop thinking about it. That's the heart of the book, really. Not a grand love story, not a dramatic breakdown. Just a man, a city, and a dog teaching him something he didn't know he needed to learn. What Rowley does so well here is hold the sadness and the warmth at the same time without letting either one crowd out the other. It's a sad premise, but the book never feels sorry for itself. There's humor in it. There's lightness. You get the sense that Rowley genuinely likes his characters, and that affection comes through on every page. Venice is used beautifully too — not as a postcard, but as a place that actually matters to the story. The narrow streets, the waterways, the feeling of being slightly lost even when you're not — all of it matches Paul's state of mind. Rowley doesn't over-explain any of this. He trusts you to feel it. If you've read Rowley before, you'll know what you're getting into. He's a gay author whose novels tend to feature gay characters and queer lives, but never in a way that boxes the stories in. The bigger themes — grief, connection, starting over, figuring out who you are when things don't go as planned — those are what drive his work, and they're what drive this one too. *Lily and the Octopus*, *The Guncle*, *The Celebrants* — they all deal with loss in their own way, and *The Dogs of Venice* fits right in with that. If you want a big, sprawling novel with a dozen twists, this isn't that. It's small and intimate on purpose. But if you're in the mood for something gentle, funny, and quietly moving — a story about starting over that fits neatly in your bag — this one's a keeper. *Available wherever books are sold, including on* [*Amazon*](https://www.amazon.com/Dogs-Venice-Steven-Rowley/dp/B0DT3GHYTL/ref=sr%5F1%5F1?crid=1LGKVENNUN277&dib=eyJ2IjoiMSJ9.xCqGPmE%5FOPYrMW5JDWYvfzSagfu1x-SwsKRoKcZq0WI.UeojYITWrn2vC5QB7FkkrlubCv2LAWxy5tJCBFoRxZY&dib%5Ftag=se&keywords=the+dogs+of+venice+steven+rowley&qid=1788636471&sprefix=the+dogs+of+venice+by+steven+rowley%2Caps%2C203&sr=8-1&ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/Untitled-Design---2026-09-05T122151.818.jpg) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/BusinessCardFinal--1--81-1.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Sacred & Proud: Rejection Cuts Deep. Here's Why I'm Learning It's Not About My Worth URL: https://www.stonewallnews.net/sacred-proud-rejection-cuts-deep-heres-why-im-learning-its-not-about-my-worth/ Last updated: 2026-09-05T15:07:29.000Z Rejection cuts straight to my bones. Perhaps because it's a demon I've been fighting for decades. So when a letter arrived in the mail a few days ago discouraging me from submitting a full grant proposal to a major funder in the religion news space — the reason being that we fall into "a very competitive funding environment" — it landed harder than it should have. That reaction isn't really about a foundation, or even about my nonprofit religion newsroom: [FāVS News](https://favs.news/?ref=stonewallnews.net). It's older than both. I've spent most of my life fighting to be seen by people who made it clear, in their own ways, that I wasn't worth staying for. My father left before I turned 2\. I don't have memories of him leaving, only the void it left behind. Somewhere along the way, without fully realizing it, I started building a life aimed at him — not toward reconciliation, but toward proof. I wanted to become someone he would regret not knowing. My mother stayed longer, but she left too, eventually. She's a devout believer whose faith teaches that being gay is not just a sin, but something akin to murder in God's eyes. When I came out to her, that theology didn't bend. In her view, I had refused to obey God's law, and that refusal was reason enough to walk away from her own child. She never supported my work as a religion journalist, either — the same faith that couldn't hold space for who I am couldn't make room for how I chose to write about faith. So there's a second version of the same want tangled up in the first: I want her to see what this work has become, how it's made a difference to others, and regret not being part of it. I want her to look at the life I've built — as a journalist, and as a gay woman who didn't disappear when she asked me to — and regret walking away from both. Funders declining FāVS shouldn't feel like either of those things. But some weeks, it does. When a letter says we're not worth the investment, some old, familiar part of me hears it as a personal rejection. That part of me responds the only way it knows how: by trying harder to prove them wrong. **Chasing approval** This isn't the first time. Over the years, FāVS has also been turned down by Innovia, Press Forward, Report for America, the Smith-Barbieri Progressive Fund and countless others. Different funders, different stated reasons — but landing in the same old place. Closer to home, it's been much the same. Local institutions we've covered fairly and generously haven't always returned that support when we've come asking. Buddhist teaching holds that attachment is often the root of suffering — and attachment to approval may be one of the most persistent forms it takes. It hands our sense of peace to people who may never choose to give it. I recognize that pattern in myself: handing my sense of worth to my father, to my mother — twice over, once for who I love and once for the work I do — and now to whichever funder holds the next envelope. I think this feeling is familiar to many people in the LGBTQ community. So many of us spend years chasing approval from someone who left, or withheld it, or who made love and acceptance conditional on becoming someone we're not. We build careers, build chosen families, chase achievements — while quietly hoping it will finally be enough for the person who decided we weren't worth the trouble of understanding. In Buddhist teaching, there's an image that has stuck with me: The moon remains whole whether or not clouds are covering it. On overcast nights, we might not be able to see it, but its wholeness was never actually in question — only our ability to see it clearly. I think that's the truer thing about worth in general: It doesn't wax and wane based on who's paying attention, or whose theology has room for you. My worth was never actually contingent on my father staying, or my mother approving of my faith reporting — or my marriage, or my life — or a funder saying yes. It just felt that way, because the people whose validation I wanted most happened to be the ones who won't give it. I don't have this fully sorted out. I still want the "yes." I want my mom — and now these funders — to look at who I am and what FāVS has become and regret walking away from both. But I'm starting to understand that wanting proof and needing it are two different things. One is ambition. The other is an old wound, still asking to be healed. Maybe that's the real work in front of me — not proving anything to anyone, but learning to separate the two. To keep chasing grants and telling the stories that matter, and to keep living openly as who I am, because I believe in both, not because I'm still trying to win over people who already made their choice. The moon doesn't argue with the clouds. It just keeps being whole, waiting for the sky to clear on its own time. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/Tracy_Simmons-2-1.jpg) #### Tracy Simmons is an award-winning journalist specializing in religion reporting and digital entrepreneurship. She is a Professor of Journalism at WSU and executive director at FaVS News, a digital journalism start-up covering religion news and commentary in the Pacific Northwest. Learn more at: [https://favs.news/](https://favs.news/?ref=stonewallnews.net) --- ### Rising Star in Journalism: Lucy Stutesman Earns Her Place in The New York Times Corps Talent-Mentorship Program URL: https://www.stonewallnews.net/rising-star-in-journalism-lucy-stutesman-earns-the-new-york-times-corps-talent-mentorship-program/ Last updated: 2026-09-05T12:05:19.000Z Journalist Lucy Stutesman of Washington State University has earned her place in The New York Times Corps talent-mentorship program. Twenty-one college students are selected from across the country to participate. The program began in 2022 and is designed for undergraduates who are pursuing journalism. Stutesman will be paired with Sharon Chan, deputy editor, Culture and Careers. Stutesman is Editor-In-Chief of The Daily Evergreen and third-year student at Washington State University majoring in multimedia journalism and broadcast news. She is also a contributing writer for the Spokesman-Review, FaVS News, and Stonewall News Northwest. From Stonewall News Northwest: Our hats are off to you, Lucy. We couldn't be prouder. More on the New Times Corps Members can be found here: [https://www.nytco.com/press/introducing-new-times-corps-members-3/](https://www.nytco.com/press/introducing-new-times-corps-members-3/?ref=stonewallnews.net) --- ### Weekly Update on National & International LGBTQ+ Equality – Wed, September 2, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-august-26-2026-2/ Last updated: 2026-09-02T19:55:40.000Z This week: Transgender Americans migration, Grindr’s price point, The Disappearers, La Bola Negra, John Galliano, Milo Yiannopoulos, Burning Man, UNGA and much more… > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* Well, my friends. This is it. C’est *la rentrée*—except, of course, for you fancy gays lingering at Burning Man or the US Open. September may simply mark the return to school for some, but for our movement, it also means getting back to work. And there is plenty waiting for us: renewed dissensions within our own community, new conservative assaults on our families, the spread of anti-LGBTQ+ laws across Africa, and homophobic and transphobic violence that, as this week’s news makes painfully clear, is very much with us. All of this against the backdrop of a rapidly changing world order. There is no time to waste. À vos cartables. Still, because I have no intention of sending you into September completely depressed by this rather daunting to-do list, I have supercharged this week’s newsletter with cultural distractions like *The Disappearers* or *La Bola Negra.* ### **Global News** #### **Uganda: Museveni Pardons Anita Among** President Yoweri Museveni has pardoned former Parliament Speaker [Anita Among](https://en.wikipedia.org/wiki/Anita%5FAmong?ref=stonewallnews.net), who spearheaded Uganda’s 2023 Anti-Homosexuality Act, dropping corruption, money-laundering and illicit-enrichment charges that had placed her under house arrest for 100 days. Sexual Minorities Uganda director Frank Mugisha called on Among to “*apologize to the Ugandan LGBTQ+ community,*“ while a legal advocate objected that *“criminal suspects should be tried by courts, not shielded by executive pardon.”* Read more in [*Erasing 76 Crimes*](https://76crimes.com/2026/09/01/uganda-president-pardons-homophobe/?ref=stonewallnews.net). #### **Indonesia: On Defense Policy Naming *“LGBTQ+ Culture”* a Threat** ILGA Asia is pressing Jakarta to scrap language in Indonesia’s 2025–2029 National Defense Policy that lists the *“spread of LGBTQ+ culture”* among the country’s non-military security threats. ILGA Asia executive director Henry Koh said *“when a state places \[this\] within its national defense doctrine, it crosses a dangerous line,”* while local group Arus Pelangi says the classification has fueled “*surveillance, monitoring, and control*“ of LGBTQ+ people. Details in [*MambaOnline*](https://www.mambaonline.com/2026/08/28/indonesia-urged-to-reverse-defence-policy-that-labels-lgbtq-culture-a-national-threat/?ref=stonewallnews.net). #### **France: Court Declines to Recognize Homophobic Motive** A Saint-Étienne tribunal convicted two men — ages 19 and 29 — of group assault after they attacked patrons outside the LGBT-friendly ZanzyBar on July 11, leaving three people with serious injuries, but ruled that homophobic slurs shouted during the attack “*did not constitute the motivation”* for the violence. The men received suspended sentences of six and eighteen months and were ordered to pay victims a combined €1,400\. The Bar owner called the ruling *“purely scandalous”*. Read more in [*Têtu*](https://tetu.com/2026/08/24/agression-bar-gay-lgbt-saint-etienne-homophobie-proces-zanzybar-tribunal/?ref=stonewallnews.net). #### **France: Homophobic Attack in Le Marais** Pierre Picavet, a French police officer and president of FLAG!, the association representing LGBTQ+ employees of France’s interior and justice ministries, was hospitalized after being attacked while leaving a bar in the Marais over the weekend. According to prosecutors, his attacker repeatedly used a homophobic slur before striking Picavet with a bottle, leaving him with multiple injuries, including internal bleeding and a head wound; remarkably, identifying himself as a police officer did not stop the assault. A suspect has been taken into custody. [See here.](https://www.france24.com/en/france/20260830-french-lgbtq-activist-hospitalised-after-despicable-homophobic-attack-in-paris?ref=stonewallnews.net) #### **Bangladesh: Dhaka University Expels Two Students** The University of Dhaka permanently barred two first-year students from their residence hall over unverified allegations of homosexuality, ordering them to leave immediately without collecting belongings; both students deny the charges, and one alleges regional bias motivated the action. A three-member disciplinary committee is investigating further. See in [*Erasing 76 Crimes*](https://76crimes.com/2026/08/21/bangladesh-students-expelled-homosexuality/?ref=stonewallnews.net). #### **Netherlands: The New American Exiles** The *Washington Blade*[ spoke with four trans and nonbinary Americans](https://www.washingtonblade.com/2026/08/28/trans-nonbinary-americans-find-refuge-in-the-netherlands/?ref=stonewallnews.net) who have relocated to the Netherlands, several of whom used the surprisingly accessible Dutch American Friendship Treaty. Their stories complicate the familiar image of the Netherlands as an LGBTQ+ promised land: Dutch bureaucracy and an often rigid medical system can make accessing gender-affirming care maddeningly difficult. Still, the calculation is stark. One trans father who moved there with his trans daughter described studying his family’s Holocaust history and concluding that targeted minorities sometimes need to *“get out early”;* another couple attended a grandmother’s funeral virtually rather than risk returning to America. One interviewee explained why even a political change in Washington might not bring him home: *“The poison’s in the water.”* --- ### **US News** #### **Two Killed Outside a Tucson Gay Bar** Police in Tucson have opened a hate-crime investigation after Vincent Anthony Siqueiros, 42, and Cameron Davis Capara, 33, were shot and killed outside Venture-N, a longtime gay bar, early Monday morning. The alleged shooter, 44-year-old Ousman Ceesay, who also died after being wounded, was reportedly carrying a note listing several LGBTQ-associated businesses. Community members have gathered outside Venture-N with flowers and candles, while Tucson Mayor Regina Romero called the killings *“another painful reminder that homophobia is still rampant in our country.”* [See here.](https://www.nytimes.com/2026/09/01/us/tucson-gay-bar-shooting.html?ref=stonewallnews.net) #### **Pentagon Asks Supreme Court About Transgender Troops** The administration asked the Supreme Court to let the Pentagon begin discharging 29 currently serving transgender service members before their case goes to trial, seeking to bypass a lower court order that had paused removals. The emergency application argues the military’s ban should take effect immediately rather than wait for the case, brought by plaintiffs including Nicolas Talbott, to run its course. A decision could come within weeks. Read more in [*The Washington Post*](https://www.washingtonpost.com/politics/2026/08/28/trump-asks-supreme-court-allow-military-discharge-transgender-troops/?ref=stonewallnews.net). #### **Federal Judge Strikes Down Texas Drag Show Ban for a Second Time** U.S. District Judge David Hittner ruled Texas’s drag performance restrictions unconstitutional, telling the state that people offended by drag shows should *“just don’t go”* rather than seek a statewide ban. It’s the second time a federal court has struck down the law, which Attorney General Ken Paxton’s office is expected to appeal again. The ruling keeps drag performances legal across Texas venues for now. See [*NBC News*](https://www.nbcnews.com/politics/politics-news/judge-strikes-texas-ban-drag-shows-tells-people-offended-just-dont-go-rcna594448?ref=stonewallnews.net). #### **DOJ Lawsuit Over California’s Transgender Athlete Policies** A federal judge tossed the Justice Department’s lawsuit against California over its refusal to bar transgender girls from girls’ school sports, rejecting the administration’s bid to force the state to adopt a ban. The ruling lets California’s existing policy, which allows transgender student-athletes to compete consistent with their gender identity, remain in place for now. The DOJ sued the state earlier this year after Attorney General Rob Bonta refused to comply with federal demands to change its rules. From [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/09/federal-judge-strikes-down-trumps-attempt-to-force-a-state-to-ban-its-trans-athletes/?ref=stonewallnews.net). #### **Ninth Circuit On Transgender Housing in Oregon Prisons** A federal appeals court heard arguments over whether transgender women can continue to be housed according to gender identity in Oregon’s state prison system, after a panel earlier this month blocked a lower court order requiring it. The case, brought by incarcerated transgender women, is now positioned as a broader test of constitutional protections for trans people in custody. A ruling could reshape housing policy well beyond Oregon. According to [*OPB*](https://www.opb.org/article/2026/08/27/oregon-transgender-trans-prison-law-lawsuit/?ref=stonewallnews.net). --- ### **Queering the Boardroom** #### **Deloitte Settlement Will Fund Edward Blum’s Campaign** Remember Edward Blum? I [wrote about him four years ago](https://fhoudart.medium.com/who-is-edward-jay-blum-the-plaintiff-against-the-nasdaq-board-diversity-listing-rule-c0307abeb90c?ref=stonewallnews.net), when his network was challenging California and Nasdaq’s efforts to encourage greater diversity on corporate boards—a battle his side ultimately won when both board-diversity rules were struck down. Now Blum’s campaign against DEI has produced another significant result: Deloitte has agreed to pay $21.5 million to resolve a Justice Department False Claims Act investigation into diversity practices that reportedly included demographic promotion goals monitored monthly and linked to partner compensation. Deloitte denies discrimination and admits no liability, but here is the number boardrooms should pay attention to: $4.3 million will reportedly go to Blum’s American Alliance for Equal Rights, whose whistleblower complaint triggered the investigation. See on [*Fox Business*](https://us.list-manage.com/k7CFgdA7wtb?e=4886a9c46f&c2id=71b161e5e71e4d3a3c607d9d98ef0e99&ref=stonewallnews.net) #### **October 26: In Person** PRISM’s **4th Annual LGBTQ+ Corporate Directors’ Summit** will take place in New York on October 26\. What began four years ago has grown into a gathering of roughly 150 corporate directors, CEOs, investors, governance leaders, board recruiters and senior executives—and, at a moment when both corporate LGBTQ+ engagement and board diversity are being tested, bringing these people into the same room feels particularly important. This year’s theme is “Sharper Perspective. Stronger Boards”. --- ### **The Gay Business** #### **Grindr Would Like More of Your Gay Disposable Income** CEO George Arison [told the ](https://www.ft.com/content/952920f9-429d-451a-9913-a360880ead41?ref=stonewallnews.net)[*Financial Times*](https://www.ft.com/content/952920f9-429d-451a-9913-a360880ead41?ref=stonewallnews.net) that the company is developing premium services aimed at affluent gay men, including offerings costing up to **$350 a month** and an even more expensive *“luxury lifestyle and experiences”* product, as part of his ambition to *“capture more of people’s wallets.”* Grindr has 15 million monthly active users but only 1.4 million paying customers, so the business logic is clear, even if the sociology is more questionable. One gay *FT* reader responded with perhaps the week’s best question: is Grindr expecting that $350 a month will produce [“a better class of Queer”](https://www.ft.com/content/f730f1c2-c176-46d1-b46d-c71b47935653?ref=stonewallnews.net)? #### **New Hospitality Brand Bets on Premium Gay Travel Market** Royal Grand Resorts launched with a stated focus on gay men’s travel, citing research identifying the segment as one of hospitality’s fastest-growing and highest-spending segments. The company has signaled plans to expand into Costa Rica as it builds out its resort portfolio. According to [*Morningstar/PR Newswire*](https://www.morningstar.com/news/pr-newswire/20260707fl98838/royal-grand-resorts-launches-with-a-clear-mission-serving-gay-mens-premium-travel-one-of-the-worlds-fastest-growing-and-highest-spending-hospitality-segments?ref=stonewallnews.net)*.* #### **ArcHaus: What if your career had an agent?** ArcHaus, a new queer-founded membership community, wants to change that by giving leaders something closer to the representation long enjoyed by athletes and entertainers: help with executive opportunities, board placements, professional positioning, speaking engagements, and a network that follows you from one chapter of your career to the next. An interesting experiment in what professional infrastructure could look like when it belongs to the talent rather than the employer. [Visit ArcHaus](https://archausglobal.com/?ref=stonewallnews.net) or[ join the waitlist](https://tally.so/r/pbZagJ?ref=stonewallnews.net). --- ### **The Semi-cultural Desk** #### ***The Disappearers*** The[ ](https://www.nytimes.com/2026/08/30/books/review/the-disappearers-marlon-james.html?smid=nytcore-ios-share&ref=stonewallnews.net)[*New York Times*](https://www.nytimes.com/2026/08/30/books/review/the-disappearers-marlon-james.html?smid=nytcore-ios-share&ref=stonewallnews.net)[ has already called](https://www.nytimes.com/2026/08/30/books/review/the-disappearers-marlon-james.html?smid=nytcore-ios-share&ref=stonewallnews.net) Marlon James’s *The Disappearers* “*the novel of the decade, if not the century,*” so expectations are reasonably high. This[ Literary Hub profile](https://lithub.com/?ref=stonewallnews.net) reveals just how personal the book is. Set among gay men in 1980s and ’90s Jamaica, it draws on James’s memories of growing up queer in Kingston, alongside interviews with dozens of queer Jamaicans, to explore violence, secrecy, rage, friendship and the complicated joy of being gay in a society determined to make that difficult. James insists it is not autofiction, though he acknowledges that, six novels in, he is drawing more deeply than ever from his own life. My hard copy won’t arrive until September 10, so naturally I bought the Kindle edition too—which is perhaps as good an allegory as any for my lifelong approach to personal finance and the reason I rely on your paid subscriptions. #### *La Bola Negra* One to put on the fall calendar: *La Bola Negra*, the ambitious new film from Spanish directors Javier Calvo and Javier Ambrossi—Los Javis. Inspired by Federico García Lorca’s unfinished work, the film connects the lives of three gay men across 1932, 1937 and 2017, moving through civil war, repression, desire and the secrets one generation leaves for the next. The cast alone is reason to pay attention: Julio Torres, Miguel Bernardeau, Guitarricadelafuente, Penélope Cruz and Glenn Close. After reportedly earning Los Javis Best Director and a 20-minute standing ovation at Cannes, Netflix won the U.S. distribution rights. It arrives in theaters October 16 and on Netflix December 2\. See below. #### **More On Bathhouses** Even though [I am not entirely convinced](https://fabricehoudart.substack.com/p/on-the-complex-topic-of-sex) that bathhouses are the missing piece our community needs right now, I couldn’t resist this[ West Side Rag piece](https://www.westsiderag.com/2026/08/29/bring-back-the-spectacular-when-the-upper-west-side-had-the-most-fabulous-basement-in-the-city?ref=stonewallnews.net) revisiting the Continental Baths, the legendary gay bathhouse that once occupied the basement of the Ansonia at Broadway and 74th Street. After all, it is hard to resist a story featuring Bette Midler launching her career, Frankie Knuckles behind the decks, Mick Jagger and Warhol drifting through, and Alfred Hitchcock quietly swimming in a towel. With lawmakers Erik Bottcher and Tony Simone now pushing to lift rules dating back to the AIDS-era crackdown on bathhouses, the piece raises an interesting question: are we reclaiming an important part of queer communal life—or simply getting a little carried away with nostalgia? #### **A 20-Year-Old Murder Case, and an Unpaid Settlement** The still-unsolved 2006 murder of DC attorney Robert Wone is back in the news for a decidedly less mysterious reason: money. Wone was found stabbed to death while staying overnight at the Dupont Circle home of three gay friends—Joe Price, Victor Zaborsky and Dylan Ward—who were later acquitted of conspiracy, obstruction and evidence-tampering charges; no one has ever been charged with the murder. His widow, Katherine Wone, subsequently settled a $20 million wrongful-death lawsuit against the three men, but the amounts were kept secret. Now, new court filings have revealed that Price agreed to pay $80,000 and Zaborsky $66,000 over 20 years—and[ Katherine Wone alleges they have fallen substantially behind](https://www.washingtonblade.com/2026/09/01/gay-men-linked-to-2006-wone-murder-failing-to-make-lawsuit-settlement-payment/?ref=stonewallnews.net), with more than $88,000 reportedly outstanding between them as of May. #### **September Is Looking Very Gay on Television** For those of us approaching *la rentrée* by returning to the sofa,[ Autostraddle’s September streaming guide](https://www.autostraddle.com/september-2026-whats-new-gay-and-streaming/?ref=stonewallnews.net) suggests an unusually queer month ahead. My personal shortlist includes *Call My Agent! The Movie*, bringing Camille Cottin’s formidable lesbian agent Andréa Martel back on September 10 (Cottin is also in [*Les Misérables* ](https://www.youtube.com/watch?v=o16DusC1ZnQ&ref=stonewallnews.net)coming out in October); Ryan Murphy’s apparently *“women-driven, feminist, lesbian, dirty, unapologetic*” take [on Lizzie Borden in ](https://www.netflix.com/tudum/articles/monster-season-4-lizzie-borden-release-date-cast-news?ref=stonewallnews.net)[*Monster*](https://www.netflix.com/tudum/articles/monster-season-4-lizzie-borden-release-date-cast-news?ref=stonewallnews.net)[ ](https://www.netflix.com/tudum/articles/monster-season-4-lizzie-borden-release-date-cast-news?ref=stonewallnews.net)(Season 4) on September 17; and [*Slo Pitch*](https://www.youtube.com/watch?v=aecr7t8nSfg&ref=stonewallnews.net)[, ](https://www.youtube.com/watch?v=aecr7t8nSfg&ref=stonewallnews.net)a lesbian softball mockumentary produced by Elliot Page arriving September 25\. Add a new all-drag-king season of *King of Drag*, Ali Krieger on *The Amazing Race*, and enough Sarah Paulson in *American Horror Story* to constitute several cast members. #### **Protect the Dolls, Fire Island Edition** Fire Island Pines got a particularly fabulous end-of-summer takeover with the fourth annual[ Doll Invasion](https://www.them.us/culture/doll-invasion-fire-island-photographs?ref=stonewallnews.net), a three-day, trans-led celebration that mixed queer joy with fundraising for Queer|Art and Advocates for Trans Equality. Kim Petras made her Fire Island debut with a sold-out party at the Pavilion, alongside a lineup of trans and queer DJs and performers, while Dylan Mulvaney and Adam Lambert were among those spotted joining the festivities. #### **Dustin Lance Black’s “Rock Out” Traces Queer Rock History** The Oscar-winning “Milk” screenwriter directs this four-part docuseries on LGBTQ+ contributions to rock music, premiering September 20 on queer streamer Revry. Reports ([*Queerty*](https://www.queerty.com/the-best-lgbtq-movies-tv-shows-coming-to-streaming-in-september-2026-20260901/?ref=stonewallnews.net)). --- ### **Coming And Going** #### **Galliano Is Out at the Met** The Metropolitan Museum of Art has[ canceled its planned 2027 Costume Institute exhibition devoted to the designer](https://www.npr.org/sections/culture/?ref=stonewallnews.net) after intense criticism over his past antisemitic and racist remarks. Galliano, who was convicted in France after a series of notorious incidents in 2010 and 2011, said he remains *“fully accountable”* for the pain he caused and agreed that the exhibition should not proceed. The controversy had grown well beyond fashion circles: Pace Gallery founder Arne Glimcher reportedly threatened to withhold gifts, Jewish leaders objected, and Anna Wintour—one of Galliano’s longtime champions—came under renewed scrutiny for backing the show. #### **Milo Yiannopoulos’ misfortune** Milo Yiannopoulos, the British far-right provocateur who once called for *“zero immigration for the next 20 years,”* has [now been deported](https://apnews.com/article/milo-yiannopoulos-immigration-detention-ye-louisiana-890c5661f02bd3dad677f5049790fdc1?ref=stonewallnews.net) from the United States after being detained by immigration authorities in New Orleans for overstaying his visa. Yiannopoulos, who entered the country legally in 2019 but was later ordered removed, told Piers Morgan that he was *“terrified”* by the *“brutality”* of the ICE process—an especially striking complaint from someone who has spent years cheering on hard-line immigration enforcement. The former Breitbart star, who has also worked with Marjorie Taylor Greene and Ye, had also announced in 2021 that he was now “ex-gay.” ([Read more on Ex-Gay Watch](https://exgaywatch.com/2026/08/milo-yiannopoulos-from-gay-provocateur-to-ex-gay-ice-deportee/?ref=stonewallnews.net)). > He promoted abstinence from gay sex, [said his husband had been “demoted” to housemate](https://www.independent.co.uk/news/world/americas/us-politics/milo-yiannopoulos-ex-gay-b1815296.html?ref=stonewallnews.net), embraced traditionalist Catholicism and talked about rehabilitating conversion therapy. #### **Hunter Biden Is 48.5% Gay. Apparently.** Hunter Biden, who I think is married to Melissa Cohen Biden, announced on Luke Beasley’s podcast that he is *“48.5 percent gay.”* The exchange was decidedly tongue-in-cheek: after initially settling on 48.6 percent, Biden revised his *“gaydom”* down to 47 percent before ultimately returning to 48.5—and informed Beasley that, hypothetically, he would prefer someone *“a little bit more masculine.”*[ Entertainment Weekly](https://ew.com/hunter-biden-says-he-is-a-little-bit-gay-12075307?ref=stonewallnews.net) dutifully reported the news as Biden coming out as *“a little bit*” gay. --- ### **The Gay Agenda** #### **5 More Days of Burning Man** [Burning Man 2026](https://www.fashiontimes.co.uk/burning-man-2026-ticket-surplus-1763312?ref=stonewallnews.net) has allegedly failed to sell out, with tickets reportedly being dumped on secondary markets well below face value as the gathering gets underway in Nevada. Perhaps it is the $1,000-plus cost of getting through the gate with a vehicle, memories of biblical mud and punishing heat, or simply the fact that what was once counterculture has become a rather expensive pilgrimage for tech bros and influencers, some even bringing their private chefs along. Some veteran Burners see the downturn as a welcome reset and a chance to return the event to its community-building roots. Time to brush up on [Burning Man’s ten principles.](https://burningman.org/about-us/10-principles/?ref=stonewallnews.net) #### **September: UN Week Is Coming** The diplomatic circus of UN Week is about to descend on Manhattan at the end of the month—and there will be plenty happening on the LGBTQ+ front, including growing conversations around global decriminalization. I am hoping to be[ at CGI](https://www.clintonfoundation.org/programs/leadership-public-service/clinton-global-initiative/?ref=stonewallnews.net), the[ UN LGBTI Core Group event](https://unlgbticoregroup.org/?ref=stonewallnews.net), and Open for Business’s annual reception, as usual. #### **September 24: Chicago: Together We Thrive** On September 24,the[ GenderCool Project](https://gendercool.org/events/fall2026/?ref=stonewallnews.net) is bringing families, transgender and nonbinary young people, and their allies together in Chicago for *“Together We Thrive: An Evening with GenderCool.”* At a moment when trans kids and their families could use considerably more allies—and fewer politicians making their lives harder—the evening promises inspiration, community, healing, and, importantly, some joy. It runs 5–8 PM CT and supports GenderCool’s work helping people meet transgender and nonbinary young people through their stories rather than the political caricatures made of them. [Details and tickets here.](https://gendercool.org/events/fall2026/?ref=stonewallnews.net) #### **October 15–25: NewFest, New York** New York’s flagship LGBTQ+ cinema week unveils its 38th edition, with screenings across the city and virtual programming reaching audiences nationwide, typically culminating in an awards ceremony recognizing standout LGBTQ+ storytelling. [See here.](https://newfest.org/?ref=stonewallnews.net) --- That’s it for this week. I hope you had a wonderful summer. Mine was unusually stationary—I didn’t travel much, which after a long year turned out to be exactly what I needed. I am now feeling rested, reenergized, and ready for *la rentrée* and everything the fall will inevitably throw at us. See you next week! --- ### Thoughts from the Hobbit House: How Do You Break Up with a Friend? URL: https://www.stonewallnews.net/how-do-you-break-up-with-a-friend/ Last updated: 2026-09-02T18:54:16.000Z ### *Apparently, there’s no “Friendship Divorce Court”- and I have questions.* --- After my recent article about how to make a new friend- spoiler alert: [invite them over to play Legos](https://www.stonewallnews.net/thoughts-from-the-hobbit-house-wanna-play-legos/)\- almost a dozen people asked me to write about the opposite: **How do you break up with a friend?** Frankly, I’m not sure I’m the best person to ask. In fact, I have made enough mistakes in this area to qualify for some sort of continuing education. So I asked other people. Twenty-seven generous individuals shared their thoughts, advice, heartbreak, and experiences with me via text, comment, over coffee, and while waiting in line to ride a waterslide. **Several shared some of the worst friend breakup horror stories that will probably forever haunt me. I’ll share those at the end of this article in the hopes no one ever repeats them.** I’m grateful to every person who shared their wisdom, tears, and hopes for others. This is also a tender subject for me because, like most people, I have been on both sides of a friendship breakup. I have been the person walking away, and I have been the person standing there wondering what the hell just happened. The latter was one of the most painful- and ultimately helpful- experiences of my life. ### **My Friendship Divorce** After college, I started dating a fellow and, as often happens in gay life, I eventually became part of his friend group. He and I didn’t last. The friendship group did… for a time. Much to his probable frustration and stress, I remained firmly embedded in the group. We traveled together. We had sleep overs. We drank too much. We went to parties. We did pretty much everything together. I’ve found gay friend groups can be particularly complicated because the guardrails between friendship and romance aren’t always there. It can be remarkably easy for friendship feelings to wander into romantic territory. And wander they did. One of my friends started dating my roommate and then my roommate became part of the group. Then they broke up. Then, in what can only be described as a spectacularly bad decision, I tried to secretly date my friend’s ex- the fellow who also happened to be my roommate. **This did not go well.** There were hurt feelings. There was drama. There was probably enough poor decision-making to qualify for its own limited television series. I asked my friend if we could talk about what had happened. They said no. We never talked again. And, rather quickly, I was excommunicated from the friend group. I had to start over. It hurt. But it was also one of the best things that could have happened to me although I certainly didn’t think so at the time. Eventually, I realized that while these were all decent people, the group simply wasn’t a particularly good fit for me. Our interests, personalities, and lives had diverged. Losing that group made room for me to meet new people- friends I continue to love and appreciate to this day. So I am grateful that those friendships ended. **I just wish I had handled the breakup better.** ### **Who Gets the Trivia Night?** In hindsight, what I really wanted was a friendship divorce. I wanted someone to sit us down and explain the custody arrangement. Who gets the favorite trivia night? Who gets to keep the favorite café? Who gets to attend Clare’s annual holiday party? And what about the friends who are friends with *both* of you? Do they have to choose sides? Are there visitation schedules? Apparently, there is no Friendship Divorce Court. There should be. I remember showing up at my favorite trivia night and seeing my former friends there together- without me. That hurt. I hosted an annual Halloween party- complete with a ridiculous backyard haunted maze- and invited everyone and their mom. But I didn’t invite them. That probably hurt, too. A mutual friend later told me she didn’t want to pick sides, but she felt like both of us were expecting her to. So she backed away from both of us. Honestly, I can’t blame her. Nobody wants to be Switzerland in someone else’s friendship war. ### **Why Do Friendships End?** According to sociologist Gerald Mollenhorst’s research, friendships are surprisingly fluid, with many lasting only several years. That means friendship endings are a normal part of life. So why are we so bad at them? There are plenty of reasons friendships end: **1\. Natural drift** Sometimes nobody does anything wrong. People simply grow in different directions. **2\. Unequal effort** One person is always calling, planning, checking in, apologizing, or trying to keep the friendship alive. **3\. Value clashes** Sometimes you discover that you fundamentally disagree about things that matter deeply to you. **4\. Unresolved conflict** Small hurts accumulate until the friendship becomes more painful than rewarding. **5\. Different priorities** Jobs, partners, children, family, health, geography, or simply changing interests can pull people apart. **And sometimes, unfortunately, the friendship just becomes unhealthy.** ### **So How Do You Do It?** The 27 people I heard from had different opinions, but there were some common themes. The most frequently offered advice was simple: **Be direct when possible. Don’t ghost people.** Sometimes friendships naturally fade. You stop initiating. They stop initiating. Eventually, you realize you haven’t spoken in six months and neither of you seems particularly bothered by it. Another piece of advice I heard was almost the opposite: **“Don’t break up with friends. Life’s too short. You may need to separate for a while, but keep the door open.”** I think there is wisdom in that, too. Here are some sample scripts for friendships that have run their course. **“I've really valued our friendship, but I think we've grown in different directions.”** **“I care about you, but I don't have the capacity for this friendship right now.”** **“This relationship isn't working for me anymore, and I need to step away.”** And here are a few even more courageous statements: **“I don’t like who we are together anymore.”** **“I don’t like who I am around you.”** Not every difficult season requires a permanent ending. Sometimes you need distance rather than divorce. And sometimes you really do need to walk away. ### **There Is No Perfect Friendship Breakup** Perhaps the biggest lesson I took from all these conversations is that there is no universal formula. Friendships are relationships, and relationships are messy. You can be honest and still hurt someone. You can be kind and still disappoint them. You can make the right decision for yourself and still grieve it. And sometimes you can handle everything as thoughtfully as possible and the other person will still be angry and still get hurt. That doesn't necessarily mean you did the wrong thing. What we *can* do is try to leave people with dignity. Don't weaponize their vulnerabilities. Don't recruit mutual friends into the conflict. Don't create a 47-slide PowerPoint presentation documenting every grievance dating back to 2014\. And, whenever possible, don't make someone discover that the friendship is over because they happened to see you having coffee with everyone else on Instagram. People deserve better than that. **The Worst Friendship Breakup Stories Shared With Me** Okay. Brace yourselves. I asked 27 people to share their experiences with friendship breakups, and while most offered thoughtful advice, a few stories made me stare at my computer and think, **“Well, at least I’m not the worst friend in the world.”** Some of these stories are funny in retrospect. Some are heartbreaking. I appreciate the courage of all who shared. And some are so spectacularly awful that they deserve their own category. Here are a few of the worst friendship breakups shared with me, shared with permission, but without names to protect all involved. **The Group Trip** One person told me about a friendship that had become increasingly tense. She eventually decided not to invite her friend on an annual group trip- a tradition they had shared for more than a decade. The problem was that the friend didn’t know she had been uninvited. Another person in the group apparently shared the trip details with her, and she showed up with her luggage, ready to board the van. Only to discover there wasn't room for her. Because she hadn’t been invited. She left in tears. The person who told me the story said she expects to be haunted by that moment for the rest of her life. She deeply regrets how she handled it. There are ways to end a friendship. **Surprising someone with a suitcase in hand at the departure point of a decade-long tradition is probably not one of them.** **The Bar Night** Another person told me he was at a gay bar with a group of friends he'd been close with for about five years. He noticed they were quieter than usual, but otherwise didn't think much of it. Then one of his friends got up to sing karaoke. Before starting the song, and in front of the entire bar, the friend announced that they no longer wanted to be friends with him because **he was too poor and didn’t dress like them.** Then they sang karaoke. I have so many questions. What song did they choose? Was it “Money, Money, Money”? “Rich Girl”? We may never know. He walked out of the bar and never spoke to them again. As painful as the experience was, he told me that, in the long run, he was grateful to be rid of people who valued him according to his bank account and clothes. Which, frankly, is probably the healthiest thing anyone could have taken away from being publicly fired from a friendship during karaoke night. **Extreme Ghosting** And then there is the story that wins the award for **Most Aggressive Application of the Block Button.** One person told me he had been best friends with someone for over two years. They talked every day. They had traveled together, lived together at one point, and even co-parented a puppy. Yes. A puppy. They were planning a trip to Italy together when, at the last minute, his friend texted that they would just meet him at the airport. His friend's phone battery was almost dead, and apparently their seat had been changed, so they wouldn't be sitting together on the flight. This seemed odd, but he boarded the plane. He kept looking for his friend. The flight was large, after all. Maybe they were simply separated. He landed in Italy. His friend was nowhere to be found. No calls were answered. No texts were returned. He never saw his friend again. His friend changed their phone number and blocked him on social media. They never spoke again. The only thing he retained from the friendship was sole custody of their puppy. To this day, he says he has no idea what changed, what he might have done, or why someone he had been so close to suddenly disappeared from his life without explanation. And then, because apparently this story needed one more plot twist, he later met someone else who told him they had experienced essentially the same thing with this person. I must admit, the puppy custody arrangement may be the most stable part of this entire story. But underneath the absurdity of it, there is something deeply painful about being left without an explanation. We don't always get closure. Sometimes we don't even get a goodbye. And that may be one of the hardest things about friendship endings: **we can survive losing someone, but our brains desperately want to know why.** ### **Maybe Friendship Breakups Are Part of Growing Up** I wish someone had told me earlier that not every friendship is supposed to last forever. Some people come into our lives for decades. Some for a few years. Some for a season. Some, apparently, for exactly long enough to teach us never to secretly date our friend's ex. All of them can matter. The ending doesn't erase what was good. **The friendship ending doesn’t mean either of us is a bad person.** Sometimes losing a friendship creates the space we need to find people who fit the person we are becoming. I think about that old friend group occasionally. There are memories I treasure. There are things I would do differently. There are apologies I wish had been made- and conversations I wish we had been brave enough to have. But I am also grateful for what came next. New friends. New adventures. New people who somehow tolerate me inviting them over to play Legos. Maybe that's the strange thing about friendship. We spend so much time learning how to make friends, but almost nobody teaches us how to let them go or say goodbye when we need to. Maybe we should. Because sometimes the healthiest thing we can do for ourselves- and for another person- is to acknowledge that the friendship has changed. And then, as gracefully as we can, either let it go or change with it. Preferably without fighting over custody of the trivia night or involving a puppy. --- ### Rachael Sage Brings "Under My Canopy" to the Pacific Northwest URL: https://www.stonewallnews.net/rachael-sage-brings-under-my-canopy-to-the-pacific-northwest/ Last updated: 2026-09-03T05:19:40.000Z Few independent artists have built a career as varied, consistent, and emotionally candid as Rachael Sage. The New York City–based singer-songwriter has spent years crafting music that blends intimacy with conviction, earning a devoted audience with songs that are at once vulnerable, resilient, and unmistakably her own. Her longevity becomes easier to understand when you look at the body of work behind it. Sage has received six Independent Music Awards, won the Grand Prize at the John Lennon Songwriting Contest, and performed at major festivals like SXSW and the Edinburgh Fringe. Her international tours have taken her from Japan to Berlin, sharing stages with renowned artists such as Rufus Wainwright, Ani DiFranco, and Judy Collins. This fall, Sage releases *Under My Canopy*, an acoustic reimagining of her well-received album *Canopy*. Rather than simply repackaging the originals, she has rebuilt them from the ground up. With fresh acoustic instrumentation and stripped-back arrangements, the songs take on a more intimate tone — reflective, sometimes mournful, but ultimately hopeful. Eager to learn more, I contacted Rachael and asked her a few questions I thought her dedicated followers would appreciate. Here's our conversation. **Frank Gaimari: Your new album, *Under My Canopy*, arrives on Oct. 9\. What are you most proud of when you look back on making it?** Rachael Sage: I believe that creating and sharing new music is an incredible gift and a meaningful opportunity to uplift others and foster a sense of community through art. I am truly excited about this as my primary goal. After extensive touring last year, we had a wonderful time revisiting this material with a more stripped-down, acoustic approach. It is always gratifying to distill songs to their essential elements and to realize that they still stand strong as melodies and lyrics, even without elaborate instrumentation. **FG: How do you find the strength to perform "Nexus" night after night, and what message do you hope the audience takes away from it?** RS: “Nexus” is not my personal story but rather a tribute to Nex Benedict and their family — an effort to honor their life through shared grief and resolve. Admittedly, it is a difficult song to sing, but I always remind myself that I have the privilege of a microphone and an audience. More than anything, it feels like a rallying cry: to keep moving forward, to stand up for one another even when it takes courage, and to never turn a blind eye when we witness others being bullied or mistreated. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/rsage_photo_gal_56294_photo_1860906673_md.jpg) Rachael Sage / Photograph courtesy of Rachael Sage **FG: Your music clearly means a lot to LGBTQ+ listeners. How has your own life shaped the way you write for and connect with that community?** RS: First, it’s always incredibly inspiring to me to know that LGBTQ+ listeners are connecting so deeply with my work. I came out as Bisexual when I was 24, and I’ve never shied away from writing romantic or other types of songs about loving both men and women. I find it a bit ironic that I ended up being attracted to women, given that I was severely bullied by other girls at a young age. But the heart wants what the heart wants — and I suppose I am a good example of how to work through early trauma using art and music, ultimately allowing me to celebrate all parts of myself. These experiences have helped me create a wildly adventurous, fulfilling, and empathetic life. **FG: You've shared the stage with Rufus Wainwright, Ani DiFranco, and Judy Collins — people who have always done things their own way. Has being around any of them changed how you think about your own path?** RS: I used to try to pander a bit to the audiences of these different headliners. I thought, “Okay, this crowd likes upbeat guitar grooves,” or “This crowd enjoys folk storytelling,” and I probably overthought it a bit when I was starting out. But that’s understandable, because I didn’t yet have enough experience to realize that an audience doesn’t want you to try to be like someone else — they want you to be you, as confidently and committedly as possible. Nowadays, I just go out there and do my thing, try to play the very best, most impactful material I have, and lean on my very talented bandmates. We know that if we’re really “in” the moment and listening to each other generously, that ineffable, magical thing can happen — when the music becomes bigger than us, and we’re truly in service to it and, of course, to the audience. Also, preparation is key. A little rehearsal, along with meditating and vocal warmups, goes a very long way. It’s no different from being an athlete, and Judy Collins and Howard Jones both taught me a lot about that — they’re so incredibly disciplined! **FG: What do you love about playing small venues? Is there something you can do in a room like that which just doesn't work on a bigger stage?** RS: In a small room, the audience really becomes another member of the band in a unique way. If someone coughs or drops a glass — it happens! — I’m all about embracing those moments and making some kind of comedy schtick out of them if it works. Of course, a sing-along in a small venue is a whole other ballgame — you can hear individual voices singing and sometimes harmonizing, or people clapping or snapping, and it ignites a very tangible energy for us onstage that can feel… euphoric! On the flip side, there's always the risk of a heckler or someone loud, drunk, or chatty happening. But even moments like that can become an opportunity to shift gears and do something bold musically to refocus attention. Honestly, I love it all: big, small, highs, lows. It’s a kind of circus, a diversity of experiences that make you a better artist and, in theory, a more flexible and resilient human. Being able to hold the attention of any room of any size is part of what makes this work so rewarding. It’s also why people enjoy hearing artists like Taylor Swift on *Tiny Desk* — solo at her instrument. We get to see different facets of artists when the camera is zoomed in closer, so to speak. **FG: What do your fans mean to you? Has a fan ever said or done something that really stuck with you?** RS: People often approach me after shows to share personal stories. It’s humbling to see how people open up after hearing my music. I’ve received feedback that my willingness to discuss my experience as a cancer survivor has inspired others to be more honest about their own experiences or to find inner strength as they navigate difficult times. Knowing I can offer that kind of support is incredibly meaningful. These moments truly give this work purpose, and I cherish them deeply. Whether it’s a joke I share that brings laughter to a serious topic or a song that touches people deeply, I’m constantly reminded of how powerful art can be. We couldn’t do this without an audience, and when people choose to support an indie artist like me, I genuinely want to give them the best possible experience. I know my bandmates in The Sequins feel the same way. We pour everything into our performance, hoping to leave everyone with a genuine smile and a head full of catchy melodies. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/rsage_photo_gal_56294_photo_1132298459_md.jpg) Rachael Sage / Photograph courtesy of Rachael Sage For longtime listeners and newcomers alike, these Pacific Northwest dates offer a chance to experience an artist whose music invites both reflection and resilience — and whose live performances continue to turn intimacy into connection. Tour Dates: September 2, 2026 — Seattle, WA September 4, 2026 — Cottage Grove, OR September 5, 2026 — Portland, OR September 6, 2026 — Whidbey Island, WA September 10, 2026 — Astoria, OR For more information and tickets, visit [https://rachaelsage.com/](https://rachaelsage.com/?ref=stonewallnews.net). [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/rsage_photo_gal_59009_photo_1926444246.jpg)](https://rachaelsage.com/?ref=stonewallnews.net) Under My Canopy ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/Untitled-Design---2026-09-02T221044.756.jpg) Rachael Sage performing live at The Rabbit Box / Photograph by Frank Gaimari --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/09/BusinessCardFinal--1--81.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Circus Animals Roar to Life as a Novel URL: https://www.stonewallnews.net/circus-animals-roar-to-life-as-a-novel/ Last updated: 2026-08-31T14:06:22.000Z Frank Gaimari, a Seattle-based writer, has made a striking debut in the literary scene with his novel, *Circus Animals*. The book is a heartfelt and imaginative tale that blends adventure, emotion, and social commentary. Set against the vibrant, mysterious backdrop of New Orleans, the story follows a group of circus animals on a brave quest to free a lioness and her cub from the clutches of ruthless carnival workers. The richly developed characters — from the courageous elephant to the flamboyant mouse — each bring charm and complexity to the narrative. At its core, *Circus Animals* explores friendship, unity, and resilience while shedding light on the darker realities of animal mistreatment. Gaimari’s vivid storytelling and emotional depth create an enchanting yet thought-provoking experience that has captivated readers of all ages. Conceived initially as a screenplay, Gaimari’s story has evolved into a richly crafted novel, earning widespread praise from critics for its depth and compelling narrative. However, the novel is more than just a thrilling adventure. Through a vivid exploration of life under the big top, Gaimari reveals the reality behind the glamorous facade. “The circus symbolizes so much,” he shares. “While it dazzles with lights and performances, there’s often underlying struggle, control, and exploitation.” Gaimari’s path to turning *Circus Animals* into a novel was anything but traditional. His screenplay received praise on the festival circuit for its rich narrative and dialogue, yet Gaimari felt there was more to explore than a script could allow. “Screenplays put tight constraints on storytelling,” he reflects. “I wanted to dive deeper into the characters, the world, and the emotions driving this group of animals.” The following are questions I had the opportunity to ask the author. **Lyndal Simpson: *Circus Animals* started as a screenplay. What inspired you to turn it into a novel?** I’ve always enjoyed writing in different forms, and *Circus Animals* was a story I really believed in. As a screenplay, it got great feedback, which meant a lot to me. But I also knew how difficult it can be to sell a script, so I started thinking about other ways to keep the story alive and share it with more people. Turning it into a novel felt like the natural next step. It gave me the chance to go deeper into the characters, the world, and the emotional heart of the story in a way that was really satisfying. It was definitely a different challenge from screenwriting, but in many ways, it was even more rewarding. Writing the novel let me connect with the story on a more personal level and give it the attention it deserved. I’m really glad I made that choice. **LS: The story follows an unusual group of circus animals on a daring adventure. What sparked the idea for this narrative?** FG: I’ve been an animal lover my whole life, and I honestly can’t remember a time when I didn’t have a pet by my side. They’ve always been an important part of my life. When I started writing *Circus Animals*, it felt natural to make them the foundation of the story. I based the main characters on my own pets — each one inspired by a real personality I’ve known and loved over the years. Some of my pets are still with me today, curled up nearby as I write. Others have passed away, and I think about them every day. Much of the emotion in this book comes from those memories. Writing them into the story was my way of keeping them close and honoring their presence. This novel became a way to preserve their memory. As long as people read it, I believe their spirits continue to live on. Their unique quirks, their energy, the way they made me feel — it’s all captured on the pages. More than anything, this book is a tribute to them. **LS: The novel tackles animal mistreatment and exploitation. Why was it necessary to explore these issues?** FG: Too many animals are subjected to neglect, cruelty, and exploitation in ways that often go unnoticed or unchallenged. I felt it was important to include these issues in my story because bringing them to light can help readers understand the realities many animals face. By addressing animal mistreatment and exploitation directly, I hoped to encourage empathy and inspire action. **LS: What challenges did you face when transitioning from the structured format of a screenplay to a novel?** FG: Transitioning from screenwriting to novel writing has been a transformative experience. In screenplays, precision is key. Every word needs to serve a specific purpose. However, novels provide the freedom to explore settings, characters, and emotions in greater depth. My biggest challenge was retraining my mind to embrace this newfound freedom and letting go of the instinct to be overly restrained. **LS: The characters feel vivid and relatable. How did you bring them to life and give each one a distinct personality?** FG: I find great joy in creating captivating characters. Take Morton the mouse, for example — he’s dramatic, flamboyant, and impossible to ignore. His personality truly brings the story to life. Then there’s the ringmaster, whose authoritative behavior creates havoc in the narrative. Each character I create is a vital part of the story, and their unique traits weave a memorable element into the plot. **LS: Why did you choose New Orleans as the setting for your book?** FG: I chose New Orleans because of its unique atmosphere and the way its history and culture are so intertwined. The city’s mix of French, Spanish, African, and American influences gives it a richness that’s hard to find anywhere else. The music scene adds an energy that really brings the city to life, and the food reflects a deep sense of tradition and creativity. What I find fascinating is how the city has always been about resilience and reinvention, which gives it a sense of depth that felt perfect for the story I wanted to tell. **LS: Would you describe *Circus Animals* as a Queer book?** FG: *Circus Animals*touches on LGBTQ+ themes in a way that feels authentic to the characters’ experiences. One of the main characters has strong feelings for his best friend, adding emotional depth and highlighting the complexity of their relationship. Another character starts out shy and unsure of himself, but as the story progresses, he undergoes a real transformation — growing more confident and self-accepting. The book doesn’t focus on labels or make these themes the main point; instead, they’re woven into the story as a natural part of the characters’ journeys. **LS: Who is the intended audience for this book?** FG: While I primarily wrote this book with young adult readers in mind, I believe its themes and characters resonate beyond that age group. The story touches on universal experiences like friendship, self-discovery, and embracing who you are — elements that resonate with anyone. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-15T093153.440.jpg) Gaimari captivates readers with *Circus Animals*, featuring well-developed characters and intricately woven plots. If you’re looking for an escape, this book is for you. It’s available online and at local bookstores everywhere, including [Amazon](https://a.co/d/04gnxPLF?ref=stonewallnews.net). *Lyndal Simpson is a multi-award-winning screenwriter with two movies currently in development. She lives in Melbourne, Australia, with her husband and two teenage sons.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Circus-Animals-Revised-Front-Cover-7202026--1-.jpg) ### Terminator 2 Returns for Its 35th Anniversary URL: https://www.stonewallnews.net/terminator-2-returns-for-its-35th-anniversary/ Last updated: 2026-08-31T13:28:45.000Z I’ve watched *Terminator 2: Judgment Day* more times than I can count, but always on a small screen at home. Tonight, everything changed. I finally experienced it the way it was meant to be seen — huge, loud, and larger than life. There’s this endless debate among fans about which film is better: the original *Terminator* from 1984 or its sequel. People pick sides like they’re choosing a favorite child. Honestly? I’ve never been able to. For me, both films are just as good. They’re two halves of something special, and I refuse to rank them. For anyone who somehow hasn’t seen Terminator 2, here’s the setup — no spoilers, I promise. A cyborg is sent back from the future to protect a young boy named John Connor. That boy grows up to become the leader who will save humanity in a war against the machines. The problem? He’s not the only one sent back. A second, far more advanced machine arrives with one goal: to eliminate John before he becomes that leader. What follows is a relentless chase, a fight for survival, and a story that asks big questions about fate, choice, and whether the future is truly written in stone. James Cameron didn’t just make a sequel; he built a whole new experience. Every frame feels deliberate. The pacing never sags, the tension keeps climbing, and even after all these years, the visual effects still hold up remarkably well. Cameron has a knack for blending massive spectacle with quiet, human moments, and this film is the perfect example. He knows exactly when to slow down and let you breathe before throwing you back into the chaos. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-30T175153.943.jpg?resize=1024%2C768&ssl=1) Arnold Schwarzenegger / IMDb Arnold Schwarzenegger returns as the Terminator, and he’s truly iconic in the role. He strikes an intriguing balance of menace and, surprisingly, warmth — a combination that helped define his entire career. You understand why his portrayal has become so memorable the moment he appears on screen. Linda Hamilton, as Sarah Connor, absolutely steals the show with a fierce, sharp, and completely transformed performance. Her intensity carries significant emotional weight, adding depth to the film. Young Edward Furlong, as John Connor, exudes a scrappy, rebellious energy that makes him instantly likable. And Robert Patrick, who plays the T-1000, delivers the most frightening villain I’ve ever seen. What made this screening truly worthwhile? The film was remastered for its 35th anniversary. The picture looked crisp and clean, and the sound roared through the theater. Explosions rattled my chest, and every line of dialogue landed with fresh clarity. When I left the theater, I couldn't stop smiling. Terminator 2: Judgment Day is more than a fantastic action film — it’s a landmark that truly deserves its legendary status. Go see it! ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/wy0XcYDGngA4ppIrKDZrqC7z0jm.jpeg?resize=683%2C1024&ssl=1) Terminator 2: Judgment Day --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1-.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Stonewall September Issue Is Here! URL: https://www.stonewallnews.net/stonewall-september-issue-is-here/ Last updated: 2026-08-29T16:30:36.000Z Open this online issue [here](https://issuu.com/stratusmedia/docs/stonewall%5Fseptember%5F2026?fr=sZjdiNzg4MjM4OTE&ref=stonewallnews.net) or visit all of the issues [here](https://www.stonewallnews.net/pdf-issues/). The PDF in press-quality individual pages can also be downloaded below for viewing and printed to 11x17 paper. [Sept 2026 Individual PagesSept 2026 Individual Pages.pdf44 MBdownload-circle](https://www.stonewallnews.net/content/files/2026/08/Sept-2026-Individual-Pages.pdf "Download") --- ### Portland Artist Jake Breiter: Where Whimsy Meets Wild URL: https://www.stonewallnews.net/portland-artist-jake-breiter-where-whimsy-meets-wild/ Last updated: 2026-08-29T16:31:51.000Z For Jake Breiter, an apple is never just an apple. It might be the snack in a child’s lunchbox, a bright red shape on a classroom worksheet, or the fruit from a favorite children’s book. But it can also represent temptation, sin, and the complications that come with growing older. That tension between childhood innocence and adult complexity runs through much of Breiter’s work. At 26, the multidisciplinary Queer artist (he/they) works across illustration, animation, comics, poetry, and performance, creating a practice that resists easy categorization — “wild to mild” is one way he describes it. After several years in New York City, Breiter recently moved to Portland, where he says he has found something he has been searching for throughout his artistic life: community. “I feel like there is a place for me and other artists,” he said. “I want to use my art to connect with others.” ### **Finding Art in Suburbia** Breiter grew up in Thousand Oaks, California, in what he jokingly calls “white wine-mom suburbia.” Although Jake wasn't surrounded by artists his age, creativity was part of his home life. His older sister, now an art director at an animation studio, was already drawing, and Breiter began drawing himself in middle school. Then came *Adventure Time*, an animated fantasy TV series[\[RMI1\]](#%5Fmsocom%5F1) . Fascinated by the show's art books, Breiter began creating worlds of his own: characters, stories, and strange little universes that existed beyond the pages in front of him. At 16, he attended the California State Summer School for the Arts at California Institute of the Arts, where spent much of each day immersed in animation. It was his first serious introduction to experimental animation. “It was this deep and profound rabbit hole,” Breiter said. He began to see animation not simply as storytelling but as a medium that could be strange, personal, abstract, and experimental. Rather than deciding what kind of artist he was supposed to become, Breiter became interested in exploring what he liked and what made his perspective different. That approach would follow him for years. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/---Looking-Lower-Still----1.png) “Looking Lower Still” Digital Collage | 11x17 | 2025 NYC | "A concept illustration for a story I was writing about a boy searching for something he lost a long time ago." ### **Learning from Children's Books** During COVID, Breiter spent about a year largely on his own. In that isolation, he developed an unexpected interest in vintage children's books. He was fascinated by the care authors took with language, knowing their readers might return to the same story dozens or even hundreds of times. Every word had to work, and every image had to hold attention. Maurice Sendak, Shel Silverstein, and Edward Gorey became important influences. Gorey, in particular, fascinated Breiter not only with his Victorian, romantic, and gothic aesthetic but for his willingness to move between disciplines. His work included books, theater, ballet, puppetry, clothing, and set design. To Breiter, Gorey represented the possibility of being a “general art person.” That led him back toward animation, writing, and eventually poetry. “The less art I did, the more creative I became,” he said. The more he learned about the things he loved, the more thoughtfully he could incorporate them into his own work. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/---Poetry-For-the-Pup--Dogmas-for-the-Dog---.png) “Poetry For the Pup, Dogmas for the Dog” Digital Collage: 11x17 | Portland 2026 | "A book cover design for an anthology of poems and creative prose meant to be enjoyed by children and adults who still carry their inner child close to their heart." ### **Making Community** Breiter eventually moved to New York to attend the School of Visual Arts, where he studied comics. But college was only part of the reason he wanted to be there. “Going to New York was the reason to go to college there,” he said, “more than college being the reason to go to New York.” At school, Jake sometimes felt like an outlier, so he began creating opportunities for connection himself. He founded an experimental animation club that organized screenings and workshops, bringing students from different majors together to watch unusual films and experiment with animation. Outside school, Breiter became involved with the Poetry Society of New York and the 8-Ball Zine Archive, an art collective that organized DJ events, art shows, fairs, and a zine library containing more than 10,000 publications. The collective introduced him to artists outside the university and broadened his idea of what an artistic community could be. While working at a New York performance space, Breiter encountered artists who treated an entire room as canvases. One performance involved a dance group: luxury purses were suspended from the ceiling and lubricant dripped onto the floor as performers danced around it. It was bizarre and liberating. Performance art introduced Breiter to another creative language, involving physical space, audiences, bodies, humor and unpredictability. Once again, the boundaries of what counted as art expanded. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/---Creative-Process----1.jpg) “Creative Process” Digital Collage 11x17in | | 2025 NYC | "A very spontaneous composition that visualizes the inner workings of my brain as I’m creating new art." ### **The Apple** That willingness to move between worlds is visible in Breiter's recurring use of the apple. The symbol has followed him through different stages of his life. As a child, an apple might mean a snack, a classroom exercise, or an image in a book. As an adult, it can evoke religion, temptation, sin, and desire. The object hasn't changed — the meaning has. That is exactly what interests Breiter. His work often explores the space between the complexities of adulthood and the uninhibited joy of childhood, the ability to encounter something for the first time and simply enjoy it. “I always want to embody the feeling of things being whimsical and magical,” he said. Breiter also weaves his own queerness into his artistic practice, drawing from Queer and erotic spaces — including kink communities, Gay social venues, and erotic markets — to explore the tensions between innocence, sexuality, and adulthood. He describes one aspect of his creative identity as being a “Flirty art dandy” showcasing the sexual nuances of kindness and sensuality. He describes one aspect of his creative identity as being a “wholesome slut,” a playful phrase that captures the space where sweetness and sexuality meet. His visual style allows those contradictions to coexist. Queerness becomes not just a subject of his work but part of the way he approaches making art: playful, curious, irreverent, and unafraid to blur boundaries. His work can be risqué without losing its humor, whimsy, or sense of wonder. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/---Baker---s-Dozen----1.PNG) “Baker’s Dozen” Digital Collage Comic 11x17in | 2025 NYC | ‘Who doesn’t love supporting local small business; especially when the bakery is so eager to service you.’ (This piece was my submission for the Tom of Finland Emerging Artists Contest). It’s my hope to create more pieces that celebrate the day-to-day gay moments." ### **Becoming Monty Mulberry** That mix of nostalgia, weirdness, and whimsy also appears in Breiter's artistic identity. He works under the name Monty Mulberry: “Monty” comes from the antique marketplace where he discovered many of the vintage children's books that inspired his work. “Mulberry” references the street where Dr. Seuss grew up. The name feels fitting for an artist whose work draws from children's literature, animation, old books, Queer culture, gothic imagery, and the absurd. Breiter's artistic process is intuitive. He almost always starts with a sketchbook. For the past six years, he has used the same pen: a Pilot 500 he discovered at an art store in Canada. He credits the consistency of the tool with helping him trust his instincts. Eventually, he scans the drawings into his iPad and colors them digitally, but the original line remains important. There is something about the physical mark he doesn't believe a computer can reproduce. The process reflects his broader philosophy: don't overthink it, trust yourself and allow the unexpected to become part of the work. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/---NYC-Apple-Dandy---.jpg) “NYC Apple Dandy” 5 ft x 4 ft | mixed media paint and acrylic | 2024 NYC | “My painting class final project was to create a portrait of ourselves. I wanted to showcase the whole of my weird, wild, and beyond inspiring experience of NYC, and how it forever changed me.” ### **A New Chapter in Portland** Now Breiter is beginning another chapter in Portland. He had visited the city several times and became increasingly drawn to its creative culture. When his partner of three years, another artist he met in New York, moved to Portland, Breiter began experiencing the city through his partner's perspective as well. Since arriving, Breiter has been reaching out to local organizations and artists, volunteering and looking for ways to become part of the community. He recently helped with a weeklong art camp and has spent time cooking for people experiencing homelessness downtown. Breiter likes helping people. He likes creating experiences for people of different ages. And Breiter wants his creative life to extend beyond the studio. “I want people to know I am in the community,” he said. More than that, he wants people to know he can contribute to it. Breiter has spent much of his life moving toward that possibility. From a suburban California childhood to experimental animation at CalArts, from vintage children's books to New York's poetry and performance scenes, his path has never been particularly linear. Breiter isn't interested in choosing between animation and illustration, poetry and comics, innocence and sexuality, childhood and adulthood. Instead, he keeps looking for the place where they overlap. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Headshot-3.jpeg) #### Jake Breiter ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Bf-and-Me-Photo-3.jpg) #### Jake and his boyfriend Jason who was born and raised in NYC. Jason recently moved to Portland. “We are both artists that use motifs in our art that we now like to combine to show our love. I do apples, and he does 4 leaf clovers. He has an amazing sixth sense for finding them!” | Courtesy photo --- > Jake Breiter’s art can be found online at: > **Website**: [https://www.jakebreiter.com/graphicdesign/project-two-llrgk-8ay58](https://www.jakebreiter.com/graphicdesign/project-two-llrgk-8ay58?ref=stonewallnews.net) > **Instagram**: > **Artbook**: [https://drive.google.com/file/d/1hMzvu4unFMDhDu9AE6vwjbFjmRYM8SgR/view](https://drive.google.com/file/d/1hMzvu4unFMDhDu9AE6vwjbFjmRYM8SgR/view?ref=stonewallnews.net) --- ### Anti-Trans National Legal Risk Assessment Map: July 2026 URL: https://www.stonewallnews.net/anti-trans-national-legal-risk-assessment-map-july-2026/ Last updated: 2026-08-27T13:59:29.000Z ### Idaho becomes the latest "Do Not Travel" state for transgender people, raising the number of states transgender people should not travel through to 4. ![](https://substackcdn.com/image/fetch/$s_!0FyF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fffdef2bf-5a38-451b-a7da-8902ef0a9593_1460x1108.png) > Erin In The Morning is a reader-supported publication. Consider becoming a [subscriber](https://www.erininthemorning.com/?ref=stonewallnews.net). ***Short summary of updates:*** *The legislative season of 2026 in state legislatures has led to continued degradation of transgender rights across the United States. Meanwhile, nationwide, federal policies continue to lead to enormous legal difficulties for transgender people. In the latest update, Idaho becomes the fourth-ever “Do Not Travel” state for transgender people, and may be the harshest of all such states, where bathroom usage can lead to 5-year prison sentences. Meanwhile, South Carolina expanded its bathroom ban to universities, causing its risk to rise to “Worst Laws Passed.” For youth, the map remains relatively unchanged, with Idaho likewise elevating to “Do Not Travel.”* ### **About The Map** I have tracked anti-transgender legislation for 5 years. Every day, I’ve gotten messages from worried people wondering how they are supposed to assess their risk of staying in their home state. The messages range from parents of trans youth wondering if their children will be taken from them to trans teachers wondering if their jobs will be safe in coming years. Sometimes people just want to know if there is a safer state they can move to nearby. I created the legal risk map specifically to help answer that question. Now more than ever, it is a question that needs answering for so many transgender people facing forced medical detransition, arrests for using the bathroom, bans on the use of our names, pronouns, and identification documents, and many other curtailments of our rights to exist in public life. ### **Methodology** The methodology used is primarily qualitative, with a scoring-rubric element for the worst bills. Part of the methodology is my own expert assessment of laws, of which I am well equipped to do. I have read thousands bills targeting transgender people in the last few years. I have watched hundreds of hours of hearings on anti-trans legislation and am fully aware of all of the players nationally as well as where they are making their pushes against trans rights. I have followed the vote count and regularly talk to activists on the ground in each state. I am looking at how similar states are moving in their legislative cycles. Lastly, I watch for statements by governors and bill drafts to see if the Republican party in various states seems to be pushing anti-trans legislation heavily - you can see many examples of such legislation in this newsletter. In terms of actual laws, I keep a rubric of the various types of laws that target transgender people. For transgender youth, the most concerning laws are those that prohibit gender-affirming care and mandate medical detransition. Additionally, bathroom bans, laws that rigidly define sex as binary, and restrictions on social transition are other key factors that negatively impact a state’s ranking. For transgender adults, the primary legislative concerns include adult gender affirming care bans, bathroom bans, prohibitions on drag specifically aimed at trans people and pride events, restrictions on changing birth certificates and drivers licenses, and laws that end legal recognition for trans people entirely. These factors play a significant role in how I assess and rank a state’s legislative risk. ### **The Adult Trans Legal Risk Assessment Map** ![](https://substackcdn.com/image/fetch/$s_!8Kqj!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb3b983fd-0771-4541-b560-38c3c4cc993d_1416x1096.png) **Moves in this update:** Idaho (Worst Laws → Do Not Travel), South Carolina (High Risk → Worst Laws) - **Summary of updates:** Idaho has moved into the highest risk level on this map, “Do Not Travel.” This is not an move ever taken lightly. However, with the passage of Idaho’s felony bathroom ban with up to [5 year prison sentences](https://www.erininthemorning.com/p/federal-court-order-means-idaho-trans?ref=stonewallnews.net), the state firmly belongs in this category. Though a lawsuit has partially blocked the law, the law remains in effect anywhere a gender neutral or family restroom exists, meaning transgender people must search for a gender-neutral restroom or else they might risk a felony in Idaho. In [South Carolina](https://www.aclusc.org/press-releases/aclu-sc-responds-to-governor-signing-anti-trans-bathroom-bill/?ref=stonewallnews.net), the bathroom ban there has been expanded to colleges and universities, raising the risk level in the state. **Nationwide Risk:** Worst Policies In Effect. The wave of executive orders targeting transgender Americans has reshaped the national landscape in chilling fashion. These directives have forced nonprofits to [scrub the word “transgender”](https://www.erininthemorning.com/p/several-nonprofits-overcomply-with?ref=stonewallnews.net) from their websites, [stripped transgender history from the Stonewall National Monument](https://www.erininthemorning.com/p/protests-erupt-at-stonewall-after?r=1vlmbt&utm%5Fcampaign=post&utm%5Fmedium=web&ref=stonewallnews.net), withdrawn [federal funding from schools](https://www.whitehouse.gov/presidential-actions/2025/01/ending-radical-indoctrination-in-k-12-schooling/?ref=stonewallnews.net) and [hospitals](https://www.pbs.org/newshour/politics/judge-extends-block-on-trumps-plan-to-pull-funding-over-health-care-for-transgender-youth?ref=stonewallnews.net) that recognize or research transgender people, and imposed new barriers to [obtaining passports and legal documents](https://www.aclu.org/press-releases/federal-court-to-consider-preliminary-injunction-against-trumps-discriminatory-passport-policy?ref=stonewallnews.net). The result is a sweeping, nationwide rollback of rights and recognition for transgender adults. For international visitors, the risk is even more severe: citing the sharp escalation in legal and bureaucratic targeting, [several countries have issued travel advisories](https://www.lgbtqnation.com/2025/03/seven-countries-are-now-warning-trans-travelers-about-visiting-the-u-s-because-of/?ref=stonewallnews.net). Following suit, I’ve designated the United States a “Do Not Travel” zone for non-essential travel for transgender people without a full understanding of the legal environment, due to the heightened risk of visa revocation, denial of entry, or detention. Here are the categories and where each state falls: - **Do Not Travel (FL, ID, KS, TX):** Four states have earned “Do Not Travel” advisories: Idaho, Florida, Kansas, and Texas. [Kansas bathroom ban](https://www.erininthemorning.com/p/trans-bathroom-ban-bills-now-expanding?ref=stonewallnews.net) allows for everyday citizens to seek out transgender people in bathrooms and sue them for large sums of money, creating a bounty hunter system in the state. Meanwhile, [Idaho’s ban ](https://www.erininthemorning.com/p/federal-court-order-means-idaho-trans?ref=stonewallnews.net)can result in 5-year prison sentences. Florida has a law that allows for the arrest of transgender people for using [bathrooms](https://www.them.us/story/florida-trans-bathroom-law?ref=stonewallnews.net) according to their gender identity and [another policy](https://www.nbcnews.com/nbc-out/out-news/florida-transgender-drivers-license-sex-change-gender-identity-rcna136395?ref=stonewallnews.net#:~:text=Florida%20will%20no%20longer%20allow,for%20%E2%80%9Cmisrepresenting%E2%80%9D%20their%20identities.) targets transgender people’s drivers licenses. Florida has also put into effect[ a policy](https://www.nbcnews.com/nbc-out/out-news/florida-transgender-drivers-license-sex-change-gender-identity-rcna136395?ref=stonewallnews.net#:~:text=Florida%20will%20no%20longer%20allow,for%20%E2%80%9Cmisrepresenting%E2%80%9D%20their%20identities.) that says trans people “misrepresenting” their gender on their drivers license could be guilty of fraud and has begun erasing [Pride crosswalks](https://www.erininthemorning.com/p/orlando-citizens-defy-desantis-re?ref=stonewallnews.net) across the state. [Local LGBTQ+ orgs](https://www.eqfl.org/florida-travel-advisory?ref=stonewallnews.net) as well as HRC have issued[ travel advisories](https://www.hrc.org/press-releases/nations-largest-lgbtq-advocacy-group-joins-equality-florida-in-issuing-updated-florida-travel-advisory?ref=stonewallnews.net) for the state. This analysis likewise concurs with such a rating. In Texas, the state is not only[ ignoring court ordered drivers license changes](https://www.texastribune.org/2024/08/21/transgender-texans-drivers-license-DPS/?ref=stonewallnews.net) for trans adults, but it is also creating a database of people attempting to make such changes. A [new statewide bathroom ban](https://www.houstonchronicle.com/politics/texas/article/transgender-bathroom-bill-21019516.php?ref=stonewallnews.net) that has already resulted in detainment makes the state the Do Not Travel on this list. - **The Worst States (AL, AR, IA, IN, LA, MS, OH, OK, ND, SC, SD, TN, UT, WV, WY):** These states have passed deeply troubling legislation targeting transgender adults in extremely harmful new ways. [Utah](https://www.nytimes.com/2024/01/31/us/utah-bathroom-ban-transgender.html?ref=stonewallnews.net) has a bathroom ban for transgender adults. Alabama has also passed a Don’t Say Gay bill that includes a bathroom ban on college campuses. Many states, including Louisiana, Mississippi, Oklahoma, and Tennessee, and others listed in this category have gone so far as to [legislatively erase transgender people](https://www.lgbtmap.org/equality-maps/nondiscrimination/defining%5Fsex?ref=stonewallnews.net), effectively removing any legal rights associated with their gender identities. Other states, such as North Dakota, Oklahoma, and Tennessee, prohibit [any changes to birth certificates](https://www.lgbtmap.org/equality-maps/identity%5Fdocuments/birth%5Fcertificate?ref=stonewallnews.net), forcing trans people to out themselves when showing their documents. These states also could start targeting adult gender affirming care - Florida [has already done so](https://www.pbs.org/newshour/health/floridas-ban-on-gender-affirming-care-for-minors-also-limits-access-for-trans-adults?ref=stonewallnews.net), banning 80% of such care. - **High-Risk States (GA, MO, NE, NH, MT):** All of these states have passed anti-trans laws, but they haven’t reached the same level of severity as the worst states. [Missouri](https://www.pbs.org/newshour/politics/judge-denies-request-to-halt-missouris-gender-affirming-medical-care-ban?ref=stonewallnews.net) for example, prohibits gender-affirming care for incarcerated adults as well as transgender youth and have seen new laws proposed this cycle going even further. Nebraska’s governor has issued an [executive order](https://thehill.com/homenews/lgbtq/4181212-nebraska-governor-signs-executive-order-narrowing-definition-of-male-and-female/?ref=stonewallnews.net#:~:text=The%20executive%20order%20signed%20Wednesday,the%20ova%20of%20a%20female.%E2%80%9D) ending legal recognition of trans people. Additionally, some of these states have laws that permit the [refusal of medical care ](https://www.lgbtmap.org/equality-maps/religious%5Fexemption%5Flaws/religious%5Fexemption%5Fservices?ref=stonewallnews.net)to LGBTQ+ individuals on religious grounds. Although each of these states has laws targeting transgender adults, none have done so to the extent of the worst states. Montana is a special case on this list, in that it has passed laws that would normally place it among the worst states, but those laws have repeatedly been blocked in court. - **Moderate-Risk States (AK, KY, NC):** These states have either passed one or two laws aimed at transgender adults or have enacted multiple laws targeting transgender youth, or are advancing negative laws quickly. For states focusing on trans youth, history shows they are more likely to introduce anti-trans legislation for adults in subsequent years. Most of these states are under Republican control, either through supermajorities in the legislature or Republican governorships. Many have enacted “Don’t Say Gay” provisions, which frequently result in the banning of transgender teachers. Additionally, many have passed religious refusal rights bills. However, most of these states have either not yet ventured into anti-trans adult legislation or have only passed milder forms of such laws. - **Low-Risk States (AZ, DE, ME, MI, NV, PA, VA, WI, DC):** These states have largely refrained from targeting transgender adults, although they haven’t taken extraordinary steps to protect adult transgender rights either. For example, Arizona and Virginia have enacted anti-trans policies affecting youth but, due to state-specific factors, appear unlikely to extend such policies to adults. Conversely, [Michigan](https://www.michigan.gov/whitmer/news/press-releases/2023/03/16/whitmer-signs-bipartisan-legislation-expanding-rights-and-freedoms-for-lgbtq?ref=stonewallnews.net), and [Nevada](https://apnews.com/article/2022-midterm-elections-nevada-discrimination-gender-identity-constitutions-a8aa384a6a21c224408cd9603b1b77ce?ref=stonewallnews.net) have enacted fairly robust non-discrimination policies but fall short in ensuring healthcare equity and providing protections for incarcerated transgender individuals. Maine has increased in risk due to capitulation to Trump over sports bans in the [University of Maine system](https://www.nbcnews.com/nbc-out/out-politics-and-policy/university-maine-complies-policies-restricting-trans-sports-participat-rcna197536?ref=stonewallnews.net). While these states generally offer a safer environment for transgender adults, they stop short of going the extra mile to make their jurisdictions unequivocally safe places to reside. In the case of the District of Columbia, it may fall under attack from Congress and executive actions, meaning it can no longer be considered “most protective.” This most recently was manifested with the [DC House bathroom ban](https://www.axios.com/2024/12/05/transgender-rights-activists-arrested-capitol-bathroom-ban-protest?ref=stonewallnews.net). - **Most Protective States (CA, CO, CT, HI, IL, MA, MD, MN, NJ, NM, NY, OR, RI, VT, WA):** These states have gone above and beyond in safeguarding the rights and well-being of transgender individuals, making them highly desirable places to live for those in search of security. States like [Colorado](https://www.commonwealthfund.org/blog/2021/unpacking-colorados-new-guidance-transgender-health?ref=stonewallnews.net), [Hawaii](https://www.washingtonpost.com/nation/2022/06/17/hawaii-transgender-affirming-care-law/?ref=stonewallnews.net), [Maryland](https://www.marylandlawyerblog.com/trans-health-equity-act-maryland/?ref=stonewallnews.net), and [Washington ](https://depts.washington.edu/tgnbhealthprogram/insurance-requirements-coverage/?ref=stonewallnews.net#:~:text=Washington%20state%20law%20prevents%20insurance,of%20a%20protected%20gender%20expression)have enacted comprehensive health insurance laws that cover facial hair removal and an expanded range of medical procedures. Each of these states offers[ refugee protections](https://www.lgbtmap.org/equality-maps/healthcare/trans%5Fshield%5Flaws?ref=stonewallnews.net) for individuals fleeing more repressive states with anti-trans laws. Care is not only supported but also enjoys legal reinforcement from the state, ensuring accessibility as long as such treatments remain lawful at the national level. These states are the most likely to counteract federal anti-trans regulations. ### **The Youth Trans Legal Risk Assessment Map** ![](https://substackcdn.com/image/fetch/$s_!EOdF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F2a60b12f-c9d4-4b9b-bb53-e07cbe1866d6_1428x1048.png) **Moves in this update:** Idaho (Worst Laws → Do Not Travel) - **Summary of updates:** This map quite closely resembles the last map published with respect to youth. No state in the United States can be considered low-risk for transgender youth, due to federal policies and mass capitulation to Trump’s threats with respect to sports and healthcare bans. Meanwhile, a recent [Title IX SCOTUS decision](https://www.erininthemorning.com/p/supreme-court-rules-title-ix-means?ref=stonewallnews.net) raises the risk of anti-trans policies in blue states in the coming months. As such, the country remains between Moderate Risk and Do Not Travel depending on the state. **Nationwide Risk:** Worst Laws Passed. A wave of executive orders has targeted transgender youth in sweeping and extreme ways. Nonprofits have halted services for trans youth, healthcare providers face federal bans via executive orders, and teachers have been warned they could be [investigated for “practicing medicine without a license”](https://www.motherjones.com/politics/2025/01/trump-tells-doj-to-prosecute-teachers-who-unlawfully-support-trans-or-nonbinary-students/?ref=stonewallnews.net) simply for using a trans student’s chosen name. The cumulative effect is a chilling rollback of basic recognition and care—one that signals even more punitive measures may be on the horizon. --- ### Nearly 1/3 Of Young Adults Identify As LGBTQ+ According To New Report URL: https://www.stonewallnews.net/nearly-1-3-of-young-adults-identify-as-lgbtq-according-to-new-report/ Last updated: 2026-08-30T13:30:08.000Z ### The queerest states are Oregon, Washington, Colorado, Alaska, and California. > Erin In The Morning is a reader-supported publication. Consider becoming a [subscriber](https://www.erininthemorning.com/?ref=stonewallnews.net). On Aug. 20, the Human Rights Campaign Foundation [published an analysis](https://communityinsights.hrc.org/research/lgbtq-population-estimates?ref=stonewallnews.net) of 2.45 million responses to the Census Bureau's Household Pulse Survey, collected between July 2021 and September 2024, and concluded that 12% of American adults identify as LGBTQ+, the highest figure any major survey has ever produced and three points above [Gallup's most recent estimate](https://news.gallup.com/poll/702206/lgbtq-identification-holds.aspx?ref=stonewallnews.net) of 9%. Importantly, the analysis also found that a larger-than-expected 2.34% of American adults, roughly one in 43, identify as transgender or gender-expansive, more than double the [1.1%](https://news.gallup.com/poll/332522/percentage-americans-lgbt.aspx?ref=stonewallnews.net) Gallup reported earlier this year, and that young people are increasingly free to come out: nearly one in three adults under 25 now identify as LGBTQ+. LGBTQ+ people make up more than 10% of the adult population in 40 states plus the District of Columbia. The findings were published in a landmark report on HRC's website. The results are remarkable. LGBTQ+ identification has grown across the United States through the first half of the 2020s. Gallup has been one of the primary tracking sources for LGBTQ+ identification, and its polling shows that LGBTQ+ people began identifying themselves as such to pollsters in growing numbers starting in the mid-2010s: the share of adults identifying as LGBTQ+ rose from 3.5% in 2012 to a record 9.3% in 2024, and held at 9% in 2025\. But Gallup's figure comes from live telephone interviews, only ten thousand or so of them. HRC's analysis instead uses a self-administered government survey, run online by the Census Bureau during the years it was still asking about sexual orientation and gender identity, and found an even higher number. Importantly, there is reason to think the real number is higher still: respondents had to be comfortable disclosing their own sexual orientation and gender identity to a federal survey. The findings also have particular significance for transgender people. Whereas earlier surveys and estimates placed transgender prevalence at somewhere between [0.5% and 1%](https://williamsinstitute.law.ucla.edu/wp-content/uploads/Trans-Pop-Update-Jun-2022.pdf?ref=stonewallnews.net) of U.S. adults, that number has been rising in recent years, raising the possibility that being transgender is far more common than previously thought. HRC's dataset does not break out transgender people by age, but Gallup's polling puts trans identification among older generations at [0.2% to 0.3%](https://www.newsweek.com/people-who-identify-transgender-doubles-gen-z-1783562?ref=stonewallnews.net), against 1.9% of Gen Z adults in its 2022 data. Younger generations are far more open to coming out as transgender or gender-expansive, and with one in 43 U.S. adults now identifying that way, Americans interact with transgender people constantly, knowingly or not, something advocates hope will build acceptance as more people come to understand that transgender people are already part of their communities. The analysis also determined which states have the highest concentrations of LGBTQ+ people today. Some of the states at the top of the list are unsurprising. Among the 50 states, Oregon and Washington (17% and 16% LGBTQ+, respectively) come in at numbers one and two, and both carry a reputation for being incredibly queer-friendly, with strong civil rights protections. Colorado (14%) comes in at number three, a state that many transgender people have chosen when [fleeing neighboring red states](https://www.cpr.org/2024/01/03/families-with-trans-choose-colorado-as-other-states-ban-gender-affirming-care/?ref=stonewallnews.net), and one with similarly strong protections. Perhaps surprisingly, number four on the list is Alaska (14%), an ostensibly red state with fewer civil rights protections, but also one of the only red states not to be fully subsumed by the anti-trans panic of recent years. California rounds out the top five, with 14% of adults identifying as LGBTQ+. You can see the list here: ![](https://substackcdn.com/image/fetch/$s_!-475!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd9a7e616-0686-452b-a4e8-5b1adbb42c46_1680x880.png) Collectively, the findings raise an important point. The onslaught of anti-LGBTQ+ panic has not reduced the number of LGBTQ+ people or scared the vast majority of them into hiding their identities. To the contrary, LGBTQ+ people feel more free to come out now than ever before. It is important to note, however, that 2025 and 2026 numbers could look different, given the extreme anti-LGBTQ+ attacks from the current Trump administration, a possibility hinted at by recent Gallup polling, which found the number [holding flat in 2025](https://news.gallup.com/poll/702206/lgbtq-identification-holds.aspx?ref=stonewallnews.net), the first year since Gallup began tracking in 2012 that it did not rise. Further research in this area is uncertain, however, as the Trump administration has [dismantled federal data collection](https://williamsinstitute.law.ucla.edu/publications/sogi-data-collection-removal/?ref=stonewallnews.net) on LGBTQ+ people since taking office, stripping sexual orientation and gender identity questions from hundreds of federal data collection forms in its first year. "Reliable data are essential for understanding who lives in this country and what our communities need to thrive. Removing sexual orientation and gender identity questions from surveys like the one used for this analysis introduces significant gaps in this understanding. These findings show that LGBTQ+ people are a substantial and growing segment of the population, underscoring the need for our continued inclusion in data collection efforts," [said Tari Hanneman](https://www.hrc.org/press-releases/record-breaking-lgbtq-adults-now-12-of-population-greater-than-10-in-40-of-50-states?ref=stonewallnews.net), the HRC Foundation's senior director of research and education. ### Weekly Update on National & International LGBTQ+ Equality – Wed, August 26, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-august-26-2026/ Last updated: 2026-08-26T20:14:32.000Z This week: Farewell, Dolly; Canada’s national LGBTQ+ monument; Attitude gets personal with PM Rob Jetten; Ghana’s Anglican Church on anti-gay bill; the Log Cabin Republicans; Coward; and much more… > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* In the United States, the death of Dolly Parton yesterday has eclipsed almost everything else. The mourning is about more than celebrity: it has become a kind of national mirror, exposing the widening distance between the American values she embodied—generosity, decency and a live-and-let-live spirit—and the reality of the country today. The contrast is particularly stark for LGBTQ+ Americans: the Log Cabin Republicans' announcement last week that they dropped the “T” in LGBTQ+ implies that everything, including values, is negotiable and has a price in 2026\. Parton, on the other hand, spent decades standing with our community—openly, consistently, and without ever turning allyship into branding. Even readers who never owned one of her records feel the loss. Check out [Ari Shapiro’s ](https://substack.com/home/post/p-212775128?ref=stonewallnews.net)obituary and [this piece ](https://www.advocate.com/news/people/dolly-parton-lgbtq-icon?ref=stonewallnews.net)in *The Advocate*. ### **Global News** #### **Canada: First National LGBTQ+ Monument Unveiled in Ottawa** *“Thunderhead,”* an 11-meter monument commemorating victims of Canada’s LGBT Purge, opened August 21 along the Ottawa River, with Governor General Louise Arbor and Purge survivors in attendance. The design — a thundercloud breaking through a mirrored column — was funded in part by settlement money from the survivors’ class-action lawsuit against the federal government. [Read more about the monument and its design here.](https://www.cbc.ca/news/canada/ottawa/national-2slgbtq-monument-opening-in-ottawa-9.7314453?ref=stonewallnews.net) #### **Ghana: Anglican Archbishop Breaks With Anti-LGBTQ+ Bill** Archbishop Cyril Kobina Ben-Smith publicly opposed pending legislation that would criminalize identifying as LGBTQ+ and mandate reporting of gay and lesbian citizens, telling the BBC *“we do not support the criminalization of gay persons.”* President John Dramani Mahama has not yet signed the bill — passed by a bare 34-member quorum in May and shaped by foreign influence. Details in [*PinkNews*](https://www.thepinknews.com/2026/08/24/ghana-anglican-church-against-anti-lgbtq-laws/?ref=stonewallnews.net). #### **Netherlands: When the Gay Teenager Becomes Prime Minister** In this world-exclusive *Attitude* cover feature, Krishna Omkar sits down with Rob Jetten during WorldPride Amsterdam. Krishna, who has known Jetten since before his political rise, traces the arc from a fearful teenager who worried he’d never find love to a leader now engaged to Olympic hockey player Nicolás Keenan and steering his country through a fractured political era. The conversation moves fluidly between the personal and the political — coming out at 17, campaigning in far-right strongholds, the discipline he carries from his days as an elite 400m runner — while confronting the rising threats facing LGBTQ+ people worldwide. [See in ](https://www.attitude.co.uk/news/netherlands-prime-minister-rob-jetten-wants-children-nicolas-keenan-532053/?ref=stonewallnews.net)[*Attitude*](https://www.attitude.co.uk/news/netherlands-prime-minister-rob-jetten-wants-children-nicolas-keenan-532053/?ref=stonewallnews.net) and its [print edition.](https://www.selectmagazines.co.uk/product/372rob/?ref=stonewallnews.net) #### **Thailand: Gay Senator On Marriage Equality’s Global Ripple Effect** Pornchai Witayalerdpan, Thailand’s first openly gay senator, told the World Pride Human Rights Conference in Amsterdam that the country’s 2025 marriage equality law — a first for Southeast Asia — *“totally changed how the world perceived Thailand,*” crediting collaboration between civil society and the pride movement. See in [*Meaws*](https://meaws.com/news/thailand-s-first-openly-gay-senator-attends/104867?ref=stonewallnews.net). #### **Brazil: queer candidates surge** Brazil’s 2026 election is producing a striking paradox: LGBTQ+ political participation is surging even as the overall candidate pool shrinks. VoteLGBT says it has identified more than 500 LGBTQ+ candidates nationwide, nearly 60% more than in 2022, while the total number of candidates has fallen by almost 30%. Visibility, predictably, comes with a price: the organization’s AI-powered monitoring system, Sentinela, says it has already detected more than 6,000 online attacks against LGBTQ+ candidates this election cycle. VoteLGBT itself has faced legal pressure from the Republicanos party over its election platform and mascot, Votinho; according to the organization, courts have ruled twice in its favor, and an appeal is ongoing. If you’re curious, check out the [VoteLGBT website](https://vote.org.br/?ref=stonewallnews.net) and its[ election dashboard](https://datastudio.google.com/u/0/reporting/9e4a681c-15da-494a-a423-b54b08c0cc4d/page/QZF3D?ref=stonewallnews.net). #### **Turkey: Mabel Matiz Faces New *“Obscenity”* Probe Over *Ha Leylim*** Turkish prosecutors have opened an *“obscenity*” investigation into openly gay pop singer [Mabel Matiz](https://en.wikipedia.org/wiki/Mabel%5FMatiz?ref=stonewallnews.net) over *Ha Leylim*, released on August 11, whose music video shows a groom at a heterosexual wedding exchanging lingering looks with another man—a quiet suggestion of concealed queer desire, not explicit content. The inquiry, launched August 13 after a pro-government and online backlash, carries a potential sentence of six months to three years under Article 226 of Turkey’s penal code; a court has also placed Matiz under judicial control and barred him from leaving the country. The case follows his May 8 acquittal on similar charges related to his 2025 song *Perperişan*. [See here](https://www.thetimes.com/world/europe/article/glance-led-criminal-charges-turkey-obscenity-crackdown-k0jgtbh7q?ref=stonewallnews.net) and check out the video below…maybe around 2:25. --- ### **US News** #### **Log Cabin Republicans Drop Transgender People From Mission** The conservative LGBT group announced August 20 that it is refocusing as an *“LGB advocacy”* organization, removing transgender issues from its official mission a decade after adding them. President[ Ross Hemminger argued in an op-ed ](https://townhall.com/columnists/ross-hemminger/2026/08/20/log-cabin-republicans-renews-its-national-advocacy-focus-n2681600?ref=stonewallnews.net)that trans advocacy has *“ceased focusing on adults at all,”* while HRC’s Delphine Luneau called it *“exactly what anti-equality forces want to see happen.”* Read more in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/log-cabin-republicans-announce-they-no-longer-support-trans-rights/?ref=stonewallnews.net) and check out[ my equally controversial Sunday article on the topic.](https://fabricehoudart.substack.com/p/the-log-cabin-republicans-choose) #### **HRC: America Is Queerer Than We Thought** New [HRC Foundation estimates](https://communityinsights.hrc.org/research/lgbtq-population-estimates?ref=stonewallnews.net), based on 2.4 million Census Bureau survey responses, put America’s LGBTQ+ population at a record 12% of adults—or 25.6 million people. Bisexual Americans alone represent more than 7% of all adults, making them by far its largest component, while growing numbers of people describe their gender outside the traditional binary. In other words, the expansion of LGBTQ+ America is not principally a dramatic increase in the number of people identifying as conventionally gay or lesbian; it reflects younger generations embracing a much broader spectrum of sexuality and gender, with nearly a third of 18-to-24-year-olds now identifying as LGBTQ+. #### **Is Surrogacy Entering the Culture War In The US?** A heartbreaking[ Texas custody battle](https://www.cnn.com/2026/08/26/us/california-couple-surrogate-texas-baby-dispute?ref=stonewallnews.net), which I mentioned last week, over a critically ill newborn is becoming about much more than one family: after a California couple sought an abortion when their surrogate pregnancy revealed a severe congenital heart defect, the surrogate continued the pregnancy and is now challenging their parental authority, with anti-abortion groups and Republican politicians rallying behind her. The case lands amid a broader global pushback against surrogacy, from countries restricting or banning arrangements for foreign intended parents to feminist, religious and conservative movements questioning whether pregnancy can ever ethically be contractualized. I have warned for a while that this debate will be the next issue in the US. #### **Ninth Circuit Revives DOJ Investigation Into Trans Telehealth Provider** An appeals court reversed a lower-court block on a Justice Department subpoena targeting QueerDoc, a telehealth provider for transgender patients, one of more than 20 similar demands issued to clinics nationwide. Judge Carlos Bea wrote that “the goal of ending *‘gender-affirming care*’ is not in and of itself *an ‘improper*’ policy objective,” while the district judge who’d blocked it called the conduct *“calculated to intimidate rather than investigate.*” See [*Advocate.com*](https://www.advocate.com/politics/national/trump-queerdoc-investigation-court?ref=stonewallnews.net). > *Although the subpoena here was validly based on an investigation of health care law violations, the goal of ending ‘gender-affirming care’ is not in and of itself an ‘improper’ policy objective* #### **Lindsey Graham’s Sister Wins GOP Primary for His Senate Seat** Darline Graham, appointed to fill her late brother’s term after his July death, won the Republican runoff with 52.5% of the vote, backed by $827,000 in Trump-aligned super PAC spending. Her first campaign ad had leaned on the line “*men don’t belong in women’s sports”.* Details in [*Forbes*](https://www.forbes.com/sites/saradorn/2026/08/25/darline-graham-wins-primary-to-replace-her-brother-lindsey-graham/?ref=stonewallnews.net). --- ### **Queering the Boardroom** #### **October 26: PRISM Annual Summit in NYC** PRISM: The Association of LGBTQ+ Corporate Directors will host its 4th Annual LGBTQ+ Corporate governance gathering in NYC. [Info here.](mailto: info@lgbtqdirectors.org) --- ### **The Gay Business** #### **UK: BBC On Pride After the Rainbow-Washing** This week, the[ BBC took a look at the uncertain future of Pride in Britain](https://www.bbc.com/news/articles/cj63jyl09jxo?ref=stonewallnews.net), where the retreat of corporate sponsors, shrinking public support and increasingly fraught politics around trans inclusion are colliding with an older critique from within our own community: that Pride became too commercial, too expensive and too detached from its protest roots. Corporate Pride mentions among the UK’s ten biggest companies reportedly fell 92% between 2023 and 2025, while councils and public agencies are reconsidering funding, flags and participation. To avoid being too depressing, the article ends up lauding the pride of local small towns. > *A 2024 YouGov survey of more than 500 LGBT Britons, aged 16 to 24, found that 90% say it is “very” or “fairly” important that Pride month still exists.* #### **Target apologizes — but the DEI vacuum is hard to ignore** Target has apologized and pulled a children’s Halloween costume after an online backlash over its offensive racial imagery, acknowledging that it *“should never have been part of our assortment*” and was particularly hurtful to Black guests, employees, and partners. The episode is also an uncomfortable reminder of what can happen when companies dismantle some of the very infrastructure designed to spot cultural and reputational risks before they reach the shelves. [See here.](https://apnews.com/article/target-minstrel-costume-boycott-dei-6aee262e6e9d2cf4a1b3863a9fb19845?ref=stonewallnews.net) --- ### **Semi-Cultural Desk** #### **The *Lesbian Space Princess* Controversy Explained** The Australian 2025 animated film [*Lesbian Space Princess*](https://en.wikipedia.org/wiki/Lesbian%5FSpace%5FPrincess?ref=stonewallnews.net) is becoming the common enemy in what social media has christened the *“Great Fandom Truce of 2026.”* Rival online fandoms are [posting memes about temporarily setting aside their differences](https://sg.news.yahoo.com/lesbian-space-princess-fandom-war-203701638.html?ref=stonewallnews.net) to attack the film, while *Cartoon Brew* [argues that the backlash](https://www.cartoonbrew.com/opinion/lesbian-space-princess-backlash-fandom-at-its-worst-265881.html?ref=stonewallnews.net)—including review-bombing, out-of-context clips and attacks on the filmmakers’ queer identities—looks less like spontaneous criticism than an inorganic pile-on. The irony is that *Lesbian Space Princess*, about an anxious lesbian from Clitopolis rescuing her ex from the *“Straight White Maliens,*” was hardly an obscure failure before reaching a much larger streaming audience this summer. R[ead more here.](https://sg.news.yahoo.com/lesbian-space-princess-fandom-war-203701638.html?ref=stonewallnews.net) #### **Club Kid** Jordan Firstman’s *Club Kid* has gone from Cannes sensation to full-fledged A24 awards contender, with the[ first trailer now out](https://variety.com/2026/film/news/club-kid-trailer-a24-jordan-firstman-cannes-1236837607/?ref=stonewallnews.net) ahead of its November 6 release. Written, directed by and starring Firstman, the film follows a queer New York party promoter who suddenly discovers he has a 10-year-old son, forcing a reckoning with aging, nightlife and the life he actually wants. After a reported $17 million bidding war at Cannes, the film is being positioned as a major fall release, with Cara Delevingne, Diego Calva, Kirby Howell-Baptiste and Reggie Absalom rounding out the cast. #### **Smithsonian Curator Fights to Keep Queer History on Display** Katherine Ott, the Smithsonian’s de facto LGBTQ+ archivist, was singled out in a White House report for her work on queer history exhibits even as the museum currently has no permanent in-person queer exhibition. “*We’re tired,*” she said, *“but undeterred.”* See in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/tired-but-undeterred-a-smithsonian-curator-refuses-to-let-this-administration-erase-queer-history/?ref=stonewallnews.net). #### **Ireland’s First Permanent LGBTQ+ Museum Exhibition Opens in Cork** *“We Were Always Here*” opened August 23 at Cork Public Museum, alongside a four-month loan of the original Gilbert Baker rainbow flag — its first display outside the United States. Curator Orla Egan said the goal is to ensure that LGBTQ+ history *“cannot be forgotten or ignored.”* Details in [*Irish Times*](https://www.irishtimes.com/ireland/2026/08/23/we-were-always-here-irelands-first-permanent-lgbtq-museum-exhibition-opens-in-cork/?ref=stonewallnews.net). #### **Belgium Selects *Coward* for 2027 Oscars** Belgium has selected Lukas Dhont’s *Coward* as its official submission for Best International Feature Film at the 99th Academy Awards, placing the queer World War I drama in the race for the 2027 Oscars. Set in the Belgian trenches, the film follows Pierre, a young soldier, and Francis, a flamboyant performer who stages gender-bending shows to lift troops’ morale; amid the violence of war, their friendship becomes a romance and a fragile refuge. *Coward* is Dhont’s third Oscar submission for Belgium, after *Girl* and the Oscar-nominated *Close*, and will open in U.S. and Canadian theaters on December 25, with a Mubi release. #### **The No Sex Socialization Trend** In a culture supposedly exhausted by hookup apps, perhaps the most subversive gay proposition is now… friendship. Britain’s provocatively named *“No Gay Sex Weekend”* has gone viral after creating gatherings where gay men meet with one explicit understanding: sex is not the point. Founded by digital creator Chris, the group says it wants to counter the hyper-sexualization of gay spaces and make room for friendships and meaningful connections without everyone immediately sizing one another up as a potential hookup. What began with an event in Oxford has reportedly grown to 1,300 members, with gatherings from Bristol to a recent London picnic—and, predictably, plenty of jokes and debate online about whether removing sex from the equation represents cultural *“evolution” or* needlessly stigmatizes a hard-won part of gay liberation. [Read more in ](https://www.queerty.com/a-group-called-gay-no-weekend-goes-viral-the-reactions-are-supercharged-20260824/?ref=stonewallnews.net)[*Queerty*](https://www.queerty.com/a-group-called-gay-no-weekend-goes-viral-the-reactions-are-supercharged-20260824/?ref=stonewallnews.net). --- ### **Coming and Going** #### **Dolly Parton, Country Icon and Longtime LGBTQ+ Ally, Dies at 80** Parton died August 25 after a seven-decade career defined as much by her consistent, unshowy support for the LGBTQ+ community as by her music. *“We’re supposed to accept people,*“ she said in 2016, defending transgender dignity amid North Carolina’s bathroom-bill fight. *“That’s God’s business.*“ HRC remembered her as *“a steadfast ally*“ who *“stood with our community long before others in entertainment.”* Details in [*Metro Weekly*](https://www.metroweekly.com/2026/08/dolly-parton-lgbtq-ally-dies-80/?ref=stonewallnews.net). #### Kate Kendell Honored [Our Family Coalition](https://www.ebar.com/story/18940?ref=stonewallnews.net), the San Francisco organization supporting LGBTQ+ families, will celebrate its 30th anniversary on October 10 by honoring Gill Foundation CEO Kate Kendell with its Community Legacy Award. Before joining Gill, Kendell spent 22 years leading the National Center for Lesbian Rights, helping to build much of the legal architecture that protects LGBTQ+ people and their families. Horizons Foundation and its leaders Roger Doughty and Francisco O. Buchting. #### **LGBTQ+ Lawmakers Take Over Major California Legislative Caucuses** Assemblymember Corey A. Jackson was elected to chair the California Legislative Black Caucus, Sen. Caroline Menjivar is poised to lead the Legislative Women’s Caucus, and Sen. Sabrina Cervantes and Assemblymember José Luis Solache will become the first Latino leadership team atop the state’s LGBTQ Caucus — all for the 2027–2028 session. Jackson called it *“an honor to have been selected as the next chief servant”* of the caucus. See in [*JRL Charts*](https://jrlcharts.com/2026/08/24/lgbtq-lawmakers-expand-their-power-across-california-legislature-for-2027/?ref=stonewallnews.net). --- ### **The Gay Agenda** #### **August 30–Sept. 7: Burning Man** Burning Man returns to Nevada’s Black Rock Desert from August 30 to September 7, despite the nearby Hawk Fire northwest of Reno. The main concern is smoke, with shifting winds potentially worsening air quality and complicating travel through northern Nevada. Also, people worry about AI glasses. I’ve never been, and somehow each passing year makes my debut on the playa statistically less likely. Then again, I’m leaving open the possibility of a spectacular second wind in my fifties—dust goggles, questionable decisions and all. [Read more.](https://www.themirror.com/entertainment/gallery/burning-man-festival-orgy-dome-1996633?ref=stonewallnews.net) #### **September 17–19: GLMA’s 44th Annual Conference on LGBTQ+** Health professionals gather at the Sheraton Grand Seattle for the country’s largest conference focused on LGBTQ+ health equity, training, and research. See [*GLMA*](https://www.glma.org/glmas%5F44th%5Fannual%5Fconference.php?ref=stonewallnews.net). #### **October 3: Marche des Fiertés LGBTQIA+, Paris** Paris’s Pride march, postponed from June 27 because of the heatwave, finally takes to the streets this fall, departing Place d’Italie at 2 p.m. for Place de la Bastille, followed by a concert. The last-minute June cancellation left organizers with a roughly €50,000 shortfall, partly filled through crowdfunding and—in the most appropriately gay fundraising solution imaginable—a drag bingo. Details from[ Inter-LGBT](https://www.inter-lgbt.org/save-the-date-samedi-27-juin-2026-marche-des-fiertes-lgbtqia-de-paris-ile-de-france/?ref=stonewallnews.net). #### **October 11: National Coming Out Day** The annual observance marking the anniversary of the 1987 March on Washington for Lesbian and Gay Rights returns with nationwide organizing and visibility campaigns. According to [*National Today*](https://nationaltoday.com/national-coming-out-day/?ref=stonewallnews.net). #### **October 28-29: Koppa’s Annual Forum** On October 29–30, [KOPPA — the LGBTI+ Economic Power Lab ](http://koppalab.org/?ref=stonewallnews.net)I co-founded — will host the second Global Inclusive Finance Forum at the Deutsche Bank Center in New York. This year, we are organizing the Forum around a simple but ambitious question: *what would it take to build LGBTQ+ economies?* --- That’s it for this week—a little late, I admit, as things are picking up around here ahead of UNGA in September and the various Conferences I am involved in this October. Thank you to everyone who reacted to [Sunday’s piece on the Log Cabin Republicans.](https://fabricehoudart.substack.com/p/the-log-cabin-republicans-choose) One reader challenged my analogy to collaboration, fairly pointing out that it risked obscuring the argument I was trying to make: my point was that solidarity reveals its meaning precisely when it becomes costly and that the LCR’s timing is highly suspicious. ### After Woodstock: A Bold, Heartfelt Queer Journey You Won't Forget URL: https://www.stonewallnews.net/after-woodstock-a-bold-heartfelt-queer-journey-you-wont-forget/ Last updated: 2026-08-26T18:26:52.000Z Some books you read. Others you live inside for a while. Elliot Tiber’s *After Woodstock: The True Story of a Belgian Movie, an Israeli Wedding, and a Manhattan Breakdown* falls into the latter category. If you loved *Taking Woodstock*, you already know Tiber has a talent for spinning a compelling story, but this follow-up memoir is even bigger, deeper, and far more personal.. The book picks up right where the festival left off. Tiber describes loading a stash of cash into his Cadillac, pointing the car toward the horizon, and driving away from his family’s crumbling El Monaco motel in upstate New York for good. That one reckless, joyful act sets the tone for everything that follows. Tiber admits he didn’t have it all figured out — he was hungry, a little lost, and completely done waiting for permission to be himself. His honesty immediately draws readers into his world. What follows moves forward with the relentless energy of a man determined not to sit still. Tiber chases his creative ambitions across the country and across the ocean — to Hollywood, Europe… anywhere life takes him. His writing is laced with self-deprecating wit that made me laugh out loud more than once. But the true heart of the book is his relationship with André Ernotte, the Belgian playwright and director who became the love of his life. Together, they built art, tackled ambitious projects, and cocreated a novel that became a bestseller in Belgium. Tiber writes about André with tenderness that never slips into sentimentality. He keeps the rough edges intact, making the story feel authentic and real. Not everything in *After Woodstock* is easy to read, and Tiber doesn’t pretend otherwise. He writes candidly about the AIDS epidemic, conveying raw, firsthand grief that no amount of research could replicate. Friends and loved ones disappear far too soon, and those passages sit heavily on the chest — as they should. But even in the darkest moments, Tiber’s warmth never fully leaves the page. He mourns, then continues to move, create, and love. That resilience transforms a painful chapter of history into something profoundly human. Initially, I started with the print version of the book. However, I switched to the audiobook midway through because of a vacation — and that turned out to be one of the best decisions. The narration by Edwin Wald is exceptional. His performance brings the story to life with warmth, humor, and nuance that perfectly match Tiber’s honest writing. Wald’s timing, delivery, and subtle asides make the story feel even more personal. When Wald jokes, you can almost hear the grin behind it. During the more emotional parts, the weight in his voice stops you cold. His narration elevates the memoir from a compelling read to an unforgettable listening experience. *After Woodstock* is funny, honest, heartbreaking, and unforgettable. Whether you’re a longtime fan of *Taking Woodstock* or meeting Tiber for the first time, this memoir is well worth your time. Pick up the print version if you love pages, but do yourself a favor: listen to the audio version. Either way, it’s a story that will stay with you long after it ends. *To learn more about the author and his work, visit the After Woodstock website at* [*https://www.simonandschuster.com/books/After-Woodstock/Elliot-Tiber/9780757003929*](https://www.simonandschuster.com/books/After-Woodstock/Elliot-Tiber/9780757003929?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/After-Woodstock-book-cover.jpg) After Woodstock by Elliot Tiber --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-8.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Tim Curry, Star of Rocky Horror and More, Dead at 80 URL: https://www.stonewallnews.net/tim-curry-star-of-rocky-horror-and-more-dead-at-80/ Last updated: 2026-08-26T17:58:49.000Z The world of entertainment is mourning today. Tim Curry, the legendary actor known for his bold performances and unforgettable characters, has passed away at the age of 80\. Over his long career, Curry brought a unique mix of menace, humor, and heart to every role, from the seductive Dr. Frank-N-Furter in *The Rocky Horror Picture Show* to the terrifying Pennywise in *It*. His commanding voice and fearless presence made him a true icon. Born in Cheshire, England, in 1946, Curry’s talent shone early. He gained fame on stage before crossing over to film and TV, where his versatility was unmatched. Whether playing demons, villains, or comedic characters, he had a way of making every role his own. His portrayal of Pennywise remains one of the most chilling ever, and his stage work earned him Tony nominations, highlighting his love for live performance. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-26T095459.417.jpg) Tim Curry in The Rocky Horror Picture Show / IMDb ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-26T095527.088.jpg) Tim Curry in It / IMDb Despite health struggles following a stroke in 2012, Curry continued to inspire with his resilience and warmth. Beyond his roles, he became a symbol of gender nonconformity and LGBTQ pride, especially through his iconic role as Frank-N-Furter — a character that celebrated being true to oneself. Tim Curry’s legacy is one of fearless expression and unrelenting passion. His work will continue to entertain and inspire for generations to come. Rest in peace, Tim — you’ll be missed. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-10.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Dolly Parton: A Legend Who Loved Us URL: https://www.stonewallnews.net/dolly-parton-a-legend-who-loved-us/ Last updated: 2026-08-26T17:58:23.000Z It is with heavy hearts that we remember Dolly Parton, who passed away on August 25, 2026\. Her loss leaves a void in the world of music. Dolly could never be confined. With her sparkling smile, extraordinary talent, and open heart, she was more than an entertainer — she was a symbol of love, acceptance, and authenticity for the LGBTQ+ community. From her humble beginnings in Tennessee to her rise as a global superstar, Dolly will be remembered as a steadfast ally — a fierce advocate who understood that love is love, and that everyone deserves to be celebrated for who they are. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-25T214831.638.jpg) Dolly Parton Dolly embraced individuality and led with compassion. She showed the world that it is possible to be both a trailblazer and a source of comfort, using her platform to uplift others with dignity and heart. Thank you, Dolly, for your music, your light, and your humanity. Your star will continue to shine in our hearts forever. YouTube --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-9.jpg) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Log Cabin Republicans Choose to Break the Family URL: https://www.stonewallnews.net/the-log-cabin-republicans-choose-to-break-the-family/ Last updated: 2026-08-23T17:24:20.000Z ### It might not be a great loss for transgender people. But it is a reminder that courage, solidarity, and moral clarity are in increasingly short supply — in ways that echo darker moments in history. --- > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* --- The news this week: the Log Cabin Republicans — the organization representing LGBT conservatives and their allies within the Republican Party — has voted to drop the T from its mission. [Ross Hemminger](https://www.linkedin.com/in/ross-hemminger-83588768/?ref=stonewallnews.net), the group’s President and a former pharmacists' PR guy, laid out the reasoning two days ago in [an op-ed for ](https://townhall.com/columnists/ross-hemminger/2026/08/20/log-cabin-republicans-renews-its-national-advocacy-focus-n2681600?ref=stonewallnews.net)[*Townhall,*](https://townhall.com/columnists/ross-hemminger/2026/08/20/log-cabin-republicans-renews-its-national-advocacy-focus-n2681600?ref=stonewallnews.net) the conservative news and opinion site. His justifications struck me as disingenuous. First, the invocation of a *“moral center”* and a decision to *“move forward with clarity”* — when the move so plainly reads as opportunistic and self-serving. Second, the long list of grievances against the transgender movement is offered as the reason to drop transgender people from the project of making the Republican Party more inclusive — when that, too, feels like a pretext rather than the real motive. In fact, the op-ed reads as flippant, almost impulsive. It really reads as: this got complicated for us, so we caved in and built a morality narrative to justify the exit after the fact. The window dressing isn’t pretty. On the underlying moral question, there is no ambiguity. Anyone who has actually spent time with transgender people knows, intuitively, that a decent society must find ways to support their pursuit of a livable life. The conversation often comes down to something as stark as *“it was either I transitioned, or I killed myself*.” However you come down on youth trans healthcare, women-only spaces, sports, or self-ID — a movement does not get to respond to that kind of testimony by walking away. There is nothing capricious or pernicious about the movement for the inclusion of transgender people in society. Breaking the family was never an option. In dropping the T, Log Cabin Republicans gave up a founding value of this movement — solidarity — in exchange for their usual crumbs: [a gala with Melania](https://www.advocate.com/politics/melania-trump-lcr-speaking-gig?ref=stonewallnews.net). Solidarity across the letters. Solidarity across gender. Solidarity across generations. Solidarity across classes. The announcement felt timely for me because I just watched [*Rays and Shadows*](https://www.youtube.com/watch?v=pbKXlb0NR3A&ref=stonewallnews.net)[ ](https://www.youtube.com/watch?v=pbKXlb0NR3A&ref=stonewallnews.net)(*Les Rayons et les Ombres*, 2026) this week, which tells the true story of the journalist Jean Luchaire during the German occupation of France. It traces his slide into collaboration — driven less by ideology than by ambition, vanity, and greed, and cemented by his friendship with the German ambassador, Otto Abetz. Underneath the period drama, it’s really a study of how the professional class becomes complicit in atrocity: not through conviction, but through self-interest and moral cowardice, one small accommodation at a time. More than eighty years after the war ended, that same test — do the right thing, or do the easy thing — is showing up again as a daily American dilemma. If [the ](https://www.wired.com/story/leak-exposes-members-of-peter-thiels-secretive-dialog-society/?ref=stonewallnews.net)[*Dialog*](https://www.wired.com/story/leak-exposes-members-of-peter-thiels-secretive-dialog-society/?ref=stonewallnews.net)[ leak ](https://www.wired.com/story/leak-exposes-members-of-peter-thiels-secretive-dialog-society/?ref=stonewallnews.net)this past June taught us anything, it’s that today too principles are surprisingly negotiable, even for people who should know better. There is a lesson here for each of us: we will not get out of our current predicament unless we are willing to pay a personal price—to risk our job, our money, our friendships, even our own comfort. Unfortunately, Log Cabin Republicans aren’t the only ones weighing whether to leave transgender people behind before the midterms. Some Democrats are also signaling they’re ready to soften or sidestep trans rights, and it’s an open question how that will play out. The work ahead for advocates is to reframe LGBTQ+ interests in terms that resonate across the political spectrum. Sarah McBride’s call for [conversations that persuade](https://www.youtube.com/shorts/0Zw4rAm-GsU?ref=stonewallnews.net) comes to mind. There’s also a real lesson in the long fight to include transgender people in the Employment Non-Discrimination Act (ENDA), the reminder that movements must have the room to articulate a strategy that meets the moment. Indeed, cowardice isn’t confined to the conservative side today. Our own movement has its share of leaders who can be equally opportunistic — willing to trade away hard-won objectives to appease fringe voices, in exchange for the security of comfortable salaries and the vanity of appearing enlightened. In America today, courage is in short supply. There’s actually a third argument buried in Hemminger’s oped: “*Gay men and women are losing public support across the country.*” The implication is that we’re facing a fresh wave of hostility, a tide that has turned. I don’t think that’s quite right. What’s actually happened is that a lot of the country has heard our stories and remained unmoved — and the far right is organizing, deliberately and effectively, to take our rights away. As [CNN points out,](https://www.cnn.com/2026/08/21/politics/log-cabin-republicans-transgender-politics?ref=stonewallnews.net) today’s topic is trans issues, but tomorrow it will be surrogacy and so on. We should always expect to operate in a world where hostility toward us is a permanent feature, not a passing backlash. We are [a relatively small,](https://www.hrc.org/press-releases/record-breaking-lgbtq-adults-now-12-of-population-greater-than-10-in-40-of-50-states?ref=stonewallnews.net) and at times unpopular, minority, and a strategy built on the assumption that public sympathy is trending our way is a strategy built on sand. Luchaire didn't set out to become a collaborator; he drifted there, one flattering invitation at a time, telling himself a story about pragmatism until the story was all that was left. That's the danger in front of us now — not a single dramatic betrayal, but a series of small individual decisions, dressed up as clarity, which ultimately break the movement. The real test isn't whether we can name our values when it costs nothing. It's whether we hold them when the room gets uncomfortable, and the door out is right there, and it would be so easy to take it. Solidarity is what's left when everyone in the room has a good reason to leave. --- ### “Finding Renée Richards: The Ground-Breaking Story of Tennis’s Trans Pioneer” by Julie Kliegman URL: https://www.stonewallnews.net/finding-renee-richards-the-ground-breaking-story-of-tenniss-trans-pioneer-by-julie-kliegman/ Last updated: 2026-08-23T00:10:14.000Z Come on in, the water’s fine. Wade into it up to your ankles, your calves, your waist, you’ll be okay. You’ll adjust to the waves that swirl around you so come on, dive in, it’s all good. As in the new book *Finding Renée Richards*by Julie Kliegman, that goes for swimming, *and* for controversy. Assigned to do a story on books written by trans tennis great Renée Richards, Julie Kleigman read the books and became “transfixed by a woman who had fought so hard to simply live as who she had long known she was….”. Their editor had figured that, as a nonbinary and trans individual, Kleigman would have “something incisive to say…” in an article. Instead, once they met and began interviewing Richards, Kliegman was left frustrated... Born in the late summer of 1934, Richard Henry Raskind seemed to have arrived with a tennis racket in his hand. His mother was a psychiatrist; his father was an orthopedic surgeon who hoped “Dick” would follow his footsteps but Raskind was drawn instead to ophthalmology and tennis. He was also irresistibly drawn to wearing women’s clothing. His sister knew of this pull and Raskind eventually came out to both parents, but few others on the tennis circuit were aware. When Raskind visited his hometown of New York City, however, he enjoyed furtively going out in women’s clothing but he also tried to squash the desire; in the meantime, he fell in love, married, fathered a son, and eventually learned that it was possible to become the woman he knew he really was. To continue playing tennis professionally was a bonus. And right there were the disagreements Kleigman had with Richards. Richards, “To this day… \[makes\] a point of describing herself as a woman, period,” says Kleigman, but she firmly acknowledged Richard, almost as a separate individual, insisting that Kleigman use “him/his” pronouns when describing her earlier life. And as for tennis and trans women’s participation in the sport, Richards had something even more frustrating to say… Take that as a fair warning: you might be equally surprised at what author Julie Kliegman uncovered in “Finding Renée Richards,” and you may be truly gobsmacked by reading opinions from other women about the topic of trans women in sports. That’s the main, huge point of interest in this fascinating book; the other is Richards’ life as seen through the lens of a trans individual. Kleigman’s wrestling with the ninety-year-old Richards’ firmly dug-in heels is, in itself, worth your time as a study of highly varying viewpoints. That Kleigman and Richards have both lived at least a part of trans history is somewhat of a key to understanding how this book unfolds, as Kleigman offers up Richards’ tale. Readers who are able to read between the lines will be riveted. If you’re a sports fan and you have opinions, you must read this book – and that goes double if it’s tennis you love. Also check out “Finding Renée Richards” if you just want a raucously good and very fine read. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Finding-Renee-Richards-author-CREDIT-Nina-Subin-1.jpg) Author Julie Kliegman | Photo by Nina Subin --- ### This Information Belongs to Us URL: https://www.stonewallnews.net/this-information-belongs-to-us/ Last updated: 2026-08-21T12:42:23.000Z Queer history is not background. It is infrastructure. It is how communities survive erasure, recognize themselves, and pass forward the knowledge required to live openly and fully. When queer media disappears, it is not just stories that are lost—it is strategy, memory, and proof of possibility. The newly digitized release of Stonewall’s first 16 years is not a commemorative gesture. It is a reclamation, and it belongs to us. Stonewall began in 1992 as Stonewall News Spokane, founded by Lawrence Stone under Stonewall Publishing, Inc. at a time when visibility itself carried consequence. In Spokane, printing the words “gay” and “lesbian” was considered risky. Printers refused bids. Advertisers hesitated. The expectation was silence or shame. Stonewall rejected that expectation outright. It was built deliberately—as a fully licensed, professionally produced newspaper that asserted queer lives were not marginal, and that documenting them was a political act. The archive does not soften that reality. Its pages show how rights were contested locally, how nondiscrimination protections were fought for inch by inch, and how the AIDS crisis shaped both urgency and grief. They also show something just as important: how dignity was practiced. Through editorial standards, cartoons, arts coverage, and cultural criticism, Stonewall insisted that queer people were entitled to complexity, humor, and self-definition. It did not simply report on a community—it helped teach one how to see itself clearly. In 1995, publishing leadership passed to John Deen, and the paper became Stonewall News Northwest, reflecting a broader regional scope. In 2005, Mike Schultz purchased all shares of Stonewall Publishing, Inc., retaining stewardship of its archives, intellectual property, and copyrights across three publishers and 16 years. Archives like this are not neutral repositories; they are tools. They show how communities organize under pressure, how visibility is claimed before it is safe, and how futures are imagined when none are promised. Making this archive accessible is not about nostalgia. It is about continuity. This information belongs to us. Reading it is not passive. It is how we honor those who took risks to be visible, and how we give future generations something essential: evidence. Evidence that queer lives were lived fully here. Evidence that authenticity is not new. Evidence that they inherit not just struggle, but lineage. The archive is open. Read it. Use it. Learn from it. Our future depends on remembering how we got here. > Visit the online archive for Stonewall News Northwest and other PNW LGBTQ+ publications [here](https://www.stonewallnews.net/pdf-issues/). --- ### Mutiny: A Must-See Edge-of-Your-Seat Thriller URL: https://www.stonewallnews.net/mutiny-a-must-see-edge-of-your-seat-thriller/ Last updated: 2026-08-19T13:37:18.000Z I walked into the advance screening of *Mutiny* expecting a strong action film. What I experienced was something entirely different — 95 minutes of raw, breathless, unrelenting cinema that had me white-knuckling my armrest from start to finish. The film hits the ground running and never lets you catch your breath, building into a ferocious, masterfully paced thrill ride. Jason Statham stars as Cole Reed, a former Marine who witnesses his billionaire boss being murdered. Before he can even process the shock, he finds himself framed for the crime. In an instant, he becomes a hunted man. So Cole does what any Statham character would do: he fights back. Boarding a cargo ship on a one-man crusade to avenge his boss’s death, Cole uncovers something far larger than he ever imagined. An international conspiracy pulls him deeper into danger, and every step forward raises the stakes. I won’t spoil a single twist, because half the fun lies in not knowing what comes next. At the center of it all, Statham remains the iconic action star audiences know and love. He carries the entire film on his shoulders. The way he moves, the way he throws a punch, and the quiet fury behind his eyes all make Cole Reed feel real — a man pushed to the edge who refuses to break. Opposite him, Annabelle Wallis brings a great deal to the screen. She holds her own next to Statham, adding both heart and sharp intensity to every scene. The chemistry between them keeps you invested, even when the bullets aren’t flying. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-19T042200.993.jpg?resize=1024%2C768&ssl=1) Jason Statham / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-19T042534.899.jpg?resize=1024%2C768&ssl=1) Annabelle Wallis / IMDb Much of the film’s tension can also be credited to director Jean-François Richet, whose fingerprints are evident throughout. Anyone who has seen *Plane* or the *Mesrine* films knows Richet understands how to build pressure and release it at exactly the right moment. He controls the pacing like a master, letting quiet moments breathe just long enough to make you comfortable, only to rip the floor out from under you when you least expect it. The cargo ship setting becomes a character in its own right — tight corridors, dark corners, and nowhere to hide. What struck me most, beyond the craft on screen, was the audience’s reaction. As the credits rolled, everyone applauded in unison — not a polite clap, but a loud, collective burst of appreciation from a room full of strangers who had just shared something intense. Walking out of the theater, I overheard the same sentiment repeated again and again: “Man, that was intense — so good.” Everyone loved it. Every single person. Go see *Mutiny*. Watch it in a packed theater with a crowd that reacts out loud, because that is how this movie is meant to be experienced. Statham delivers, Wallis shines, and Richet proves once again that he is one of the best in the business. You won’t be prepared for what’s coming — and that’s part of the fun. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Screenshot_19-8-2026_41937_www.imdb_.com_.jpeg?resize=609%2C826&ssl=1) Mutiny (2026) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-5.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Inside the Lonely World of MAGA Gay Men URL: https://www.stonewallnews.net/inside-the-lonely-world-of-maga-gay-men/ Last updated: 2026-08-18T11:52:35.000Z ### In a time when gay rights are under attack in the U.S., a minority of gay American men are still staunch Trump supporters. Why? --- > This article published by Uncloseted Media. Consider supporting their important work at [https://www.unclosetedmedia.com/](https://www.unclosetedmedia.com/?ref=stonewallnews.net) --- When Evan decided it was time to tell his boyfriend that he voted for Trump, he couldn’t get the words out. “I was stuttering for 20 minutes straight on the phone,” he told Uncloseted Media and GAY TIMES. When Evan decided it was time to tell his boyfriend that he voted for Trump, he couldn’t get the words out. “I was stuttering for 20 minutes straight on the phone,” he told Uncloseted Media and GAY TIMES.

Once he finally worked up the courage, he was met with pushback: “He made fun of me. … He called me a racist and a white supremacist,” says Evan, a 21-year-old math major who lives in Long Island, New York. That pushback isn’t unusual: According to a 2023 Pew Research Center survey, 83% of queer men typically [vote](https://www.pewresearch.org/politics/2024/04/09/partisanship-by-gender-sexual-orientation-marital-and-parental-status/?ref=stonewallnews.net) Democrat. One key reason gay men swing left in 2026 is because of the Trump administration and MAGA-aligned politicians’ [track record](https://www.unclosetedmedia.com/p/a-full-year-of-trump-and-lgbtq-rights?ref=stonewallnews.net) on LGBTQ issues. Since the start of Trump’s second term, his administration [has terminated](https://www.unclosetedmedia.com/p/the-staggering-scale-of-trumps-war?ref=stonewallnews.net) more than $1 billion worth of grants to HIV-related research, [removed the Pride flag](https://www.unclosetedmedia.com/p/the-trump-administrations-takedown?ref=stonewallnews.net) from the Stonewall National Monument and [shut down](https://www.unclosetedmedia.com/p/tomorrow-lgbtq-youth-will-lose-a?ref=stonewallnews.net) the LGBTQ-specific option on the 988 youth suicide hotline. Because of this, many of the fewer than [one in five LGBTQ](https://www.nbcnews.com/nbc-out/out-politics-and-policy/lgbt-voters-away-from-trump-2024-election-record-change-rcna178939?ref=stonewallnews.net) men who [cast their ballot](https://glaad.org/releases/glaad-releases-2024-voter-poll-94-of-lgbtq-americans-are-motivated-to-vote-72-report-negative-impact-of-political-discourse-on-mental-health-and-emotional-well-being/?ref=stonewallnews.net) for Trump in 2024 face judgment for their political affiliation. “People think that I hate myself for being gay, and that I’m a gay traitor. … I wish there were more gay conservatives or moderates,” says Evan, who requested to use a pseudonym due to fears over retaliation for his political views. ### Navigating Dating and Relationships as a Gay Trumper Nick Duncan, 43, can relate to Evan’s fears about being an open Trump supporter: “I mostly get hatred. I’ve never lost a conservative friend because I’m gay, but I’ve lost all of my gay friends because I’m conservative,” says Duncan, a hospitality executive who lives in Miami. “I’ve divorced myself from what I refer to as the Alphabet Mafia.” Duncan says he feels so unwelcome by the LGBTQ community that he’s hesitant to attend certain queer events. “Nowadays, I would never go to a Pride event,” Duncan told Uncloseted Media and GAY TIMES. “I don’t feel that I would be safe.” Despite these concerns, Duncan doesn’t hide his political views when looking for love. “I’m in a long-term relationship now, and when I have been on the dating market, I’m very open and upfront about \[my political views\]. So I think it just weeds out most people who would have an issue.” For Evan, political differences have been a source of tension in his relationship even before he told his boyfriend who he voted for. “When I first met him, he asked me if I liked Trump. … He was kind of scaring me. So I said, ‘I don’t know,’” Evan recalls. “He said, ‘Good answer, because if you said yes, I couldn’t even talk to you.’” Since revealing his conservative identity, Evan has had multiple arguments with his boyfriend about politics. “This guy, who I’ve been dating for almost a year, he’s way too far left. … The first proof is he thinks there’s more than two genders,” says Evan. “I tried telling him there were only two genders, and he got mad at me.” Though Evan believes there are only two genders, [research](https://link.springer.com/article/10.1007/s10508-025-03191-6?ref=stonewallnews.net) suggests that gender is a spectrum allowing for multiple gender identities. ### Proud Gay Trump Supporters According to [a 2025 report](https://www.pewresearch.org/short-reads/2025/02/26/most-lgbtq-adults-expect-trumps-policies-to-affect-gay-lesbian-bisexual-and-trans-people-negatively/?ref=stonewallnews.net) from Pew Research Center, 71% of LGBTQ adults view the Republican Party as unfriendly towards LGBTQ Americans. Duncan thinks these critiques are unreasonable: “The Republican Party is not nearly as anti-gay as \[leftists\] believe,” he says. “The Trump administration has plenty of openly gay people in the administration, and Trump actually supported gay marriage before it was cool.” Gay members of the Trump administration include Treasury Secretary Scott Bessent, as well as Tony Fabrizio, a pollster and strategist. Additionally, Trump did [tell The Advocate](https://www.unclosetedmedia.com/p/donald-trumps-complete-track-record?ref=stonewallnews.net) in a 2000 interview that though “the institution of marriage should be between a man and a woman,” he thinks amending the Civil Rights Act to grant the same protection to gay people that we give to other Americans is “only fair.” But since then, Trump has appointed Supreme Court Justices who have denounced marriage equality and Cabinet members with anti-LGBTQ track records, [including](https://www.unclosetedmedia.com/p/rubio-rfk-jr-hegseth-bondi-noem-mcmahon?ref=stonewallnews.net) Pete Hegseth, Marco Rubio and Pam Bondi. Duncan says part of the reason he isn’t worried about Trump’s anti-LGBTQ track record is because he doesn’t view being gay as the most important part of his identity: “The most important part of who I am is as a father.” Duncan is not alone: A 2020 report from the UCLA Williams Institute School of Law found that Republican lesbian, gay and bisexual people are [more likely](https://williamsinstitute.law.ucla.edu/wp-content/uploads/LGB-Party-Affiliation-Oct-2020.pdf?ref=stonewallnews.net) to feel connected to other parts of their identities than their sexual orientations. Evan doesn’t identify with the community at large and does not like to be referred to as “LGBTQ” or “queer.” “I realized I’m normal. I’m not LGBTQ,” he says. “I’m just gay.” Evan’s desire to be seen as “normal” rings of Vice President [JD Vance’s 2024 comments](https://www.nbcnews.com/politics/2024-election/vance-joe-rogan-interview-trump-normal-gay-guy-vote-rcna178135?ref=stonewallnews.net) on Joe Rogan’s podcast, where he said Trump could win the “normal gay” vote. During this same interview, Vance [suggested](https://glaad.org/gap/jd-vance/?ref=stonewallnews.net) that parents of genderqueer children use their children’s identities as a rejection of having white privilege. Vance received significant backlash for these comments, with the Human Rights Campaign [responding](https://x.com/HRC/status/1852067540492591477?ref%5Fsrc=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1852067540492591477%7Ctwgr%5Ef160d6428b8a2964438a9b07f0020458ad23ff20%7Ctwcon%5Es1%5F&ref%5Furl=https%3A%2F%2Fwww.advocate.com%2Felection%2Fjd-vance-joe-rogan-gays&ref=stonewallnews.net) to the vice president’s remarks over X. Some Gay Republicans See the GOP as More Friendly For Chris Doane, 56, voting Republican is the only choice that makes sense, as he believes voting for a Democrat goes directly against his interests as a queer man. “Conservatives don’t want to murder gays. They want them saved,” he says. “Muslims vote Democrat, because if the Democrats win, they get to stay \[in the U.S.\], they get to take power, and they will murder gays brutally with a smile on their face,” says Doane. Doane’s comments are unfounded and display racist stereotypes peddled by far-right American media: One [study](https://www.brennancenter.org/our-work/analysis-opinion/role-racial-resentment-our-politics?ref=stonewallnews.net) from the Brennan Center for Justice compiled data from 1984 to 2020 and found that racial resentment is more prevalent on the right than on the left. Doane was raised in a conservative family in Bryan, Texas, and isn’t out to his family because he fears that they won’t accept him. For him, voting Republican is part of his heritage. “I was told, ‘Don’t ever let Democrats in control. They’ll ruin our country,’” he says. “That’s pretty much what they did, and that’s why President Trump is working overtime to straighten it all back out.” ### Trans Rights and Gay Republican Men Though Doane and other gay Republicans hold a range of views, a common thread is a hesitancy around trans rights. So, they align more with the Trump administration, which has railed against the trans community with Trump’s [policies](https://glaad.org/fact-sheet-trump-transgender/?ref=stonewallnews.net) and [rhetoric](https://www.aclu.org/trump-on-lgbtq-rights?ref=stonewallnews.net). For example, Doane sees being able to transition as a matter of personal freedom but thinks gender-affirming care for trans kids is a step too far. “When it comes to transgender, I have nothing against that. I just believe that when you make that transition, it should be at a point where your brain is fully developed … and you’re actually going to enjoy that transition,” he says. He also holds the view that for a trans person to be accepted as their correct gender, they must fully physically transition. “If you’re gonna transgender, transgender all the way. If you’ve still got male parts on you, you don’t belong in the women’s dress room.” However, research suggests otherwise, with a[ 2025 study](https://psycnet.apa.org/fulltext/2026-99023-001.html?ref=stonewallnews.net) indicating that policing bathroom access can lead to mental distress in trans youth. Duncan has his own doubts. “I disagree with the integration of gender ideology and radical wokeism into the LGBT community. You are free to live under any delusion you so desire. You’re not free to require me to live under your delusion as well,” he says. “But if somebody wants to live as a man or a woman, however it is, I firmly believe they have the right to do that. I would never get in the way of it.” Duncan also believes that education about LGBTQ people should be limited in schools. He sees adolescence as a fundamentally confusing time, and believes an education about LGBTQ communities would “add on layers of confusion.” This belief seems to be in line with Gov. Ron DeSantis’ 2022 “Don’t Say Gay” bill, which has [banned](https://www.nea.org/sites/default/files/2023-06/30424-know-your-rights%5Fweb%5Fv4.pdf?ref=stonewallnews.net) education on gender identity and sexual orientation in Florida’s classrooms from pre-kindergarten [until](https://www.nea.org/sites/default/files/2023-06/30424-know-your-rights%5Fweb%5Fv4.pdf?ref=stonewallnews.net) the end of eighth grade, though there are exceptions for health lessons. “It’s okay to tell kids that some boys like boys, some girls like girls, some people like both. But it just needs to be kept vague and general,” Duncan says. “However you are is okay. We don’t need to expose children to gay media because if you’re gay, you’re going to know.” Duncan does not believe heteronormative bias in mainstream media is a problem, though a[ study](https://www.tandfonline.com/doi/abs/10.1080/10665684.2022.2158394?ref=stonewallnews.net) published in Equity & Excellence in Education found heteronormative biases in schools may harm queer students. “The vast majority of people are heterosexual, and a functioning society is built on a heteronormative bias,” he says. “It is important to understand that we are the extreme minority and society is not responsible for conforming to us.” ### They Approve of Trump and Don’t See Him as a Threat While LGBTQ Americans [see](https://www.pewresearch.org/short-reads/2025/02/26/most-lgbtq-adults-expect-trumps-policies-to-affect-gay-lesbian-bisexual-and-trans-people-negatively/?ref=stonewallnews.net) the Republican party as unfriendly towards queer people, Duncan and Doane aren’t worried about being stripped of their rights. Duncan says the 2015 passage of gay marriage solidified his equal rights. “We have marriage as gay men. I have every right that a straight man does,” he says. Doane also feels that his rights are secure under Trump 2.0 and approves of the president so far. “I voted for that great, big, beautiful wall because we were being overrun by illegals,” he says. Doane also approves of U.S. interventions in Iran and Venezuela, though he criticizes Trump for “leaving \[Venezuela\] way too soon.” Similarly, Duncan is generally approving of Trump’s handling of immigration. “I don’t love what we’re doing as far as deportations, but we had to get some control over the illegal population,” says Duncan. “I wish there was another way, but I can’t think of it.” Duncan and Doane are certainly in the minority as queer men who approve of Trump, but as far as they’re concerned, Trump is delivering on his promises. “Overall, I’m happy,” says Duncan. “I’m getting pretty much exactly what I voted for.” --- ### Fearless and United: Update Letter from Matthew Danielson, Spokane Pride Executive Director URL: https://www.stonewallnews.net/fearless-and-united-update-letter-from-matthew-danielson-spokane-pride-executive-director/ Last updated: 2026-08-18T16:03:12.000Z > *Starting August 1, 2026, a complex of fast-moving wildfires—including the Old Trails, Autumn Lane, and Fairview fires—devastated the edges of Spokane, Washington. The wind-driven blazes scorched over 10,500 acres, destroyed at least 900 homes and structures, and forced roughly 65,000 residents to evacuate in what officials termed a historic regional disaster.* Spokane and many areas of the Inland Northwest have gone through a collective tragedy, echoes of which will be felt for decades to come. Spokane alone lost 900 structures, including apartment buildings and a sports complex. But I’m not going to write much about the tragedy. My three years as a volunteer firefighter in Adams County during my high school years did not make me an expert on fire suppression or emergency management, but I think I am a bit of an expert on this community, and seeing and being a part of it coming together in these difficult times has been truly inspiring. The day the fires started was actually my 20 year high school reunion from Othello High School. The awkwardness was broken by showing people videos my husband was sending me, mostly from people driving down Indian Trail. He is a dispatcher for the fire dept so he is super plugged into what was happening. What was happening was described by one of his co-dispatchers, as ‘the worst day they’ve ever had.’ ‘My house is in a level 3 evac zone’ turned out to be a very effective ice breaker. I cancelled my plans to visit our old swimming hole in the potholes state park and headed back early Sunday morning to a changed Spokane. Everyone I know involved in leadership of our queer orgs were reeling, trying to figure out how to be of best use in this time of crisis. Spokane Pride doesn’t provide direct service really, but pound for pound we’re likely the most effective event organization in the region (our budget is a quarter that of some other queer orgs in Spokane, we’re TINY!). So I put up a post on Facebook on Sunday asking if any performers would be interested in helping out with a fundraiser to benefit victims of the fire, and in probably 2 hours I had a lineup. Then at 11am Monday morning we created a subcommittee of our entertainment committee and met to plan the event. So many of our people were feeling the same thing, ‘What can I do to help?’ Our fundraiser was on Friday as some of the fires were still burning, where we managed to raise $5,164 dollars which we donated to the H.O.M.E Cares fund the city set up to go directly to victims of the fire. We also gathered a truckload of specified items to send to the Colville and Spokane reservations because they were in great need of relief. We’re not stopping at one fundraiser either. As I write this today (August 15th) we have our second fire relief fundraiser later tonight. Those funds will be donated to a fund helping in the recovery of the Spokane and Colville reservations and to buy supplies to make our community air filters. We’re going to do fundraisers as often as we can manage, and as long as our community keeps showing up. In times like these the need to come and just be together is so very important, plus giving people an opportunity to contribute and support their neighbors is how we start the recovery from this collective trauma. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/me.jpg) Matthew Danielson at a fundraiser for wildfire victims. Our roommates at the SAN Pride Center is the Spokane AIDS Network, they already work in the lane of community support with their food pantry and other services, so pivoting to do more in this time of need was the most natural thing to do. They opened their food pantry 3 days early and invited members of Trans Spokane, an org serving our trans community with over 500 people in their discord server in order to make sure this highly targeted community had what they needed during this crisis. We made our Pride center a hub for collection and distribution for things needed around the community. There were so many donations around the community, it became our job to figure out what was needed most, where, which was very much a moving target as things progressed. In this next week we plan to use some of the funds raised today to buy parts to make air filters to give to SAN clients, LGBTQ Seniors, and members of Trans Spokane. We are in our one corner doing what we can, while the community as a whole was busy at work responding to this tragedy. By Tuesday (Aug 4th) a meeting had been called at Shadle Park High School for educators, politicians, faith, business, and nonprofit leaders and everything in between to get together to discuss the emergency response. A captive audience of hundreds of leaders listened to everyone from the person in charge of the emergency management to our Mayor speak about what happened and what is happening in response. It was truly beautiful seeing our community come together and put aside any past drama and just do what needs to be done. All of this made planning a large outdoor street festival feel very depressing. It felt like there was an aura hanging over our town along with the smoke. The smoke being a constant reminder of the destruction, a constant reminder that my favorite hiking trail burned completely, that many of my favorite landscapes will now just be charred remains. Pride will go on. Pride must go on. Our second biggest event of the year only after Spokane Pride is Garland Pride. We take over an adorable historic business district and throw what I like to call a ‘neighborhood Pride.’ My feelings of depression every time I sat down to plan were only relieved when we had our big planning meeting with the neighborhood. Instead of sitting there and talking details of the event, I told them how I was feeling, and we all went around the circle and talked about how we were affected, what our threshold should be for cancelling due to smoke, and how a Pride will be a balm to our community in these crazy times. It was a very non-standard community forum, but effective in reorienting my attitude toward planning Garland Pride. Now the smoke has cleared and we are a week out and I’m excited that our team is going to provide an amazing space for our community - to come together in joy and celebration, to spread unconditional love and be one, together. If you can be around Spokane on August 22nd, please make your way up to the Garland District, it will be an ‘Alice and Wonderland’ themed Pride, what could be queerer! We are also looking forward to Hillyard Pride on Sept 19th. Hillyard is another adorable historic neighborhood that we all felt could really use a neighborhood Pride, especially after the drama of a truly hateful coffee stand that is up there (long story…). Pride Camp is something particularly close to my heart as well. We are taking over a church camp on Lake Coeur D’Alene Sept 25th through 28th in partnership with [North Idaho Pride Alliance](https://www.nipridealliance.com/cda4pride?ref=stonewallnews.net), [SAN](https://www.sannw.org/?ref=stonewallnews.net), and the [Lincoln LGBTQ Center](https://www.gonzaga.edu/student-life/student-services/lgbtq-resources?ref=stonewallnews.net). We are hoping to create a space to build community connections over our region and just be together in nature. I like to also joke that we are going to work on healing from the scars that we received at church camp, at a church camp. Please email [info@spokanepride.org](mailto:info@spokanepride.org) if you are interested in attending. Watching and being a part of our community come together in either disaster response or to celebrate universal love and equality is the privilege of a lifetime. I really believe that we are laying down community infrastructure that will far outlast all of us. We need to normalize coming together in person and supporting each other in times of desperation, in times of joy, and everything in between. Thank you all so much for being a part of our queer community and being one together year after year, day after day. HAPPY PRIDE! --- Related article: Aug 13, 2026 [Thoughts from the Hobbit House: The View From Our Balcony, Watching a Spokane Tragedy Unfold](https://www.stonewallnews.net/thoughts-from-the-hobbit-house-the-view-from-our-balcony-watching-a-spokane-tragedy-unfold/) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/garland-pride-20261.png)](https://www.spokanepride.org/?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Garland-Pride-082226.jpg) --- ### Jake Shears to Star in Broadway’s Rocky Horror URL: https://www.stonewallnews.net/jake-shears-to-star-in-broadways-rocky-horror/ Last updated: 2026-08-16T05:34:00.000Z This September, Grammy-winning musician and Scissor Sisters frontman Jake Shears steps into one of theater's most electrifying roles, taking on Dr. Frank-N-Furter in Broadway's current revival of *The Rocky Horror Show.* Jake Shears first rose to global recognition as the frontman of Scissor Sisters, whose glitter-rock, disco-infused sound made him one of the defining queer pop voices of the 2000s. Beyond his musical career, he has established an equally compelling presence across screen and stage. On Broadway, Shears starred in *Kinky Boots* and wrote the lyrics for *Tammy Faye*, a musical scored by Elton John that won Olivier Awards before transferring to Broadway in 2024\. In 2023, he received widespread critical acclaim for playing the Emcee in *Cabaret* at the Kit Kat Club in London’s West End. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-15T130117.783.jpg) Jake Spears / Photograph courtesy of Facebook ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-15T130721.283-1.jpg?resize=642%2C1024&ssl=1) Photograph courtesy of Facebook *The Rocky Horror Show* first premiered at London’s Royal Court Theatre in 1973\. The musical follows Brad and Janet, a straitlaced couple who stumble into a strange mansion on a rainy night and encounter Frank-N-Furter, a gender-nonconforming mad scientist who dismantles everything they thought they knew. Its score — featuring classics like “Sweet Transvestite,” “The Time Warp,” and “Dammit Janet” — has been sung by fans for over half a century. The 1975 film adaptation starring Tim Curry cemented the property as a cultural institution. Since then, the stage version has been performed in more than 15 languages and seen by over 40 million people worldwide. The current production, directed by Tony Award winner Sam Pinkleton and staged at Studio 54, has garnered nine Tony Award nominations for 2026, including Best Revival of a Musical. Luke Evans originated the role of Frank-N-Furter here and received a Tony nomination, alongside original cast members Stephanie Hsu and Andrew Durand. The revival has also featured memorable performances from Rachel Dratch as the Narrator and Valentina as Columbia, who made history as the first trans Mexican American in a principal role on Broadway. Lorna Courtney and Kevin McHale join the cast as Janet and Brad in late August, and Shears begins his performances in mid-September. Some casting choices require a leap of faith. This one does not. Shears has spent two decades commanding stages with the charisma and fearlessness Frank-N-Furter demands. He has the presence and edge to bring Frank-N-Furter to life. The fit isn’t coincidental — it’s the obvious choice. Tickets: [https://playbill.com/production/the-rocky-horror-show-broadway-studio-54-2026](https://playbill.com/production/the-rocky-horror-show-broadway-studio-54-2026?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/480x720.jpeg?resize=300%2C450&ssl=1) The Rocky Horror Show --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-4.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Teenage Sex and Death at Camp Miasma: A Cleverly Crafted Queer Horror Comedy URL: https://www.stonewallnews.net/teenage-sex-and-death-at-camp-miasma-a-cleverly-crafted-queer-horror-comedy/ Last updated: 2026-08-14T15:17:30.000Z In a genre saturated with reboots and remakes, *Teenage Sex and Death at Camp Miasma* stands out as a brilliantly self-aware love letter to trashy horror franchises — however, it’s crucial to understand that *Camp Miasma* itself is entirely fictional. There is no real cult classic lurking in some forgotten video store bin. The entire slasher series exists only within this film’s universe, a clever fictional construct that the movie lovingly parodies and deconstructs. Once you grasp this, the film’s layered humor and scares become more rewarding. This movie isn’t just a parody; it’s a layered metafiction that invites viewers into a fictional universe where a low-budget series is being resurrected, serving as a canvas for sharp humor, real horror, and simmering queer desire. The story follows Lee Michaels (Hannah Einbinder), a gay filmmaker tasked with reviving the long-dormant *Camp Miasma*. Einbinder’s performance is both sharp and relatable, capturing the excitement and underlying vulnerability of someone stepping into a chaotic, nostalgic world. She brings a dry wit and earnestness that ground the film’s more absurd moments, making her journey into this bizarre universe feel authentic and engaging. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-14T074950.361-1.jpg) Hannah Einbinder and Gillian Anderson / IMDb Gillian Anderson’s portrayal of Billy, the original star of the *Camp Miasma* franchise, is nothing short of mesmerizing. Anderson exudes a magnetic presence — her looks linger just a beat too long, and her sharp, playful banter with Einbinder is charged with unspoken longing. Anderson masterfully balances sultry charm with a hint of vulnerability, making Billy both a nostalgic icon and a complex, multi-dimensional character. Her performance elevates the film from a mere parody to a character-driven story about desire, regret, and rekindled passion. The supporting cast, Amanda Fix, Ryan McEwen, Authur Conti, Quintessa Swindell, and so many more, adds charm and eccentricity, striking just the right tone between seriousness and humor, ensuring that no character feels out of place in this playful yet tense landscape. Director Jane Schoenbrun skillfully navigates this tricky terrain, creating a film that lovingly embraces cheesy horror tropes while elevating them through clever storytelling and visual flair. The queer elements are woven seamlessly into the narrative, treated with honesty and depth rather than titillation or tragedy. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-14T074930.819.jpg) Teenage Sex and Death at Camp Miasma / IMDb During my screening, the packed theater buzzed with energy — gasps, laughs, and collective shudders creating a communal experience that heightened every scare and punchline. Watching a queer horror-comedy in such a lively environment made the film’s impact all the more memorable. *Teenage Sex and Death at Camp Miasma* is a smart, bloody, hilarious, and unapologetically queer celebration of everything trashy horror franchises embody. It’s a love letter to camp, to queerness, and to the power of genre filmmaking — delivering genuine heart along with the thrills. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Camp-Miasma-poster.jpg) **Teenage Sex and Death at Camp Miasma* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-3.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House: The View From Our Balcony, Watching a Spokane Tragedy Unfold URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-the-view-from-our-balcony-watching-a-spokane-tragedy-unfold/ Last updated: 2026-08-16T17:30:29.000Z > Starting August 1, 2026, a complex of fast-moving wildfires—including the Old Trails, Autumn Lane, and Fairview fires—devastated the edges of Spokane, Washington. The wind-driven blazes scorched over 10,500 acres, destroyed at least 900 homes and structures, and forced roughly 65,000 residents to evacuate in what officials termed a historic regional disaster. We’ve been under a fire evacuation order at least four times in the last few years. We live within walking distance of downtown Spokane, but our home sits on the edge of a beautiful forest that connects to a state park. We’re perched on a hill above the city, which gives us a spectacular- and sometimes terrifying- view from our balcony. We’ve watched dozens of fires from that balcony over the past few years. One came within 100 feet and others a block away. Thankfully, that remains the closest they’ve gotten… so far. Fire has become so commonplace that we no longer rush to the balcony when we smell smoke. There is simply too much of it and it happens too often. Smoke is no longer our warning sign. **Seeing flames is.** On Saturday, August 1, I could see flames. We had been issued one of our first “Extreme Fire Danger” warnings the day before. Temperatures were expected to climb into the 90s. Everything was dry, and a high-wind warning had been issued. It was, in every possible way, the perfect recipe for trouble. That morning, I went to our Frontrunners gay running and walking club as usual, although I felt uneasy. I brought my emergency “go bag” with me. Before I left, I spent an extra moment looking at our home, wondering if it might be the last time I would see it. As I led the morning greeting, I remember ending by telling everyone I hoped they would stay safe and be careful that day. I had no idea how prophetic those words would become. I got home around 11 a.m. My dog and I grabbed another coffee and headed to the balcony. My husband was out of town at a swimming event. I will never forget the next eight hours. I had been on the balcony for only a few minutes when the first notification appeared on my phone: a fire west of us. Minutes later, I could see wisps of smoke. Five minutes after that, those wisps had become enormous quantities of smoke billowing in from the west. About an hour later, flames appeared. They were several miles north of us, but from our balcony they looked enormous even at that distance- glowing red and orange arms reaching up through the forest canopy and grasping at the sky. Then another massive plume of smoke erupted on the east side of Spokane. Another fire. I had never seen fire move so quickly. It was as if the first fire had spotted the second and was racing toward it as fast as it could, desperate to make its acquaintance. Then I could see smoke from what appeared to be a third fire even farther north. Three towering mountains of smoke that had erupted in the middle of our beautiful city in no time at all. From where I sat, it seemed as though all three fires were determined to meet, join forces and become something much larger and dangerous. By then, my phone had erupted. Texts came from friends who lived north of us, some desperately trying to join more than 60,000 other neighbors fleeing their homes. Watch Duty notifications tried to tell me where the fire was headed. Friends texted to ask whether we were safe. This time, we were. This time, I was a witness to the horror everyone else was experiencing. My phone repeatedly made that ominous emergency-alert buzz as evacuation zones expanded with astonishing speed. I watched the fires turn the enormous blue Spokane sky into a ceiling of toxic, churning black clouds. Planes and helicopters disappeared into the smoke and emerged again, dropping retardant and water in desperate attempts to slow the stampede of flames. The sirens seemed endless. Across northern Spokane, tiny flashing lights moved through the thick haze as emergency responders raced to help thousands of people evacuating their homes. And I stood on my balcony and watched. My husband eventually made it home that afternoon. The three of us- my husband, our dog and me- sat quietly together on the balcony, watching the fire and hoping it would stop. Hoping our friends were safe. Hoping our city would be okay. Feeling powerless to do anything to help. We knew this was different from any fire we had experienced before. When we watched the flames leap effortlessly over the Spokane River and race up the hillside along the edge of Riverside State Park, we understood just how little stood between us and the destruction we were watching. I wasn’t simply watching a fire. I was watching a community run for its life. And yet, even from that balcony, surrounded by smoke and fear, I could see something else, too. I could see people helping one another. First responders running toward the danger while everyone else was running away. Neighbors opening their homes. Friends checking on friends. Strangers offering shelter, food, transportation and anything else they could give. The fires reminded us how quickly the things we take for granted can disappear. But they also reminded me of something else: **when everything familiar is burning, we become each other’s shelter.** This will not be the last time we see flames from our balcony. I wish it were. But I also know that when the next fire comes- and when the sky fills with smoke again- we won’t face it alone. Because somewhere beyond that terrifying view from our balcony will be thousands of people doing what people have always done in moments of crisis: **Running toward one another.** --- **Tips For Housing Evacuated Guests** Ryan and Robert have opened their home to fire evacuees on multiple occasions over the years. Drawing from those experiences, along with Ryan’s work at the Center for Trauma and Stress Education with communities impacted by natural disasters, they’ve put together the following tips Ryan teaches for those considering opening their homes to people displaced by an emergency. **If you have the space and capacity to help, opening your home can be one of the most meaningful ways to support someone during an incredibly difficult time.** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Tips-for-Housing-Evacuated-Guests.jpeg) Download these tips here: [Tips for Housing Evacuated GuestsTips for Housing Evacuated Guests.jpeg430 KBdownload-circle](https://www.stonewallnews.net/content/files/2026/08/Tips-for-Housing-Evacuated-Guests.jpeg "Download") --- > [Spokane Pride](https://www.spokanepride.org/?ref=stonewallnews.net) & [nYne Bar & Bistro](https://www.nynebar.com/?ref=stonewallnews.net) hosted multiple Wildfire Relief Fundraisers with proceeds going to the [City of Spokane's H.O.M.E Starts Here Initiative](https://my.spokanecity.org/endinghomelessness/donations/?ref=stonewallnews.net), the Colville Wildfire Relief & Recovery Fund and Spokane Indian Reservations for those impacted by the wildfires. The Spectrum Center also established the [Rainbow Relief Fund](https://www.spectrumcenterspokane.org/rainbowrelief?fbclid=IwY2xjawTrHPxwZG9mBWV4dG4DYWVtAjEwAGJyaWQRMWJIMEtGTXJMZVhUNmxESG1zcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe9vKpU6sE7DnrWQgbaw2-Hdn8bwlAY3dlInA5dKXkJGmG6MK4Q5glbGhpRE8%5Faem%5FsRzE-lRGsy5jVMy7pU4TTw&ref=stonewallnews.net) to address specific needs of the LGBTQ+ individuals and families impacted by these wildfires. --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Ryan-Oelrich-2-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. --- Related article: Aug 16, 2026 [Fearless and United: Update Letter from Matthew Danielson, Spokane Pride Executive Director](https://www.stonewallnews.net/fearless-and-united-update-letter-from-matthew-danielson-spokane-pride-executive-director/) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Stonewall-Email-Signup-Mail-Chimp---720x90.jpg)](https://stonewallnews.us7.list-manage.com/subscribe?u=3f089009cb036691fb00d9056&id=1e8a8f80ce&ref=stonewallnews.net) --- ### Walla Walla: Wine, Alpacas, and a Little Bit of Heavy Metal URL: https://www.stonewallnews.net/walla-walla-wine-alpacas-and-a-little-bit-of-heavy-metal/ Last updated: 2026-08-13T21:03:29.000Z > Although Walla Walla, WA is a relatively small city, it has earned a reputation for being increasingly inclusive and supportive of LGBTQ+ visitors and residents alike. Throughout downtown, businesses proudly embrace diversity, creating an environment where authenticity is celebrated rather than questioned. There's a particular kind of magic that happens when a small town decides to throw open its doors — not just to visitors, but to everyone. Walla Walla has long been celebrated as one of the Pacific Northwest's premier LGBTQ-welcoming wine destinations, but beyond its acclaimed vineyards lies a welcoming community that embraces creativity, diversity and authentic hospitality. My second visit centered around the annual Blood of the Gods Festival. I discovered a destination where exceptional food and wine, artistic expression and genuine inclusivity come together to create an unforgettable getaway for LGBTQ+ travelers. Whether you're planning a romantic weekend, a culinary adventure with friends or simply searching for a destination that celebrates individuality, Walla Walla offers the perfect blend of sophistication and small-town charm. I came to town for the Blood of the Gods Festival and left with a much fuller picture of a community that takes inclusivity as seriously as it takes its wine. Every good trip starts with the right homebase, and in Walla Walla that space belongs to [The GG Mansion & Inn ](https://theggwallawalla.com/?ref=stonewallnews.net) an intimate boutique property that perfectly captures Walla Walla's relaxed elegance. Located just minutes from downtown, the beautifully restored mansion combines modern comforts with historic character. ![The GG's LV Suite](https://static.wixstatic.com/media/a1176c_a2666f6605ad4de1b97d882548872706~mv2.jpg/v1/fill/w_740,h_1109,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/a1176c_a2666f6605ad4de1b97d882548872706~mv2.jpg) ****The LV Suite at the GG** Each room has its own personality, featuring thoughtful design touches, luxurious bedding and inviting common spaces that encourage guests to unwind after a day of wine tasting. Mornings begin with locally inspired breakfast offerings before guests head out to explore the valley. The GG's personalized hospitality makes visitors feel less like hotel guests and more like friends staying in an elegant home. It's an ideal choice for couples seeking a romantic escape or travelers looking for a peaceful retreat close to downtown attractions. The [Blood of the Gods Festival](https://www.instagram.com/bloodofgodszine/?ref=stonewallnews.net) is Walla Walla's annual excuse to let its hair down. This year’s festivities took place at the [Marcus Whitman Hotel](https://marcuswhitmanhotel.com/?ref=stonewallnews.net) and were filled with music, edgy fashion, wine, and an infectious sense of community pride. I never would have thought a festival combining heavy metal music and wine existed, but in Walla Walla, anything can happen. I wanted to embrace the music theme of my visit, so I was able to arrange a personal tour of [Walla Walla Guitar Company](https://wallawallaguitars.com/?ref=stonewallnews.net). Even those with limited knowledge of guitar, like me, can appreciate the artistry involved in creating these handcrafted instruments. Skilled craftspeople transform raw wood into beautifully finished guitars providing a fascinating glimpse into the dedication and precision required for each instrument. Every guitar tells its own story, reflecting both craftsmanship and passion. ![Walla Walla Guitar Company Pride Journeys](https://static.wixstatic.com/media/a1176c_3a044ec6049d42ad87e8195089138dd1~mv2.jpg/v1/fill/w_740,h_866,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/a1176c_3a044ec6049d42ad87e8195089138dd1~mv2.jpg) ****Joey at Walla Walla Guitar Company** Another unique experience is a visit to [East Alder Table](https://www.eastaldertable.com/?ref=stonewallnews.net) for a hands-on cooking class. The kitchen here is warm, communal, and unfussy — instructors walk you through seasonal, ingredient-driven dishes using produce sourced from the surrounding valley, and the whole experience feels less like a lesson and more like cooking with friends who happen to be excellent chefs. Sitting down afterward to eat what we'd just made, glasses of local wine in hand, was the kind of unhurried, connective evening that makes small-town travel so rewarding. Walla Walla's wine scene is the main event for most visitors, and it's here that the town's inclusivity really shines through. [Foundry Vineyards](https://www.foundryvineyards.com/?ref=stonewallnews.net) is worth the visit as is [August Forest](https://augustforest.com/?ref=stonewallnews.net), an LGBTQ-owned label. There's something quietly powerful about sipping a beautifully made wine knowing it was crafted by someone building a life and a business authentically, in a region that has embraced them for it. August Forest's wines carry the thoughtful, detail-oriented character you'd expect from a small producer pouring genuine passion into every bottle, and supporting queer-owned wineries like this one is one of the easiest, most delicious ways to travel with intention. For a completely different kind of Walla Walla charm, I carved out an afternoon for [Old Homestead Alpacas](https://www.oldhomesteadalpacas.com/?ref=stonewallnews.net), a small farm perched on the last ten acres of a homestead first settled back in 1870\. The farm raises a herd of suri alpacas, and a visit here feels like stepping into a gentler pace of life entirely. I had the chance to hand-feed the beautifully curious, fluffy faces while I learned about how to care for them. The farm grows its own natural dye plants which are used to create a genuinely limited-edition collection of hats, scarves, and mittens. It's a wonderfully grounding stop between wine tastings, and a reminder that Walla Walla's charm runs deeper than its vineyards. No trip to the valley is complete without a slow afternoon in Waitsburg, the tiny historic town just twenty minutes northeast of Walla Walla. With its brick storefronts, converted grain elevators, and a Main Street that looks plucked from another century. One of the culinary highlights of our visit was dinner at [Bar Bacetto](https://www.instagram.com/bar.bacetto/?hl=en&ref=stonewallnews.net). The intimate restaurant has quickly earned a reputation for inventive cuisine inspired by Italian traditions while showcasing Pacific Northwest ingredients. Every dish demonstrated remarkable attention to detail, balancing bold flavors with elegant presentation. On my visit, I tried a variety of incredible dishes, but the standout was the Tagliarini, a homemade pasta served with Italian Black Truffle. Need I say more? The menu encourages sharing, making it easy to sample multiple creations while pairing each course with outstanding local wines. The warm service and inviting atmosphere make Bar Bacetto equally suitable for date nights, celebrations or memorable evenings with friends. ![Bar Bacetto Pride Journeys](https://static.wixstatic.com/media/a1176c_640688f0028c40bda2e5e6d68c4652e3~mv2.jpg/v1/fill/w_740,h_1141,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/a1176c_640688f0028c40bda2e5e6d68c4652e3~mv2.jpg) ****Focaccia at Bar Bacetto** Following dinner, we continued the evening at [Royal Block](https://www.theroyalblock.com/?ref=stonewallnews.net), one of downtown's stylish gathering places. Whether enjoying handcrafted cocktails, local wines or simply relaxing with friends, the venue provides a sophisticated yet approachable setting with a museum quality art collection. Although Walla Walla is a relatively small city, it has earned a reputation for being increasingly inclusive and supportive of LGBTQ+ visitors and residents alike. Throughout downtown, businesses proudly embrace diversity, creating an environment where authenticity is celebrated rather than questioned. Many local wineries, restaurants and boutique businesses foster welcoming spaces for all guests, and the city's growing arts community further reinforces its progressive spirit. Rather than relying on a designated LGBTQ+ district, Walla Walla's inclusivity is woven naturally into the fabric of everyday life. That welcoming attitude is one of the reasons the destination continues to gain popularity among LGBTQ+ travelers seeking a relaxed alternative to larger metropolitan wine regions. > Visit Pride Journeys [here](https://www.pridejourneys.com/?ref=stonewallnews.net), your source for LGBTQ+ travel. --- ### September Diversions Word Search - Sarah McBride URL: https://www.stonewallnews.net/september-diversions-word-search-sarah-mcbride/ Last updated: 2026-08-13T17:42:10.000Z ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Diversions-Word-Search---Sarah-McBride-Sept-2026---Coverted-to-JPG-1.jpg) Download this puzzle: [Diversions Word Search - Sarah McBride Sept 2026Diversions Word Search - Sarah McBride Sept 2026.pdf1 MBdownload-circle](https://www.stonewallnews.net/content/files/2026/08/Diversions-Word-Search---Sarah-McBride-Sept-2026-1.pdf "Download") Answer key to this puzzle: [Diversions Word Search - Sarah McBride - Sept 2026 - AnswersDiversions Word Search - Sarah McBride - Sept 2026 - Answers.pdf624 KBdownload-circle](https://www.stonewallnews.net/content/files/2026/08/Diversions-Word-Search---Sarah-McBride----Sept-2026---Answers-1.pdf "Download") The history of LGBTQ+ people can be hard to find, usually never taught or even mentioned in schools. Even with the increase of queer characters on TV shows and movies in the last decade, our representation isn’t equal to our actual population. Many kids growing up don’t even know of the wide variety and rich history of the LGBTQ+ community. I certainly didn’t while growing up! We are award-winning actors and actresses, athletes in every sport imaginable, politicians, business leaders, news and media journalists and personalities, musicians and authors of every genre, scientists, astronauts, and more. I decided I wanted to make a puzzle book about them and therefore about all of us. So when you’re solving these puzzles, feel free to hop on the internet, look up and discover these amazing LGBTQ+ people that you may not have heard of before! Have fun and a sense of humor when going through these puzzles. And especially have a sense of pride. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Kerry-Shatzer-1.jpg) Author, Kerry Shatzer. For more of his Queer Pride Puzzles and Word Searches, visit [https://www.diversionspuzzles.net/](https://www.diversionspuzzles.net/?ref=stonewallnews.net) --- ### Weekly Update on National & International LGBTQ+ Equality – Wed, August 12, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-august-12-2026/ Last updated: 2026-08-13T13:17:44.000Z This week: Senegal’s mass prosecutions, Bolivia’s first same-sex marriage, a terrible ad in Texas, Wes Streeting, Tristan Schukraft, Perez Hilton, The Shards, UNGA and much more… > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* The thing about LGBTQ+ news in 2026 is that it’s tempting to disengage. Tell me about it — I’ve had the privilege of staring at it every week since 2022\. The relentless pressure at the margins is exhausting, fragmented, and frankly numbing: bathroom battles on one end, hardening criminalization on the other. It’s hard to know which fight deserves our attention most — collapsing HIV funding, our mental health epidemic, the bans on trans youth care, global decriminalization, or the countless others in between like AI facial recognition in gay bars. The antidote, I think, is to step back and take in the whole picture. LGBTQ+ people are on a long journey toward liberation, and staying connected to that larger struggle is also a way of finding meaning at a time when LGBTQ+ lives often remain *“solitary, poor, nasty, brutish, and short”.* ### **Global News** #### **Senegal: A Continuing Crackdown** Dakar prosecutors confirmed Friday that 71 of 99 men arrested since February on homosexuality-related charges will stand trial, while 28 had their cases dropped, including a French national. The prosecutions follow March legislation that raised the maximum penalty for *“unnatural acts”* to ten years, part of a broader hardening of Senegal’s anti-LGBTQ+ statute in the global human rights vacuum left by the West. Read more in [*Têtu*](https://tetu.com/2026/08/10/afrique-senegal-traque-lgbt-71-homos-proces-homosexualite-lesbiennes-arretees/?ref=stonewallnews.net). #### **United Kingdom: A Gay Defense Secretary** Speaking at the Edinburgh Fringe, [Wes Streeting](https://en.wikipedia.org/wiki/Wes%5FStreeting?ref=stonewallnews.net) said he’s encountered an *“unbelievable volume”* of online homophobia since becoming Britain’s first openly gay Defense Secretary three weeks ago, attributing it to people who *“cannot cope with the idea”* of a gay man overseeing the Ministry of Defense. LGBTQ Nation responded with *“*[*UK politician who implemented transphobic policies now complains about homophobia”.*](https://www.lgbtqnation.com/2026/08/uk-politician-who-implemented-transphobic-policies-now-complains-about-homophobia/?ref=stonewallnews.net)Details in [*ITV News*](https://www.itv.com/news/2026-08-08/wes-streeting-has-experienced-more-homophobia-than-ever-in-past-three-weeks?ref=stonewallnews.net). #### **Bolivia: Country Recognizes Its First Same-Sex Marriage** After a nearly four-year legal battle, Fabiana Banzer and Scarlett Rocha became the first same-sex couple civilly married in Bolivia, even though the constitution still technically forbids it. Their case leaned on a 2018 Inter-American Court of Human Rights advisory opinion and could open the door for other couples. According to [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/bolivia-recognizes-first-same-marriage-in-historic-step-towards-equality/?ref=stonewallnews.net). #### **France: Défenseur des Droits Buffet Is Illegitimate** Weeks after Parliament confirmed[ François-Noël Buffet ](https://www.france24.com/en/france/20260721-outrage-france-macron-appoints-senator-who-fought-gay-marriage-rights-ombudsman-buffet?ref=stonewallnews.net)— a senator with a record of opposing marriage equality and PMA — as France’s rights ombudsman, the group Mouv’Enfants staged an unauthorized action outside the Ministry of Fontenoy in Paris demanding his resignation. Critics argue his past positions are incompatible with a role tasked with fighting discrimination. I agree: first, there should be a price to pay for politicians who firmly rooted themselves on the wrong side of history, and second, this guy has no legitimacy defending rights. If he had any integrity, he would ot have taken the job. See in [*France 3 Régions*](https://france3-regions.franceinfo.fr/societe/diversite/lgbt?ref=stonewallnews.net). #### **France: New National Plan Against Anti-LGBTI+ Hate** France has unveiled a new 2026–2029 national action plan for LGBTI+ equality, setting out 74 measures across education, victim support, equal rights, health and social inclusion, and international advocacy. Coordinated by the government’s anti-discrimination agency DILCRAH, the plan includes expanded training for education officials, stronger support for victims of anti-LGBTI+ violence, efforts to reduce administrative barriers for trans people, and local action plans across the country. [See here](https://clever-monstera-8aaaae.netlify.app/?ref=stonewallnews.net). #### **Netherlands: WorldPride Amsterdam Closes After Two-Week Run** WorldPride wrapped its first Netherlands edition on August 8 with a closing concert at Museumplein featuring Olly Alexander and The Blessed Madonna, capping a fortnight that included a Human Rights Conference at the Beurs van Berlage and roughly 300 events under the theme “*Unity.*“ PM Rob Jetten was definitely the center of attention at the festivities. Organizers used the milestone — 25 years since the Netherlands became the first country to legalize same-sex marriage — to underline how uneven progress remains elsewhere. From [*Fugues*](https://www.fugues.com/2026/08/03/amsterdam-celebre-une-worldpride-entre-ferveur-populaire-et-vigilance/?ref=stonewallnews.net). #### **China: For Lesbians, Freedom Can Still Mean Leaving Home** Nearly three decades after China decriminalized homosexuality, *Le Monde* follows four lesbian women first photographed as students at Xiamen University in 2014, showing how family expectations and social taboos continue to constrain their lives. One remained in China, secretly lived with a female partner for two years, and eventually married a man and had a child to satisfy her parents; the other three moved to Germany and the Netherlands, where they could live more openly. [See here.](https://www.lemonde.fr/en/international/article/2026/08/10/lesbian-love-in-china-remains-forbidden%5F6756325%5F4.html?ref=stonewallnews.net) --- ### **US News** #### **US Administration To Restrict Funding for Trans Youth Care** The Trump administration has finalized a federal rule that would restrict Medicaid and Children’s Health Insurance Program funding for gender-affirming care for transgender and nonbinary young people beginning in October. The Trevor Project condemned the move as an intrusion into decisions between patients, families, and doctors, while emphasizing that the rule does not amount to a nationwide ban on such care or prohibit hospitals from providing it. The organization points to research associating access to gender-affirming hormone therapy with lower rates of depression and suicide risk among trans and nonbinary youth and says it will work with partners to challenge the rule before it takes effect. [See here.](https://www.thetrevorproject.org/blog/the-trevor-project-condemns-new-federal-rule-to-restrict-health-care-for-transgender-youth-in-the-u-s/?ref=stonewallnews.net) #### **Trans Sports Ruling Still Reverberating Six Weeks Later** Legal scholars are still parsing the fallout from the Court’s June 30 decision letting states ban transgender athletes from women’s sports, with new analysis noting the conservative majority pointedly avoided ruling on whether transgender people qualify for heightened constitutional scrutiny at all — leaving the door open, if narrowly, for future challenges. See in [*Queerty*](https://www.queerty.com/breaking-down-that-anti-trans-scotus-decision-20260810/?ref=stonewallnews.net). #### **Texas: Paxton-Aligned PAC Runs AI “Daisy” Remake Against Talarico** A Super PAC backing Ken Paxton’s Senate bid resurrected LBJ’s 1964 nuclear-annihilation ad *“Daisy,”* swapping the mushroom cloud for an AI-generated girl on an operating table to falsely suggest Democratic nominee James Talarico supports gender-transition surgery for minors ([see the ad here](https://www.reddit.com/r/YAPms/comments/1vj8v0e/ken%5Fpaxton%5Fhas%5Fan%5Fai%5Fad%5Frunning%5Fdepicting/?ref=stonewallnews.net)). Talarico’s campaign called the deepfake a lie; Talarico does not support such surgeries for minors. Details in [*Raw Story*](https://www.rawstory.com/james-talarico-2677681681/?ref=stonewallnews.net). #### **Trans Advocates Stage Bathroom-Ban Protest in Kansas** A group of trans men staged demonstrations in Kansas restrooms to highlight what they call the absurdity of the state’s anti-trans bathroom law, arguing that policing based on appearance rather than identity documents makes enforcement inherently arbitrary. See in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/bearded-burly-trans-men-enter-womens-facilities-to-state-bathroom-bans/?ref=stonewallnews.net). #### **Another Anti-Gay Attack in Manhattan** Two men, ages 37 and 31, were reportedly punched and kicked in Manhattan after being subjected to homophobic slurs, in an incident police are investigating as a possible hate crime. [*Instinct*](https://instinctmagazine.com/anti-lgbtq-attack-manhattan/?ref=stonewallnews.net)[ places the assault](https://instinctmagazine.com/anti-lgbtq-attack-manhattan/?ref=stonewallnews.net) within a broader rise in anti-LGBTQ+ hostility, citing GLAAD’s tally of 1,042 incidents nationwide in 2025\. That comparison deserves some caution: GLAAD’s tracker includes everything from protests and propaganda to threats, vandalism, and physical violence, so it does not, by itself, demonstrate that anti-LGBTQ+ assaults are rising. --- ### **Queering the Boardroom** #### **Most U.S. Companies Dropped Board Diversity Rules** ESGAUGE [analysis for Bloomberg ](https://www.bloomberg.com/news/articles/2026-08-11/starbucks-alphabet-among-top-us-companies-that-shed-board-diversity-criteria?ref=stonewallnews.net)found that **61 of the S&P 100 have removed explicit diversity criteria for selecting directors since 2023**—a remarkable reversal from three years ago, when nearly every major U.S. company said diversity should be considered in board recruitment. Apple, Alphabet, Amazon, Starbucks, and Wells Fargo are among those that have eliminated such provisions, joining companies including Goldman Sachs, American Express, Johnson & Johnson, and Deere. The changes do not necessarily mean these companies will stop appointing diverse directors, but they do remove a formal commitment from the governance process.[ See in Fortune.](https://fortune.com/2026/08/11/almost-all-top-u-s-companies-had-board-diversity-rules-now-most-are-gone/?ref=stonewallnews.net) #### **On the Calendar: the NACD Directors Summit** The Summit convenes October 11–14 in Washington, where the Association of LGBTQ+ Corporate Directors has historically hosted a side dinner (this year it will be on Tuesday). [See here.](https://www.nacdonline.org/nacd-events/national-events/nacd-directors-summit-2026/?ref=stonewallnews.net) --- ### **The Gay Business** #### **Castro Bars Drop Facial-Recognition ID Scanners** San Francisco’s Badlands and Toad Hall paused their use of Patronscan, an AI-powered ID and facial-scanning system, after a boycott organized by Fight for the Future and privacy advocates warned that the data — names, addresses, gender markers, behavioral tracking — could be weaponized against LGBTQ+ patrons under the current administration’s rhetoric. See in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/sf-gay-bars-end-use-of-dangerous-invasive-tech-that-collects-facial-scans-personal-data/?ref=stonewallnews.net). #### **Delaware Bar Fined $15,000 for Anti-Trans Discrimination** The Hideout Arcade Bar & Grille in Rehoboth Beach — of all places — must pay $15,000 after Delaware’s Human and Civil Rights Commission found it banned a trans woman from the women’s restroom and selectively ID-scanned trans patrons at the door — the second such ruling against the venue in less than a year. Read more in [*LGBTQ Nation*](https://www.lgbtqnation.com/2026/08/arcade-banned-a-trans-woman-from-using-the-restroom-now-it-has-to-pay-the-price/?ref=stonewallnews.net). --- ### **Semi-Cultural Desk** #### *The Shards* on Hulu I have previously told you that I credit Bret Easton Ellis with my move to the US. I had *American Psycho*, *Less Than Zero*, *Glamorama*—in French, because I barely spoke English. I noticed that gay characters were depicted in a surprisingly positive way: they were having sex on campus, and they had real lives. And I thought, *“You know what? I need to make my way to some American campus.”* So I told my dad, *“I need to learn English. I’m going to America,”* and I ended up at American University 26 years ago — in August 2000\. All that to tell you that Ryan Murphy’s new adaptation of Ellis’s 2023 novel *The Shards* (with Homer Gere) is now streaming on Disney+ is…silly, but I am still watching it. #### **Is Bret Easton Ellis Really Back in Vogue?** I am not the only one finding that the show is not particularly good. See this[ piece in ](https://www.the-independent.com/arts-entertainment/books/features/bret-easton-ellis-books-the-shards-b3028794.html?ref=stonewallnews.net)[*The Independent*](https://www.the-independent.com/arts-entertainment/books/features/bret-easton-ellis-books-the-shards-b3028794.html?ref=stonewallnews.net), which claims BEE is enjoying an unlikely revival. It argues that after years in the wilderness—marked by disappointing books, political provocations, and interminable Twitter controversies—Ellis is finding a new audience as his spare, decadent portraits of sex, wealth, nihilism, and Los Angeles excess suddenly feel fashionable again. The critic claims it is a reminder that at his best, Ellis captured something enduring about the *“dazzle and madness”* of America—and the dangerous allure it can hold when you’re young. #### ***“The Christophers”* Brings McKellen and Coel to Screens Aug. 22** Ian McKellen plays a faded artist, and Michaela Coel plays the forger hired to complete his work in this Steven Soderbergh dark comedy. I liked the sweaters in the trailer. Watch trailer. See in [*Queerty*](https://www.queerty.com/the-best-lgbtq-movies-tv-shows-coming-to-streaming-in-august-2026-20260731/?ref=stonewallnews.net). #### ***“Adults”* Returns for Season 2 on Hulu Aug. 27** The queer-inclusive roommate sitcom is back, with the will-they-won’t-they between Anton and Paul Baker continuing and new cast additions including Isaac Powell and Jake Shane. Watch the trailer [here.](https://www.tiktok.com/@rottentomatoes/video/7673181566322871566?ref=stonewallnews.net) #### **Jane Schoenbrun’s Trans Slasher Hits Theaters** *“Teenage Sex and Death at Camp Miasma,”* the latest from *“I Saw the TV Glow”* director Jane Schoenbrun, premiered in theaters Aug. 7 as a gory, horny trans-and-sapphic riff on slasher conventions. Watch trailer. From [*Out.com*](https://www.out.com/gay-entertainment/lgbtq-shows-august-2026?ref=stonewallnews.net). --- ### **Coming and Going** #### **Daskalakis Reflects on Working Under Trump and RFK Jr.** Dr. Demetre Daskalakis, who resigned from the CDC’s National Center for Immunization and Respiratory Diseases in August 2025 in protest of Robert F. Kennedy Jr.’s handling of vaccine policy, spoke publicly this week about the experience for the first time in an extended interview. He now serves as chief medical officer at Callen-Lorde Community Health Center, New York’s LGBTQ+-focused clinic. See in [*Uncloseted Media*](https://www.unclosetedmedia.com/p/hiv-is-too-woke-why-this-gay-doctor?ref=stonewallnews.net). #### **Renée Richards’s Legacy** A new biography, [*Finding Renée Richards*](https://www.nytimes.com/2026/08/09/books/review/finding-renee-richards-julie-kliegman.html?smid=nytcore-ios-share&ref=stonewallnews.net) by Julie Kliegman, revisits the transgender tennis pioneer who successfully fought to compete in the 1977 U.S. Open. The fascinating complication is that Richards, now 91, has since said she regrets the lawsuit and believes athletes who have gone through male puberty should not compete in women’s sports — views that visibly challenge Kliegman, who is transgender and nonbinary. The book also reveals that Richards used a friend’s cheek swab for the chromosome test central to her case. #### **The Perez Hilton’s Debacle Aftermath** In case you missed [my impassioned Saturday post,](https://fabricehoudart.substack.com/p/show-me-a-happy-homosexual) I’ve been sitting with what the Perez Hilton crisis says about this moment — and I’m not alone. [*The Atlantic* ](https://www.theatlantic.com/culture/2026/08/perez-hilton-livestream/688223/?ref=stonewallnews.net)and [*The New Yorker*](https://www.newyorker.com/culture/infinite-scroll/perez-hilton-and-our-live-streaming-nightmare?ref=stonewallnews.net)[ ](https://www.newyorker.com/culture/infinite-scroll/perez-hilton-and-our-live-streaming-nightmare?ref=stonewallnews.net)both ran pieces on it, with very different takes. As a side note, Perez had apparently informed friends, [*‘He Was No Longer Gay,’*](https://www.yahoo.com/entertainment/celebrity/articles/perez-hilton-informed-pals-no-231519154.html?guccounter=1&guce%5Freferrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce%5Freferrer%5Fsig=AQAAAMjLt3SVx1YakaQSLBfdaYeXgI5bXn1mk%5FLFjhFJJTqJWzeSmb6IP9ALQKWEDE1tDAqKAnkb-h3yqR9Tu48TmAzFS19tnj5YpH4CQVhxVy9jRz5%5FWp105wi1oq81q8p3sXN4DsV7eJkn7PVvHeVDbV%5FR4Mj9Y-R6KcVkF5mzJqTZ&ref=stonewallnews.net)[ ](https://www.yahoo.com/entertainment/celebrity/articles/perez-hilton-informed-pals-no-231519154.html?guccounter=1&guce%5Freferrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce%5Freferrer%5Fsig=AQAAAMjLt3SVx1YakaQSLBfdaYeXgI5bXn1mk%5FLFjhFJJTqJWzeSmb6IP9ALQKWEDE1tDAqKAnkb-h3yqR9Tu48TmAzFS19tnj5YpH4CQVhxVy9jRz5%5FWp105wi1oq81q8p3sXN4DsV7eJkn7PVvHeVDbV%5FR4Mj9Y-R6KcVkF5mzJqTZ&ref=stonewallnews.net)right before the episode. Nearly all of the coverage buries the gay angle: that this is a man who built an empire partly by outing closeted celebrities, spent two decades as gay media’s most visible bully, apologized and rebuilt himself as reformed — and is now unraveling in public inside the same attention economy he helped invent. Mainstream outlets seem far more comfortable writing him up as a universal *“algorithms and mental health”* story than as one with a strong gay angle. #### **Billionaire Tristan Schukraft In *Below Deck*** Queer hospitality entrepreneur and billionaire Tristan Schukraft, immune to Hilton’s cautionary tale, is heading to Bravo’s *Below Deck* with his unusually large romantic entourage: his fiancé of seven years, Melvin Alexander, and five boyfriends. Schukraft, founder of Tryst Hotels and the HIV telemedicine platform MISTR, says the seven men all live together, though the arrangement functions more like three overlapping throuples than one giant relationship. In the meantime, I cannot secure a date. Granted, my savings are not comparable. [A trailer](https://www.instagram.com/reels/Db3xLCoBFPM/?ref=stonewallnews.net) shows the Speedo-clad group aboard the yacht, with the episode promising a glimpse into a polyamorous family that has recently attracted plenty of attention. Schukraft proposed to Alexander at the South Pole in 2024, although he now calls him his *“forever fiancé*” and says they may never actually marry. [See here.](https://www.attitude.co.uk/culture/tristan-schukraft-on-below-deck-with-fiance-and-boyfriends-531127/?fbclid=IwZnRzaATodotwZG9mBWZkaWQWUMTkTuElASz0WENF-YSVVQ8cXEcAb2V4dG4DYWVtAjExAHNydGMGYXBwX2lkCjY2Mjg1NjgzNzkAAR71e1l0X4IjZIby2xr0Uv5toKEJ1jntdZS2EbgJHZEmBaK8VGmPKrRtczj%5Ffw%5Faem%5F52WMMThryLdruKsGP1iWLQ&ref=stonewallnews.net) #### **Krishna Omkar Brings Brick to Amsterdam** During Amsterdam WorldPride, an original brick from the façade of New York’s Stonewall Inn was presented to Dutch Prime Minister Rob Jetten at his official residence, the Catshuis, in a moment orchestrated by my friend,[ LGBTQ+ advocate Krishna Omkar](https://www.krishnaomkar.com/about?ref=stonewallnews.net). Stonewall co-owners Kurt Kelly and Stacy Lentz made the presentation before a gathering that included Billy Porter, former Irish Taoiseach Leo Varadkar, and actor Joe Locke. The brick, removed during the Stonewall Inn’s 2018–19 restoration, had been part of the building since the 1930s and witnessed the 1969 uprising that helped ignite the modern LGBTQ+ rights movement. [See here.](https://www.instagram.com/p/Dbrf2PfsVEL/?ref=stonewallnews.net) #### **Pete Buttigieg Is Already Looking a Lot Like a 2028 Candidate** Pete Buttigieg has yet to announce a 2028 presidential run, but [*The Independent*](https://www.independent.co.uk/news/world/americas/us-politics/2028-democratic-presidential-aoc-newsom-buttigieg-b3031305.html?ref=stonewallnews.net)[ notes](https://www.independent.co.uk/news/world/americas/us-politics/2028-democratic-presidential-aoc-newsom-buttigieg-b3031305.html?ref=stonewallnews.net) that the former Transportation Secretary is already heading to New Hampshire, campaigning for Democrats in his new home state of Michigan, and emerging as one of the party’s most effective communicators. At 44, Buttigieg could pitch himself as a generational change for Democrats, but significant obstacles remain: he performed poorly with Black voters in the 2020 primaries, and South Carolina will now vote first in the Democratic contest. And, of course, there is still the question of whether America is ready to elect an openly gay president or whether Chasten is a better fit for the run. --- ### **The Gay Agenda** **August 12–16: Tropical Heat, Key West** — Multi-day, all-male circuit party across the island’s bars and venues. You don't have to go. **August 15–22: Provincetown Carnival Week** — Ptown’s biggest annual celebration, culminating in the costumed Carnival parade. **August 22: Austin Pride** — Central Texas’s largest Pride celebration. **August 31–September 7: Southern Decadence, New Orleans** — The French Quarter’s Labor Day weekend LGBTQ+ institution. **September: Could the UN Take on Global LGBTQ+ Decriminalization?** As discussions grow around possible action on LGBTQ+ decriminalization at the UN Human Rights Council, GIN-SSOGIE, Outright International, ILGA World, and the International Service for Human Rights are hosting a webinar on August 20 to ask what such an initiative should actually look like. The discussion will bring together activists from countries that still criminalize same-sex relations, regional advocates, and UN experts to examine what international action could accomplish—and, importantly, where it could backfire. That question is a bit moot IMHO: looking at the news, the backlash is already here, and the question is whether we accept it or try to take back control of the agenda. [Register for the Webinar.](https://us06web.zoom.us/webinar/register/WN%5FYGXKPa%5FjRPa3N8gnDLqY5Q?utm%5Fsource=chatgpt.com&os=ipad#/registration) ![](https://substackcdn.com/image/fetch/$s_!9CSb!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8a7f5557-a1db-42c3-b7d6-005005bb4aef_640x320.png) **October 26: PRISM Annual Summit in NYC** — The LGBTQ+ Corporate governance gathering. **December 3–5: LGBTQ+ Victory Institute International Leaders Conference, Washington, D.C.** — Over 700 LGBTQ+ elected officials and leaders convene at the JW Marriott. --- That’s it for this week. I know it was a bit disjointed—I blame August. On Sunday, after dropping the kids off at camp in Pennsylvania, I stopped in Milford to see my friend Sean Strub, [the man with nine lives](https://thecaftanchronicles.substack.com/p/the-incredible-nine-or-more-lives) and a constant source of inspiration. We swam in the river, and for a moment I felt like Tom Sawyer—a pre-Bret Easton Ellis version of America that probably also shaped my journey here too. ### Out on the Ranch: The Disruption of the Pantry Mouse War URL: https://www.stonewallnews.net/out-on-the-ranch-the-disruption-of-the-pantry-mouse-war/ Last updated: 2026-08-16T14:31:32.000Z We had prepared for bears, cougars, coyotes, bobcats, storms, power outages, a freezing wellhead, and the occasional tree deciding it had stood long enough. Twenty-plus years of mountain ranch life have taught us to think in terms of the big natural disruptions. But we can never really be prepared for a little mouse in our pantry. We believed ours had always been mouse-proof. We believed wrong. The infiltrator to our heavily secured pantry, our Fort Knox of food storage, was vectored inside by the grifting of our newest security guard. Monster, the former stray and our freshly recruited feline, was fooled into thinking he was disposing of the enemy after presenting it to the commander. Instead, Monster allowed the saboteur, acting dead, to make sneaky use of his access badge and get inside the pantry. For three days, it wreaked havoc. By the time the enemy was discovered, the damage unfolded layer by layer. Bags had been sampled, and shelves were decorated with the unmistakable evidence of the intruder's poop and detritus. Exactly what kind of entrenched ramparts were being built with toothpicks and pasta in the back corner was beyond our intelligence scouts. Suddenly, everything had to come out! Every can, every box, every forgotten jar. The pantry vomited itself into the dining room and kitchen. Canned goods became refugees camped across tabletops. Flour and sugar found temporary asylum wherever there was space. Our sanitizing bombing came first. Scrubbed top to bottom with chemical warfare. With the enemy's supply line disrupted, they retreated to the connected, unexplored caverns under the stairs. We set out a couple of old-model traps. There was only one bold interloper involved. How difficult could it be? The opponent proved to be a worthy one. After Day Five, we sent in requisitions to the armory for better weapons. The enemy had overcome the older traps with ease. We pulled out our copy of *The Art of War*: “Let your plans be dark and impenetrable as night, and when you move, fall like a thunderbolt.” The older traps were WD-40'd. The dreaded sticky panels were laid. Even the bucket of watery death, with its floaty peanut-butter aluminum-foil boat as a lure, was called up for service. Then came the new-model trap. It was so rabidly sensitive that it startled the soldiers several times, almost causing injury to our own troops, the human’s fingers. Also from *The Art of War*: “In the midst of chaos, there is opportunity.” Who knew there was such old pickling stuck in the back? The stale cracker packs from several years ago? I digress. All was set on Day Six as the war was waged over an entire weekend. The sight of chaotic dishevelment became the elephant in the room as guests checking in saw the scene behind the reception counter. We sheepishly had to tell the tale too many times. When victory finally arrived, it came with an unexpected realization. The pantry had never been cleaner! We didn't simply restore the pantry; we gave it an overhaul and restocked it. Permaculture has taught me that nature rarely operates through isolated events. Everything exists in relationship with everything else. We tend to notice the large disruptions, but healthy ecosystems are often governed by the smallest participants. Like our little mouse, those small participants can cause disruption, too. A handful of fungi beneath the soil helps determine the health of our meadow. Earthworms can quietly reshape the garden paddocks. Pollinators, disturbing pollen as they move among flowers, become architects of our peach and plum harvests. Scientists tell us that our own bodies are less individual organisms and more bustling communities. Trillions of microscopic lives live within our microbiome, influencing digestion, immunity, and even our moods. The more we discover about these hidden relationships, the more we realize that the health of the whole often depends upon the smallest things we can barely see, yet can leverage. In permaculture, that translates into a cooperative stacking of functions. A barn stock tank, fed by rain gutters, holding a micro-pond of goldfish and snails, becomes like kombucha for alpacas, serving up good microbes that are pre- and probiotic when they drink the water. Healthy fish. Healthy bacteria. Healthy rumen. Healthy alpaca. Healthy ecology. The barnyard ecology means paying heed to microbes, insects and bugs, tiny mites and fleas, and, at times, larger rats or field mice. The mouse in our pantry became our teacher. One tiny creature reorganized an entire household. Not because it was powerful, but because every ecosystem can be nudged off balance by the smallest of activities. It's tempting to think resilience means preventing disruption. Instead, permaculture gives us a mindset in which resilience isn't the absence of disturbance; it is the ability to respond, adapt, and emerge healthier than before. Every disruption carries within it an invitation to notice what we have neglected and to restore what has quietly fallen out of balance. Sometimes even a pantry mouse becomes an unlikely partner in that lesson; a reminder that everything in an ecology is connected. Who knew that one mischievous cat, one determined mouse, and one thoroughly dismantled pantry could remind us of all that? ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/David-Capocci-1-1-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Portrait of a Lady on Fire: A Masterpiece You Haven’t Seen URL: https://www.stonewallnews.net/portrait-of-a-lady-on-fire-a-masterpiece-you-havent-seen/ Last updated: 2026-08-13T22:17:26.000Z **122 minutes ‧ R ‧ 2019** **Cast: Noémie Merlant, Adèle Haenel, Luàna Bajrami** **Director: Céline Sciamma** **Genres: Drama, Romance** *Portrait of a Lady on Fire*, directed by Céline Sciamma, is one of those films that stays with you long after you’ve watched it. From the very first scene, it pulls you in so deeply that you forget you’re watching a movie. The visuals are stunning. Cinematographer Claire Mathon has created something that feels more like paintings than film stills. The use of candlelight and natural lighting gives everything a soft, authentic glow. Faces seem to shimmer with quiet beauty, shadows fall just right, and the rugged coast of Brittany feels alive and real. The costumes, especially Héloïse’s green dress, are simple but evocative. Nothing feels overdone or artificial — just pure, honest beauty. What struck me most is how restrained the film is. There’s almost no music — no score telling you when to feel. Instead, Sciamma places her trust in us to experience the story on its own terms. That quiet approach makes the movie feel intimate and real, emphasizing the unspoken emotions and the power of observation. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-06T093717.855.jpg?resize=1024%2C768&ssl=1) Noémie Merlant / IMDb It’s heartbreaking to think that *Portrait of a Lady on Fire* wasn’t France’s official entry for the 2019 Oscars. France had three films on its shortlist but chose Ladj Ly’s *Les Misérables* instead. While that film is good, missing out on Sciamma’s work was a real loss. It was already being hailed as one of the best films in years, yet it never got the chance to compete on the world stage. That’s a reminder of how awards can sometimes overlook true gems. Set in 18th-century Brittany, the story follows Marianne, a young painter hired to do a wedding portrait of Héloïse. But Héloïse refuses to sit still — she doesn’t want to marry, and her resistance is her way of claiming some control. Marianne has to secretly observe her, memorizing every detail of her face, and later paint from memory. What begins as a professional assignment quickly turns into something much deeper. Their connection grows into a love that’s tender, complex, and fleeting. The film explores themes of love, loss, and the inescapable passage of time, all with a delicate touch. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-06T093821.576.jpg?resize=1024%2C768&ssl=1) Adèle Haenel and Noémie Merlant / IMDb The performances are incredible. Noémie Merlant as Marianne is subtle but powerful — her quiet expressions convey so much emotion. Adèle Haenel as Héloïse is equally compelling, her restrained exterior masking a storm of feeling underneath. Their chemistry is magnetic. Luàna Bajrami as Sophie, the young maid, brings warmth and humor, while Valeria Golino as Héloïse’s mother adds a quiet layer of sadness. Sciamma’s direction shines through every scene. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/Untitled-Design-2026-08-06T093914.807.jpg?resize=1024%2C768&ssl=1) Luàna Bajrami / IMDb Made on a modest budget of around 5 million, the film didn’t exactly set box offices on fire — around $3.76 million in the US and just over $10 million worldwide. But its impact is far greater than its numbers. It gained momentum over time through word of mouth, streaming, and critical praise. On Rotten Tomatoes, it’s sitting at a 97% approval rating. It won major awards at Cannes, including Best Screenplay and the Queer Palm, and Claire Mathon took home the César for Best Cinematography. In 2022, Sight & Sound ranked it as the 30th greatest film ever made — an incredible achievement for a recent release. *Portrait of a Lady on Fire* isn’t just a film; it’s an experience. It’s about looking, really seeing, and about love that’s fragile and fleeting. It’s gentle but powerful, quiet but emotionally devastating. It has a way of breaking your heart without ever raising its voice. If you haven’t seen it, do yourself a favor and watch it now. And if you have seen it, give it another look — you’ll find something new each time. Some movies fade with time, but this one stays with you, lingering long after the screen goes dark. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/08/MV5BZjJlYWJlYmMtNjMyMS00ZDgxLTlmNjAtOTJhMzBiZWM5N2VmXkEyXkFqcGc%40._V1_.jpg?resize=695%2C1024&ssl=1) Portrait of a Lady on Fire YouTube --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-06-14T101552.885--1-.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Pacific Northwest LGBTQ+ Links & Resources URL: https://www.stonewallnews.net/links-resources/ Last updated: 2026-08-15T17:25:19.000Z > This living document is growing and frequently revised. Last update: Aug 15, 2026 💡 Submit or update a link, [email us](mailto:publisher@stonewallnews.org)! ### Stonewall News Northwest Supporters #### Supporters [Frank's Film Reviews](https://franksfilmreview.com/?ref=stonewallnews.net) [Instant Sign Factory](https://instantsignfactory.com/?ref=stonewallnews.news) [Brynn's Bookkeeping](https://www.brynnsbookkeeping.net/?ref=stonewallnews.net) [Paca Pride Guest Ranch](https://pacaprideguestranch.com/?ref=stonewallnews.net) [Queer Community Network](https://www.queerpnw.org/?ref=stonewallnews.net) [Dana Clark Certified Life Coach](https://loveyourlife.co/?ref=stonewallnews.net) [Spokane Pride](https://www.spokanepride.org/?ref=stonewallnews.net) [Vancouver Saturday in the Park](https://swwapa.org/saturday-in-the-park/?ref=stonewallnews.net) [Portland Pride](https://portlandpride.org/?ref=stonewallnews.net) [Ryan Oelrich](https://www.facebook.com/RyanOelrich) [Tracy Simmons](https://www.facebook.com/tracymsimmons) --- ### Stonewall News 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Perry](https://www.odysseyyouth.org/prideinperry?ref=stonewallnews.net) [Spokane Pride](https://www.spokanepride.org/?ref=stonewallnews.net) [Pullman Pride](https://www.visit-pullman.com/event/2026-pullman-pride-%25e2%2580%2593-june-6-2026/617/?ref=stonewallnews.net) [Walla Walla Pride](https://wallawallapride.com/?ref=stonewallnews.net) ### Central & South Washington Pride Organizations #### Central & South WA Pride Orgs [Battle Ground Pride](https://evokecascadia.org/battle-ground-pride?ref=stonewallnews.net) [Camas Pride Block Party](https://www.livewellcamas.com/pride/?ref=stonewallnews.net) [Chelan Pride](https://chelanpride.org/?ref=stonewallnews.net) [Clark County Pride](https://clarkcountypride.com/?ref=stonewallnews.net) [Goldendale Pride](https://members.goldendalechamber.org/visitor-calendar/Details/goldendale-pride-1652527?sourceTypeId=Website&ref=stonewallnews.net) [Kittitas County Pride](https://www.kittitascountypride.org/?ref=stonewallnews.net) [Lewis County/Twin City Pride](https://lewiscountypride.org/?ref=stonewallnews.net) [Longview Pride](https://www.longviewpride.com/?ref=stonewallnews.net) [Methow Pride](https://www.methowpride.org/upcoming-events?ref=stonewallnews.net) [Omak Pride](https://www.facebook.com/events/2130692921062646/) [Skamania Pride](https://skamaniapride.org/pride-event-schedule?ref=stonewallnews.net) [Tri-Cities Pride](https://www.tcpridefest.org/?ref=stonewallnews.net) [Vancouver Pride Block Party](https://dandelionteahouse.com/pages/pride-block-party/?ref=stonewallnews.net) [Vancouver Saturday in the Park](https://swwapa.org/saturday-in-the-park/?ref=stonewallnews.net) [Wenatchee Pride Fest](https://www.eventeny.com/events/wenatchee-pride-fest-2026-27657/?srsltid=AfmBOoriz1SrBekUOH%5FCRPTFgLiXtmFqaAhTpDQB%5F5TmiIAWAs71Dr%5FR&ref=stonewallnews.net) [Yakima Pride](https://www.yakimapride.org/?ref=stonewallnews.net) ### Western Washington Pride Organizations #### Western WA Pride Orgs Anacortes Pride [Bainbridge Pride Festival](https://www.bainbridgepride.org/?ref=stonewallnews.net) Belfair/Mason County Pride & Diversity [Bellingham Pride](https://prideinbellingham.org/?ref=stonewallnews.net) [Burien Pride](https://www.burienpride.com/all-events/2025/3/2/530-ehmrl-wcepm?ref=stonewallnews.net) Capital City Pride Festival [Edmonds Pride Festival](https://www.edmondspride.net/?ref=stonewallnews.net) [Everett Pride Block Party](https://www.everettpride.org/events/everett-pride-block-party?ref=stonewallnews.net) [Gig Harbor Pride](https://www.facebook.com/pridegigharbor) [Grays Harbor Pride](https://www.facebook.com/OPGHC/) [Kitsap Pride](https://kitsappride.org/calendar/category/pride-events/?ref=stonewallnews.net) [Lake Stevens Pride](https://lspride.org/pages/event?ref=stonewallnews.net) [Marysville Pride](https://marysvillewapride.org/event-calendar?ref=stonewallnews.net) [Pacific County Pride](https://www.pacificcountypride.com/?ref=stonewallnews.net) [PhinneyWood Pride Rainbow Hop](https://www.phinneycenter.org/events/rainbow-hop/?ref=stonewallnews.net) [Port Townsend Pride](https://www.theproductionalliance.org/pride-history?ref=stonewallnews.net) [Poulsbo Pride](https://www.facebook.com/p/Poulsbo-Pride-100095089748826/) [Pride Across the Bridge, Kirkland](https://prideacrossthebridge.org/pride/?ref=stonewallnews.net) [Pride at the Zoo in Tacoma](https://www.pdza.org/event/pride-celebration/?ref=stonewallnews.net) [Pride in Fife](https://www.fifewa.gov/608/Pride-in-Fife?ref=stonewallnews.net) [Pride in Ocean Shores](https://www.facebook.com/photo?fbid=10232638797248375&set=gm.2017817138821417&idorvanity=582414015695077) [Puyallup Tribe Pride](https://www.puyalluptribe-nsn.gov/puyallup-tribe-pride-2026/?ref=stonewallnews.net) [San Juan Island Pride](https://sjipride.org/event/6424240/750671880/pride-party-2026?ref=stonewallnews.net) [Seabrook Pride](https://www.seabrookwa.com/events/outdoor-activities/seabrook-pride-celebration/?ref=stonewallnews.net) [Seattle Pride](https://seattlepride.org/seattle-pride-month?ref=stonewallnews.net) [Seattle Pridefest](https://www.seattlepridefest.org/?ref=stonewallnews.net) [Sequim Pride](https://www.instagram.com/sequimpride/?ref=stonewallnews.net) [Snohomish Pride Parade](https://www.outinsnohomish.org/?ref=stonewallnews.net) [Snovalley Pride Picnic](https://snovalleypride.org/pride-picnic-2026/?ref=stonewallnews.net) [South Whidby Pride](https://www.southwhidbeypride.org/parade-and-festival?ref=stonewallnews.net) [Stanwood-Camano Pride](https://www.stanwoodcamanopride.com/?ref=stonewallnews.net) [Tacoma Pride](https://tacomapride.org/?ref=stonewallnews.net) [Trans Pride Seattle](https://transprideseattle.org/?ref=stonewallnews.net) Thurston County Pride [White Center Pride](https://www.whitecenterpride.org/white-center-pride-street-festival?ref=stonewallnews.net) [Woodinville Pride](https://woodinvillepride.org/?ref=stonewallnews.net) --- ### Idaho Pride Organizations #### ID Pride Orgs [Boise Pride Festival](https://boisepridefest.org/?ref=stonewallnews.net) [Boise Pride Month Resource Fair](https://boisepubliclibrary.libcal.com/event/14251480?ref=stonewallnews.net) [Bonners Ferry Pride](https://www.facebook.com/groups/1789395794859800/) [Canyon County Pride](https://www.canyoncountypride.com/2025-schedule?ref=stonewallnews.net) [Coeur d'Alene Pride on the Runway](https://www.zeffy.com/en-US/ticketing/cda4pride-2025-pride-on-the-runway?ref=stonewallnews.net) Gate City Pride [Idaho Falls Pride](https://www.idahofallspride.com/2026?ref=stonewallnews.net) [McCall Pride Week](https://www.instagram.com/p/DXnppXaER22/?img%5Findex=1&igsh=N3BqdG8wbmRkYWN5&ref=stonewallnews.net) [North Idaho Pride Alliance](https://www.nipridealliance.com/?ref=stonewallnews.net) [Palouse Pride, Moscow](https://www.inlandoasis.org/?ref=stonewallnews.net) [Rexburg Pride](https://www.rexburgpride.org/?ref=stonewallnews.net) [Sandpoint Pride](https://www.safe-idaho.org/sandpointpride?ref=stonewallnews.net) [Southern Idaho (Twin Falls) Pride](https://sites.google.com/southernidahopride.org/sip/twin-falls-pride?ref=stonewallnews.net) [Sun Valley Pride](https://visitsunvalley.com/events/sun-valley-pride/?ref=stonewallnews.net) --- ### Oregon Pride Organizations #### OR Pride Orgs [Albany Pride](https://www.facebook.com/albanyorpride) Astoria Pride [Baker Pride](https://www.facebook.com/photo/?fbid=1278951984392819&set=a.280013377620023) [Beaverton Pride](https://pridebeaverton.org/pride-2026/?ref=stonewallnews.net) [Canby Pride](https://www.canbypride.org/?ref=stonewallnews.net) Days Creek Pride [Eugene Pride](https://www.eugenepride.org/festival-26?ref=stonewallnews.net) [Hillsboro Pride](https://www.facebook.com/events/1591510091996846/?ref%5Fsource=NEWS%5FFEED) [Milwaukie Pride](https://www.instagram.com/milwaukiepride/?ref=stonewallnews.net) [Mt Hood Pride](https://www.wanderfreeandqueer.com/?ref=stonewallnews.net) [Nehalem Bay/Manzanita Pride](https://www.facebook.com/story.php?story%5Ffbid=122215134248291028&id=61558730858740&mibextid=wwXIfr&rdid=Crjr9CZX2F7QbPjr%23) [Newberg County Wine Country Pride](https://winecountrypride.com/street-fair/?ref=stonewallnews.net) [Newport Pride](https://www.newportoregonpride.com/?ref=stonewallnews.net) Ontario Pride [Oregon City Pride](https://oregoncitypride.com/?ref=stonewallnews.net) Pendleton Pride [Philomath Pride](https://www.facebook.com/philomathpride) [Portland Pride](https://portlandpride.org/?ref=stonewallnews.net) [Portland Black Pride](https://www.blackbeyondthebinarycollective.org/pdx-black-pride?ref=stonewallnews.net) [Pride Family Fun Day, La Grande](https://www.facebook.com/groups/Pridelagrande/) Prideville Festival [Salem Capital Pride](https://salemcapitalpride.org/pride-parade-and-block-party/?ref=stonewallnews.net) [Southern Oregon Coast/Curry/Coos County Pride in the Park](https://www.socpride.org/pride-in-the-park?ref=stonewallnews.net) [Stonewall/Wallowa County Pride](https://wallowalgbtq.org/?ref=stonewallnews.net) [Wilsonville Pride Celebration](https://www.wilsonvilleoregon.gov/bc-diversity/page/pride-celebration?ref=stonewallnews.net) [Yachats Pride](https://yachatspride.org/schedule?ref=stonewallnews.net) --- ### Montana Pride Organizations #### MT Pride Orgs [Flathead Pride Festival](https://www.glacierqueeralliance.org/events/fpf?ref=stonewallnews.net) [Missoula Pride](https://www.missoulapride.com/?ref=stonewallnews.net) [Northwest Montana Queer Alliance](https://www.libbypride.com/?ref=stonewallnews.net) [Southwest Montana/Anaconda Pride Weekend](https://www.anacondapride.org/?ref=stonewallnews.net) --- ## LGBTQ+ Travel #### LGBTQ+ Travel [Pride Journeys](https://www.pridejourneys.com/?ref=stonewallnews.net) --- ### Weekly Update on National & International LGBTQ+ Equality – Wed, August 5, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-august-5-2026/ Last updated: 2026-08-05T18:12:36.000Z This week: WorldPride, Scouting America, the Paul Weiss debacle, Lifting a ban on bathhouses, Dan Savage’s “campsite rule”, Perez Hilton, Mary Oliver, Rosie O’Donnell and much more… > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* I’m always a little surprised by LGBTQ+ people who put so much hope in the U.S. midterms and *“November”* to solve our community’s problems. Elections matter, and American elections matter for a disproportionate number of people. But the past few years have shown that our future cannot depend on a single country, a political party, even one that is generally more supportive of LGBTQ+ rights, or one strategy. This week’s [Michigan primaries](https://substack.com/redirect/3f744391-24bd-4408-ba27-5d73b44f274a?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) are a reminder that political coalitions are always shifting. Our movement has made its greatest gains not by waiting for politicians to save us, but by organizing, persuading, and changing the culture that politicians eventually follow, something Evan Wolfson reminds us of in a Slate op-ed this week. **This week:** *WorldPride, Scouting America, the Paul Weiss debacle, Lifting a ban on bathhouses,* [*Dan Savage’s “campsite rule”*](https://substack.com/redirect/64994006-5d12-4925-9b2b-1d56a2d66ddf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)*, Perez Hilton, Mary Oliver, Rosie O’Donnell and much more…* --- ### **Global News** #### **Germany: Pride Attack Mourning Continues** Berlin is grieving the July 25 van-and-machete attack near its Christopher Street Day celebration that killed a 65-year-old Polish woman and injured 29 others; investigators say the attacker, a German citizen with Lebanese roots, had pledged allegiance to the Islamic State before he was shot dead by police the next day. Hamburg held its own Pride under heightened security on August 1 with the motto *“Queer in solidarity, take a stand for a future without fear,*“ including a Berlin CSD truck whose riders wore dark clothing in tribute to the victims. See on [*Euronews*](https://substack.com/redirect/20a100d5-17e8-4dd6-927e-db4300bea6aa?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Netherlands: WorldPride Amsterdam** I received quite many photos over the past few days of people posing with Dutch Prime Minister Rob Jetten. Their excitement reflects the energy surrounding Amsterdam’s first-ever WorldPride, which marks 25 years since the Netherlands became the first country to legalize marriage equality. The celebrations continue through August 8, culminating in the closing March and concert on Dam Square. The WorldPride Human Rights Conference also opens today (August 5–7) at the Beurs van Berlage, alongside the International Pride Awards (see below). Jetten was among the stars of the Canal Parade on August 1, waving to cheering crowds from one of the 80 boats. See in pictures.[*DutchReview*](https://substack.com/redirect/0f61f78f-3cd1-41e2-9bf9-285d5900e979?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Australia: Counting LGBTQ+ People at Last** For the first time, Australia’s national census, taking place on August 11, will ask people aged 16 and over about their sexual orientation and gender identity—a landmark step toward making LGBTQ+ Australians visible in official statistics. The long-awaited change follows years of advocacy and will help governments better allocate funding for health and social services. It also comes as new research highlights why the data matter: Australians in same-sex relationships face higher rates of premature death, including from suicide, underscoring the lasting impact of stigma and unequal access to care. [See here.](https://substack.com/redirect/bb0e3cd5-60b6-49f4-b9b0-8c40ac3eb833?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Singapore: Plot Targeting LGBTQ+ Students** Singapore authorities have arrested three teenagers in separate alleged extremist cases, including two accused of planning knife attacks targeting LGBTQ+ people after becoming radicalized online. According to officials, one suspect allegedly planned to attack LGBTQ+ students and military cadets, while another reportedly drew inspiration from the 2016 Pulse nightclub massacre and intended to livestream an assault on classmates. Authorities say the plots were thwarted after friends, classmates, and teachers reported warning signs. [See here.](https://substack.com/redirect/076dbf83-b06d-4ef8-97f6-4d6b7e9b8ed8?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **AIDS 2026: Science Advances, Funding Retreats** The International AIDS Conference in Rio de Janeiro brought together nearly **10,000** researchers, advocates, policymakers, and people living with HIV at a pivotal moment for the global response to the epidemic. While delegates celebrated breakthroughs such as long-acting HIV prevention and treatment, the conference was overshadowed by the devastating impact of U.S. funding cuts. Community leaders from dozens of countries described shuttered clinics, interrupted treatment, and abandoned prevention programs, warning that decades of progress are at risk. As activist and long-term survivor [Mark S. King observed from Rio](https://substack.com/redirect/c2c0509c-b2bd-47c2-9ab5-936c874816d5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), the conference was as much about resilience and community as it was about the urgent need to prevent politics from reversing one of global health’s greatest success stories. #### **International: ILGA World Hands Out Pride Awards Mid-Conference** UNDP and ILGA World present this year’s International Pride Awards today during the WorldPride Human Rights Conference, with Deutsche Bank and OUTtv joining as new supporters; the ceremony, hosted by Amrou Al-Khadi, spotlights activists working in hostile environments across the globe. The event is livestreamed globally. Watch the ceremony on [YouTube](https://substack.com/redirect/79889ee1-488d-4424-8e51-5b9cdcadd1d5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) and learn more about this year’s awardees at [internationalprideawards.org](https://substack.com/redirect/5bfa6126-57a8-45e6-a362-97c39518e2e4?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). > *The awardees are South African deputy minister *Mmapaseka Steve Letsike*, the human rights organisation *COC Nederland*, long-standing activist *Marcela Dimonty* from Chile, Ugandan trans pastor *Aggie Dennett Harmon*, and the disability rights advocate and LGBTIQ+ ally *Dr Satendra Singh* from India* --- ### **US News** #### **WNBA’s Sophie Cunningham On Trans People** Indiana Fever guard Sophie Cunningham sparked a national firestorm after telling ESPN that banning trans women from women’s sports is “*common sense,*“ then doubling down that she wants to “*protect young girls in a locker room.*“ Anti-trans activist Riley Gaines has since taken Cunningham under her wing, calling her *“absolutely unshakeable”* on Fox News, while pro-trans advocates and some teammates push back on the league to take a public stance. Read more in [*LGBTQ Nation*](https://substack.com/redirect/8c440b8a-5f82-4200-8a6b-a55d34d9be2b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Trans Troops Describe “*Rigged”* Secret Separation Hearings** Transgender service members say they’re being pushed out through closed-door boards that function, in one advocate’s words, as a *“public humiliation ritual,”* with troops barred from presenting evidence and decisions reached before hearings even conclude. See in [*LGBTQ Nation*](https://substack.com/redirect/34b3bd59-ddf8-4761-bb83-be2872cccaa5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **James Dale Wins Transparency Battle Over Scouting America** LGBTQ+ activist James Dale has won a Freedom of Information lawsuit forcing the Pentagon to release its agreement with Scouting America. The newly disclosed document confirms the Defense Department pressured the organization to adopt policies based on *“biological sex at birth”* as a condition of maintaining its military partnership, despite public assurances that transgender youth would remain welcome. For Dale, the victory is about transparency as much as policy: *“You don’t get to make a deal in the dark and then control the public narrative,”* he said after obtaining the document. [Read more here.](https://substack.com/redirect/5f155d25-9cea-40ee-b711-622ef36a160d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **New York Moves to Lift AIDS-Era Bathhouse Ban** I did not even know they were banned and vaguely remember once having a [membership card at the East Side Club](https://substack.com/redirect/0b440557-ab7d-4367-bf4c-64242d700840?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). Two openly gay New York lawmakers, State Senator Erik Bottcher and Assemblymember Tony Simone, have introduced legislation to repeal decades-old AIDS-era restrictions on gay bathhouses, arguing that today’s public health landscape—with PrEP, DoxyPEP, and modern HIV prevention—calls for a new approach. The proposed Public Health Modernization Act would replace the existing ban with a regulatory framework, opening the door to licensed venues. Supporters are already envisioning a large, European-style bathhouse in New York. [See here.](https://substack.com/redirect/f4e55789-38df-40f3-a67a-67fd2ac1ea15?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Democracy Is Won Beyond the Courtroom** In an essay for *Slate*, Freedom to Marry founder Evan Wolfson argues that the path to reclaiming American democracy from an increasingly powerful Supreme Court lies not only in the courts, but in sustained citizen activism. Reflecting on the decades-long campaign that culminated in *Obergefell v. Hodges*, Wolfson writes that marriage equality was secured through a coordinated strategy of litigation, public education, storytelling, organizing, and political engagement that transformed public opinion before it transformed constitutional law. [Read more here.](https://substack.com/redirect/fb2e1e35-5ab0-444f-9e81-121cf764b1aa?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **Queering the Boardroom** #### **PRISM Celebrates Four-Year Anniversary** PRISM, the Association of LGBTQ+ Corporate Directors, was founded in June 2022 and officially launched that September in New York City ([see here](https://substack.com/redirect/7ede550c-543b-4f4b-99a7-450b1abbbff9?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)). Four years later, it has grown into the leading global network of LGBTQ+ corporate directors, championing greater board diversity and stronger corporate governance. It will host its **4th Annual PRISM LGBTQ+ Corporate Directors’ Summit** on **October 26** in New York. The signature event brings together corporate directors, CEOs, investors, board recruiters, and governance experts for a full day of conversations, insights, and networking. [Enquire here.](https://substack.com/redirect/d2d68830-92b1-4fa3-a372-7967ce6a9f01?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Board Diversity Loses Momentum In The US** Corporate board diversity is slipping. According to a new Spencer Stuart analysis of **488 S&P 500 companies**, **72% of new board appointments were diverse in 2021**, but that figure has now fallen to **49.3%**—down from a record **49.6% in 2024** and marking the lowest level in more than a decade. The report also found that companies are adding **fewer new directors than at any point in the past decade**. [See here.](https://substack.com/redirect/62570572-c3b1-40c2-b6ce-f293727966ce?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **The Gay Business** #### **Paul Weiss In The News** Paul Weiss built its reputation by defending landmark LGBTQ+ rights cases, including Edith Windsor’s challenge to the Defense of Marriage Act, and it [still sponsors](https://substack.com/redirect/5dd57277-9c1a-4998-a993-9d35e4eda2be?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) LGBTQ+ workplace inclusion initiatives. Yet a *New York Times* investigation alleges that the firm quietly paid its first openly transgender partner, Lex Korberg, $3.5 million to leave after concerns were raised that their visibility might make corporate clients uncomfortable. Korberg, an award-winning lawyer who helped defend abortion access and challenge bans on gender-affirming care, reportedly agreed not to sue or publicly criticize the firm. [See here.](https://substack.com/redirect/07418f99-2610-4a12-b887-0368d3069713?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) > *Scott Barshay reportedly thought a transgender lawyer would spook clients* #### **The Economics of Birth Control—and LGBTQ+ Equality** What do birth control, LGBTQ+ rights, and the future of the economy have in common? In her new MIT Press book, [*The Real Domestic Product: How Birth Control Built Equality*](https://substack.com/redirect/73bf29a2-06ce-4a0d-bad0-831440b3143c?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) *(and Why the Future of the Economy and the Planet Depends on It)*, [Elizabeth Gregory ](https://substack.com/redirect/e9f74682-5056-4997-85bd-3a2ba2a7f7bd?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)argues that they are deeply intertwined. She contends that access to contraception, abortion, and the growing acceptance of LGBTQ+ families have expanded economic opportunity by making parenthood more intentional, while the backlash against reproductive rights and LGBTQ+ equality reflects broader pronatalist efforts to preserve traditional labor and care arrangements. #### **Koppa’s Second Global Inclusive Finance Forum** The Koppa Global Inclusive Finance Forum returns October 29–30 at the Deutsche Bank Center in New York, convening investors, banks, policymakers, and entrepreneurs to move past talk of inclusion toward measurable capital allocation in sectors offering real traction for LGBTQI+ economic participation. Following a successful inaugural [2025 edition](https://substack.com/redirect/b61715ee-0811-4654-a945-9d8fdfd9d935?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), this year’s forum narrows its focus to a handful of strategic sectors. --- ### **The Semi-Cultural Desk** #### **The Ethics of Age-Gap Desire** [A lively Queerty discussion ](https://substack.com/redirect/8b5fcacf-dde2-45b9-b6dd-4b88ccd91f69?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)on age-gap relationships asks whether older gay men should feel guilty about hooking up with much younger adults. The overwhelming consensus: no—provided everyone is a consenting adult, expectations are clear, and the older partner follows [Dan Savage’s ](https://substack.com/redirect/64994006-5d12-4925-9b2b-1d56a2d66ddf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*“campsite rule”* ](https://substack.com/redirect/64994006-5d12-4925-9b2b-1d56a2d66ddf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)of leaving the other person emotionally and physically no worse than they found them. The debate resonated with me as I’m currently reading Edmund White’s *The Loves of My Life*, whose candid reflections on sex, desire, and aging remind us that these conversations are hardly new. What changes with age, perhaps, is not desire itself, but the responsibility that comes with experience. #### **But Also Older Gay Men Still Holding Hands** A simple street interview has become an internet sensation after Allen and Tony, a gay couple together for 53 years, shared the secret of their enduring relationship. The two met on a tennis court in 1973 and, throughout the interview, never let go of each other’s hands. Asked what he loves most about his partner, Allen replied, *“His good heart—it’s his best organ.”* His advice for lasting love was: *“Care more about the other person than you do about yourself.”* An ambitious agenda. [See here.](https://substack.com/redirect/e3d8d3b3-d67d-4b10-96d4-713c3eace2ba?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### ***“Teenage Sex and Death at Camp Miasma”* Slashes Into Theaters** Jane Schoenbrun’s queer horror-comedy, which won the Queer Palm at Cannes, follows a filmmaker fixated on reviving a slasher franchise’s reclusive *“final girl” —* starring Gillian Anderson and Hannah Einbinder in a psychosexual cat-and-mouse. It opens in US theaters August 7 via Mubi. [](https://substack.com/redirect/452607e8-7efd-476f-822b-bdba5feb8156?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **DIVA Rounds Up August’s Sapphic Slate** This month’s queer-women film calendar includes Vicky Krieps in the custody drama *“Love Me Tender,”* Maya Hawke and King Princess in *“One Night Only,”* and Charli XCX alongside Margaret Cho in *“I Want Your Sex”* — both UK releases landing August 28\. See in [*DIVA Magazine*](https://substack.com/redirect/5b95f97d-0453-45d4-a27d-e9334d404f96?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). In the meantime, I have been watching half-heartedly [*“Cape Fear”*](https://substack.com/redirect/a865f046-e349-4890-a536-93ffac67ba98?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[ on AppelTV,](https://substack.com/redirect/a865f046-e349-4890-a536-93ffac67ba98?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) and there is a lesbian daughter. #### **Rosie O’Donnell’s Show in New York City** I went to see Rosie O’Donnell’s *Common Knowledge* on Saturday, so you don’t have to, and I left struck by how personable and disarmingly introspective she is. Kudos to her shrink. The show is less stand-up than intimate conversation, touching on her move to Ireland, her renewed relationship with faith, and, above all, the grounding role her youngest child has played in helping her find balance after years of public turbulence. I spotted Zachary Quinto and Isaac Mizrahi in the theater, and, just minutes into the performance as Rosie described her mom’s death, one audience member abruptly stood up and stormed out, loudly enough to startle the entire theater. [Get tickets here.](https://substack.com/redirect/08a1760c-2564-4ea8-94b1-c536ffbab5a0?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **Coming and Going** #### **Elliot Leonard, LGBTQ+ Philanthropy Co-Founder, Dies at 88** Leonard, co-founder and founding trustee of the Leonard-Litz LGBTQ+ Foundation, died June 6 at his Easton, Connecticut home; the foundation’s giving helped establish the Bridgeport Pride Center and supported LGBTQ+ organizations across the Northeast for decades. Read more in the [*Washington Blade*](https://substack.com/redirect/501c5e12-363c-41ce-a0fd-85a1b49ac07d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Perez Hilton Hospitalized After Mental Health Crisis** Celebrity blogger Perez Hilton is a controversial figure, but his recent spiral can only inspire compassion. It is also a reminder of the invisible internal battles LGBTQ+ celebrities often face. He was hospitalized after authorities responded to reports of a disturbing TikTok livestream in which he engaged in self-harm. Hilton was taken to a local hospital, where he is receiving medical care. [See here.](https://substack.com/redirect/83735cde-94a2-42a6-b9a6-5010a4d09ad7?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **The Anthony Fauci Conversation** I am thankful nobody gets their hands on MY diary. As Fauci was back in the headlines, the Gays reflected on Fauci’s far longer legacy in the fight against HIV/AIDS. Once a target of Larry Kramer and ACT UP’s fierce criticism, Fauci ultimately forged an unlikely partnership with AIDS activists that helped transform how scientists, regulators, and affected communities worked together—an evolution widely credited with accelerating HIV research and reshaping patient advocacy for generations. So we are still #TeamFauci here. [Read more in ](https://substack.com/redirect/47561d81-e720-4b19-a940-013fb4097724?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*The Atlantic.*](https://substack.com/redirect/47561d81-e720-4b19-a940-013fb4097724?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Discovering Mary Oliver, Late but Gratefully** I recently watched this trailer of a PBS documentary about the late poet Mary Oliver and found myself unexpectedly teary-eyed. I also had to admit something: I had never heard of her before. One of America’s most beloved poets, Oliver wrote with extraordinary clarity about nature, love, solitude, and paying attention to the world around us. Better late than never—I’m looking forward to discovering the work of a writer who has clearly meant so much to so many. [](https://substack.com/redirect/c82c44e6-7b89-454f-84f7-c6bf11c6c2f4?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **The Gay Agenda** **August 5: International Pride Awards.** UNDP and ILGA World present this year’s global equality honors during the WorldPride Human Rights Conference in Amsterdam, livestreamed globally today. **August 5–7: WorldPride Human Rights Conference, Beurs van Berlage, Amsterdam.** Sessions on intersex rights, decriminalization strategy, and economic inclusion, with UN, Council of Europe, and ICC officials participating. **August 8: WorldPride Closing March, Amsterdam.** The grand finale march and closing concert cap two weeks of programming across the Dutch capital. **September 22: UNGA High-Level General Debate opens, New York.** The 81st UN General Assembly session begins, with LGBTQI+ advocates tracking follow-through on the French-led decriminalization resolution. **September 25-27\. New York LGBTQ+ Pilgrimage.** Outreach, the LGBTQ+ Catholic ministry founded by Jesuit Fr. James Martin, will host a special New York City pilgrimage this autumn, bringing together LGBTQ+ Catholics, their families, and allies for a weekend of Masses, lectures, and visits to sites significant to both LGBTQ+ Catholic history and the HIV/AIDS epidemic. The program will conclude with a prayer service at the Church of St. Paul the Apostle. [Register here.](https://substack.com/redirect/99775505-f8e8-40b9-a40f-eb667beb2b86?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) **October 12–18: World Bank–IMF Annual Meetings, Bangkok.** The first Southeast Asia edition in three decades; advocates want the Bank to report on LGBTQ+ workplace-inclusion progress. --- Well, that's it for this week. I love August because, despite everyone's best efforts, life has a way of slowing down. For me, that mostly has to do with the twins being at camp and much less laundry, folding, and worrying about meas. New York, meanwhile, seems determined to make up for the quieter pace with almost constant rain. Tonight, though, I'm finally getting to see *Oh, Mary!*—it had to be rescheduled because Meg Stalter wasn't performing the initial evening. I'm looking forward to ending the week with what everyone tells me is one of Broadway's funniest shows. --- ### Tom Holland Sticks the Landing in Marvel's Most Exciting Sequel Yet URL: https://www.stonewallnews.net/tom-holland-sticks-the-landing-in-marvels-sexiest-sequel-yet/ Last updated: 2026-08-05T21:38:42.000Z Grab your popcorn and a fan, because Marvel has just delivered a summer blockbuster that hits every note we love: heart, spectacle, and a cast so easy on the eyes it should come with a warning label. *Spider-Man: Brand New Day* is a triumph — and it might just be the most emotionally resonant entry in the entire Spider-Man series. When we last saw Peter Parker, the entire world had forgotten him. *Brand New Day* picks up that story, showing Peter (Tom Holland) living alone and quietly working full-time as your friendly neighborhood Spider-Man. No fanfare. No recognition. Just a young man carrying the weight of the world. As the pressure of being alone begins to break him down, a powerful new enemy emerges to test him like never before. To survive, he must confront his grief and loneliness — and, most surprisingly, learn to rely on unexpected allies. Tom Holland carries this film with effortless charisma, transforming a superhero into someone you truly root for. He's grown into this role beautifully — the boyish grin is still there, but now there's a new sense of maturity and real depth behind those eyes. And let's be honest: he wears the suit like it was made for him. Every acrobatic swing and rooftop landing is amazing because he does his own stunts. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/MV5BYWY3NWUyNTYtMDBlZC00Mzc2LTg3NjItZjE3ZjQwZjQ4OGI5XkEyXkFqcGc@._V1_.jpg) Tom Holland / IMDb ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-04T105356.925-1.jpg) Spider-Man: Brand New Day Then there's Jon Bernthal as Frank Castle, the Punisher. He brings a smoldering, rugged intensity that practically steams up the screen. Every scene he's in crackles. If you weren't already a Bernthal believer, this movie will convert you. The rest of the ensemble is equally stacked. Zendaya returns as MJ, effortlessly cool and grounding the film's emotional stakes. Mark Ruffalo brings warmth and rumpled charm as Bruce Banner, while Jacob Batalon is a delight once again as Ned. Sadie Sink makes her Marvel debut as Jean Grey and is a flat-out revelation — she has a big future in this universe. Florence Pugh steals scenes as the fierce and funny Yelena Belova, Marisa Tomei returns as the eternally lovely Aunt May, and Liza Colón-Zayas brings sharp, no-nonsense energy as Detective DeWolff. Behind the camera, director Destin Daniel Cretton strikes a masterful balance between spectacle and heart. Writers Chris McKenna and Erik Sommers — longtime architects of Holland's Spidey — deliver a funny, tender, and moving script. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Untitled-Design---2026-08-04T105819.259.jpg) Tom Holland and Jon Bernthal / IMDb The numbers tell their own story. *Brand New Day* snagged the biggest domestic opening weekend in history at $360 million, edging out *Avengers: Endgame*, and opened worldwide to a staggering $932 million — the second-biggest global debut ever, surpassing *Avengers: Infinity War*. Beneath the CGI and the biceps, this film is about being unseen and rediscovering connection. Peter's journey through isolation and reinvention — building a chosen family from those who stay — resonates deeply. That's what makes *Brand New Day* resonate so powerfully. It's not just a spectacle; it's a warm, big-hearted story about facing life's challenges with support, rather than alone. *Spider-Man: Brand New Day* is everything we wanted and more — a gorgeous, thrilling, emotionally rich adventure led by a cast as talented as it is stunning. Whether you're here for the found-family feels, the record-shattering action, or to admire Tom Holland and Jon Bernthal doing the absolute most, this one delivers on every front. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/MV5BOWNkZjdjZTgtZThlZC00NGZhLTgxZDktNGRmMmU0OGVjMGE1XkEyXkFqcGc@._V1_.jpg) Spider-Man: Brand New Day --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-2.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Sacred & Proud | Finding Peace in Stillness URL: https://www.stonewallnews.net/sacred-proud-finding-peace-in-stillness/ Last updated: 2026-08-02T15:10:10.000Z Many years ago, my aunt gave me a book called "The Art of Doing Nothing." I want to tell you it changed my life — that I read it on a porch with a cup of tea and rediscovered the art of stillness. I never opened it. It's probably still on a shelf somewhere, doing nothing, which is at least consistent with its title. We know, in theory, that stillness exists. We just don't get around to it. There's always one more deadline, one more email, one more thing too important to set down. As a queer woman, I've learned to read the news the way you'd check weather before a hike — not out of curiosity, but to know what I'm walking into. Vigilance starts to feel less like a choice and more like a permanent posture. Two weekends ago, I set some of it down. I went backpacking with a dear friend — something we used to do every year, until "every year" quietly became "not for a while." It was his first trip back on the trail since a heart attack last year. He's only 47. So we took it easy. We drove to the Selkirks near Bonners Ferry, Idaho, hiked six miles in and set up camp. The next day we did a short day hike before heading back out on day three. Old me — busy me, go-go-go me — might have said that didn't count as a real camping trip. Where's the ambition? But with only a few hours on the trail each day, something happened that I was almost afraid of: There was a lot of time left over. Time to just be. My friend napped. His body was telling him something, and he listened. I didn't nap — that's not quite my instinct yet — but I wandered the campsite, watched the fish jump at sunset, and lay on a rock watching clouds take shape, something I hadn't done since I was a kid with my grandma. Psalm 46 says it plainly: "Be still, and know that I am God." I used to hear only the first half — be still — like a command to endure before getting back to being productive. But look at what the verse links together. Not "be still, and then get back to it." Be still and know. The stillness isn't the point. It's the doorway. And the knowing? I am not the one holding everything up. My inbox doesn't know that. The version of me who answers emails at 9 p.m. because it feels urgent doesn't quite believe it, either — not really. Neither does the version of me that's been trained to keep one eye on the news, bracing for what's said about people like me next. Rest can feel like letting my guard down at exactly the wrong moment. But bracing isn't the same as living, and I'm not sure it's ever kept anyone safe in the way it promises to. I scroll the news before my feet hit the floor some mornings, checking what's been said or done or proposed overnight about people like me, as if staying informed and staying safe were the same thing. There's a particular kind of tired that comes from loving who you love, or being who you are, in a world that keeps putting it to a vote — a body that keeps score even when the mind tries to rest. Even Jesus had to be told to rest, or rather, he did the telling. In Mark's Gospel, the disciples return from a stretch of ministry, and Jesus doesn't say, "Great, what's next." He says, "Come away by yourselves to a lonely place and rest a while." Not the next room. Somewhere the crowd can't follow. I don't think that's an accident. If the disciples were still reachable, they'd still be reached. Someone would have one more good and important reason not to rest yet. Maybe the same is true for those of us who've learned to treat our own rest as a low priority — a thing to earn only once the fight is over. The fight is rarely over. Rest anyway. It might be the most defiant thing available to us. Even while resting and watching the landscape, some part of me was already filing the fish and the clouds away as pulpit supply material — old habits don't clock out. But somewhere in there, it shifted. I stopped narrating the sunset and just watched it. I'm the person who overloaded her college schedule to graduate in three years, who worked amusement park food stands from age 14 to pay her way through school. Today I write a column, run a newsroom, teach full time, and somewhere in the cracks, I'm also a new parent. None of that is a complaint. But I'm learning stillness in smaller places, too — a trailhead isn't required. My son climbing over me on the bedroom floor has taught me more about presence than I expected an infant to teach a grown woman. Maybe you don't need a heart attack, yours or a friend's, to give yourself permission. Maybe you just need a fish jumping at sunset, or ten unscheduled minutes you don't immediately fill — and the reminder that you're allowed to have them, even now, even with so much still unresolved. Be still, the Psalm says. Not earn stillness. Just be still — and know. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Tracy_Simmons-2-1-1.jpg) Tracy Simmons is an award-winning journalist specializing in religion reporting and digital entrepreneurship. She is a Professor of Journalism at WSU and executive director at FaVS News, a digital journalism start-up covering religion news and commentary in the Pacific Northwest. Learn more at: [https://favs.news/](https://favs.news/?ref=stonewallnews.net) --- ### The Paramount Theatre: A Century of Applause URL: https://www.stonewallnews.net/the-paramount-theatre-a-century-of-applause/ Last updated: 2026-08-30T16:08:00.000Z As a lifelong lover of the stage — whether it’s Broadway, concerts, or comedy — retirement has given me the chance to immerse myself in the magic of live performance in a way I never imagined. My name is Frank Gaimari, and as a published author and self-proclaimed theater enthusiast, I’ve always found solace and inspiration in the arts. So, when the opportunity arose to work at Seattle’s iconic Paramount Theatre, I jumped at the chance. What better way to spend my days than surrounded by the grandeur of a historic venue that has been a cornerstone of the city’s cultural life for nearly a century? Every time I enter the Paramount, I feel captivated by its beauty and rich history. But as I’ve come to learn, this theater’s story is as dramatic and inspiring as the performances it hosts. From its glittering debut in 1928 to its near-demise and eventual restoration, the Paramount Theatre is a testament to the power of preservation, passion, and the arts. The Paramount’s journey began during the roaring 1920s, a time when vaudeville and silent films reigned supreme. Originally named the Seattle Theatre, it was commissioned by the Publix Theatre Corporation, a subsidiary of Paramount Pictures, as a palace of entertainment for the city’s growing population. Designed by the renowned architectural firm Rapp & Rapp, the theatre was a masterpiece of the “Beaux-Arts” style, blending Italian Renaissance and French Baroque influences. Its opulent interior, with intricate plasterwork, gold leaf accents, and grand chandeliers, was inspired by European opera houses, offering audiences an escape into a world of glamour and splendor. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/owp-0202-1.jpeg) Paramount Theatre Lobby / Photo courtesy of Seattle Theatre Group ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/paramount_theater_2014_053_hdr-edit-hi-res-1.jpeg) Paramount Theatre / Photo courtesy of Seattle Theatre Group The theatre opened its doors on March 1, 1928, with a grand debut featuring the silent film *Feel My Pulse*, starring Bebe Daniels. Accompanied by a state-of-the-art Wurlitzer organ, the event drew thousands of eager attendees who lined up to purchase tickets. Beyond the film, the evening included a dazzling performance by the Ron and Don Trio, and a lively musical production called the *Merry Widow Revue*. After its grand opening, the Paramount evolved into a cherished cultural landmark, hosting everything from vaudeville acts and concerts to iconic films from Hollywood’s golden age. But as times changed, so did the theatre’s fortunes. By the mid-20th century, the theatre faced stiff competition from television and suburban cinemas. Its once-grand interior began to fade, and by the 1960s, the theatre struggled to draw crowds. The 1970s brought the threat of demolition, but a group of passionate preservationists fought to save it, securing its place on the National Register of Historic Places in 1974\. This recognition was a crucial step in protecting the theatre, but its future remained uncertain. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/para4.jpeg) Paramount Theatre Lobby/ Photo courtesy of Frank Gaimari Enter Ida Cole, a former Microsoft vice president with a vision. In 1993, Cole purchased the Paramount Theatre, determined to restore it to its former glory. Her passion for the arts and commitment to Seattle’s cultural heritage drove her to spearhead an extensive $20 million renovation. Over the next two years, the restoration team carefully restored every detail of the theater. Once the restoration was complete, Cole transferred ownership of the theatre to the non-profit Seattle Theatre Group, which continues to operate and maintain the Paramount to this day. Today, the Paramount Theatre is alive with the presence of all the performers who have graced its stage. I don’t mean to say it’s haunted, but you can feel something — an energy, a presence — that lingers in the air. It’s as if the building itself hums with the echoes of past performances, the laughter, the applause, and the magic that has unfolded here. Every corner of the theatre seems to whisper stories of jazz legends like Duke Ellington, grunge icons like Nirvana, and Broadway productions that have left audiences spellbound. It’s electric, and stepping inside feels like being part of something much bigger than yourself. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/para1.jpeg) Paramount Theatre Lobby/ Photo courtesy of Frank Gaimari The Paramount’s magic extends far beyond its performances — it’s an experience you can enjoy for yourself every month. Join the Seattle Theatre Group on the first Saturday of the month for a free guided tour of this iconic venue. Led by enthusiastic and knowledgeable volunteers, this experience offers a unique opportunity to explore its rich history and charm. The two-hour tour takes you behind the scenes, revealing the theater’s fascinating history, stunning architecture, and an innovative convertible floor system. But the journey doesn’t end there. After the tour, visit the on-site museum, a hidden gem filled with treasures from the past. From vintage posters and usher uniforms to theatre memorabilia, every piece tells a story, offering a glimpse into the Paramount’s rich legacy. Reservations for the tour are required, so please visit the Seattle Theatre Group’s website. It’s an experience you won’t want to miss. The Paramount Theatre is more than just a venue. It stands as a testament to the resilience of art and the belief in its power. Thanks to visionaries like Ida Cole and countless performers, preservationists, and patrons who have supported it over the years, the Paramount continues to enchant audiences. Whether you’re a lifelong Seattle resident or a first-time visitor, stepping into the Paramount feels like entering a living, breathing piece of history, and I am grateful to be a small part of its ongoing story. Seattle Theatre Group: [https://www.stgpresents.org](https://www.stgpresents.org/?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/para8-1.jpg?resize=2048%2C1542&ssl=1) Paramount Theatre / Photo courtesy of Frank Gaimari ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/para7.jpg?resize=1542%2C2048&ssl=1) Paramount Theatre / Photo courtesy of Frank Gaimari ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/para10-1.jpg?resize=2048%2C1542&ssl=1) Paramount Theatre Organ/ Photo courtesy of Frank Gaimari ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/para13.jpg?resize=2048%2C1542&ssl=1) Paramount Theatre / Photo courtesy of Frank Gaimari ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/paara9-1.jpg?resize=2048%2C1542&ssl=1) Paramount Theatre / Photo courtesy of Frank Gaimari ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/para2.jpg?resize=1542%2C2048&ssl=1) Paramount Theatre / Photo courtesy of Frank Gaimari ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/bafkreib4s5dojzwz7qretjphxzkut2nkogskwvdyju5fkqzr2ynyeg2iii.jpeg) Frank Gaimari --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-1.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### From the Middle of Pride Season: Update Letter from Matthew Danielson, Spokane Pride Executive Director URL: https://www.stonewallnews.net/from-the-middle-of-pride-season-update-letter-from-matthew-danielson-spokane-pride-executive-director/ Last updated: 2026-07-31T22:15:31.000Z At this point I’m right about in the middle of my Pride season. There are a lot more Pride events left. With Spokane Pride in the rearview mirror, I look forward to my favorite time of year, the Pride Tour, and the Inland Northwest has not disappointed so far. We started with Coeur D’Alene Pride on June 6th, a wonderfully organized snapshot of what it means to be progressive, and open and affirming in northern Idaho. It was a beautiful melding of music, joy, food trucks, and vendors. The protest action at this event was almost an afterthought as they seemed to get tired after about 90 minutes and depart sheepishly, a huge juxtaposition from the drama several years ago. We also assisted with starting Pullman Pride this same day, which had wonderful live music and captured the queer life of this college town. The next weekend of June 12/13th was our big weekend, Spokane Pride, a day only punctuated by the fact that there was no end to the joy and adulation of our gathered community, beautifully melding with LGBTQ2+ populations from all around our region. I’ve done a lot of Prides, and am hyper motivated to have this opinion, but I truly believe that our community came together to create the most joyful weekend that Spokane has ever seen, full stop. Everywhere you went, you just shared happiness, dancing, drag, singing, and the unbounded expression of people's true and unadulterated nature. I am so proud of how our city and region showed up. The very first block party at our only gay bar was just a cherry on top. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/creston-pride.jpg) Creston Pride Our next Pride was in Creston, British Columbia, just over the border near Bonners Ferry. Creston was a delightful town and had an even more delightful collection of people making up their community. It was their first Pride ever in the city limits and brought in three times the number of attendees versus any previous year’s Pride events in that area. We helped run their main event and their after party and met talented performers from all around the Kootenai region. We have also been to Pride in Perry in Spokane, a neighborhood Pride put on by Odyssey Youth movement. This is a special event, just as the Perry district is such a wonderful neighborhood. There were bands, aerial artists, drag performers, youth activities, and much more. The second weekend of July brought Pride in Sandpoint Idaho, another wonderful weekend. Sandpoint Alliance For Equality (SAFE) really knows how to put on an event. They have several professional event people facilitating its production leaving me to mostly lug around tent weights and put up massive blow-up rainbows (our usual offering of assistance is sound tech and production) in addition to getting their after party set up. There was an incredible outpouring of community from all around the area. Such a beautiful city with an equally beautiful Pride. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/751055787_1519454266884483_3735624160683087121_n.jpg) Matthew Danielson July 18th was Lincoln County Pride in Libby Montana. This event had new organizers this year, so I got to meet an entirely new crew and they were wonderful! They hit the ground running and rainbowed the massive event center at the center of Libby as good as it ever had been. They took a different approach to programming than most Prides and had many community members speak about the importance of Pride in their community. They even had me come up and spew a few paragraphs about all the rural Prides I’ve helped with. It was a special weekend because I’ve seen leadership transitions be the end of rural Prides, but not in Northwest Montana, the Northwest Montana Queer Alliance will Pride on! Now, back in Spokane we are gearing up for the 3rd annual Garland Pride on Aug 22nd and our very first Hillyard Pride on Sept 19th. We are especially excited to queer up Hillyard in light of certain businesses' reprehensible signage. We also have ‘Pride Camp’ coming up from Sept 25th through the 28th where we are taking over a church camp on Lake Coeur D’Alene. I like to joke that we are gathering to get over the scars received at church camps growing up, because it is partially true. With these gatherings comes connections, and with connections comes healing. Also, Palouse Pride in Moscow is the last weekend of August, and LC Valley Pride on the second weekend on September. One of the great things about doing what I do is making friends and connections with other ‘Pride People’ around the Inland Northwest. This event and many of the others I do are alive with those connections. Connections based on a devotion to created spaces of universal love and equality in defiance of such institutionalized hate. Seeing these communities come together in joy and activism is what drives me forward every day. Thank you and HAPPY PRIDE!!! --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Pride-Guide-2026-Map-1.jpg)](https://www.stonewallnews.net/stonewall-pride-guide-to-105-pnw-pride-events-in-wa-or-id-and-mt/) *Visit the comprehensive listing of Pacific Northwest Pride events at:* *Visit the Spokane Pride website at:* [*https://www.spokanepride.org/*](https://www.spokanepride.org/?ref=stonewallnews.net) --- ### In Conversation with Craig Chester: The Making of Swoon and Its Lasting Impact URL: https://www.stonewallnews.net/in-conversation-with-craig-chester-the-making-of-swoon-and-its-lasting-impact/ Last updated: 2026-07-30T19:53:37.000Z Some films do more than tell a story — they challenge you to think and look closely. Tom Kalin’s *Swoon* is one of those. Released in 1992, it explores one of the most famous murder cases in American history with a boldness that still feels powerful more than 30 years later. *Swoon* dramatizes the 1924 Leopold and Loeb case. Nathan Leopold Jr. and Richard Loeb were wealthy, brilliant young men from Chicago who had a taste for petty crime. Their partnership took a horrifying turn when they set out to prove they could commit the perfect murder. The victim was a boy named Bobby Franks. The plot follows the pair from their thrill-seeking days through Bobby’s kidnapping, the unraveling of their scheme, and the sensational trial that captivated the nation. What sets *Swoon* apart from earlier films inspired by the same case, like *Rope* and *Compulsion*, is its refusal to hide their Queer relationship. Kalin places their intimacy front and center, exploring how desire, control, and vanity intertwined with the crime itself. Craig Chester’s performance anchors the whole picture. He plays Leopold as intelligent yet fragile, a young man caught between obsession and fear. Chester earned an Independent Spirit Award nomination for Best Male Lead, and it’s easy to see why. He makes Leopold’s inner turmoil feel painfully real. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-26T091021.317-2.jpg) Daniel Schlachet and Craig Chester / Swoon Opposite him, Daniel Schlachet portrays Loeb the manipulator with cool, unsettling charm, the one who seems to enjoy the power he holds over his partner. The chemistry between the two actors gives the film its dangerous pulse. The supporting cast rounds things out with skill. Ron Vawter appears as State’s Attorney Crowe, Michael Kirby plays Detective Savage, and Michael Stumm takes on the role of Dr. Bowman. Each brings weight to the courtroom and investigation scenes that shape the story’s second half. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-26T091220.545.jpg) Daniel Schlachet and Craig Chester / Swoon ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-30T100546.143-1.jpg) Craig Chester / Swoon *Swoon* marked Kalin’s feature directorial debut, and it announced a fearless new voice. Kalin, who also wrote and edited the film, grew up in Chicago near the crime scene. That personal connection shows in every frame. He treats the material not as a simple true-crime retelling but as a meditation on identity, prejudice, and the way society viewed Queer lives in the 1920s. If one element of *Swoon* lingers long after the credits roll, it’s the cinematography. Ellen Kuras shot it in gorgeous black-and-white 16mm, and her work is nothing short of stunning. Every shadow, every gleam of light feels deliberate. The images carry the polish of high fashion photography, yet they never lose their emotional grip. She won the Cinematography Award at the 1992 Sundance Film Festival for her work here, and the honor was well deserved. She turns a small, low-budget independent production into a visual feast. The contrast between the beauty on screen and the ugliness of the crime creates a tension you can feel in your bones. This is filmmaking where the camera itself becomes a storyteller. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-26T093208.112.jpg) Daniel Schlachet and Craig Chester / Swoon *Swoon* arrived during a groundbreaking moment in movie history. Alongside works like *Poison* and *The Living End*, it helped define the New Queer Cinema movement of the early 1990s. These works, made by openly Gay filmmakers, refused to soften or apologize for their subjects. *Swoon* racked up honors well beyond Sundance. It won two awards at the Berlin International Film Festival, took prizes at the Stockholm International Film Festival, and earned four Independent Spirit Award nominations. Its reputation has only grown with time. Over 30 years after *Swoon* first captivated audiences, I had the chance to correspond with Craig Chester via email to discuss his role and the film. I had many questions, but I ultimately had to limit myself to just seven for publication. Here’s our conversation. **Frank Gaimari: *Swoon* was your breakout role. What drew you to the character of Nathan Leopold Jr., and did anything about him scare you?** Craig Chester: I got the role of *Swoon* from a casting call I saw in Backstage Magazine. I was 24, had no agent, and was submitting my headshots to anything I thought I was right for. I had only done a few NYU short films — that was it. When I arrived at the open call, many actors were waiting to go in, and strangely enough, the first person I met was Dan Schlachet, who would later be cast opposite me as Richard Loeb. To prepare, I read Nathan Leopold’s autobiography, *Life Plus Ninety-Nine Years*, as well as a book called *Crime of the Century*. I studied photos of Nathan — how he held his cigarette and the flat affect in his expression — and that really helped me find his character. I wasn’t scared of Nathan himself, but when I saw the movie for the first time at Sundance, the scene where we murder 12-year-old Bobby Franks was really disturbing. Since shooting is in bits and pieces, seeing it all cut together made me realize what Nathan and Richard had actually done — that was scary. **FG: Playing a real person who committed such a terrible crime is a huge challenge. How did you prepare to step into Leopold's mind without judging him?** CC: I always have to find the humanity in the character I’m playing. I’m not impressed when I see actors — or writers — judging their characters, using them because they have an ax to grind or are trying to make a point. To me, that’s bad acting and writing. You can’t judge your characters; the second you do, you dehumanize them and shut yourself off from trying to understand why they do what they do. People do things for a reason, and an artist’s job is to find out what that reason is. **FG: What was it like collaborating with Tom Kalin, a first-time director who had such a clear and daring vision?** CC: Tom had a background as a visual artist, but he had also studied acting, so he understands the process that actors go through. Not many directors have that kind of empathy; it was always present in how he interacted with me. He had Dan and me do acting exercises during rehearsals — things like making us wrestle. Dan was built like a football player, and I was this little twig, and it was a smart move on Tom's part, because it helped cement the power dynamic between us that you see in the film. He was very smart and intuitive that way. He also had an extensive, almost encyclopedic grasp of the material — Leopold and Loeb were a magnificent obsession — and that, more than anything, is what made the movie so good. It was his vision, like you said. Even though it was his first movie — and our first — I trusted him. You need to trust your director in order to allow yourself to be vulnerable in front of them. It’s a very intimate process, and Tom created that environment. **FG: The portrayal of the relationship between Leopold and Loeb is central to the film. During filming, did you personally feel a genuine connection with Daniel Schlachet, or were the intimate scenes purely performative?** CC: Dan and I really liked each other right away. We hung out a lot, got drunk together, and did things like that. Dan is straight, and I’m Gay, so there’s this inherent difference between us. He’s a cool straight guy, but even so, there was a kind of tension, and tension can be erotic. We drank beers on set before our bedroom scenes to relax. I was always a bit worried, hoping he felt comfortable and okay rolling around with me, kissing me. But underneath it all, there was a genuine connection between us. I had a boyfriend at the time that I lived with, and I think he was a bit jealous. I was maybe falling in love with Dan or unconsciously letting myself fall in love with him for the role. Sometimes, when you work on something, it takes you over. That was my experience with *Swoon*. You give yourself over to the experience and to other people sharing it with you. When the movie came out, we traveled together, went to Berlin, and shared a hotel room. When it was over, we just became good buddies. And now, for the rest of our lives, we have this movie — this thing that will outlive us — and that creates a unique kind of bond that’s hard to describe. **FG: Ellen Kuras's black-and-white cinematography is breathtaking. How did working within those carefully composed images change the way you performed?** CC: Ellen Kuras is a genius! She helped me so much, because *Swoon* was my first movie, and I was intimidated by the camera. But knowing that Ellen was behind it, I just played to her, not the camera — she was the “audience” in my mind. She's such a warm and beautiful human being, and that helped. Ellen had a documentary background, so she would often film Dan and me between setups — hanging out, smoking on set. There are a lot of shots in the movie that were taken when I didn’t realize I was being filmed. She made the whole process easy. We shot this on a shoestring budget, and in 1990, there was no “video village” where you could see playback of what you’d just done, so I wasn’t really aware of how gorgeous her work was until I saw it later. **FG: *Swoon* is now seen as a cornerstone of New Queer Cinema. Did you sense at the time that you were part of something historic?** CC: I knew that I was part of a movement that was political and important, and that *Swoon* captured the zeitgeist of that Queer moment — like how *Heated Rivalry* is viewed today. There was so much press around the movie: I was featured in Interview, Us Weekly, and Rolling Stone — everywhere. The movie poster was plastered all over New York. I think we knew we were part of something bigger than ourselves, and I understood that New Queer Cinema was making history. But you never know when you make a movie if it will stand the test of time or survive, even if it’s well-received. *Swoon* most definitely has, more than most of the other films that defined New Queer Cinema — partly because of how good it is, but also because it’s a period piece shot in black-and-white, which gives it a timeless quality. **FG: How has your relationship with this film changed over the years, and what do you hope new viewers take away from it today?** CC: I saw it on the big screen at the Paris Theater in New York City last year, expecting to watch it objectively, from the point of view of a 60-year-old man with some distance. But none of that happened. I still squirmed in my seat over line readings of mine that bugged me when I was 25\. I still felt embarrassed in the theater watching myself cry in prison — the way I did back in 1992\. I even remembered how it was my birthday the day we shot the murder scene, as if it were yesterday. I hope the movie inspires other young Queer people to think outside the box given to them, and that it encourages Queer artists to create their own *Swoon* — to take risks and not play it safe. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-30T100653.581.jpg) Craig Chester / Swoon Few films from the early 1990s have aged as well as *Swoon*. It remains a film full of contrasts: beautiful but brutal, historical yet still relevant, cold in its subject but deeply human in its curiosity. Tom Kalin, Ellen Kuras, and a brave cast led by Craig Chester created something that continues to feel powerful. More than just telling a famous crime story, *Swoon* is a reminder of how far movies can go and how much they can reveal when artists are willing to face the truth. *Swoon is available on all streaming platforms, including* [*Amazon*](https://a.co/d/011l3PDt?ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-26T093016.861.jpg) Swoon --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--82.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Weekly Update on National & International LGBTQ+ Equality – Wed, July 29, 2026 URL: https://www.stonewallnews.net/weekly-update-on-national-international-lgbtq-equality-wed-july-29-2026/ Last updated: 2026-07-30T13:28:22.000Z This week: The Berlin Attack, a conspiracy theory in Indonesia, the Ohio billboards, Trump vs. Mulvaney, a 2026 TED Talk, the Dialog Society list, the politics of philanthropy, Volker Turk & much more > *This update is provided by* [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email)*, consider supporting his important work.* The terrorist attack at Berlin Pride last week is a tragic reminder that LGBTQ+ people navigate a world in which safety can never be taken for granted. It is tempting to believe it has finally bent history in its favor—that prejudice has been defeated, and the [arc of progress ](https://substack.com/redirect/6159582f-1d7c-4ea8-bb51-4222d2487e0b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)will continue uninterrupted. Yet the past two decades have shown that homophobia and transphobia do not simply disappear; they recede, mutate, and return in new forms—something other minorities have understood throughout history. The idea that LGBTQ+ people deserve the same dignity, security, and place in society as everyone else remains contested, even in the world’s most progressive democracies. That is why the greatest danger facing our community today is complacency: mistaking temporary victories for permanent ones, disengaging from the institutions that shape our future, or assuming someone else will do the work. --- ### **Global News** #### **Germany: Terror attack kills one, injures 29 at Berlin Pride** A 21-year-old German-Lebanese man, Abdul Ballout, drove a rented van into the crowd at Christopher Street Day on July 25 before attacking bystanders with a machete; a 65-year-old woman was killed, and 29 people were hurt. Police shot Ballout dead the next day after a 24-hour manhunt. Prosecutors found video of him pledging allegiance to ISIL, and he had been convicted in May for preparing an act of subversive violence and publishing ISIS propaganda — yet was still free, mid-deradicalization screening, when he rented the van. Read more in [*Al Jazeera*](https://substack.com/redirect/4c80d5ca-9fec-4ae7-ade1-af8487490eb1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Germany (too): Pride and the Courage to Be Seen** After seeing reports of the attack, my mother emailed me: *“This is exactly why you shouldn’t* [*take your children to Pride*](https://substack.com/redirect/071a7657-6fd4-4dbb-bb11-c2f7edcd267d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)*. I’ve been saying it for a long time. This time it was an Islamist, but it could just as easily have been a far-right extremist or any other lunatic...”* It reminded me of the courage required simply to gather in public with our loved ones, something [Mark Segal wrote about](https://substack.com/redirect/d009e17d-11f2-45d2-9862-907e825e51d5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) this week. Recalling Pulse, protests at local Pride events, and the first New York Pride March in 1970, Segal argued that visibility remains both an act of defiance and a force for change: every person who marches makes it easier for someone else to live openly. #### **Uganda: Women jailed for a kiss are freed, but not safe** Wendy Faith and Alesi Diana Denise spent five months in an Arua City cell after being accused of same-sex activity under Uganda’s Anti-Homosexuality Act; a magistrate discontinued the case last week. Both describe being beaten by police and say they still can’t walk the streets together without being followed and threatened. *“What kept Wendy and Alesi from a life sentence wasn’t the law protecting them, it was public pressure,*“ said activist Hans Senfuma. See in [*The Guardian*](https://substack.com/redirect/65a58daa-169d-41c0-96ec-cabb057d319a?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Poland: Tribunal blocks recognition of EU same-sex marriages** Poland’s top court unanimously struck down a government plan to enter same-sex marriages performed elsewhere in the EU into Polish civil registries, ruling it incompatible with the constitution’s man-woman definition of marriage. The move follows a November 2025 EU Court of Justice ruling that Poland must at least register such unions for freedom-of-movement purposes — setting up a fresh standoff between Warsaw and Brussels. Poland remains one of just four EU states with no legal recognition of same-sex unions. Details in [*DW*](https://substack.com/redirect/5f31577b-5e43-44ba-a501-fad8c93677a9?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Romania: Oradea defies fourth consecutive Pride ban** Organizers in Oradea marched anyway last weekend after the city rejected more than 100 proposed routes, the fourth straight year local authorities have effectively banned Pride through administrative refusals. More than 125 European rights organizations signed a joint letter condemning the pattern, and the Council of Europe’s Congress of Local and Regional Authorities called for the march to proceed safely. As a reminder, Romania’s economy has stalled, with real growth of 0.9% last year, and the Government is[ seeking foreign investment](https://substack.com/redirect/9292f590-3617-4428-bf50-8e56d0e11a58?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). See in [*Attitude*](https://substack.com/redirect/24f1dacf-1d12-4113-9944-22dda2759271?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **France: Six sentenced over Grindr entrapment** A Sarreguemines court handed down sentences of up to five years for six men who lured at least seven gay men using the Grindr app to ambush, rob and beat people between July and October 2025\. Judges acknowledged the violence but again declined to apply France’s homophobia aggravating-circumstance clause, despite victims reporting slurs and the attackers exclusively targeting men on a gay dating app — a pattern now repeating across similar Grindr guet-apens cases globally. See in [*Têtu*](https://substack.com/redirect/44003ede-25e8-4ddc-a4d3-1f6083b5f930?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Russia: Journalists at country’s largest LGBTQ+ outlet flee into exile** The team behind Parni+, the largest Russian-language LGBTQ+ publication and one founded in 2008 as an HIV resource, has scattered abroad after a Moscow court branded the site an *“extremist organization”* in April. See in [*PinkNews*](https://substack.com/redirect/45332475-8937-4451-92d6-0c2166b0ec22?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Serbia: Advocates describe an *“epidemic of violence”*** I was reminding someone this week that Serbia recently had an out [lesbian Prime Minister ](https://substack.com/redirect/0829287d-1c09-43da-b4d6-b1c1c8850546?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)and how little it did for the community. Drag performer Aleksandar Savic was stabbed on a Belgrade bus on July 11, hours after author Vladimir Arsenijevic was assaulted by right-wing thugs in the same city. Da se Zna! logged 110 attacks last year — the highest on record — as the country slides to 29th on ILGA-Europe’s Rainbow Map. Details in [*DW*](https://substack.com/redirect/310dbbad-4fb9-433d-8469-e3e2044636fc?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Indonesia: A Dangerous Vaccine Conspiracy** False claims that vaccines, food, and medicines are being used by a *“global elite”* (that would be YOU!) to change people’s sexual orientation have gained traction online in Indonesia, a country where homophobia and transphobia are [spiraling out of control](https://substack.com/redirect/6462a582-2024-467f-b25d-e558eee70bcb?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). The conspiracy theory, amplified amid growing political and religious hostility toward LGBTQ+ people, has been viewed hundreds of thousands of times. [See here.](https://substack.com/redirect/6d4ca94d-ae97-4767-8003-1af475bca49e?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Argentina: Court Restores Gender-Affirming Care** A federal appeals court in Argentina has suspended a decree issued by President Javier Milei that barred gender-affirming hormone treatments for people under 18, restoring the full application of the country’s landmark Gender Identity Law while the case proceeds. The court found the government had failed to justify bypassing Congress and ruled that the blanket ban could violate minors’ rights and jeopardize their health. [See here.](https://substack.com/redirect/d156a8fc-5168-4718-badf-79b78a1d09d4?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **US News** #### **Trump’s Mulvaney Callback** At Friday’s rescheduled White House Correspondents’ dinner, Trump mocked CNN’s [Kaitlan Collins](https://substack.com/redirect/5af5e096-269f-41b1-a9f6-a1433e23dc1b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) by comparing her to Dylan Mulvaney, invoking the 2023 Bud Light partnership and claiming it cost the brand $35 billion in market cap — then followed up by posting an AI-altered image superimposing Collins’s face onto Mulvaney’s body from the original ad; Mulvaney responded with a video thanking him *“for reminding me that I am more powerful than I even knew,”* framing the renewed attention as, in her words, *“the greatest compliment of all.”* It’s so easy to prefer Dylan. [See here.](https://substack.com/redirect/7c1fb328-ea0a-40df-9d27-29b9004cb66e?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Prosecutors Link Charlie Kirk Killing to Anti-LGBTQ+ Views** Prosecutors in Utah say the man accused of fatally shooting conservative activist Charlie Kirk targeted him because of his political views, including his opposition to same-sex marriage and transgender rights. In newly filed court documents, prosecutors argue that Kirk’s advocacy against LGBTQ+ equality made him a symbolic target, citing text messages allegedly sent by the suspect after the shooting stating he had *“had enough of (Kirk’s) hatred.*“ The defense disputes the claim that there is evidence linking the alleged motive to the suspect’s beliefs. [See here.](https://substack.com/redirect/47a4ba42-2dc6-4b79-b221-e3d289ae2258?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Democratic think tank’s trans-rights *“reset*“ splits advocates** The Center for American Progress published a framework urging Democrats to hold the line on trans civil rights while conceding that sports eligibility *“restrictions may be appropriate under some circumstances.*“ Trans civil rights attorney [Alejandra Caraballo](https://substack.com/redirect/3377eb7f-35d1-4a55-9d54-1003460b1a81?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) called it a de facto endorsement of the NCAA’s Trump-era ban; CAP’s[ Caleb Smith,](https://substack.com/redirect/78d07c26-4e41-4b7a-b6b5-185c63ee53ae?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) who is trans, insists the paper draws a hard line everywhere else. Read more in [*The Advocate*](https://substack.com/redirect/c96528b7-0c4d-40e0-bc92-69487fa1d866?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **House narrowly rejects codifying Trump’s trans military ban** Lauren Boebert’s amendment to permanently write Trump’s transgender military ban into the NDAA failed 212-217, with four Republicans crossing over. The ban itself stays in effect regardless — the U.S. Supreme Court let it proceed pending appeal — but the vote blocks it from becoming much harder to reverse later. The House separately passed two other Nancy Mace amendments restricting trans troops’ TRICARE coverage and travel benefits. See in [*Metro Weekly*](https://substack.com/redirect/755206df-ede7-48e6-9911-185e831c4a0d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **White House threatens Maryland district** The Education and Justice Departments say Anne Arundel County schools violated federal privacy law by not disclosing a student’s gender transition to their parents, threatening litigation or a funding cutoff. It’s the latest of several Maryland districts, including Montgomery and Prince George’s counties, to face federal Title IX probes over restroom and locker-room policies. According to the [*Washington Blade*](https://substack.com/redirect/154824fa-4384-458c-809d-d8c3b29895c6?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Pennsylvania scraps its last HIV-specific criminal penalty** Gov. Josh Shapiro signed Senate Bill 45, which strips HIV entirely from the state’s criminal code and ends a decades-old rule that let prostitution-related misdemeanors become felonies for HIV-positive defendants. Advocates note the enhancement applied regardless of viral load or condom use. Read more in [*Metro Weekly*](https://substack.com/redirect/eb899677-fc85-4e65-a1d4-d438af203809?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Ohio billboard campaign draws statewide backlash** *“No child has two dads. No child has two moms”* billboards from Seattle-based Them Before Us appeared across rural Ohio (see the [Lima billboard](https://substack.com/redirect/47d3c166-d013-446f-ae61-58bda4092209?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)); a fundraiser by LGBTQ+ nonprofit Have a Gay Day for competing billboards has topped $18,000\. HRC called the campaign *“disgusting and desperate,”* pointing to polling showing most Ohioans support marriage equality. Details in [*Attitude*](https://substack.com/redirect/319469bb-b015-48ba-a7ae-fa98baf10604?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). [![May be an image of child and text that says 'NO CHILD HAS TWO DADS. NO CHILD HAS TWO MOMS.'](https://ci3.googleusercontent.com/meips/ADKq_NZTsffZ22SlpurjF_e9MsnJeLC9PBCyrqIVhSG-nN6VI17_Yw73nIla_fvcRLup4kF7_0GYt1WNL5epsY29lLLFbwn71IPirkx2EF_lV_l7VBGcg_pH0j8tq1SapLdcIOG1xG207e__hhbuWFBVs9-dcI0dADjxf6xsqYeYsWIH1Y94uoxo6-bpepa22xTNo17O6g8Kc-GWhX-Ivv56U5YIpN5w4oEsHqyoLOSZJ457c2zyT1s4NH3PYi9MEZqh_dLl37cLNc8OQUocgsYrWM5aEw7U7fN3WYbQKjupK9L-cNM3a7oYVIdLQ4S5Xf4ZANbLZFO1=s0-d-e1-ft#https://substackcdn.com/image/fetch/$s_!Bcl7!,w_446,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F84a4cfb2-c722-490c-ae37-de3dbc0f74d5_1024x1024.jpeg "May be an image of child and text that says 'NO CHILD HAS TWO DADS. NO CHILD HAS TWO MOMS.'")](https://substack.com/redirect/0a4cfd89-a239-4e73-8b93-6329c6fb5be2?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) Besides Jesus, of course… --- ### **Queering the Boardroom** #### **The Cost of the Closet in Leadership** In a *Los Angeles Times* essay, law professor Darren Rosenblum argues that the debate surrounding the late Sen. Lindsey Graham’s rumored sexuality is less about one individual than about the enduring cost of the closet in leadership. Despite major advances in LGBTQ+ rights, openly LGBTQ+ people remain almost invisible at the highest levels of business and politics. Rosenblum contends that homophobia continues to shape who is seen as *“leadership material,”* forcing many ambitious LGBTQ+ professionals to choose between authenticity and advancement. [Read more here.](https://substack.com/redirect/6561f0f5-3fdf-4621-9929-d506302f7bf1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) > *despite the relatively rapid entry of LGBTQ+ people into society, the world at the top looks radically different. It’s almost totally straight.* #### **Reuters: DEI Rollback Reaches Corporate Boards** The US administration’s campaign against diversity, equity, and inclusion is now reshaping corporate boards. According to new data from executive search firm Spencer Stuart, just 40% of new independent directors appointed to S&P 500 boards over the past year were women or people of color—the lowest share in more than a decade. Recruiters and governance experts say companies are placing less emphasis on diversity amid legal challenges to DEI programs and shifting political pressure, raising concerns that years of progress toward more representative corporate leadership could begin to erode. Of course, there are no words in the article on sexual orientation or gender identity. [See here.](https://substack.com/redirect/8d2d701e-0f3d-4d60-810c-99c865b977b2?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **The Gay Business** #### **HRC: LGBTQ+ consumers are punishing DEI retreats** The HRC Foundation’s Pride in the Marketplace 2026 report finds roughly 70% of LGBTQ+ consumers have cut spending at brands seen as walking back DEI — Target, Walmart, Amazon, Chick-fil-A and Home Depot topping the list — while directing more money to Costco, Apple, Ben & Jerry’s, Delta and Kroger. Fortune 500 participation in HRC’s Corporate Equality Index fell by 65% in a single year, from 377 companies to 131\. See on [*Yahoo Finance*](https://substack.com/redirect/9b96c858-49a2-4005-b473-56bc59a470e5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Do fewer LGBTQ+ professionals feel being out helps their career?** This online survey should be interpreted with caution due to the usual methodological limitations. Just 49% of the sample (probably white-collar workers in NYC) said being out benefits their career, down from 78% in 2023, even as 88% allegedly reported feeling comfortable being themselves at work. I suspect a representative sample would show that LGBTQ+ professionals are actually retreating to the closet. Details in [*Daily Caller*](https://substack.com/redirect/f77953d3-9198-4a5a-a3b9-d53257480fcc?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Labor dispute at Advocates for Trans Equality** Workers at Advocates for Trans Equality accuse leadership of announcing possible layoffs to donors before informing staff, in apparent violation of a collective bargaining agreement signed weeks earlier. The union says A4TE’s C-suite has grown by at least eight positions since a 2024 merger while its top executive’s compensation rose from $189,000 to $436,000 over three years. Read more in [*The Advocate*](https://substack.com/redirect/aae70652-d84c-4acd-b2c0-a54d75bad7b9?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **The Politics of the Purse: J. Bob Alotta on Funding LGBTQ+ Justice** Former Astraea Lesbian Foundation for Justice Executive Director [J. Bob Alotta](https://substack.com/redirect/5c486be3-0d00-44a4-95de-480de36e1b9d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) joins host Tiffany Mugo for a candid conversation on the politics of philanthropy and feminist funding. Drawing on decades of experience in LGBTQ+ and social justice grantmaking, Alotta explores how donor priorities shape movements, why some communities remain chronically underfunded, and the importance of trust, risk-taking, and solidarity in moving resources where they are needed most. [Listen to it here.](https://substack.com/redirect/67bf52fc-60f6-4df7-8372-bfeff07b18f7?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **Semi-Cultural Desk** #### **Should I watch *Leviticus*?** The older I get, the more I suspect everyone might be better off if I stay single (although you have to [check out this story](https://substack.com/redirect/efa9bce9-37bd-4593-b653-e04df7509cf2?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)). It’s only when a queer horror movie comes along that I wish I had a live-in boyfriend. *Leviticus* follows two teenagers who become haunted by a violent supernatural entity summoned by their religious community. The entity takes the form of the person they desire most: each other. [](https://substack.com/redirect/a08badeb-95d4-4164-906a-9cfbb588b891?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Les Bisounours** Today I learned that Care Bears are actually [the ](https://substack.com/redirect/4e115b17-175e-4527-9ae0-80ab113cd422?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*“bisounours*](https://substack.com/redirect/4e115b17-175e-4527-9ae0-80ab113cd422?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)*”.* A digital LGBTQ+ history exhibition in Leicestershire — this year’s Museum & Heritage Awards Team of the Year — reinterpreted Funshine Bear’s shift from she/her to he/him pronouns across decades of *Care Bears* adaptations as a possible trans narrative. Conservative commentators piled on, with one advocacy group calling it a *“blatant attempt to sexualize children’s toys”;* curators say the piece simply explores how fans have found meaning in the character. See in [*LGBTQ Nation*](https://substack.com/redirect/add3600c-5684-4481-aab6-e684be467f81?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Hunter Biden’s *“Closetocracy”* Sparks Debate** Hunter Biden has ignited a lively debate after claiming that a *“closeted gay mafia*” of Republican politicians is one of America’s biggest problems, arguing that the psychological toll of living in the closet can fuel hostility toward LGBTQ+ people. The comments, made on the *I’ve Had It* podcast, were praised by some as an indictment of political hypocrisy and criticized by others for reinforcing stereotypes about closeted LGBTQ+ people. It’s a conversation worth having—but one that requires nuance. I’ll have more to say on Sunday about why homophobia remains a profoundly self-inflicted wound. [See in Pinknews.](https://substack.com/redirect/b31c54b7-1446-4cdc-94e3-4155f56a9713?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Kick It Out: homophobia reports in English football up 46%** I am sure this is affecting [Gianni Infantino](https://substack.com/redirect/d4ab94dd-e750-4f13-a7cd-370f6b9ff7a2?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)’s sleep. The anti-discrimination charity Kick It Out logged 203 reports of homophobia across the 2025/26 season, matching the total of the previous four seasons combined for mass homophobic chanting alone, with youth football incidents up 90%. Campaign group Football v Homophobia is calling on senior figures in the sport to take more visible action. Reports [*Yahoo Sports*](https://substack.com/redirect/902d585a-b713-4c03-8049-7a1cd3182a58?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **The WNBA’s All-Star Game Is Almost Half LGBTQ+** On the other hand, the WNBA continues to set the standard for LGBTQ+ visibility in professional sports. Of the 22 players selected for the 2026 All-Star Game, 10—more than 45%—are publicly out as LGBTQ+, according to *Outsports*. The roster includes stars such as Paige Bueckers, Breanna Stewart, Jonquel Jones, and Olivia Miles, with Bueckers also earning the distinction of being the league’s top All-Star vote-getter and serving as a team captain. #### **The *“Snuggle for Existence”*** I received James O’Keefe’s 2016 TEDx talk, *Homosexuality: It’s About Survival — Not Sex*, some time ago but only watched it this week. Its central argument is that because humans survive through cooperation as much as competition, homosexuality is a key component for our survival. O’Keefe calls this the *“snuggle for existence,”* arguing that LGBTQ+ people can strengthen families and communities through caregiving, emotional intelligence and social cohesion. Some of his claims about genes, epigenetics and personality are more speculative than he acknowledges, but the larger idea is compelling: human diversity is not an evolutionary flaw, and a society that rejects part of that diversity ultimately weakens itself. Check it out and also reread my piece [*Biology, Consciousness, and the Quest for the LGBTQ+ Social Role.*](https://substack.com/redirect/4ca600ed-3019-479f-8b3f-dc8ad2852fcf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) [](https://substack.com/redirect/a11e633e-3724-4180-8b4c-99d814e5ea49?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Têtu rounds up nine podcasts for the summer** The French outlet’s summer podcast list spans a trans exile memoir (*Le cœur sur la table*), a chosen-family co-parenting documentary, and author interviews with Paul B. Preciado and Abdellah Taïa in *Bookmakers* — a solid entry point into French-language queer audio. Read more in [*Têtu*](https://substack.com/redirect/6178029e-33d7-4f7c-b716-23b6d286c9a7?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Why am I including this *Vogue* wedding?** I am not sure. Maybe to showcase what the freedom to marry movement brought us: photogenic weddings in the Italian countryside.[ See here.](https://substack.com/redirect/8e9dd4b5-163c-4a46-8142-75759cf876ae?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) Also the quote of the week > *We wanted to incorporate personal touches from everyday life wherever possible. We hosted a pop-up Barry’s Bootcamp for all our guests and brought our favorite NYC trainer.* --- ### **Coming and Going** #### **Rob Jetten to open WorldPride’s human rights conference** Jetten will open the WorldPride Human Rights Conference in Amsterdam on August 5 alongside Amsterdam Mayor Femke Halsema and UN independent expert Graeme Reid. Read more in [*ILGA World*](https://substack.com/redirect/7707a041-4624-42a1-86e3-916a6f308fb1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Peter Thiel’s Dialog Society** This controversy is right up there with [the ](https://substack.com/redirect/d7c9a843-9951-49f4-817a-1deb800de3f1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*No Influencers on Nantucket*](https://substack.com/redirect/d7c9a843-9951-49f4-817a-1deb800de3f1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[ saga](https://substack.com/redirect/d7c9a843-9951-49f4-817a-1deb800de3f1?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net): the ethical dilemma of rich, powerful, beautiful, and famous Americans *yawn*. A major data leak has pulled back the curtain on Dialog, the invitation-only network co-founded by billionaire Peter Thiel that convenes some of the world’s most influential figures in technology, politics, finance, and media. [According to ](https://substack.com/redirect/097f2970-07a0-4ed9-afdf-f8274708f4ec?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*WIRED*](https://substack.com/redirect/097f2970-07a0-4ed9-afdf-f8274708f4ec?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[,](https://substack.com/redirect/097f2970-07a0-4ed9-afdf-f8274708f4ec?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) exposed registration records revealed more than 200 attendees for this year’s retreat in Ireland—including senior government officials, AI executives, investors, celebrities, and public intellectuals—along with an agenda featuring sessions on artificial intelligence, geopolitics, nuclear power, cult-building, and even matchmaking ([see the list here](https://substack.com/redirect/ae6fc5f2-cc65-47d7-bb6e-b3d60def8942?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)). #### **Volker Türk Renewed** Volker’s term as UN High Commissioner for Human Rights has been extended for four years starting October 2026, despite opposition from some major countries. [AAWSAT](https://substack.com/redirect/ec20a308-56c0-445b-b86f-20403b44d9cc?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **The Gay Agenda** **August 5: International Pride Awards ceremony, Amsterdam.** Hosted by British-Iraqi writer and drag performer Amrou Al-Kadhi, broadcast live on YouTube and OutTV as part of WorldPride. **August 5–7: WorldPride Human Rights Conference, Amsterdam.** Opened by Dutch Prime Minister Rob Jetten (see Coming and Going, above). **Through August 10: WorldPride Amst** ### Cinema Love: Cruising for Sex and Self-Discovery URL: https://www.stonewallnews.net/cinema-love-cruising-for-sex-and-self-discovery/ Last updated: 2026-08-02T19:27:30.000Z *Cinema Love* is a moving novel that explores the complexities of connection, self-discovery, and hope across different eras and worlds. Through its richly layered storytelling, Jiaming Tang intertwines the lives of characters from post-socialist China to present-day New York City, illustrating how their unspoken secrets and shared feelings forge unexpected bonds. Set against the backdrop of the old, dilapidated Workers’ Cinema in rural Fuzhou, the novel introduces us to a secret sanctuary where men gather to find solace in each other's company. It is a cruising spot, a place to seek sexual connection in a private space away from societal judgment. The story revolves around a cast of compelling characters, including Old Second, Bao Mei, Yan Hua, and Shun-Er, each of whom faces their own fears and desires. As the plot unfolds, it becomes clear how deeply interconnected their lives truly are, revealing a tapestry of relationships and emotions that drive the story forward. Jiaming Tang, the author himself, is a Queer immigrant who brings a deeply personal voice to this story. This makes the novel not only a compelling read but also an honest reflection of the struggles and courage involved in embracing one’s authentic self. Highly recommended for anyone who appreciates heartfelt stories that celebrate authenticity and the enduring power of human relationships. *Available wherever books are sold, including on* [*Amazon*](https://a.co/d/07yK3QNl?ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/81VjMAdLwdL._SY466_.jpg) Cinema Love --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### New Census Data Shows Portland Is Gayer Than Any Other City in the U.S. URL: https://www.stonewallnews.net/new-census-data-shows-portland-is-gayer-than-any-other-city-in-the-u-s/ Last updated: 2026-07-30T14:53:58.000Z Census data shows Portland, OR has the highest share of gay and lesbian couples in the United States. According to the [data](https://data.census.gov/table?q=portland+Household+Type+%28Including+Living+Alone%29+by+Relationship&g=160XX00US4159000&ref=stonewallnews.net) from 2024, nearly 3.8% of couples in Portland are in queer relationships. Following closely, 3.7% of couples in [Seattle](https://data.census.gov/table?q=seattle+Household+Type+%28Including+Living+Alone%29+by+Relationship&ref=stonewallnews.net) are in same sex relationships. Despite Portland holding the top spot for share of the population, Seattle has more queer couples total at over 14,000 couples, the most in the United States. Portland stands at nearly 11,100 couples. Seattle does have a larger population than Portland. Portland does have more married couples than Seattle at just under 6,288, compared to the Emerald City’s 6,265. Seattle claimed the top spot in 2023, beating Portland by 0.1%. Queer couples have boomed since then, shooting up by 0.5% in Seattle and 0.7% in Portland. San Francisco has the third largest percent of queer couples in the United States at 3.5%. San Francisco has around 100,000 more people living there than Seattle. While the data doesn’t give a firm explanation as to why Portland and Seattle have the two largest queer populations, Pride Northwest Executive Director Debra Porta guesses it is because of the friendly economy and breathtaking landscapes. “The kinds of things that are going to attract non-Queer folks are also going to attract Queer folks,” Porta said. “It's been a growing area, just as a whole, for a long time. There are lots of activities to do here. There's lots of nature, there's lots of all of these things.” Although, there may not be one solid answer. “I don't think there's a single answer as to why the Pacific Northwest appeals, or the West Coast as a whole, in all honesty,” she said. “I don't think there's something clearly specific that brings our people here.” As for why Portland takes the top spot, she speculates it’s because of the friendly, small-town atmosphere. “Portland's been an actively queer city for a really long time,” she said. “Portland Pride specifically has this reputation for being one of the largest, quote, unquote, small-small town prides.” Although the focus in history lessons tends to focus on Stonewall on the East coast, Porta says there is still plenty of Queer history here on the West Coast. “The West Coast's Queer movement has been around as long, if not longer, than the East Coast's Queer movement,” She said. “The history goes really deep there. ” The area hosts back-to-back pride celebrations, with Seattle’s in June and Portland’s in July. Portland just wrapped up its Pride festival last weekend, bringing thousands to the waterfront. One of the events was a mass marriage event at the [newly opened Darcelle’s XV Plaza](https://www.stonewallnews.net/darcelle-xv-plaza-portlands-queer-living-room-set-to-open-later-in-june/) which opened earlier in the month. The census data for 2025 is expected to come out in May 2027. ### Photos of Portland Pride 2026 URL: https://www.stonewallnews.net/photos-of-portland-pride-2026/ Last updated: 2026-08-01T19:39:34.000Z Photos of Portland Pride and Festival, July 18 & 19, 2026 ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Tina-Kotek.jpg) Oregon Governor Tina Kotek marched in the 2026 Portland Pride Parade | Courtesy Tina Kotek for Oregon Facebook page ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image11.jpg) Former Oregon Governor (1991-1995) Barbara Roberts joined the Portland Pride Parade. Roberts was Oregon's first woman elected to Governor and is joined by LGBTQ activist Terry Bean who founded the Human Rights Campaign and the Gay & Lesbian Victory Fund. | Photo by Jason Houser ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Screenshot-2026-07-23-051024.jpg) Josh Cozart emceed the parade atop the entrance to CC Slaughter's | Courtesy Josh Cozart Facebook page ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image8.jpg) One of three entrances to Portland Pride Festival 2026 | Courtesy Josh Cozart Facebook page ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Stonewall-Tent.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Stonewall-Tent-2.jpg) Stonewall News Northwest tent with Steven Sanford ready for the Portland Pride Festival gates to open | Photos by Mike Schultz --- Portland Pride Parade 2026 | Photos by Mike Schultz ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/IMG_0828-1.JPG) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0868-1.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0869-1.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0878-1.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0881-1.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0888-1.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0898.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_0911.jpg) 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![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1397.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1401.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1404.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1409.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1421.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1431.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1439.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1443.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1471.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1479.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1489.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1496.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1499.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1505.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1506.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1518.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1531.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1533.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1538.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1551.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1571.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1572.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1652.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1656.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_1666.jpg) ### Reimagining Portland: Keith Wilson’s Path Forward URL: https://www.stonewallnews.net/reimagining-portland-keith-wilsons-path-forward/ Last updated: 2026-07-31T15:15:11.000Z Portland is navigating one of the most challenging chapters in its history, and Keith Wilson is stepping up to the plate. As the city’s 54th mayor, Wilson brings a distinct local perspective and a bold vision for change as Portland transitions to a new structure of city governance. Unlike many who enter politics, he has deep roots in the very neighborhoods he now leads. He grew up in a busy North Portland community alongside four siblings, where his parents instilled in him the value of hard work and perseverance. He graduated from Roosevelt High and stayed local for his college years, keeping close ties to the community throughout his early life. His path to the mayor's office was not without severe hurdles. A stint in New York City left him briefly homeless, an experience that reshaped his perspective. Returning to the Pacific Northwest with a renewed sense of purpose, Wilson joined his family’s small trucking business. He later merged two companies to create Titan Freight Systems, building a brand recognized for its strong commitment to clean energy, diversity, and inclusion. Now, he hopes to bring those values through the doors of City Hall. Because of his past, homelessness is far more than a standard campaign talking point for Wilson. It is a deeply personal issue that drives his hands-on leadership. Over the years, he has studied successful intervention strategies from across the country and launched Shelter Portland, a nonprofit dedicated to providing tangible support for those living on the streets. He brings a bold promise to his new role, which is visible and significant progress on unsheltered homelessness during his first year in office. While he knows the scale of this crisis is massive, he points to practical and immediate solutions. These include converting unused churches and community centers into temporary shelters and expanding daily access to crucial support services. His ambitions for the city extend well beyond the housing crisis. Wilson wants families and business owners to feel secure and supported in their neighborhoods. Early in his term, he pushed for close collaboration with police and emergency responders to speed response times and increase public transparency. Drawing on his private-sector background, he has also championed small-business tax relief. He is working with city officials to spark economic recovery and give local entrepreneurs the breathing room they need to thrive. All of this unfolds against the backdrop of Portland’s new city structure, which delegates day-to-day operations to professional managers. This shift frees Wilson to focus entirely on long-term vision and policy. He relies on a collaborative, solutions-oriented leadership style, prioritizing active listening and consensus-building with community members. He believes that Portland’s true strength lies in its compassion and creativity, and he intends to use that spirit as a foundation for overcoming the city's current obstacles. To better understand his vision for Portland's future — particularly its LGBTQ+ community — I reached out to Mayor Wilson with six pressing questions. --- **Frank Gaimari: What is the biggest barrier to ending unsheltered homelessness in Portland, and how do you plan to overcome it?** Keith Wilson: The biggest barrier is that every part of the shelter-to-housing continuum must function together — outreach, services, shelter, and ultimately permanent housing. When any one of those pieces is missing or under-resourced, people fall through the cracks. At the city level, our responsibility is public safety, clear rights-of-way, and livability. When I took office, the most urgent need was shelter. Portlanders were dying on our streets at an alarming rate, and we couldn’t wait for long-term housing solutions to come online. We opened more than 1,500 shelter beds, providing thousands of nights of safe sleep. Now, we are fully focused on housing. I’ve established a housing strike team that meets daily and works closely with regional partners and service providers to accelerate housing production and fill existing vacancies. We are committed to ensuring no one is left without a path forward. **FG: How will you ensure the city government is welcoming and empowering for LGBTQ+ employees and residents?** KW: Equity is a core value for the City of Portland, and we work every day to live up to that commitment. We have one of the most diverse and LGBTQ+-represented councils in our city’s history, and our executive branch is focused year-round on supporting LGBTQ+ employees and residents. Just this week, we hired the City of Portland's first [Chief Equity Officer](https://www.portland.gov/hello/news/2026/4/29/diversity-champion-be-portlands-first-chief-equity-officer?ref=stonewallnews.net), who will lead the Office of Equity and Human Rights and direct the City's work to make equity and inclusion a fundamental part of decisions, operations, policies, and service to the community. **FG: What specific steps will you take to protect and support LGBTQ+ youth in Portland schools and the broader community?** KW: While Portland Public Schools is an independent entity, it’s important to me that every young person in our community feels safe, supported, and able to be their authentic self. The City plays a role in creating that environment through our investments in community centers, parks, and youth programs. **FG: Are there new initiatives for health, housing, or violence prevention that you plan to introduce for the LGBTQ+ community?** KW: Housing and violence prevention have been top priorities since I took office. We’re seeing promising reductions in gun violence and crime across all four corners of the city, and we’re continuing to invest in strategies that keep people safe. On housing, the City participates in the federal HOPWA program, which funds the [Cascade AIDS Project](https://www.capnw.org/?ref=stonewallnews.net) to provide housing assistance and supportive services for low-income individuals and families affected by HIV/AIDS. We’ve also continued funding [alternative shelter options](https://www.portland.gov/shelter-services?ref=stonewallnews.net) that offer affirming, identity-specific support for LGBTQ+ community members. We’re also investing in community-based safety programs that serve the entire city, with specialized options for people who may face unique risks. The [Rose City Self-Defense](https://www.portland.gov/community-safety/ovp/rose-city-self-defense/lgbtqia2s-class?ref=stonewallnews.net) program is open to all Portlanders and includes classes specifically designed for LGBTQIA2S+ participants. Projects like the new [Darcelle’s Plaza](https://www.portland.gov/parks/darcelle-xv-plaza?ref=stonewallnews.net) will also provide additional community support and safe places for people to connect. All these efforts are part of our broader commitment to ensuring LGBTQ+ Portlanders have access to safe housing, safe neighborhoods, and services that meet their needs. **FG: If you could send one message to every Portlander, what would it be?** KW: Every day, I hear from Portlanders who take that extra moment to pick up a piece of trash, check in on their neighbors, or call in help and resources for vulnerable people who need it. A healthy, activated, welcoming community doesn’t start or stop with the Mayor’s office — it’s about all of us chipping in. **FG: What do you hope your legacy as mayor will be? How do you want your time in office to be remembered?** KW: I’m focused on the work in front of me, not on defining my legacy. There will be plenty of time for reflection when my time in office is over. For now, my attention is on delivering results for Portland and staying focused on the road ahead. --- As Portland undergoes significant change, Keith Wilson’s leadership reflects a focus on collaboration, practical solutions, and a deep connection to the community. The months ahead will be an opportunity to see how his approach addresses the city’s challenges and helps shape its future. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--13.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Poking the Squid: What We Can All Learn From Animal Sex URL: https://www.stonewallnews.net/poking-the-squid-what-we-can-all-learn-from-animal-sex-2/ Last updated: 2026-07-30T17:39:10.000Z Birds do it. to Cole Porter, bees do, too, but it’s not exactly what he imagined. Wild and tame, avians, insects, and mammals all have sex – although not always as you’ve been told or for reasons you might think. Even educated fleas do it and, as in the new book, **“Poking the Squid” by Perrin Roosevelt Ireland** , humans can learn from them all. If you read through scientific papers on animal reproduction, you might notice something unusual: for scientists, the word “sex” means a lot of different things. Says Ireland, “It’s used to describe behaviors, biology, life histories, and more.” That might be because animals are not simply binary. Take, for instance, hyenas. It’s easy for the casual observer to mistake a male hyena for a female and vice versa because of stereotypes of anatomy. Mating, for hyenas, requires subordination for the male and a nifty trick on the part of the female’s body to get things done. Our feathered friends are no birdbrains, either: black-browed albatrosses were once thought to be monogamous but global warming seems to have changed their nesting habits sometimes. Male flamingos have sex with one another, as a territorial thing; other birds and animals form same-sex pairs for other reasons. The Chinese mantis eats her mate after fertilization. Female snakes, alpacas, guinea pigs, and monkeys are anatomically able to enjoy sex. Genitalia between species varies quite a bit; in fact, the vaginas of ducks “are highly complex.” Lionesses will mate up to a hundred times when in heat. Female damselflies will change into a “third sex” to avoid overly-aggressive mating males. Bearded dragons can change their sex, if needed, as can yellow clown goby fish. And seahorse pregnancy and birth sparked a book-banning in Tennessee. So, asks Ireland, if animals, including us, vary so much in biology and life, “… why are we using the word *sex* like it means something, anything, consistent?!” Pick up “Poking the Squid,” page through it a few seconds, and you’ll see that the information here is largely told through cartoon-like drawings mixed with captions. It seems to be something on the lighter side, but don’t let that artwork fool you. Author Perrin Roosevelt Ireland offers readers solid information that cozies up to the scholarly, with hard science, philosophy, feminism, and quotations from researchers to support it, thus furthering the narrative and hitting the points squarely. If you see the art and expect something lighthearted, comic, and small-talk-worthy, you could be disappointed. On the other hand, if you want solid, wryly-serious facts, you’re in for a treat. There’s lots of learning to be gleaned here, and some slight nudge-wink whimsy to emphasize the absurdity of wrong-headed thinking. This can make readers feel like they’re in-the-know on the jokes, and the playfulness balances the seriousness of the information well. So, serious, scholarly, or slightly silly, none of these are negative but you’re going to know what you want from a book like this. For the right reader, someone in the mood, “Poking the Squid” is wild. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Poking-the-Squid-author-CREDIT-Frances-F.-Denny-2-1.JPG) Author Perrin Roosevelt Ireland | Photo by Frances F. Denny ### Local Organizer Mike Pond Seeks 49th Legislative District Seat URL: https://www.stonewallnews.net/local-organizer-mike-pond-seeks-49th-legislative-district-seat/ Last updated: 2026-07-30T19:16:53.000Z Mike Pond, a Democrat from Clark County, is running for Washington House District 49, Position 1\. He brings to the race a wealth of experience as a union organizer and longtime community advocate. As a fifth-generation Washingtonian and lifelong resident of Clark County, Pond’s deep local roots are central to his campaign message. He’s proud to have attended Prairie High School, Clark College, and Western Washington University — experiences that fuel his strong commitment to public education and shape his policy priorities today. Over the years, Pond’s public profile has grown through previous campaigns for Vancouver City Council and Clark County Council. These experiences have sharpened his focus on practical, everyday concerns facing local families. In his career as a union organizer, Pond forged close relationships with workers, advocated for better workplace conditions, and championed collective action — perspectives he believes are urgently needed in Olympia. His campaign focuses on the key issues facing Southwest Washington: affordability, housing, transportation, living-wage jobs, education funding, and government accountability. Pond has been especially outspoken about the need for a new Interstate Bridge, emphasizing its importance for transportation, job growth, and regional investment. Now, with the 2026 primary approaching, Pond is seeking another opportunity to serve his community — promising to bring his labor experience and a pragmatic, hands-on approach to state government. To help voters better understand Mike Pond’s priorities and vision, I reached out to him with a series of questions on LGBTQ+ rights, housing, affordability, and more. Here are his responses, offering insight into how he would represent District 49 if elected: **Frank Gaimari: If elected, what specific steps would you take to protect transgender and nonbinary people?** Mike Pond: Washington has long led on LGBTQ+ rights, yet challenges remain. As transgender and gender-diverse individuals relocate to Washington State to seek safety and opportunities, we must ensure these protections remain robust and effective. I strongly oppose efforts to roll back protections for transgender and nonbinary people of all ages, and I support policies that strengthen access to healthcare, housing, education, and employment. That includes protecting access to gender-affirming care, reducing barriers to legal name and gender marker changes, and ensuring anti-discrimination laws are effectively enforced. Most importantly, policy should be informed by the people most impacted. We should listen to transgender and gender-diverse community members, as well as advocacy organizations like Gender Justice League, when developing solutions. Every person deserves to live safely, authentically, and with dignity. **FG: What would you do to expand mental health support for LGBTQ+ youth?** MP: LGBTQ+ youth face higher rates of anxiety, depression, and suicide, often because of bullying, rejection, or isolation. We need to expand access to culturally competent mental health services in both schools and communities. That includes increasing the number of trained providers, supporting school-based mental health programs, and ensuring young people can access care regardless of their family’s income or geographic location. Research consistently shows that a strong sense of belonging and community connection is one of the most powerful protective factors for LGBTQ+ youth. In addition to clinical care, we should support community organizations that provide affirming spaces, mentorship, peer support, leadership opportunities, and opportunities for connection. We should also ensure that all young people can participate in sports and other extracurricular activities in safe, inclusive, and welcoming environments. Every young person deserves to feel safe, valued, supported, and hopeful about their future. **FG: How would you protect LGBTQ+ students while balancing concerns about privacy, safety, and parental involvement?** MP: Every student deserves to feel safe, respected, and supported not just at school, but also at home and in their community. Schools have a responsibility to protect students’ privacy and well-being, especially when disclosure could place a young person at risk. I believe parents play an important role in their children’s lives, but policies must prioritize student safety and follow guidance from educators, counselors, and mental health professionals. We can support parental engagement while ensuring LGBTQ+ students have access to affirming environments where they can learn and thrive without fear. I oppose any effort to dismantle the existing legislation that offers these protections to students, including IL26-001. **FG: What would you do to improve LGBTQ+ health care access?** MP: Access to healthcare should never depend on who you are, where you live, or whom you love. I would support efforts to expand access to LGBTQ+-competent providers, protect access to gender-affirming care, strengthen mental health services, and address disparities that affect LGBTQ+ communities. We also need to ensure insurance coverage is comprehensive and that healthcare providers receive training to deliver culturally competent care. Access is about more than coverage alone. Too many people with state-sponsored insurance struggle to find providers who accept their plans, creating significant barriers to care. We should evaluate Medicaid reimbursement rates and advocate for reforms that encourage greater provider participation, expand service availability, and reduce patients’ wait times. Everyone deserves healthcare that is respectful, affirming, affordable, and accessible. **FG: What specific steps would you take to lower everyday costs for working families, beyond broad promises about affordability?** MP: Working families need more than slogans. They need relief they can feel in their monthly budgets. I would focus on expanding access to affordable childcare, increasing the housing supply for people at all income levels, and strengthening public transportation to reduce commuting costs. I would also support targeted tax relief for low and middle income households and efforts to lower healthcare costs, including prescription drug costs. At the same time, we must ensure wages keep pace with the cost of living so that people who work hard can afford to live, raise a family, and retire in the communities they call home. **FG: How would you address the housing shortage while ensuring new development remains affordable and does not displace longtime residents?** MP: We need an all-of-the-above approach to housing. That means increasing the housing supply through smart growth policies, streamlining permitting, and supporting a range of housing types, from apartments to missing-middle housing. But building alone is not enough. We must invest in affordable housing, strengthen tenant protections, and provide tools to help prevent the displacement of longtime residents, particularly seniors, low-income families, and communities that have historically been pushed out by rising costs. Growth should create opportunity, not force people out of the neighborhoods they helped build. **FG: As an openly gay candidate, what message would you like to share directly with the LGBTQ+ community?** MP: Representation matters. Growing up, many LGBTQ+ people rarely saw themselves reflected in positions of leadership. Today, we know that our communities belong everywhere, including in elected offices. My message is simple: you deserve leaders who will fight for your rights, your safety, and your future. I am proud to be an openly gay candidate, and I will bring my lived experience, my commitment to public service, and my belief in equality for all people to the Legislature every day. Together, we can continue building a Washington where every LGBTQ+ person is respected, valued, and able to thrive. As the 2026 primary approaches, Mike Pond’s campaign offers Clark County voters a closer look at how he would approach critical state-level decisions — from housing and education to transportation, labor, and government transparency. His answers to these questions will help voters decide if his blend of local experience and labor advocacy is the right fit for District 49. *For more information on Mike Pond, visit his official website at* [*http://www.votepond.com*](http://www.votepond.com/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--38.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Odyssey: Bold, Beautiful, and Unmistakably Nolan URL: https://www.stonewallnews.net/the-odyssey-the-hype-is-warranted/ Last updated: 2026-07-31T13:36:54.000Z Is *The Odyssey* all hype? Absolutely not. Everything you’ve heard about Christopher Nolan’s film is 100% true. Nolan has crafted a cinematic tour de force — a film that redefines epic storytelling and leaves a lasting impact. It’s not just another blockbuster; it’s a breathtaking, immersive experience that challenges and elevates the very art of filmmaking. Drawing inspiration from Homer’s timeless epic, Nolan’s *The Odyssey* takes us on a grueling ten-year journey through a mythic landscape, filled with legendary encounters — the Cyclops Polyphemus, the Sirens, and the enchanting Calypso. Each sequence is crafted with meticulous care, balancing breathtaking spectacle with profound meaning, never feeling overindulgent. It’s a film that understands that true heroism isn’t just about visual grandeur, but about the endurance, longing, and inner struggles that define Odysseus himself. The performances are the emotional backbone of this sprawling adventure. Odysseus, portrayed by Matt Damon, is depicted with restraint and quiet depth — a battered, guilt-ridden man clinging to sheer willpower. Damon’s compelling performance makes Odysseus more than a mythic icon; he is a deeply human figure whose journey resonates on a personal level. Penelope, played by Anne Hathaway, is far from a passive figure. She is a woman of quiet resolve, and her presence adds emotional stakes that elevate the entire narrative. Tom Holland brings surprising gravity to Telemachus, Odysseus’ son, revealing a mature side that fans won’t soon forget, while Zendaya’s Athena moves through the story with a cool, watchful power. The wider supporting cast, including Robert Pattinson, John Leguizamo, Lupita Nyong’o, and Charlize Theron, brings texture and menace, grounding the story in a visceral reality that keeps viewers engaged. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-28T114411.157.jpg) Tom Holland / IMDb Commercially, the film’s impact has been undeniable. It opened to $123.5 million in the U.S. and a staggering $263.7 million worldwide, marking 2026’s largest live-action debut. Impressively, nearly $100 million of that came from IMAX screenings alone — a testament to Nolan’s mastery of scale and the audience’s hunger for immersive storytelling. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/Untitled-Design-2026-07-28T104607.639.jpg?resize=1024%2C768&ssl=1) Anne Hathaway / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/Untitled-Design-2026-07-28T104926.602.jpg?resize=1024%2C768&ssl=1) Robert Pattinson / IMDb In an era where Hollywood often leans on franchises and formulaic plots, Nolan’s The Odyssey stands out as a bold, uncompromising work of art. It’s a powerful reminder of cinema’s ability to elevate ancient stories into something vital and emotionally resonant. This isn’t just a blockbuster; it’s a landmark — a film that will undoubtedly earn its place in cinematic history. For anyone who appreciates storytelling at its highest level, this film is essential viewing. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/MV5BNTcyNmJlZmQtNDUwYy00NDBjLTg1NGQtYTY2Y2UxMWM3NmI1XkEyXkFqcGc%40._V1_.jpg?resize=691%2C1024&ssl=1) The Odyssey YouTube --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--83.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Weekly Update on National & International LGBTQ+ Equality – Wed, July 22, 2026 URL: https://www.stonewallnews.net/weekly-updated-on-national-international-lgbtq-equality-wed-july-22-2026/ Last updated: 2026-07-28T19:25:12.000Z This week: Jens Spahn resigns, the French UN resolution, Indonesia spirals, the battle for the Smithsonian, Sapphi, Rob Roth’s show, the strange tribulations of Sausalito City Manager, and much more… --- > This update is provided by [Fabrice Houdart](https://fabricehoudart.substack.com/?utm%5Fsource=substack&utm%5Fmedium=email), consider supporting his important work. --- What struck me most about the Jens Spahn surrogacy saga in Germany this week was how many people told me they had no idea surrogacy is illegal across much of Europe—with Italy even advocating for a global ban (see my previous post). This is not about whether countries support or oppose surrogacy; people are entitled to hold different ethical views. It is about how public debates are often grounded in homophobia. These comments reminded me why newsletters like this one are important. Even within our own community, there is often a surprising lack of awareness of where LGBTQ+ rights stand, how differently they are protected across countries, and the risks we face. That knowledge gap can fuel complacency, erode transnational solidarity, and reinforce the individualism we discussed in the past. **This week:** *Jens Spahn resigns, the French UN resolution, Indonesia spirals, the battle for the Smithsonian, Sapphi, Rob Roth’s show, the strange tribulations of Sausalito City Manager, and much more…* --- ### **Global News** #### **Germany: Jens Spahn Resigns Over Surrogacy** German CDU parliamentary leader [Jens Spahn ](https://substack.com/redirect/22e8bf38-b56b-4d43-96c3-2a39b41ac4a6?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)stepped down after facing backlash for becoming a father via US surrogacy — legal abroad but banned in Germany — despite years of publicly opposing the practice, including as health minister in 2020\. Chancellor Friedrich Merz called the resignation *“inevitable.*“ Read more in [*PinkNews*](https://substack.com/redirect/ad5cd977-94cd-4ee3-bef7-abbd503e6e73?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). > *I have realized that my personal happiness - founding a family together with my husband and becoming a father - is not compatible with my political office.* #### **United Nations: Du Rififi On Decriminalization** Here is [a definition of](https://substack.com/redirect/b1f74197-ae70-4896-8ec8-0ac96be6f54a?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[ *“rififi”:*](https://substack.com/redirect/b1f74197-ae70-4896-8ec8-0ac96be6f54a?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)don’t ever say you don’t learn anything reading this newsletter. A French-led initiative for a UN Human Rights Council resolution calling for the global decriminalization of same-sex relations is generating some pushback (the latest being [this upcoming webinar](https://substack.com/redirect/726d0efc-8294-44eb-a2e9-d4069f66e786?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)). While[ countries including Cambodia have joined as sponsors](https://substack.com/redirect/35d71874-03b1-4d5a-af9d-f46210cc160e?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), dozens of international organizations are urging France to slow down, arguing that the proposal has advanced without meaningful consultation with activists in the countries most affected. Their concern is not with the goal but with the strategy. [![](https://ci3.googleusercontent.com/meips/ADKq_NZ5lTDH_bmsdfyWBKb-MYA0Qfar2ti-Ub6DJxvmkOJRTmV77GJA41sXBoZt-nkOX7xN-4wz6R9XQeJbZDrSKnbnQmwQJDaLbZy8VxEKxRHmBBWfS2y0WJgioUK6p3KfsG_GL2GjJdH83eO4WSiOvupFkvgAV1o6dIxHMuKoUR1wMTmLtdxvtKI-eDYPzgIxYJN0MkZX6yk-OKIpkONNWIdyN9F93WvXgnHVBaIDPo2gB_FW9-1-PddDXzVZK_m1CE0Rw76eEExPZQQkzgEMgdcdpjquLIQBBF2gNeoiO9GMMGbrnqa3r70nKa5IoYZ-gHHytIg=s0-d-e1-ft#https://substackcdn.com/image/fetch/$s_!X61v!,w_1100,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9580b35e-a315-4794-96dc-93d542d05bf5_2048x641.png)](https://substack.com/redirect/da7d4fec-9ac5-48d7-8e5f-77593d72a8ed?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Indonesia: Our *“National Threat”* Label** President Subianto’s designation of *“LGBTQ culture”* as a nonmilitary threat to the state (as is often the case, the last of Indonesia’s worries are the gays) has emboldened vigilantes: Human Rights Watch reports that at least 10 universities have adopted discriminatory rules, and advocacy group Pelangi Nusantara documented at least 15 trans women beaten and doused in urine in the city of Bogor since the announcement. Read more in [*PinkNews*](https://substack.com/redirect/698c9389-6429-4006-b338-163a1d69388c?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Poland: President Vetoes Partnership Bill** President Nawrocki blocked legislation — already stripped of marriage or civil-partnership status — that would have let unmarried couples, including same-sex ones, register for hospital visitation and inheritance rights. Prime Minister Donald Tusk called the veto *“an expression of contempt,*“ while state polling shows 62% of Poles now back some form of legal recognition anyway. Details in [*PinkNews*](https://substack.com/redirect/f3b2cc0a-e673-4119-8fa2-874e03333a8f?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Uganda: *“Kissing in Public”* Case Dropped** Prosecutors have permanently discontinued the case against Wendy Faith and Alesi Diana Denise, two women arrested in February under the Anti-Homosexuality Act after allegedly kissing in public — a charge that carried a potential life sentence. Advocates are calling it a rare win, though they warn the pair remain at risk. See in [*PinkNews*](https://substack.com/redirect/6972d696-4111-4a32-ac99-0812009389ab?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Pakistan: Fatal Shooting of Trans Woman in Peshawar** A transgender woman, Mishi, was shot dead and another, Tara, wounded in an altercation in Peshawar’s Khyber-Pakhtunkhwa region. Local trans-rights leader Arzoo Khan is demanding government action against what she calls *“continuous targeting”* of the community. Also in [*PinkNews*](https://substack.com/redirect/208f497c-2365-472f-95f8-b4d2b6aaa93b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **France: Rural Pride** A village of 482 people in Vienne hosted its fifth annual Fiertés rurales on July 25, drawing roughly 4,000 people — ten times the population — with drag queens on tractors and hay bales. Organizers say most attendees are straight locals showing up in solidarity, though sponsors got skittish this year after a 2025 dust-up over a Carrefour boycott protest. See in [*Têtu*](https://substack.com/redirect/11f2e7a6-aa0e-479c-9e55-18035a0d3ce5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Turkey/Egypt: More Post-Mortem on the Gay Cruise** You might remember how the cruise ship Aqua, sailing a seven-day gay-themed itinerary out of Athens, was denied docking in both Istanbul and then Alexandria before diverting to Ashdod, Israel — the company blaming *“unforeseen events”* while passengers pointed to undisclosed marketing about the trip’s nature. See in [*The New York Times*](https://substack.com/redirect/4552c971-81a9-4863-9f1c-66c2defe63c5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). --- ### **US News** #### **FCC’s Unpopular Warning Labels Proposal** A new FCC proposal would flag family programming featuring LGBTQ+ characters or themes, explicitly naming *“gender identity”* content. GLAAD’s analysis of the 33,739 public comments found 80% opposed the plan, and a Morning Consult poll found two-thirds of Americans — including 69% of parents — object to government-mandated labels. See in [*PinkNews*](https://substack.com/redirect/1421c197-eabf-438a-b961-6140d350a7e0?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **The Downfall of Fabian Basabe** The Republican Party has a paucity of openly gay men compared with other conservative parties globally, and the few it recruits tend to go down in flames (see our friend George Santos, whose TV career [was in the news this week](https://substack.com/redirect/18fb99cf-3ed9-4bad-af09-ecf0150869f4?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)). A Tallahassee jury ordered Rep. Fabian Basabe — who campaigned as a *“gay Republican”* family man — to pay $450,000 to two former staffers after finding he battered, defamed, and sexually harassed them. See in [*The Advocate*](https://substack.com/redirect/ad851acf-69dc-42a1-a0a1-9d8370e850f5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Wyoming: The Gay GOP Candidate Strikes Back** [Reid Rasner](https://substack.com/redirect/2f08e0f6-ce36-435f-9242-d7ac98ee17a9?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), running for Wyoming’s lone U.S. House seat, has settled one defamation suit and filed several more against people who called him a pedophile online — a smear he traces to a poll testing whether voters would punish him for having “*married his gay husband in New York.”* See in [*Instinct Magazine*](https://substack.com/redirect/64d9c776-99d7-4304-b65d-a2f4c7d6f47c?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Missouri Prisons Accused of Cutting Off Trans Inmates’ Care** LGBTQ+ groups, faith leaders and a state senator are pressuring the Missouri Department of Corrections after at least two transgender inmates were quietly taken off hormone therapy that had been ruled medically necessary — despite the corrections director privately calling the underlying budget rider “unenforceable and illegal.” See in [*PinkNews*](https://substack.com/redirect/cf0eab20-d9a2-4d5e-acd1-a709f0b23796?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **The Oldest Trick in the Book** The reactions this week to the [Jarrett Vick incident](https://substack.com/redirect/1e5198e7-bba6-472e-b799-1dc4c383de0f?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) from last February say as much about American culture as they do about the case itself. The widespread release of arrest videos—and, more broadly, the routine publication of mugshots—is a uniquely American practice, largely unthinkable across much of Europe, where privacy protections are far stronger, and people are less likely to be categorized as *“good”* or *“bad*.” More troubling, however, is the familiar rhetorical playbook it enables: a single, highly publicized incident is presented as evidence of an entire community’s character. It is an old tactic, used for centuries against minorities of every kind. [](https://substack.com/redirect/fd30dcc7-781b-4656-9b77-1b39a285f6e5?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **The Smithsonian Battle** The week’s showdown on Capitol Hill was about far more than museums. At a House hearing, Republicans grilled Smithsonian National Museum of American History director Anthea Hartig, accusing the institution of promoting *“woke ideology*“ by highlighting the experiences of marginalized communities. Hartig firmly defended the museum’s mission, arguing that telling a fuller history is not rewriting America’s past but enriching it with voices long left out. Also, someone really needs to tell these conservatives about the disproportionate contribution of our community to the arts. [See here.](https://substack.com/redirect/584c1558-623d-44e7-8143-aa1ca2a13332?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **Queering the Boardroom** #### **Fortune 500’s Gay-CEO Bench Shrinks to One** When Dow’s Jim Fitterling steps down this month, and Apple’s Tim Cook moves to executive chairman on September 1, Land O’Lakes’ Beth Ford becomes the last openly LGBTQ+ chief executive left in the Fortune 500 — down from four just three years ago. This [*Fortune*](https://substack.com/redirect/d98a348f-deeb-40f9-969c-ffffdde814b0?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) article implies there might be closeted leaders in the Fortune 500 CEO group. I am not certain that’s true, since we tend to know when people downplay their sexual orientation in that already small pool (think Barry Diller). The reality is that LGBTQ+ people are severely underrepresented in corporate America’s leadership. #### **Next in Line: Sam Altman, If OpenAI Goes Public** Fortune notes that OpenAI ([whose marketing campaign this week](https://substack.com/redirect/358c7e1a-76d2-412e-a11e-9435cf747a0d?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) was a bit outlandish) is widely expected to list shares later this year, which would make CEO Sam Altman — who is gay — the most plausible candidate to restore the Fortune 500’s gay-CEO count to two. Small mercies. #### **Royal Caribbean Adds Tara Bunch to the Boardroom** Royal Caribbean Group has appointed Tara Bunch — most recently Airbnb’s SVP and Global Head of Operations, and a longtime Pride ERG executive sponsor at Apple, HP, and Airbnb — to its Board of Directors, effective July 16\. Bunch, a Fast Company Queer 50 honoree who has spoken openly about coming out to the tech industry’s gay community early in her career, also serves on Vanguard’s board and brings three decades of operations experience to a cruise line whose ships keep getting turned away from ports over LGBTQ+-themed sailings. Details in [*PRNewswire*](https://substack.com/redirect/92784778-9d69-464a-a731-6cec962038c3?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Australia Softens Board Diversity Push** Australia’s ASX Corporate Governance Council has backed away from proposed tougher board diversity rules, dropping plans to recommend a 40% target for women directors and abandoning proposals for listed companies to disclose board members’ sexual orientation, gender identity, Indigenous status, and disability. The retreat follows months of pushback from business groups but has drawn criticism from major investors, who argue it weakens corporate accountability and risks stalling progress on board diversity. [See here.](https://substack.com/redirect/44b52832-7e0f-4afe-b9e9-7f77876f502f?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) --- ### **The Gay Business** #### **Madison Square Garden Sues *WIRED* Over Celebrity Database Claims** MSG is suing WIRED, Condé Nast and two reporters for defamation after a story alleged the venue kept an internal database flagging celebrities’ sexual orientation alongside *“risk”* levels. MSG says the data existed to route LGBTQ+ public figures toward inclusion invitations and sponsorships, not exclusion; WIRED says it stands by the reporting. See in [*Attitude*](https://substack.com/redirect/919d40b4-6506-42c3-9904-5fae14cb4bb8?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **YouTube Demonetization** British YouTubers and real-life partners Dan Howell and Phil Lester say their content keeps getting demonetized over keywords like *“gay,*“ reviving a complaint LGBTQ+ creators first sued YouTube over in 2019 — a suit that was dismissed, with YouTube maintaining it has no such policy. Read more in [*PinkNews*](https://substack.com/redirect/89acba62-4657-475f-8305-b143b1069b57?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Sapphi Wants to Be the Anti-Dating-App for Queer Women** A new social platform called [Sapphi](https://substack.com/redirect/be89e707-0041-4f12-927c-59026c9b3c85?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) is betting that lesbian, queer, and trans people are tired of swiping. Rather than a match-based feed, Sapphi is built as a feed-and-map social platform where users can browse who’s nearby and see what’s happening in real time, with venues able to upload their own event calendars and host 24-hour chats where the community makes plans together. The app leans hard into *“built by us, for us”* positioning — every user is verified through a waitlist and invite-code system, with moderation and reporting tools designed to keep the space safe — and its early growth has been driven almost entirely by word of mouth rather than paid marketing. --- ### **The Semi-Cultural Desk** #### **Rob Roth: A Queer Time Capsule Worth Collecting** New York is the greatest in the summer. If you’re in town between **now** **and** **August** **30**, make time for *Happy* *Accidents*, Rob Roth’s exhibition at the **Wild** **Project** **Gallery** **(195** **E.** **3rd** **St)**. A longtime fixture of New York’s underground queer art scene, Rob transforms a decade’s worth of Polaroids—of friends, lovers, queer icons, and fleeting moments—into glittering reliquaries that celebrate memory, intimacy, and chosen family. The exhibition includes portraits of everyone from Debbie Harry and Ruth Negga to Parker Posey (whose portrait I bought because my life is narrated by quotes from *“House* *of* *Yes”*). [See here.](https://substack.com/redirect/e0f79ff7-a65f-481f-8da3-700db8e18abf?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### ***Proud* on HBO Max** I tried to find [HBO Max’s Polish series Proud](https://substack.com/redirect/0e496038-53a6-4418-9ef4-c5aa5d9fcb14?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) in English, and it was challenging, so below is the teaser. The show follows Filip, a hard-partying gay model who suddenly becomes the guardian of his late sister’s toddler — grief, chosen family, and everyday homophobia in a country that still won’t recognize his relationships. The eight-episode series wraps its finale July 31. [](https://substack.com/redirect/9454578b-d65c-488b-bcdd-3fba9d1a0b62?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **My Lunch with Library of Congress Music Division Chief** Talking about queer disproportionate contributions to the arts, America’s performing arts heritage is preserved throughout the collections of the Library of Congress. The Music Division, which collects music, theater and dance archives, holds more than 30 million items spanning 1,000 years of history. [**Nicholas A. Brown-Cáceres**](https://substack.com/redirect/5672ce6b-59d1-49b9-8c23-711135bc1d58?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), chief of the Music Division, was at the Cosmos Club yesterday to discuss some of the major collections and commissioned works that are preserved at the Library. #### **Gay Times & MUBI Launch Queer Short Film Prize** Emerging UK/Irish directors have until August 14 to submit 10-20 minute shorts on the theme “Queer Life: The Beauty and the Chaos,” with three winners getting a London showcase, £1,000, and industry mentorship. See in [*Gay Times*](https://substack.com/redirect/296014bb-3d5e-4477-8b20-7cc7b3138fdb?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Laverne Cox’s *“Transcendent”* Doesn’t Flinch** Cox’s new memoir traces childhood abuse and a failed conversion-therapy attempt through to her transition, and reviewers are calling it a difficult but necessary read for anyone who’s transitioned — or loves someone who has. Read more in the [*Washington Blade*](https://substack.com/redirect/b073a8de-9d7f-4815-b5ea-65127c512436?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Chase Anderson on Being Queer** **Chase Anderson** penned an article for the Advocate titled “*Why I’m queer, not gay — and why it matters,”* offering a response to the editorial a few weeks ago (see [*Wild Opinions*](https://substack.com/redirect/82dc09e7-572e-4b78-ae99-31a0260333e0?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)), which also prompted many[ letters to the editor](https://substack.com/redirect/8fa623e8-5d53-4a2b-911d-d2293723b102?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). See it in the [*Advocate*](https://substack.com/redirect/310b9d8e-2878-4eba-ae11-e34524c47961?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). --- ### **Coming and Going** #### **Canadian Marriage-Equality Pioneer Michael Hendricks Dies at 84** Hendricks, who, with husband René Leboeuf, became the first same-sex couple legally married in Quebec in 2004 after a six-year, $300,000 court fight, has died of a degenerative lung disease. The couple also helped build Montreal’s AIDS memorial, Parc de l’Espoir. See in [*Attitude*](https://substack.com/redirect/d127b4ce-53d2-4951-b937-135fae29f6ab?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **D.C.’s Wanda Alston Foundation Mourns Founding Director** Watson, whose advocacy for homeless LGBTQ+ youth helped launch the D.C. foundation that bears the late Wanda Alston’s name, has died after a long illness. See in the [*Washington Blade*](https://substack.com/redirect/cbb0f0e3-8782-4895-bcdc-436e29bd12d9?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). #### **Sausalito’s New City Manager Arrested After Alleged Yacht Break-In** I am not exactly sure why it got so much coverage. Elaine Forbes — three weeks into her job as Sausalito city manager, and previously director of the Port of San Francisco for nine years — was arrested after boarding a 66-foot yacht she’s accused of trying to start, with her family citing a mental health crisis and a divorce from her longtime partner, San Francisco Board of Supervisors clerk Angela Calvillo, as context. Forbes faces prowling, unauthorized lodging, and petty theft charges and remains in custody pending arraignment. [See here.](https://substack.com/redirect/6dbeeae8-6a64-42c4-9600-c3045b453148?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) #### **Ben Platt: ‘Being American Feels Helpless and Scary’** Fresh off the opening of *Midnight at the Never Get* in London, Ben Platt [spoke candidly to ](https://substack.com/redirect/e9c442f4-a79c-4872-8beb-665c9333356b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)[*The Guardian*](https://substack.com/redirect/e9c442f4-a79c-4872-8beb-665c9333356b?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) about anxiety, queer storytelling, and the political climate in the United States. --- ### **A survey** #### **Help Map the Global Reality for LGBTQI+ People** The 2026 F&M Global Barometers LGBTQI+ Perception Index (GBPI) survey is now open and available in 24 languages. The anonymous survey takes just 2–5 minutes, and the data help activists, policymakers, researchers, and advocates better understand how LGBTQI+ people experience human rights worldwide. More than 12,800 people have already participated. Take the survey [here](https://substack.com/redirect/517c5c0d-bffe-4f88-a2b8-5040be67a595?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). --- ### **The Gay Agenda** **August 5: International Pride Awards.** UNDP and ILGA World hand out this year’s global equality honors during the WorldPride Human Rights Conference, with Deutsche Bank and OUTtv newly on board as supporters. Livestreamed globally on YouTube at 15:45 CEST. Details in [*ILGA World*](https://substack.com/redirect/e5f3e54b-9cd8-4fb6-8f15-c9c670e991c7?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net). **July 25 – August 8\. World Pride with an Economic Lens.** Amsterdam hosts WorldPride and EuroPride together — the largest dedicated LGBTQI+ event in the world, with the Canal Parade on August 1 and the WorldPride March on August 8; organizers expect over a million visitors. While Koppa will not be present, Outright, Open for Business and Deutsche Bank [will host an event.](https://substack.com/redirect/740a2289-7bc9-4cf2-989c-bc66005fd9ea?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) **September 22\. UNGA.** The 81st session of the United Nations General Assembly (UNGA) will convene in New York in September. The first day of the high-level General Debate will be Tuesday, 22 September. **October 12–18\. World Bank-IMF Annual Meetings, Bangkok, Thailand.** For the first time in more than three decades, the Annual Meetings will take place in Southeast Asia, and activists want the Bank to report on its progress on LGBTQ+ inclusion,. Before the pandemic, Thailand was the focus of groundbreaking World Bank research documenting persistent LGBTQ+ workplace discrimination, while a recent World Bank study in Brazil quantified the economic cost of anti-LGBTQI+ exclusion at nearly 1% of GDP. [See here.](https://substack.com/redirect/0e9e681d-19a1-401b-9c18-bd028c316d80?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net) **October 29–30\.** The second annual **Koppa Global Inclusive Finance Forum** will bring together investors, banks, policymakers, foundations, entrepreneurs, and advocates to move beyond conversations about inclusion toward measurable capital allocation. Hosted at the Deutsche Bank Center in NYC, the invitation-only gathering will focus on practical strategies for building more inclusive financial systems across sectors. Following [a successful inaugural forum in 2025](https://substack.com/redirect/ce42a6fe-f3b4-4df4-98f3-6d80acaf0f61?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net), this year’s event will focus on key economic sectors that are either strategic or offer traction for LGBTQI+ people. --- Well, that’s it for this week. I was in Washington, D.C., yesterday for a whirlwind trip to celebrate a dear friend’s 50th birthday, so I’m writing this from the train home. The city feels oddly different these days—half-unrecognizable amid all the construction, with military personnel casually patrolling the streets. I can’t say I find that reassuring, especially now that they are going to be pumped with Testosterone (see the [*Queer Power Of Doubt*](https://substack.com/redirect/448f2b12-c0c2-45f1-a138-8157fbaca6da?j=eyJ1IjoiNTdqZDJ5In0.vwgtk34XwgfkpNBvxpMrCDhpBPOIvfM%5Fxms7nJmqG8g&ref=stonewallnews.net)*)*. Still, catching up with old friends made the trip entirely worthwhile. Tonight, I’m taking my son Eitan to see *The Odyssey* because, deep down, I am a follower. See you next week and thanks for reading. ### Bromantasy: Two Heroes, One Brain Cell URL: https://www.stonewallnews.net/bromantasy-two-heroes-one-brain-cell/ Last updated: 2026-07-30T20:11:29.000Z “Danger” just happens to be your middle name. Any fray, any tussle, anytime anybody needs help, they count on you to step in and save the day. You’re brave, smart and strategic, kind to old people, children and small animals and, as in the new book *Bromantasy*by Maire Roche, dragons. Of all the things there were to do – preserving food, keeping house for himself and his best friend Morningthall “Mo” Elmthorn, advanced skincare, and drinking at the local tavern down the road – the one thing Juniper O’Reilly couldn’t resist was a good brawl. It happened so often that Juniper honestly looked forward to it, though Mo wasn’t a fan. Mo was more grown-up, calm, thoughtful, able, and Juniper loved him for it. He loved Mo, in fact, since they were little boys. He loved Mo in ways that they didn’t talk about, so they kept a wall between their bedrooms in their cottage. Except for that one time. They didn’t talk about that, either. Instead, as they did often, on a warm fall night, Juniper and Mo went to the tavern, where mead was served and they could learn about the king’s weekly quests. There, Juniper could also find a good brawl, which is how he and Mo accidentally got into trouble: Juniper trounced one of the king’s men and was forced into a quest. He didn’t *want* to fight dragons and he felt bad that Mo had been dragged along. He felt even worse leaving their farm, sleeping on the ground, wearing the same clothes every day, and not having enough skincare product along. A campfire added to the problem. A roving, lying prince, also in search of dragons, didn’t help. And though a quest was no place for a child, Juniper and Mo found a frightened little girl they had no choice but to protect. A child with strange eyes, sharp teeth, and fire on her breath. “And just like that, Juniper and Mo had a dragon.” Bros + romance + fantasy = “Bromantasy.” It also could equal one of two other things: a romp full of humor, dragons, kings, princes, and adventure. Or it could equal a whole lot of eye-rolling. It’s a fact that this book is funny, in the way that a 1980s high school comedy movie is funny – meaning that it’s dippy, giddy, and very caricaturish but you’ll laugh quite often. The story contains everything you want in a fantasy romance (a “romantasy”), including human-like alternate species, a life-changing journey, and plenty of nudge-nudge-wink skirting around the attraction the two main characters have for one another. It’s a decent story, convoluted in just the right way. Purely, it’s an escape. So why wouldn’t you want to read it? See above, and depending on your favorite reading genre. High-brow literature, this ain’t. For the right reader, “Bromantasy” is a decent-enough vacation read, something not too taxing or hard on the brain. It’s for novel lovers, dragon hunters, king’s questers, princes, and romantics. For everyone else, this tale is just middling. ### The Final Chapter: Edmund White’s Unflinching Memoir URL: https://www.stonewallnews.net/the-final-chapter-edmund-whites-unflinching-memoir/ Last updated: 2026-07-28T18:19:19.000Z *THE LOVES OF MY LIFE: A SEX MEMOIR* EDMUND WHITE © 2026 Bloomsbury Publishing 256 pages $17.99 / $13.99 Kindle Some writers spend their whole lives dropping hints and skirting around the truth. Edmund White, on the other hand, spent his life telling it straight — without hesitation or sugarcoating. And in his last book, *The Loves of My Life: A Sex Memoir*, he does something even braver: he lays out a complete record of his desire — seventy years’ worth. White died on June 3, 2025, in his home in Chelsea, Manhattan, at the age of 85\. What might have once seemed like a candid confession from a living author now feels like a final gift — him closing the book on his life by opening it all the way. There’s something almost fitting about this being his last work. White helped shape modern gay literature. He gave voice to stories that publishers once refused to print, captured feelings that had no language before him, and did it all with extraordinary grace. Ending his career with a sex memoir isn’t a stumble into excess; it’s a bold declaration. He begins his story in the conservative Midwest of the 1950s — a place where desire was silenced and punished. He recalls secret encounters between boys who had no words for what they wanted, only the wanting itself. He writes about trying to live straight as a young man — the effort, the failure — and shares stories of paying for sex, of love — messy, complicated, real — that arrived alongside everything else. What makes this memoir stand out isn’t just the range of experiences. It’s the honesty with which White describes them. He doesn’t judge or divide moments into acceptable or shameful. Instead, he presents everything side by side, with the same frankness, giving each moment the respect it deserves. White was rightly recognized as a pioneer. Now, with his passing, his voice continues to live on through this book — raw, fearless, unflinching. It’s a testament to a life dedicated to truth and storytelling, a final gift that continues to speak long after his passing. *Available wherever books are sold, including on* [*Amazon*](https://a.co/d/06eGSq0C?ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/TheLovesOfMyLifeBookCover-1.jpg) The Loves of MY Life: A Sex Memoir --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--81.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Meet Lukas Bardue, Running for Clark County Council URL: https://www.stonewallnews.net/meet-lukas-bardue-running-for-clark-county-council/ Last updated: 2026-07-30T19:17:37.000Z Local races don't always grab headlines, but they shape the everyday details of our lives: the cost of rent, the safety of our streets, and the help available when someone hits a crisis. The contest for Washington’s Clark County Council District 1 is one of those races, and a new candidate has joined the field. Vancouver business owner Lukas Bardue, who is Gay, is running in the nonpartisan primary on August 4 against incumbent Glen Yung, as well as Dusti Arab and Bryan Shull. After years of working in the freight and logistics industries, Bardue founded Freight Trac Services in Vancouver during the COVID-19 pandemic — one of the most unstable economic periods in recent memory. He describes himself as a homegrown candidate with deep local roots and a personal stake in the future of the county. "I grew up here, built my business here, and care deeply about the future of Clark County," Bardue said in his campaign announcement. "People deserve leadership that listens, works across boundaries, and puts solutions ahead of politics." Bardue's campaign centers on four connected priorities. He links mental health and homelessness, arguing that the two issues are deeply intertwined and calling for coordinated, compassionate solutions that address the real drivers of homelessness. On affordable housing, he wants to streamline permitting and support development that keeps housing accessible while preserving the county's character. He describes public safety as a whole system — law enforcement, courts, and public defense, all of which need adequate resources to work together. And on thoughtful urban growth, he points to decades of watching Clark County change, saying he wants to guide that growth while protecting the community-minded identity that defines the place. I got in touch with Bardue to learn more about him and his campaign. Here are some of the questions I thought readers would most want him to address. **Frank Gaimari: What specific policies would you support to protect LGBTQ+ residents in Clark County from discrimination in housing, employment, and public services?** Lukas Bardue: Washington already has some of the strongest protections in the country. State law prohibits discrimination based on sexual orientation and gender identity, and Clark County recognizes and enforces those protections. My focus would be on ensuring these laws are enforced fairly and consistently. I would work with local businesses, community organizations, and law enforcement to ensure people know their rights and responsibilities, while making sure discrimination complaints are taken seriously and handled fairly. Protecting equal opportunity shouldn't be a partisan issue — it's simply about serving everyone in Clark County. **FG: What does public safety mean to you for LGBTQ+ residents who have experienced harassment or bias, or who mistrust law enforcement?** LB: Public safety means everyone should feel safe in their community and know they will be treated fairly and with respect. No one should be targeted because of who they are or who they love. I want law enforcement to take reports of harassment and bias seriously, respond professionally, and continue building trust through accountability and open communication with the community. **FG: How would you respond if anti-LGBTQ+ rhetoric or policies surfaced in county spaces, including libraries, schools, or public events?** LB: As a councilmember, I would support policies that protect everyone’s constitutional rights and help ensure that county spaces remain safe and welcoming for all. Harassment, threats, and discrimination have no place in Clark County or in public spaces. My focus would be on treating people fairly, supporting respectful dialogue, and making sure county government serves everyone. **FG: How would your affordable housing agenda specifically help LGBTQ+ seniors, youth, and low-income Queer residents at higher risk of housing instability?** LB: Affordable housing should be available to anyone who needs it. My focus would be on building more affordable housing, supporting programs that help people stay in their homes, and making sure everyone has access to those resources. I know some groups, including LGBTQ+ seniors, youth, and low-income residents, face greater housing challenges. My goal is to make sure county programs are fair, easy to access, and available to everyone who qualifies. **FG: Do you believe county government should take an active role in supporting Pride events, LGBTQ+ visibility, and anti-bias education? Why or why not?** LB: I think the county’s job is to serve everyone. Whether it is a public event, a county program, or a public space, people should feel comfortable participating and know they will be treated with respect. My focus is on making sure our county is welcoming, safe, and open to everyone. **FG: What do you want LGBTQ+ voters in Clark County to know about how you would represent them if elected?** LB: As a lifelong Clark County resident and a Gay man, this community is home. It is where I chose to settle down with my husband, build my career, and build my life. Throughout my life, I have worked to bring people together, build bridges, and find common ground, even among people who do not always see eye to eye. If I am elected, that is the same approach I will bring to public service, because our community is strongest when we work together. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-17T115456.944.jpg) Photograph courtesy of [https://www.electlukasbardue.com/](https://www.electlukasbardue.com/?ref=stonewallnews.net) Bardue’s candidacy adds a Queer voice to the race for Clark County Council District 1 while highlighting issues of housing, public safety, and equal treatment in public life. As the August 4 primary approaches, voters will have the opportunity to weigh his message alongside those of the other candidates competing for the seat. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--57.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | Wanna Play Legos? URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-wanna-play-legos/ Last updated: 2026-08-16T16:22:42.000Z ### *How one spectacularly awkward attempt to make a new friend reminded me friendship is built, one tiny brick at a time.* --- I was trying to decide what to write about this month when my husband gave me one very specific piece of advice: "Absolutely do *not* write about your incredibly embarrassing, painfully cringe-worthy attempt to make a new friend last month." Naturally, that's exactly what I'm writing about. This is how I process trauma: I write about it until it's funny. Or at least funny to everyone except my husband, who has to relive it every time someone says, "Hey, I loved your husband’s article." (Please DO keep telling my dear husband that you love my articles) So let me tell you about my latest social catastrophe. Because making friends as an adult is hard, and frankly, we don't talk about it enough. About once a year my husband and I venture to our local drinkery and dance hall. We order an adult beverage, enjoy the music, and attempt to convince our bodies to move in rhythm. My husband is exceptionally gifted at this. He knows actual dances. He has the voice of an angel. He's graceful, coordinated, and somehow makes dancing look effortless. Me? I move like an arthritic buffalo trying to escape a tranquilizer dart. Thank goodness for liquid courage. So there we were, enjoying the evening, when I spotted someone I know...but don't really know. We've crossed paths socially before, and I've always thought, *That seems like an interesting and functional human. I'd like to know them better.* I tell my husband, "Let's go talk to that guy." My husband strikes up a conversation first. They discuss social dynamics and other fascinating, intellectual things that people with functioning social skills discuss. Then it was my turn. Now, in my mind, I intended to casually express that maybe sometime we could get together and hang out. What actually came out of my mouth, as confirmed by my horrified husband, was: "Hey...wanna play Legos sometime?" That's it. No context. No explanation. Just the verbal equivalent of a socially awkward third grader asking the cool kid at recess to be best friends. To his everlasting credit, he paused, looked mildly confused, and then politely said, "Sure." He then returned to his friends, where I'm fairly certain the conversation immediately became: "Do you think 'playing Legos' is code for something?" or "...has that guy ever had a head injury?” Meanwhile, my husband gently, but very quickly, escorted me away while whispering strongly, "You CAN’T just ask someone you barely know to play Legos! That's weird!" Sir. You have been married to me for over a decade. At what point were you expecting me to stop being weird? The answer to that is a much longer article and an ongoing conversation with my therapist. For a brief moment I reflected on what I *meant* to say. Perhaps something along the lines of: "We should get together sometime, enjoy a beverage, engage in a collaborative architectural design activity, and have some meaningful conversation. What do you say?" Instead, I essentially yelled across the playground, "WANNA PLAY LEGOS?" Honestly, it was probably more efficient. But here's the surprising part. He actually said yes. A few weeks later we got together, each built a Lego bonsai tree, and spent a couple of hours talking. I learned he's a fan of marmots. We discovered we share a love for the same delightfully creepy horror movies. We laughed. We talked. I had a great time. I hope he did too. I sent him photos of Samwise the marmot who patrols our driveway. Against all odds, and despite my sometimes complete inability to behave like a normal adult, I may have actually made a new friend. Friendship is strange. It's a mutual agreement to tolerate each other's weirdness, trauma-dump at unreasonable hours, split the cost of appetizers without keeping score, and become comfortable enough that silence doesn't need filling. Making new friends is hard. Keeping friends is hard. Ending friendships is hard. Putting yourself out there is hard. For me, friendship has often been a challenge. In high school I eventually gave up trying to fit in and became friends with puppets. This is not a metaphor. It's a made for Netflix documentary. I literally performed in a ventriloquist show called *Ryan & Friends,* where every one of my friends had googly eyes, synthetic fur, and was operated entirely by either my right or left hand. In hindsight, perhaps that wasn't the strongest strategy for developing social skills. On the bright side, they never interrupted me, never judged me, and they always laughed at my jokes. Mostly because I was making them. Friendship is hard and takes work. There are no guarantees. Sometimes you say the wrong thing. Sometimes you replay every conversation in your head for three weeks. Sometimes you accidentally invite someone to play Legos like you're six years old. And sometimes... they say yes. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-and-Michael.JPG) Michael and Ryan Through my work at the Center for Trauma and Stress Education, I spend a lot of time studying human connection. Research by psychologist Robin Dunbar suggests that genuine friendships aren't accidental. They require repeated investment and the **11-3-6 rule**. About eleven meetups, roughly three hours each, spread over six months to create a genuine friendship. Friendship isn't found. It's built. Ironically, that's becoming harder than ever. I've heard the same concern from audiences across the country. People are lonely. Technology has given us incredible ways to stay connected while quietly stealing the skills needed to actually connect. The numbers tell the same story. The percentage of American adults with no close friends has quadrupled- from 3% in 1990 to 12% in 2021\. Meanwhile, the average adult now spends less than three hours each week with friends- less than half of what we did just over a decade ago. We're surrounded by shallow connections. We're starving for deep friendship. I've experienced this myself, and I'm determined, however awkwardly, to push back against that trend. Looking back, many of my closest friendships started with moments that, at the time, felt downright ridiculous. There's my nuclear medicine friend, whom I literally met while he was performing a medical procedure on me. At one point I attempted to slide off the exam table to escape (true story), and he looked at me with peak Dad Energy and declared, "No. You **will** stay on that table." Months later we ran into each other at an event, became friends, and he still occasionally uses that same dad voice whenever he thinks I'm getting out of line. Honestly... it's comforting. Competent Dad Voice is apparently one of my love languages... which is something else I should probably unpack in therapy. Then there's the friend I met through work who showed up fifteen minutes late to our first meeting. I have a strict ten-minute rule. For reasons I still can't explain, I waited fifteen. He arrived. I'm certain I was grumpy and fully prepared to dislike him. Instead, he became one of my closest friends. Then there's another family we met through work who invited us to dinner shortly after we met. One of the very first things their children proudly announced was, "Our dad pees off the porch!" At that moment I thought, *These are our people.* We've loved them ever since. Maybe that's the secret. Friendship rarely begins with polished conversations. It begins with awkward ones. With missed cues. With weird invitations. With children oversharing. With people deciding that all of that is acceptable. We need people who see our awkwardness, our quirks, and our spectacular social fumbles... and instead of sprinting toward the nearest exit... they smile... grab a handful of tiny plastic bricks... and say, "Sure." I'm incredibly grateful for the friends who have done exactly that for me. They've seen the weird. The remarkable amount of weird. They've stayed anyway. So, take the chance. Send the text. Invite someone to coffee. Ask them to dinner. Or, if you're anything like me... invite them to play Legos. You never know. The worst they can do is politely wonder whether “playing Legos” is code for something. The best they can do is become your friend. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-16-1-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### United Methodist Oregon-Idaho Conference Votes to Move 2027 Meeting Out of Idaho, Cites LGBTQ+ and Immigrant Safety Concerns URL: https://www.stonewallnews.net/united-methodist-oregon-idaho-conference-votes-to-move-2027-meeting-out-of-idaho-cites-lgbtq-and-immigrant-safety-concerns/ Last updated: 2026-07-23T16:33:13.000Z **United Methodist Oregon-Idaho Conference votes to move 2027 meeting out of Idaho, cites LGBTQ+ and immigrant safety concerns** > *This article is published through a content partnership with* [FaVS News](https://favs.news/?ref=stonewallnews.net)*, the only digital newsroom in America devoted entirely to local religion reporting.* After a close and emotional vote, Bishop Cedrick Bridgeforth says the decision reflects the conference “wrestling in real time” with how to protect vulnerable members — while Idaho clergy warn the move risks abandoning the queer and immigrant United Methodists who live there. Citing dangers to LGBTQ+ and immigrant communities, the[ Oregon-Idaho Conference of the United Methodist Church](https://www.umoi.org/?ref=stonewallnews.net) voted last month to move next year’s annual conference out of Idaho. At this year’s annual conference — a meeting where representatives from Oregon and southern Idaho United Methodist churches gather to vote on and make decisions — held at the [Cathedral of the Rockies](https://www.cathedraloftherockies.org/?ref=stonewallnews.net) in Boise, Idaho, the Rev. Heather Riggs of [Montavilla United Methodist](https://www.montavillaumc.org/?ref=stonewallnews.net) in Portland brought a motion to the floor to change the location of next year’s conference. Dozens of clergy and laity gave public comment, arguing why they believed the event should remain in Idaho or move to Oregon in 2027\. The vote was close, but the end result was that the conference would either move to Oregon or be held virtually. ### **Why Idaho’s anti-LGBTQ+ laws drove the vote** A previous vote had determined the meeting would be held in Idaho for 2026 and 2027\. The Oregon-Idaho Conference merged in 1969, and according to Cathedral of the Rockies pastor, the Rev. Duane Anders, a policy was set that the conference would gather in Idaho about every four years to maintain equity. A conservative state, Idaho has passed and continues to pass legislation targeting marginalized groups, such as queer and trans folks. The ACLU of Idaho reported that in 2026, 11 anti-LGBTQ+ bills were introduced by Idaho lawmakers, half of which specifically targeted trans people. For instance, this year’s House Bill 752 “makes it a crime for transgender people to enter restrooms and changing rooms aligned with their gender in government-owned buildings and all private businesses open to the public across Idaho,” the [ACLU said](https://www.acluidaho.org/idaho-bathroom-law-resource-hub/?ref=stonewallnews.net). (HB 752 is not fully in effect yet because a federal judge granted a preliminary injunction.) That climate is what brought the motion to the floor. The catalyst was a specific incident: During public comment, it was reported that a nonbinary clergy member from Oregon experienced a microaggression while accompanying their wife to a local Boise hospital. Those who wanted the conference to stay in Idaho said they understand the fear LGBTQ+ and immigrant members may feel in conservative Idaho, but they said it’s important to maintain a progressive church presence and safe space in those exact conservative places. Anders is one such member. When the decision was made for his church to host the conference, it was met with immediate hesitation from some, he said. He said some colleagues and local church members questioned whether the conference should be held in Idaho given the state’s recent wave of legislation targeting marginalized groups. “Our response to that was, if anything, we need it here more,” he said. Anders said he understands the fear that those at the conference were feeling. He’s the father of a transgender daughter who now lives in Washington state because she feels unsafe in Idaho. At the same time, there are still LGBTQ+ people and people of color in Idaho who Anders hopes his church’s presence reaches, and it’s why he believes progressive churches should stay engaged rather than step back. “We get that there are risks — there’s always risks in the work of justice. And really, it’s those of us that are privileged that should maybe take the greater risk,” Anders said. “It’s hard to ask our people in the LGBT community to take the risk and say, you should come to Idaho to make us better. I would say that’s a very personal decision. You should only come if you feel safe, and the fact that you don’t feel safe breaks my heart.” ![Oregon-idaho conference 2](https://favs.news/wp-content/uploads/2026/07/55355709458_755ce6e464_b.jpg "United Methodist Oregon-Idaho Conference votes to move 2027 meeting out of Idaho, cites LGBTQ+ and immigrant safety concerns 1") Worship band from the Oregon-Idaho Annual Conferece at Boise First UMC Cathedral of the Rockies (Contributed). ### **Some Idaho clergy say they feel abandoned** The Rev. Hannah Andres of [Whitney United Methodist Church](https://whitneyumc.org/?ref=stonewallnews.net) in Boise and the Wesley Foundation at Boise State University said it was heartbreaking to watch the debate. As far as she’s aware, she’s one of only two openly queer clergy currently serving in Idaho from the Oregon-Idaho Conference. She validates those who feel scared, but says it’s hard not to feel abandoned when the general feeling over the years is that nobody wants to come to Idaho. “It’s hard to not feel disregarded or left behind,” Andres said. “There is really important ministry that we are doing as the Methodist church in Idaho and in eastern Oregon that feels constantly disregarded and like it doesn’t matter.” For Andres, it’s one example of a broader pattern she’s felt for years: Idaho’s churches doing important work that goes unrecognized. “There’s a lot of really incredible, faithful people outside of just clergy in Idaho who are trying to do the work and continue to hear it’s not worth investing in this place,” Andres said. [![podcast](https://favs.news/wp-content/uploads/2025/11/0-3-1-824x1030.jpg "United Methodist Oregon-Idaho Conference votes to move 2027 meeting out of Idaho, cites LGBTQ+ and immigrant safety concerns 2")](https://favs.news/wp-content/uploads/2025/11/0-3-1.jpg?ref=stonewallnews.net) Bishop Cedrick D. Bridgeforth of the Greater Northwest Episcopal Area of The United Methodist Church (Contributed). Bishop Cedrick D. Bridgeforth — who leads the [Greater Northwest Episcopal Area](https://greaternw.org/?ref=stonewallnews.net), which includes the Oregon-Idaho, Pacific Northwest and Alaska conferences — [said](https://www.umoi.org/newsdetail/19854989?ref=stonewallnews.net) the following week that he’s still processing the vote. To him, the close margin isn’t evidence of a divided conference so much as a conference wrestling, in real time, with competing obligations to different vulnerable groups. “It’s not an Idaho versus Oregon thing,” Bridgeforth said. “It’s: how do we protect those that need to be protected?” Still, Bridgeforth said the process itself fell short of the conference’s stated theme for the gathering, “Love Boldly.” Queer and immigrant United Methodists actually living and serving in Idaho weren’t a part of the conversation that decided where their conference would meet. “There was a discussion *about*, but not *with*,” Bridgeforth said. In a [letter to the conference](https://www.umoi.org/newsdetail/a-pastoral-word-following-saturday-s-annual-conference-action-19845022?ref=stonewallnews.net) posted the night of the vote, Bridgeforth wrote that the close outcome “reflects the complexity, pain, conviction and concern present among us,” adding that the conference does “not want to abandon our witness in Idaho, nor do we want to abandon those who are doing the work of love in places where that work is costly.” ### **What’s next for queer and immigrant united methodists in Idaho** Asked what he’d say to queer and nonwhite United Methodists in Idaho who might feel the conference declared their home state too dangerous, Bridgeforth didn’t dismiss the fear. “For some, it’s too dangerous, and that’s the hard truth. But some of us are called to serve in Idaho,” he said. “… Historically, institutions are always a decade to a decade and a half behind where local communities and leaders are. We need those prophetic voices in all those places across Idaho, just like we need them in every other place.” ### The Guncle: A Heartfelt and Hilarious Exploration of Family, Loss, and Love URL: https://www.stonewallnews.net/the-guncle-a-heartfelt-and-hilarious-exploration-of-family-loss-and-love/ Last updated: 2026-07-21T17:31:12.000Z ***THE GUNCLE*** **STEVEN ROWLEY** **© 2024 G.P. Putnam's Sons** **368 pages** **$9.99 / $12.99 Kindle** Steven Rowley's *The Guncle* is much more than a lighthearted summer read. While it starts with the lively wit and humor you’d expect from a fun, feel-good novel, it gradually reveals a deeper, more layered story about healing, connection, and the complexities of family. The story centers around Patrick O'Hara, a once-famous sitcom star living a glamorous but guarded life in Palm Springs. Known to his young niece and nephew as GUP — Gay Uncle Patrick — he’s the charming, fun-loving relative who prefers cocktails and Hollywood stories to bedtime routines and grief. Everything shifts when a family tragedy suddenly makes him their guardian, transforming a summer he never expected into an unforeseen journey of growth and bonding. What makes Rowley’s storytelling so compelling is his ability to blend humor with emotional depth. The dialogue is sharp and often laugh-out-loud funny, but the wittiness never masks the characters’ genuine feelings. Instead, it becomes a way for them to cope with loss and find resilience. Patrick, with all his theatricality and flaws, is a deeply human character, carrying quiet grief beneath his lively exterior. Watching him rediscover his capacity for love and vulnerability through his young niece and nephew is truly touching. Meanwhile, Maisie and Grant are portrayed as authentic children facing enormous challenges, never as cliched or superficial. As an openly gay author living in Palm Springs, Rowley leads readers through a place that feels both vibrant and deeply human. His detailed descriptions capture the town’s glamorous atmosphere while also highlighting its underlying sense of solitude, adding an authentic depth to the story. If you’re looking for a story that combines humor with heartfelt emotion, *The* *Guncle* is a must-read. Prepare for a delightful journey that will surprise you with its depth and remind you of the transformative power of love and connection. *Available wherever books are sold, including on* [*Amazon*](https://a.co/d/06e6giqG?ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/The-Guncle-COVER.jpeg) The Guncle --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--71.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Remembering Sam Neill: A Legendary Actor URL: https://www.stonewallnews.net/remembering-sam-neill-a-legendary-actor/ Last updated: 2026-07-23T16:03:49.000Z The world has lost a true Hollywood legend. Sam Neill, the acclaimed actor known for his versatility and memorable roles, passed away in Sydney on July 13, 2026, at the age of 78\. His death marks the end of an extraordinary career that spanned over five decades and touched audiences around the globe. His early roles in New Zealand, including the acclaimed *Sleeping Dogs* (1977), garnered local recognition, but it was his breakout role in *Reilly, Ace of Spies* (1983) that catapulted him onto the international stage. From there, Neill’s career flourished with iconic performances in films such as *The Hunt for Red October* and *The Piano*. However, he is perhaps best remembered for his portrayal of Dr. Alan Grant in *Jurassic Park*, a performance that endeared him to generations of fans worldwide. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/Untitled-Design-2026-07-13T075248.954.jpg?resize=1024%2C768&ssl=1) Jurassic Park / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/Untitled-Design-2026-07-13T075224.926.jpg?resize=1024%2C768&ssl=1) Sam Neill in Last Day / IMDb Neill’s talent extended beyond blockbuster franchises. He played a haunted astrophysicist in *Event Horizon*, embodied the legendary wizard Merlin in a celebrated miniseries, and demonstrated his comedic prowess in *Hunt for the Wilderpeople*. His ability to adapt seamlessly across genres underscored his status as a true actor’s actor. In 2022, Neill was diagnosed with a rare, aggressive lymphoma. Despite undergoing treatment and being declared cancer-free earlier this year, his unexpected passing has come as a profound shock to friends, family, colleagues, and fans alike. Throughout his illness, he remained open about his struggles and reflections on life, sharing his journey through his memoir, *Did I Ever Tell You This?* Beyond his illustrious acting career, Neill was passionate about winemaking and farming, pursuits that reflected his curiosity and love of life. A dedicated father and grandfather, he left a lasting impression on everyone fortunate enough to know him. Sam Neill’s legacy is one of talent, resilience, and authenticity. His contributions to the arts and his enduring spirit will continue to inspire generations to come. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/07/Untitled-Design-2026-07-13T075724.781.jpg?resize=1024%2C768&ssl=1) Sam Neill in Kane & Abel / IMDb --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--77.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Kate Pierson: The Unmistakable Voice URL: https://www.stonewallnews.net/kate-pierson-the-unmistakable-voice/ Last updated: 2026-07-17T20:45:55.000Z Some voices define a generation, while others create entire universes. Kate Pierson unquestionably belongs to the latter group. Her voice, shifting effortlessly from a deep, inviting growl to a soaring high note, brings a vivid, melodic energy to one of music’s most iconic party bands. As a founding member of The B-52s, Pierson — with her signature fiery hair and retro-glam fashion — has been a beacon of joyful nonconformity for more than forty years. Her energy remains as vibrant and infectious as the music she helped create. Long before the world heard “Rock Lobster,” Catherine Elizabeth Pierson was a creative child growing up in Rutherford, New Jersey, after being born in nearby Weehawken. Her journey eventually led her to Athens, Georgia, where a spontaneous October night in 1976 changed everything. Sharing a Flaming Volcano cocktail at a Chinese restaurant, Pierson, along with Fred Schneider, Cindy Wilson, Ricky Wilson, and Keith Strickland, decided to form a band. Their very first performance — a loose and spirited jam at a friend’s Valentine’s Day party in 1977 — marked the humble beginning of what would become a global phenomenon. From the very start, The B-52s presented a complete aesthetic package. Their look was as integral to their identity as their sound, blending thrift-store finds, exaggerated beehive hairstyles, and B-movie sci-fi glamour. This distinctive style wasn’t a calculated branding strategy but an authentic expression of who they were — a visual extension of their eccentric music. In a town buzzing with creative energy, they carved out a niche all their own. The band’s groundbreaking sound and style quickly earned them a devoted following, and over the decades, The B-52s became one of the most beloved and influential bands in history. In 2022, their legacy was cemented with induction into the Music Hall of Fame, an honor recognizing not only their innovative contributions to music, but also their cultural impact as champions of individuality, inclusivity, and joyful rebellion. From their quirky beginnings in Athens to their status as global icons, The B-52s have left an indelible mark on the world of music and beyond. While The B-52s cultivated a chosen family on stage, Pierson built a life of profound partnership and authenticity away from the spotlight. As a proud Queer artist, she has long been a quiet but powerful icon for visibility and living truthfully. Her relationship with artist and designer Monica Coleman, whom she married in 2015, has been a central force in her life — a collaboration built on mutual inspiration and shared dreams. As The B-52s have wound down their recent touring schedule, a new chapter is unfolding for Pierson. The band remains a family, a bond that will never fade, but her creative spirit is already exploring new horizons. One of the most exciting developments in this new phase is her latest solo album, *Radios and Rainbows*. The album, a kaleidoscopic blend of genres, showcases Pierson’s unmistakable voice in a fresh and deeply personal way. *Radios and Rainbows* has already garnered critical acclaim for its vibrant melodies, heartfelt lyrics, and bold experimentation. Tracks like “Evil Love” and “Take Me Back to the Party” have become fan favorites thanks to their infectious energy and emotional depth. The album is a celebration of individuality, love, and resilience. Adding to her creative renaissance, Pierson has also released a vibrant new cover of Patti Smith’s anthem “People Have the Power,” featuring the teen choir from Uniting Voices Chicago. With an uplifting dance arrangement by producer Ned Douglas, the track reimagines the iconic song while honoring its message of hope and empowerment. Pierson describes the project as a call to action for a new generation, reminding listeners that “people do have the power — and we need to use it now!” Having seen Kate perform live at numerous concerts, I was excited for the chance to speak with her. Even though our conversation took place over Zoom rather than face-to-face, her warmth and positivity shone through. Kate’s authenticity is unmistakable. Here are the questions I asked, along with her responses. Together, Pierson and Coleman extended their creative vision into hospitality, creating the whimsically decorated Kate’s Lazy Meadow, Kate’s Lazy Cabin*,* and Kate’s Lazy Desert motel. These spaces are tangible expressions of Pierson’s distinctive style, offering havens of colorful, kitschy comfort. The partnership with Coleman has been a grounding influence, providing a foundation of love and support that fuels Pierson’s artistic bravery. It is a testament to a life lived fully, both in the public eye and in the quiet moments between shows. **Frank Gaimari: The B-52s’ unique visual style has always played a major role in the band’s identity. How did the look of the band influence your songwriting, and how did the music shape the visuals in return?** Kate Pierson: The B-52s’ visual style was a natural extension of who we were — playful, spontaneous, and unapologetically different. Long before the music, we were already dressing up and creating our own fun in Athens. We’d raid thrift stores like The Potter’s House, hunting for the most outrageous wigs and outfits — not to look glamorous, but to embrace the absurd. I remember Fred once fiercely claiming a ratty 25-cent wig, saying, “No, this is my wig!” That kind of energy defined us. Our first show, on Valentine’s Day 1976, captured that spirit perfectly. Cindy and I wore upside-down fur pocketbooks that looked like white aprons. Nothing was planned or coordinated; we just wore whatever felt fun and expressive. When the band started, it was a continuation of that same creative chaos. There was no strategy, no assigned roles — it all came together spontaneously, born out of jam sessions and a shared sense of adventure. Our look wasn’t calculated; it was simply an extension of how we lived. The thrift-store treasures and wild outfits we wore to parties became our stage costumes. Inspirations came from everywhere: Fellini films, 1960s Vogue, gay culture, drag, and a love for the eccentric. It all blended into a visual identity that reflected our music — bold, quirky, and full of joy. Dressing up wasn’t just about style; it was about freedom, creativity, and letting our freak flags fly. That spirit shaped everything we did, from how we looked to how we sounded. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000009928_cropped_10122025183332.jpeg) Photograph courtesy of Kate Pierson **FG: You consistently bring incredible energy and vibrant positivity to every performance. What inspires and sustains that enthusiasm show after show?** KP: The energy and joy we bring to every performance come from the audience as much as from within. There’s something magical about looking out and seeing people having the time of their lives — dancing, smiling, and letting go. It’s not something we set out to achieve intentionally, but knowing that our music gives people that kind of joy and freedom inspires me every time. It’s a beautiful cycle: their energy fuels mine, and it never gets old. Our music is primarily dance music, with an irresistible rhythm. When we play, I can’t help but move — it’s like the music propels me. Sometimes I think, “Maybe I should stand still and be more dramatic for a moment,” but the beat always pulls me back in. Movement is such a natural part of what we do; it’s in the DNA of the band. We’ve always been about creating music that makes people want to dance, and you can’t stand still when you’re part of that. We’ve tried choreographing routines a few times, but it always ends up being hilariously awkward. So instead, we just let the rhythm guide us, each doing our own thing. That spontaneity keeps it fresh and fun for both us and the audience. The driving guitar, the pounding drums — it’s all so infectious. Even after all these years, the music still moves me, and that’s what keeps the enthusiasm alive, show after show. **FG: Your views on solo albums have evolved. Can you explain why?** KP: My views on solo albums have changed a lot over the years. Early on, I saw the idea of going solo as almost a betrayal — like leaving the mothership. I think we all felt that way to some extent, and even our manager discouraged it, worried it might pull the band apart. But now, I see it differently. Working on solo projects has actually enhanced my creativity and energy. It allows me to explore different aspects of myself, tap into new emotions, and approach music in ways that are unique to me. That, in turn, keeps me inspired and fresh when performing with The B-52s. One creative outlet feeds the other, and I’ve realized that doing solo work doesn’t take away from the band — it adds to it. I’ve also let go of worrying about how my solo work might be judged. Now, I focus on writing songs that feel authentic, no matter the style. It’s been a freeing experience, and it’s helped me grow as an artist while staying connected to the joy of making music. **FG: Among all the songs, The B-52s albums, and solo projects, which one do you like the most and why?** KP: It’s so hard to pick a favorite because my connection to songs constantly evolves. When it comes to my solo work, my favorite is usually whatever I’ve written most recently. Right now, it’s a Christmas song I’ve been working on. There’s something exciting about the freshness of a new song — it feels alive and full of possibility. As for B-52s songs, my favorites tend to shift depending on what I’m listening to at the moment. Lately, I’ve been revisiting some of our deep cuts while working on a lyric book, and it’s been such a joy to rediscover songs like “Detour Through Your Mind,” “Junebug,” “Communicate,” and “Cake.” These are tracks we don’t often perform live, but hearing them again has brought back so many memories. One week, I’ll be obsessed with one song, and the next week, it’ll be something else. If I had to name a current favorite, I’d say “Trism.” But honestly, my favorites are constantly changing — it’s like each song has its moment to shine, depending on where I am and what I’m feeling. **FG: How has your marriage to Monica, a talented artist herself, influenced your personal creative process outside of the band?** KP: My marriage to Monica has been a profound and transformative influence on my creative process. From the moment I met her, I was captivated by her energy, talent, and creativity. She’s an incredible artist in her own right, working in pottery, sculpture, jewelry, and so much more. Right now, she’s creating stunning sculptural clay pieces that are truly inspiring. Her artistry and passion constantly push me to explore new ideas and deepen my own creativity. Monica was the driving force behind my first solo album. She recognized how much I wanted to pursue it, even before I fully embraced the idea myself. She even connected me with Sia, who helped me realize that I could write songs with anyone. Those early writing sessions were transformative, and Monica was there every step of the way. She directed the music video, designed the album cover, and even served as tour manager for my solo shows, handling everything from logistics to the business side. Her ability to juggle so many roles with such grace and talent is nothing short of remarkable. What makes our relationship so special is the mutual respect and support we share for each other’s creativity. I trust her opinion completely — she’s always the first person I turn to for advice or feedback. Monica’s encouragement and creative spirit have been a gift, not just to my work, but to my life. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/B-52s_Photo_by_Joseph_Cultice._91220254286.jpeg) The B52s / IMDb **FG: What does the concept of “home” mean to you now, after a life spent roaming the globe?** KP: The concept of “home” has taken on a much deeper meaning for me after spending so much of my life traveling the world. Home is my sanctuary — a place where I can truly relax, recharge, and feel grounded. I love the comforts of home, whether it’s curling up in my own space or simply enjoying the quiet familiarity of it all. It’s where I can catch my breath, reflect, and reconnect with myself. Of course, after some time at home, the travel bug always kicks in, and I’m ready to hit the road again. I still love the thrill of traveling, especially when it’s tied to performing. There’s something so exhilarating about connecting with people in different places and sharing music with them. For me, “home” is both a place of comfort and the foundation that gives me the energy to explore the world. It’s that balance between staying grounded and chasing adventure that makes life so fulfilling. **FG: How has your understanding of your role as a queer icon evolved from the early days of the band to now?** KP: In the early days of The B-52s, we didn’t feel the need to declare our identities — we just were. The very essence of the band, our vibe, our sensibility, was inherently queer. It was in the music, the energy, and the way we presented ourselves. Back then, there was still a sense of fear around being openly gay, but we expressed ourselves authentically without necessarily labeling it. Our existence and creativity were a statement in themselves. Over time, my understanding of what it means to be a queer icon has evolved into something more conscious. Today, it’s not just about visibility — it’s about actively fighting for rights and standing up against the injustices that threaten our community. While we’ve made incredible progress, like the legalization of gay marriage — which was such a powerful moment of affirmation and acceptance — there’s still so much at risk. The targeting of the trans community is heartbreaking. Trans people are among the most vulnerable within the LGBTQ+ spectrum, and they’re just beginning to gain the voice, power, and recognition they deserve. It’s devastating to see them being attacked and marginalized. The political climate has also reignited fears, with threats to LGBTQ+ rights, women’s rights, and even democracy itself. It feels like we’re in another fight for our lives, and it’s more important than ever to rise, stand together, and push back against these injustices. My role as a queer icon now feels deeply tied to this fight — not just for visibility, but for equality, safety, and the right to exist freely. It’s about using my voice and platform to support the community and ensure we don’t lose the progress we’ve fought so hard to achieve. **FG: You’ve been a powerful voice for visibility. What advice would you give to young Queer artists today who are trying to find their authentic voice in the industry?** KP: My biggest advice is to be your authentic self. Don’t try to be something you’re not just to get attention. Sure, some people might take an extreme approach to stand out — like when Lady Gaga first started, she made bold moves to grab people’s attention — but even then, it was rooted in who she truly was as an artist. The key is to stay true to your voice and your identity. So, don’t aim to imitate others — focus on what makes you different. Be unapologetically yourself, and let your unique perspective and talents set you apart. When you lead with authenticity, people can sense it, and that’s what leaves a lasting impression. The magic of The B-52s has always gone beyond the music itself. It’s about the sense of freedom their songs inspire — about friendship, love, and the boldness to create something new when the world feels upside down. At the center of it all is Pierson’s unmistakable voice, still inviting listeners to “dance this mess around” and reminding us that the best parties are those where everyone belongs. Kate’s official website: [https://www.katepierson.com/](https://www.katepierson.com/?ref=stonewallnews.net) ![](https://i0.wp.com/www.stonewallnews.net/Upload/stonewallnews/kate-pierson-radios-and-rainbows_912202543226.jpg?ssl=1) Radios & Rainbows / Photograph courtesy of Kate Pierson --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--51.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Confessions II: The Ultimate Queer Dancefloor Album URL: https://www.stonewallnews.net/confessions-ii-amen-now-hit-the-dance-floor/ Last updated: 2026-07-17T20:46:16.000Z Twenty years after *Confessions on a Dance Floor*, Madonna has made her triumphant return with *Confessions II*, a dancefloor anthem that feels like a gift to her queer fans. Debuting at No. 1 on the Billboard 200 and marking her tenth chart-topper, Madonna continues to affirm her status as a queen of the dance universe — proof that her music and her community are here to stay. The rollout was thoughtfully curated. Two promotional singles, "I Feel So Free" and "Love Sensation," set the tone, teasing the joy and liberation of the album. The official singles followed: "Bring Your Love," with its steady groove, and "Danceteria," named after the legendary New York club where Madonna first built her reputation. "Danceteria" has emerged as the album’s crown jewel — a fierce, propulsive dance banger that commands the floor and keeps audiences coming back for more. Madonna - "Confessions II - The Film" What makes *Confessions II* especially meaningful is its deep connection with the queer community. These are unapologetically club-oriented records, made for dancing and for spaces of joy and escape. Madonna isn’t rewriting the rulebook with this release — she’s reaffirming who she has always been, an artist who gives her fans music that makes them feel free, powerful, and seen. In uncertain times, she has delivered something to celebrate — a shimmering, joyful reminder that the spirit of the queer community is alive and thriving on the dancefloor. Madonna's official website: [https://shop.madonna.com/](https://shop.madonna.com/?ref=stonewallnews.net) Madonna & Sabrina Carpenter - Bring Your Love (Official Video) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--44.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Wenatchee Pride Billboards Go Up, as Pride Flags Go Down in Parts of the Region URL: https://www.stonewallnews.net/wenatchee-pride-billboards-go-up-as-pride-flags-go-down-in-parts-of-the-region/ Last updated: 2026-07-23T16:46:06.000Z Downtown Wenatchee has a new billboard. In response to the city choosing to raise family month banners sponsored by a local Turning Point USA chapter instead of Pride flags, Pride group OUT NCW has installed a year-round Pride billboard in downtown Wenatchee. “We’re responding to the needs of our community as best we can by providing visibility, by providing support,” said OUT NCW President AJ Soto. “We’re here for the duration.” The billboard, located in downtown Wenatchee, is adorned with pride flags and says “you are loved” several times. In addition, another billboard reading “Love thy neighbor” just went up in East Wenatchee. “There are a ton of people who see what we're doing and recognize that the message of, ‘love your neighbor,’ and ‘you are loved’ transcends a lot of ideology,” Soto said. “That's why we picked those messages. We want for them to be universal.” The billboards were partly paid for by donations from the community in Wenatchee. That community helped pick the messages and designs going on the billboards. “The reaction to it has been overwhelmingly positive,” he said. “It truly is a community effort.” Soto says it is that kind of positive engagement that will protect the billboards from vandals. “We’ve discussed that it was a possibility and it's one of those things like anything could happen, but I don't think that we're overly concerned about it,” he said. “I'm really impressed by the incredible amount of love that we've gotten from the community.” The two billboards are paid to be up for the next 12 months, with the intention to pay for them to go up beyond that. Meanwhile, Soto is looking at putting up more, smaller billboards around town. “We are looking at acquiring small ones, depending on what's available,” he said. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image3-2.jpg) In Wenatchee, America’s Family Month banner on the right, sponsored by a local Turning Point USA chapter and Grace City Church, will replace the Pride banner on the left that had flown for years during June, previously proclaimed by the City as “LGBTQ+ Pride Month”. ### **Billboards in response to new banner policy** The billboards were initially conceived as a way to respond to the city of East Wenatchee banning hanging banners on streetlights not a part of an approved list. Pride flags were excluded from that list. “We actually purchased the East Wenatchee billboard first,” Soto said. “That was in an attempt to help the community make their voice heard about their feelings about that decision.” That changed when Soto heard about Wenatchee’s decision to fly “Family Month” banners in June instead of the Pride flags that had flown the past five years. He decided it would be best to raise two billboards, one in East Wenatchee and another in Wenatchee. The family month banners in Wenatchee are set to replace the Pride flags that typically flew during June. Family month runs from Mother’s Day in early May to Father’s Day in late June. The family month banners in Wenatchee will fly from June 1 to June 30. The red, white and blue banners say “freedom” and “America’s Family Month.” The banners are sponsored by the local Turning Point USA chapter at the unaccredited school Vector College, which is operated by Grace City Church. Turning Point USA is the brainchild of conservative activist Charlie Kirk who was shot and killed in September. The Vector College chapter was founded in the weeks after his death. NCW Equity Alliance, the group that usually sponsors the Pride Banners, had applied a day before Turning Point, but the application was considered incomplete due to missing artwork. The city reached out to Juan Diaz, executive director of NCW Equity Alliance, and did not get a response until the next week. Diaz attributed the delay to a slow-responding vendor. The city operates on a first come, first serve basis for banner applications. Diaz had tried to appeal the city’s decision but was denied. Other groups had tried to claim that Turning Point filled out the application incorrectly. The application stated “Turning Point USA Vector College” instead of “Turning Point USA Vector,” which is the group’s name in the IRS non-profit database. Only not-for-profit groups are allowed to sponsor a banner in Wenatchee. The city acknowledged the mistake but categorized it as an “unintentional clerical error” in the application, according to Edgar Reinfeld, Wenatchee police chief and interim city administrator. The day after NCW Equity Alliance’s application was declined by the city due to initially missing artwork, the city approved Turning Point’s application even with their error. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image4-4.jpg) Newly covered flag poles at Boise City Hall | Courtesy Will Heatter ### **Idaho bans cities from flying pride flags** In Idaho, the state has outright banned all non-government flags, including the pride flag, from flying. The city of Boise has resorted to putting pride wraps on the city flagpoles since a state law was enacted banning the state’s capitol from flying Pride flags or face a steep fine for every day it flies. “The city’s actions are not defined by any action taken by the statehouse,” Boise Mayor Lauren McLean said. Bosie had flown a pride flag in front of city hall for years now, despite a law enacted in 2025 banning cities from flying unofficial flags. The law did not include a way to enforce violations. The city responded by classifying the Pride flag as an official city flag. After the law was amended this year to include the $2,000 fine, the city took down the Pride flag and wrapped the flagpoles in rainbow colors instead. Supporters of the law frame it in terms of neutrality. Government spaces, they argue, are funded by taxpayers and should not signal support for one group over another. Rep. Ted Hill (R-Eagle), who had been key in signing both flag bills into law, criticized Boise’s workarounds. “That’s lawless, insubordinate, and intolerable,” he said during a committee hearing. Bosie councilmember Meredith Stead said the goal is not to provoke, but to reflect the community. “I want Boise to be a place where people feel like they want to live in,” she said. “I’ve seen a positive response from the community and online.” At the same time, the city is operating within limits. “We have a commitment and obligation for taxpayers not to be fined,” Stead said. For Stead, the approach is less about defiance and more about continuity. “We’re not trying to be rebels,” she said. “We’re just trying to continue to communicate the values that we’ve long held.” ### **City park flag policy sparks dispute in Lynnwood** Elsewhere, residents in the Seattle suburb of Lynnwood are having issues getting the city government to raise a Pride flag for an event in June. Wilcox Park, which is home to 27 variants of American flags, seems like an obvious choice to fly a city pride flag, said Lynnwood Pride Director Charlette LeFevre. The group had requested the city raise a Pride flag at the park for the past three years – and had been denied every time. The city will fly a Pride flag at city hall this year, but LeFevre says that is too out of the way. Wilcox Park gets more attention than city hall, she said. “It really is invisible. It's extremely disappointing,” she said of the city hall flagpole location. “The visibility of that flag is so important.” The city did not have an official public Pride event until 2025, up until then the city had raised the Pride flag but the actual raising was only open to city employees. LaFevre had tried to attend in 2024 but was told by city officials to leave the event. “It seemed like they were just doing it for their own edification,” she said. “Personally, I've never heard of a private Pride flag raising.” The next year, the city held a public flag raising, which LaFevre said made it difficult for people to attend since it was in the middle of a workday. That year, Lynnwood Pride hosted a gathering at Wilcox Park where they tried to raise their flag on the center pole. It was taken down later in the day. The city adopted a stricter flag policy in September 2025, under the direction of then-mayor Christine Frizzell. Under the new policy, non-government flags can only be flown in front of city hall, at the mayor’s judgement. The new policy was not widely shared with the public and the rest of the city council, as current Lynnwood mayor George Hurst noted during a recent Lynnwood City Council work session. “The process was not very good when putting this policy together,” he said. Hurst added even though he was on city council when the policy went into effect, he had not heard of it until he took office in January. “I think it would have been a great benefit to the community and to the council to have been aware of this policy,” he said. “But after reading it and doing research, and discussions with the city attorney, I am confident this policy is fair.” Councilmember Isabel Mata suggested deferring any flag-related decision to the city council. “While our current policy may be fair, I think that it’s limited in the fact that it only allows for commemorative flags at the discretion of the mayor and only at city hall,” Mata said. “I feel that’s doing a disservice to our community when we have a wonderful flag park, as its named, that we could be doing something at.” Mata pointed to neighboring cities Bellingham and Bothell whose approval process to fly a non-government commemorative flag lies in the city council instead of the mayor. Since the original policy was enacted by the mayor as executive policy, the current mayor would have to sign off on it. In terms of this year’s Lynnwood Pride flag raising, it is scheduled as a three-hour event on the first Saturday of June in the early afternoon next to the city hall. LeFevre plans on hosting her own Pride event in Wilcox Park at the start of June, where she will once again attempt to raise the Pride flag on their own extension pole. “We’ll hoist our own flag, and it'll probably only be there for the day,” she said. “It is our expressive right to honor and recognize and hoist, albeit for just a few hours, the Pride flag for thousands to see. ### Pillion: A Raw Portrait of BDSM and Queer Love URL: https://www.stonewallnews.net/pillion-a-raw-portrait-of-bdsm-and-queer-love/ Last updated: 2026-07-22T15:47:55.000Z The film’s title, Pillion, can be interpreted in several ways. On one hand, it refers to the passenger seat on a motorcycle — a powerful symbol of vulnerability and reliance on the driver. On the other, it suggests being carried through life, dependent on the choices and control of others. In both interpretations, the meaning is clear: this film is about dominance and submission. Directed by Harry Lighton and based on Adam Mars-Jones’s novel *Box Hill*, the film stars Alexander Skarsgård as Ray, a brooding biker, and Harry Melling as Colin, a timid Gay man who becomes Ray’s submissive. Their relationship unfolds in the gritty streets of Bromley, London, where Colin, a barbershop singer living with his parents, is drawn into Ray’s world of leather, motorcycles, and BDSM. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design-2026-05-31T133833.321-1.jpeg) Alexander Skarsgård and Harry Melling / Pillion The plot is as much about power dynamics as about intimacy. Colin meets Ray at a pub, and their connection is immediate and electric. What begins as a sexual encounter in a back alley evolves into a complex connection. Colin becomes Ray’s submissive, cooking, cleaning, and sleeping on the floor at Ray’s command. Yet, amid the strict rules and rituals, Colin finds a sense of belonging and exhilaration he’s never known before. Melling delivers a deeply heartfelt performance, capturing Colin’s vulnerability and quiet strength. The character’s journey from naivety to self-awareness is both heartbreaking and inspiring. Melling’s portrayal is layered, showing Colin’s longing for love and his struggle to assert his own needs within the confines of their relationship. Skarsgård is magnetic. His physicality — tall, chiseled, and commanding — makes him the perfect embodiment of a dominant figure. But he doesn’t rely solely on his looks; he brings depth to Ray, revealing glimpses of insecurity and tenderness beneath his stoic exterior. His chemistry with Melling is undeniable, making their interaction both compelling and unsettling. The film doesn’t shy away from nudity or explicit scenes, but these moments are never gratuitous. They serve to deepen our understanding of the characters and their connection. And yes, we see Alexander’s butt — no prosthetics there, that’s real. However, the film makes use of a prosthetic penis, which has sparked plenty of conversation. One of the film’s strengths is its refusal to judge its characters. Lighton presents their relationship with honesty, allowing the audience to see the humanity in their choices. Yes, some scenes are shocking, but they are grounded in the characters’ realities. The film invites us to empathize with Colin’s loneliness and his desire to be seen and valued. But as events unfold, the question lingers: Is it too much? Colin’s devotion to Ray is unwavering, but at what cost? And what about Ray — does he truly care for Colin, or is he simply taking advantage of his submission? The film doesn’t offer easy answers, leaving the audience to grapple with the complexities of their dynamic. The supporting cast also shines, particularly Lesley Sharp as Colin’s mother, Peggy. Her concern for her son adds another layer of tension to the story, highlighting the generational and cultural gaps in understanding Queer relationships. Jake Shears, the lead singer of Scissor Sisters, also appears in a supporting role as part of Ray’s biker gang, adding to the film’s strange and unsettling atmosphere. Visually, Pillion is stunning. The cinematography captures the gritty beauty of London’s streets and the intimate moments between Colin and Ray. The scenes of Colin riding pillion on Ray’s motorcycle are particularly striking, symbolizing both his submission and his liberation. At just an hour and 47 minutes, the film flies by. Every moment feels purposeful, and every scene is charged with emotion and meaning. *Pillion* is not just a film — it’s an experience. It’s a bold and refreshing exploration of Queer relationships that doesn’t shy away from the complexities of desire and power. Watch it. You’ll leave the theater with questions — and that’s exactly the point. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/pillion-movie-poster-1.jpg?resize=2701%2C4000&ssl=1) Pillion ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/alexander-skarsgard-pillion-imdb.jpg?resize=889%2C667&ssl=1) Alexander Skarsgård / IMDb --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--32.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Philip Gladstone: Modern Intimacy in Male Nudes URL: https://www.stonewallnews.net/philip-gladstone-modern-intimacy-in-male-nudes/ Last updated: 2026-07-17T20:52:38.000Z In the ever-evolving world of contemporary art, the enduring appeal of the well-painted figure remains strong. Few artists embody this more than Philip Gladstone, whose work bridges centuries of tradition with a distinctly modern sensibility. Gladstone’s paintings are intimate, honest, and deeply rooted in the exploration of identity — most often focusing on the male form not as an idealized or heroic subject, but as a vessel for vulnerability, tenderness, and self-reflection. Born in 1963 in Philadelphia, Gladstone’s upbringing took him through Maryland, Maine, Florida, and Connecticut, following his father’s creative career as a graphic designer, illustrator, and cartoonist. Though Gladstone’s father never considered himself a “real” artist, he passed on a vast knowledge of art history and technique, offering an informal but rich education “at his knee.” Beyond these early influences, Gladstone is mainly self-taught, save for a formative summer at the renowned Skowhegan School of Painting and Sculpture at age 19. Gladstone’s journey into the art world was unconventional. Before devoting himself entirely to painting, he spent nearly two decades as the owner and operator of a frame shop and gallery in Connecticut. In 2004, he began auctioning paintings on eBay and, within months, found that art could comfortably support him. By 2008, he had relocated to Maine, establishing his studio in a renovated barn — an environment that continues to foster his deeply personal and experimental practice. The heart of Gladstone’s work is his sensitive portrayal of the male nude. He moves away from the gods and warriors of art history, instead painting men in quiet, everyday moments — lounging on wrinkled sheets, bathed in morning light, or lost in reverie. His nudes are not objects of conquest or fantasy, but stand-ins for himself and, by extension, the viewer. As Gladstone himself notes, “When you strip away the social constructs that seek to segment us, a clearer picture emerges, and our common humanity takes precedence over any differences.” His paintings invite viewers to see themselves — stripped of pretense, open, and vulnerable. Technically, Gladstone’s skill is evident in his confident compositions, mastery of light, and subtle rendering of flesh. His paintings often recall the chiaroscuro of Caravaggio and the compositional rigor of the Old Masters, yet they are unmistakably contemporary in their emotional resonance. Working primarily in acrylics, he employs a limited, earthy palette that heightens the sense of intimacy. Drawings and works on paper supplement his practice, capturing moments of immediacy and serving as preparatory studies and finished statements. Gladstone’s art has found a particularly devoted following in the LGBTQ+ community. Though not gay himself, his honest and unguarded depictions of male intimacy have filled a void in mainstream visual culture, offering gentle, respectful, and relatable portraits of longing, comfort, and everyday beauty. As he reflects, “I’ve always felt a little out of place and ‘different’ since childhood… I’d like to believe that by exposing my innermost self in a sometimes painfully honest, unashamed manner through my work, I can help others to celebrate their differences — the beautiful things that make them unique — and be okay with being different.” Gladstone’s artwork is increasingly showcased in prominent galleries, yet many collectors and enthusiasts discover it online. The interaction with his audience is crucial: “I spend hours working on each piece alone in a room, but it only truly comes alive through the eyes and minds of others once I’ve shared it.” This sincere exchange highlights the intimacy embedded in his paintings. **Frank Gaimari: What draws you to the male form repeatedly?** Philip Gladstone: I’ve often thought of my process as similar to that of a writer — perhaps a playwright — creating “characters” who act as stand-ins for myself. These characters may or may not resemble me, but they embody my deepest self. Because of this, they’re almost always nude, showing both their vulnerability and the feeling that the viewer is stepping into a private space. When I paint a male figure, I’ve discovered that, as I work, I begin to feel as though I inhabit his mind and body — as if I am him — rather than simply being an outside observer. When I was young and learning to draw, I attended as many as three life-drawing classes a week. One particular model — a male dancer who could hold any pose for improbable lengths of time — had a lasting impact on me. The work we did together felt like an epiphany, because when I drew him, it felt as though I was drawing myself — a sensation I had never experienced before. Later, when I had a family and a demanding job, time for painting became scarce, and models were hard to find. During those years, I often painted myself nude late at night using a mirror. I was the model for much of my work — nudes and otherwise — created in the early 2000s at the beginning of my professional career. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/untitled-design-63.jpeg) Look Back / Philip Gladstone **FG: Your paintings of the male nude have found a devoted LGBTQ+ audience. How does it feel to know your work resonates so powerfully in Queer communities, and do you feel any sense of responsibility or kinship because of their responses?** PG: That quickly became evident from the reactions when I first showed my work, and it was a pleasant surprise to make that connection. As a straight man, I never would have presumed to be qualified to speak about, or to, the experiences of the gay community. I was expressing myself — my state of mind — through the work. Yet, when you strip away the social constructs that seek to divide us, a clearer picture emerges, and our shared humanity takes precedence over any differences. Gay men told me they saw themselves in my work, and some initially assumed I must be gay, imagining that the feelings I was expressing were specific to that experience. They’re not, but as a rule, straight men in this culture seem to be terrified of admitting to those kinds of feelings, so I understand why it might seem that way. In the early days, I sometimes worried about how a gay collector might react upon discovering I was straight — would they reject me and view me as inauthentic, a charlatan? But the reality was quite the opposite: they were as surprised and delighted to discover our differences and commonalities as I was, and they welcomed the opportunity to explore them further. Our growing relationships became as meaningful, revelatory, and fulfilling to them as they were to me. It was kinship, without a doubt — and yes, it brought with it a responsibility to maintain and nurture the honesty and integrity that made these connections possible in the first place, and to continue creating a unique world within my work where anyone might recognize themselves once they look beneath the surface. The artist–collector relationship is, among other things, a partnership, with each doing their part to make the work possible and bring it to life. These relationships can be long-lasting and exceptionally intimate; in fact, my relationships with collectors have been among the most personal and fulfilling of my life. I am humbled and very proud that many collectors and fans in the Queer community have told me they see me as an ally, which I most assuredly am. Like many artists, I have always felt a little out of place and “different” since childhood. I’d like to believe that by exposing my innermost self, sometimes in a painfully honest, unashamed way, through my work, I can help others celebrate their own differences — the beautiful qualities that make them unique — and feel at peace with being different. **FG: How do you respond to viewers who see autobiographical meaning in your work— especially those who assume the art reflects the artist’s identity?** PG: They’re a reflection of myself and an exploration of identity in the broadest sense, but not in a literal or narrative way. I’m not sure I would go so far as to call them “autobiographical.” For example, I painted a long series over several years that people refer to as the “Tubs Series,” depicting nudes in clawfoot tubs surrounded by their pets, musical instruments, and other props. The series proved very popular, yet I don’t have a clawfoot tub and have never taken a bath in one. What inspired the series was the feeling of wanting to crawl into a safe, cocooned space surrounded by my favorite things for comfort — and that’s really what the series is about: what it feels like to be me sometimes. The “Museum Series,” while fun to paint and observe, also reflects feelings I’ve always experienced — confusion, exposure, and fear — in a world where I seek comfort, peace, and beauty, yet instead feel threatened and intimidated by authority figures. In these paintings, the nudes represent me (often a much younger version of myself, as these feelings date back a long time), while the clothed guard often serves as my nemesis, perhaps shaming me simply for being myself. About twenty paintings from the Museum Series were included in a show at the Las Cruces (New Mexico) Museum of Art earlier this year — a singular honor, made possible by long-time collectors who arranged to showcase their collection there. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/philipgladstonepainting18.jpeg) The Controversy / Philip Gladstone **FG: In what ways have the reactions and interpretations from Queer viewers shaped or surprised your own understanding of your paintings?** PG: They’ve often shown me, through their reactions and interpretations, what’s working and what isn’t in a piece — how well I’ve communicated and how close I’ve come to achieving a sort of universality. For me, communication is everything, so feedback is vital. I spend hours working on each piece alone in a room, but the work only truly comes alive through the eyes and minds of others after I’ve shared it. **FG: Do you find yourself consciously thinking about your audience’s expectations (Queer or otherwise) when you’re composing new work, or is the process entirely personal?** PG: I’ve always shared my work, for better or worse, in ‘real time’ with very little editing. This began in my early days on eBay, when I might list as many as three small paintings a day at auction. I’ve read that many performers — comedians, musicians, and others — describe being at their best when there’s a give-and-take with a live audience, and it’s a little like that for me. My audience’s expectations and reactions inform my work and often inspire new pieces. I’d be lying if I said I never think about my audience’s tastes and expectations. I haven’t had an outside job for more than twenty years, and this can be an unstable way to make a living at times. So, if I have five pieces in progress and a big tax bill coming due, for example, I might prioritize finishing the one I think will be the most salable. Still, it remains a very personal process, and even after all these years, I can have a panic attack when it’s time to reveal a new piece. I put so much of myself into each one, and I can be very experimental, often taking risks rather than simply repeating past successes. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/philipgladstone18.jpeg) Young Artist Laments / Philip Gladstone **FG: What do you hope viewers, regardless of identity, first notice or feel when standing in front of one of your male nudes?** PG: Once viewers overcome what can be a kind of reflexive embarrassment that people sometimes feel when confronted by a nude work of art, I hope they realize that what they’re looking at is honest and real — and that they might even see themselves in it. From there, they can appreciate the draftsmanship, brushwork, and other aesthetic qualities. I once did a brief series depicting nudes sitting on toilets, simply for the challenge of creating pieces with that subject matter in a way that wouldn’t provoke laughter. While there were a few giggles, the overwhelming reaction was along the lines of, “I’ve been there,” so I believe I was successful. **FG: For younger Queer artists struggling to find their voice, what advice would you offer about putting their authentic selves into their work?** PG: Trust your instincts, overcome fear, and steer clear of compromise at all costs. Collectors and others will recognize the authenticity in your work. They will want to enter your world, watch you grow, and offer support and encouragement as you navigate your unique, sometimes treacherous, and uncertain path. Philip Gladstone’s paintings do more than celebrate beauty. They encourage us to take our time, notice our own and others’ grace and vulnerability, and pay attention to the small moments that shape our modern lives. Each canvas lets viewers see the lasting importance of kindness, identity, and connection. This demonstrates that figurative painting, when executed honestly and skillfully, still has a great deal to reveal about who we are and the world we create together. Website: [https://www.philipgladstonestudio.com/](https://www.philipgladstonestudio.com/?ref=stonewallnews.net) Facebook: Instagram: [https://www.instagram.com/philipgladstone/](https://www.instagram.com/philipgladstone/?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/11/gladstone1.jpeg?resize=393%2C500&ssl=1) Self-Portrait / Philip Gladstone ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/philipgladstonepainting20.jpeg) The Bend / Philip Gladstone --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--30.jpg) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Another Gay Sequel: The Cult Classic Returns URL: https://www.stonewallnews.net/another-gay-sequel-the-cult-classic-returns/ Last updated: 2026-07-17T20:53:17.000Z On March 3, Breaking Glass Pictures is set to re-release the Queer comedy *Another Gay Sequel: Gays Gone Wild!* This campy, outrageous sequel from 2008 has cemented its place in LGBTQIA+ pop culture, celebrated for its fearless humor, star-studded cameos, and vibrant portrayal of the late 2000s. Rich Wolf, founder of Breaking Glass Pictures and an executive producer on the film, reflected on its enduring appeal. “The Gay community has come so far in the last two decades,” he said. “This film is a joyful time capsule of a pre-Grindr, pre-influencer era — when spring break was all about freedom, friendship, and living in the moment.” Written and directed by Todd Stephens, *Another Gay Sequel* picks up where the 2006 cult hit *Another Gay Movie* left off, following the beloved quartet of Andy, Nico, Jarod, and Griff. This time, the gang trades their college antics for a wild spring break in Fort Lauderdale, diving headfirst into a chaotic competition called “Gays Gone Wild!” The goal? Hook up with as many guys as possible to win the absurdly coveted title of “Miss Gay Gone Wild.” The film doubles down on its campy, comedic roots, delivering a sun-soaked spectacle of love, lust, and hilarity. Andy (Jake Mosser), no longer the awkward underdog, finds himself the center of attention — until he meets Luis (Euriamis Losada), a charming virgin who challenges his views on love and intimacy. Meanwhile, Nico (Jonah Blechman) faces his own crisis of confidence, escaping into a fantasy involving a shirtless merman played by adult film star Brent Corrigan. Jarod (Jimmy Clabots) and Griff (Aaron Michael Davies), now a committed couple, grapple with whether competing together will strain their relationship. Adding to the chaos is a scheming trio of competitors — all named Jasper — played by Will Wikle, Brand Lim, and Isaac Webster, who are determined to rig the contest in their favor. The film’s over-the-top celebrity cameos remain a highlight, featuring appearances by RuPaul, Scott Thompson, Willam Belli, and adult entertainment icons Michael Lucas and the late Colton Ford. One particularly memorable subplot involves gossip blogger Perez Hilton, who plays himself in a surreal storyline in which a head injury transforms him into a fire-and-brimstone zealot — only for another blow to the head to revert him to his old self. Upon its initial release, *Another Gay Sequel* was embraced by audiences for its raunchy humor, unapologetic queerness, and refusal to tone down Gay sexuality for mainstream comfort. Over the years, it has achieved cult status, celebrated as a snapshot of a moment in Queer media when camp, controversy, and sex positivity collided without restraint. To explore the film’s legacy and impact, I spoke with Todd Stephens, the creative force behind this beloved franchise. **Frank Gaimari: Looking back, why do you think *Another Gay Sequel* has maintained its cult status and remained relevant nearly two decades later?** Todd Stephens: The reason it achieved cult status and stayed relevant is pretty simple: it’s the kind of outrageous, over-the-top comedy that just doesn’t get made anymore. The film wasn’t afraid to push boundaries or even cross the line, all in the name of making people laugh. These days, comedies like that are rare, because so many filmmakers and comedians are worried about backlash or getting canceled. It’s a reminder of a time when people were bold — or maybe just wild enough — to be unapologetically themselves. Another big reason is the film’s sense of Queer joy and shamelessness. It wasn’t about the struggle of coming out or questioning your identity. The characters weren’t ashamed of who they were — they were just like any other teens in a comedy, trying to have fun and get laid. That kind of carefree, unapologetic portrayal of Queer life still feels refreshing today. And honestly, the film’s charm comes from its ability to laugh at itself and the community it represents, while still celebrating it. It doesn’t take itself too seriously, but it’s full of joy and authenticity. That mix of fearless humor and shameless celebration is what’s kept *Another Gay Sequel* alive as a cult classic all these years later. **FG: How do you feel the landscape of Queer cinema has changed since the film’s original release in 2008, and where do you see it heading?** TS: The landscape has changed in fascinating ways since the release of *Another Gay Sequel*. Back then, when Queer content was being made, the hope was always that it could cross over and reach audiences beyond the LGBTQ+ community. That was the goal: to create something that resonated universally while still being rooted in Queer experiences. Now, we’re seeing a shift in which Queer stories are not only crossing over but also becoming mainstream cultural phenomena. A great example is *Heated Rivalry*, a TV series that features graphic sex scenes and has become the talk of the nation. The fact that something so unapologetically Queer can spark such widespread attention and conversation is a huge step forward. It shows that audiences are ready for more bold, authentic Queer content. Looking ahead, this kind of success opens the door to more Queer stories being told, hopefully with larger budgets and greater resources. It’s an exciting time, and the future of LGBTQ+ cinema looks brighter than ever. **FG: What was it like for you to revisit this film for the re-release? Did it bring back any specific memories or emotions from when you first made it?** TS: Revisiting *Another Gay Sequel* for the re-release was both surprising and emotional. I hadn’t watched it in a long time, and when I did, I was shocked — I really liked it! It brought back a lot of memories, some tough ones included. The shoot was challenging, because we lost three of our lead actors right before filming started. But once we got into it, it became so much fun. Watching it now, I see the sense of freedom we had while making it. I’ve never had more fun making a film. Creating this magical, Queer, crazy world and living in it for three or four weeks was an absolute joy. That’s the main memory it brings back — just how much fun it was. When I watch it now, I can’t help but smile. **FG: What message do you hope a new generation of viewers will take away from *Another Gay Sequel*?** TS: The message I hope they take away is the importance of community and of real, in-person connection. When I watched the credits recently, I realized that all the Queer resorts we filmed at are now gone. It hit me how much has changed since we made the movie. Back then, the iPhone had just come out, and now we’re so glued to our phones and the digital world that we’ve lost some of that sense of community. I want people to step away from their screens and go support Queer spaces — whether it’s a local resort, bar, or any place where the community gathers. There’s something so special about meeting people face-to-face and connecting in real life. I know younger people crave that too. My students talk about wanting those kinds of experiences, even if it’s hard to break the habit of being online all the time. There’s nothing like being with your community in person, and I hope this film reminds people of how important that is. **FG: The film is unapologetically campy and raunchy. What inspired you to lean so heavily into those elements, and how did you balance humor with meaningful storytelling?** TS: The films were heavily inspired by one of my filmmaking idols, John Waters, who had a big influence on me with his campy and raunchy style. I also drew inspiration from the movies I loved growing up, especially the raunchy teen comedies like *Porky’s* and parts of *Fast Times at Ridgemont High*. Those kinds of films were a big part of my coming-of-age, but they never represented us. I always thought, if straight people can have raunchy sex comedies, why can’t Gay people? That idea really drove me. I wanted to make movies for the younger generation — films I would’ve loved to sneak into or discover when I was a kid. As for balancing humor with meaningful storytelling, I think it comes down to this: underneath all the laughs and outrageousness, there’s always a deeper layer. The characters in these films aren’t struggling with their sexuality — they know they’re Queer — but they’re trying to figure out what that means for their relationships. Are they monogamous? Promiscuous? Where do they go from here? Those were questions I was grappling with myself at the time, and some of that realness naturally found its way into the stories. So, while the films are campy and raunchy on the surface, they also explore identity and relationships, giving them depth. **FG: The characters in the film each have distinct, memorable arcs. Were any of their storylines inspired by personal experiences or people you’ve known?** TS: As the writer, I’d say there’s a part of me in all the main characters. I’ve been in a relationship for 40 years, and at the time, I was trying to figure out what that meant — working through questions about the rules of our relationship and how to navigate it. Those were things I was personally dealing with, and as writers often do, I used my work to process those conflicts. So yes, many of the film’s themes and storylines were influenced by my own experiences. **FG: Final question: How would you describe the film, and what makes it a must-watch for audiences today?** TS: I’d describe *Another Gay Sequel* as a joyful, unapologetically ridiculous escape. The film was made during the conservative Bush era, making it feel like a bold act of resistance against that political climate. Looking back, that time seems almost tame compared to what we’re dealing with now, but the message still resonates. In this world of darkness we live in, I’d invite people to take an hour and a half to just laugh, have fun, and embrace silliness. The film is a reminder that we, as a community, can be crazy, dramatic, and ridiculous and still find joy in it all. Laughter is healing, and there’s not enough of it in the world right now. That’s what makes this film a must-watch today — it’s an escape, a celebration, and a reminder of the power of humor. As for the future, people have been asking for years about a third installment. Interestingly, I recently had dinner with three of the original cast members, and we started brainstorming. Maybe now, in this dark Trump era, is the perfect time to bring it back. I’ve got my thinking cap on, and I’m working on some ideas. Who knows? Maybe there will be Part 3 someday. Mark your calendars: *Another Gay Sequel: Gays Gone Wild!* will be available on all major streaming platforms starting March 3\. Whether you’re revisiting the chaos or experiencing it for the first time, this cult classic promises a wild ride you won’t forget. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/another-gay-sequel-gays-gone-wild-movie-poster-imdb-1.jpg?resize=972%2C1476&ssl=1) Another Gay Sequel: Gays Gone Wild! ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/another-gay-sequel-gays-gone-wild-still-imdb.jpg?resize=800%2C531&ssl=1) Another Gay Sequel: Gays Gone Wild! / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/another-gay-sequel-jonah-blechman-imdb.jpg?resize=800%2C531&ssl=1) Another Gay Sequel: Gays Gone Wild! / Jonah Blechman / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/todd-stephens-headshot-imdb.jpg?resize=800%2C600&ssl=1) Todd Stephens / IMDb --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--22.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Pacific Northwest’s LGBTQ+ Community Discovers Inclusive Faith Spaces URL: https://www.stonewallnews.net/pacific-northwests-lgbtq-community-discovers-inclusive-faith-spaces/ Last updated: 2026-07-23T16:38:00.000Z > This article is published through a content partnership with [FaVS News](https://favs.news/?ref=stonewallnews.net), the only digital newsroom in America devoted entirely to local religion reporting. Across the Pacific Northwest, LGBTQ+ people are finding welcoming churches where faith and identity can coexist. In a world where LGBTQ+ and Christian are often viewed as two incompatible identities, affirming churches across the Pacific Northwest are addressing the conflict head-on through groups formed specifically for LGBTQ+ people who are exploring faith. “We often talk about how we feel too queer for Christian spaces, and too Christian for queer spaces,” Lindsey Montzingo, co-leader of a group called [Queer and Faithful](https://www.queerandfaithful.org/home?ref=stonewallnews.net), said. “This is kind of that perfect place, where we can fully be ourselves.” Queer and Faithful, which was founded by a former interim pastor at [Salt House Church](https://salthousechurch.org/?ref=stonewallnews.net) in Kirkland, Washington, is just one iteration of the many types of LGBTQ+ Christian groups that can exist. Some meet exclusively to discuss Christian topics, some meet solely to form community among LGBTQ+ people, and some are a mix of both. Some groups are explicitly tied to a religious organization, while others are operated by the church but are not explicitly Christian spaces. One unifying factor among all groups, however, is the desire to provide LGBTQ+ people a place where they can feel like they belong — especially when the larger Christian world doesn’t promote that message. ### **‘A breath of fresh air’** That’s exactly why Ryan Moeller, the other co-leader of Queer and Faithful, joined the group. Having been raised Christian, he stepped away from the faith as he discovered his LGBTQ+ identity. After that, he said that he struggled to reconcile both parts of himself and find a community that celebrated both of his identities. “When I first found Salt House as a church, and was introduced to the group the first time, I felt a breath of fresh air,” he said. “These people are living an authentic life.” Montzingo agreed. “There’s so many people on the queer side of the debate who say the church isn’t accepting of you, ‘Why don’t you just leave,’” they said, adding that there are “so many people on the Christian side who say, ‘Why don’t you just not be queer anymore.’” LGBTQ+ Christian groups are a place where people don’t have to struggle with that tension, Montzingo said. “You just can’t get that level of understanding outside of having that place that’s just for us,” they added. ### **‘Need for a safe space’** Having religious groups for LGBTQ+ people is especially important in today’s political climate, according to the Rev. Adam Conley, a priest at [Saint Mark’s Episcopal Cathedral](https://saintmarks.org/?ref=stonewallnews.net) in Seattle, Washington. Conley also helps lead the church’s [Queer in Christ](https://saintmarks.org/justice/queer-in-christ/?ref=stonewallnews.net) group, which organizes Bible studies and social events for LGBTQ+ people and allies. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image7.jpg) Memorial Day Campout Event (Contributed). St. Mark’s used to have a different LGBTQ+ group years ago, but it disbanded once LGBTQ+ Christians saw themselves represented in leadership at the church, Conley said. A few years ago, the church once again started up an LGBTQ+ Christian group under its roof. “I think there was a real identification again with a need for a safe space to gather and to connect and to explore some of the questions of what’s happening around us,” Conley said.”I think there’s a need to have conversations around our lived reality in the world as it is right now.” The LGBTQ+ Christian groups are a place to explore the intersection of those identities, but most groups don’t require people to be religious — which is giving some LGBTQ+ people the place to explore faith again. “I think there’s a real curiosity about what Christianity can look like if it’s not brow beating you over the head because of some perceived sexual ethic,” Conley said. “The body of Christ has always been diverse. Anything that tries to shut that down is actually, I think it’s anti-Christian, in my opinion.” ### **‘Being both queer and Christian’** Many of the groups have social hours — including hikes, bowling, board games and more — as well as discussions that tackle tough topics, like the intersection of being LGBTQ+ and Christian. Queer and Faithful, for example, organized a Bible study where a central question being considered is “how our queerness impacted our faith,” according to Montzingo. “We’re kind of there to meet people in the middle,” Moeller added. “We’re a safe space to come and explore that, whether you want to dive into a text or a book study or spend time with people in the same journey, that’s kind of the space we’ve created through our events and through our Bible and book studies and such.” Overall, one goal many groups discussed was the desire to show people it is possible to align both identities that can be seen as polar opposites. “For us, it’s more about being visible and being comfortable being both queer and Christian,” Montzingo said. “Like it or not, we deserve a place in the church, too,” they said. ### **‘Queering’ the church** For some religious institutions, “queerness” is woven into the very fabric of the church’s existence. [Sunnyslope Church](https://www.sunnyslopechurch.org/?ref=stonewallnews.net) in Wenatchee, Washington, is an example. The church both sponsors a LGBTQ+ affinity group and has a leadership team that consists predominantly of LGBTQ+ people, which affects the church’s outlook on the gospel. “I think the way that we understand our relationship to the gospel is we’re called to be the breakers of binaries, which separate and divide people, and we are called to subvert power structures,” the Rev. Dane Breslin said. “That’s very much a part of our ethos.” That way of viewing the world is not limited to LGBTQ+ people, Breslin added. “To queer something, as a verb, is something everyone should be in the work of doing regardless of sexual orientation and gender identity,” he said. [The Community of Hope Mennonite Church](https://www.communityofhopechurch.com/?ref=stonewallnews.net) based in Bellingham, Washington, approaches theology with a similar perspective, focused on “centering queer theology” according to Pastor Rachael Weasley. “Queer theology,” according to Weasley, transforms “all the things we do in the life of our church, for the benefit of queer people and everyone else who comes.” The theology involves drawing connections between LGBTQ+ theory, Biblical studies and interpretations of political events, Weasley said. It also means that, “when we’re looking for God, we’re looking for God on the edges, and in between, not just in binaries,” she added. That mentality shows up in practical ways, like through the use of a variety of pronouns for God when doing liturgies, or imagining God being nonbinary. The church has a large population of LGBTQ+ people, Weasley said, but is by no means exclusive to people who belong to the LGBTQ+ umbrella. “I just think queer theology is good news for everyone,” she said. ### Out & In Business | Why Am I Exhausted From the Business I Built for Freedom? URL: https://www.stonewallnews.net/why-am-i-exhausted-from-the-business-i-built-for-freedom/ Last updated: 2026-07-12T18:58:48.000Z > Your business is allowed to change because you are allowed to change. You can adjust, simplify, rebuild, or redefine what success means now. You don’t have to burn everything down to make a different choice. Many of us start our own businesses with a vision for more freedom, more flexibility, and more alignment with the lives we actually want to live. We want the ability to make decisions rooted in our values instead of following someone else’s definition of success. Many of us start our own businesses with a vision for more freedom, more flexibility, and more alignment with the lives we actually want to live. We want the ability to make decisions rooted in our values instead of following someone else’s definition of success. And yet, even the most intentional business owners can reach a moment where they wonder, “Why does this feel harder than I thought it would?” The answer usually isn’t that you chose the wrong path or that you aren’t cut out for entrepreneurship. More often, it’s that somewhere along the way, the habits and expectations we were trying to leave behind quietly found their way into what we built. Many of us leave traditional workplaces but unintentionally carry the same rules with us. We measure success by constant productivity. We feel pressure to always be available. We say yes because we care. We push through exhaustion because we believe that’s what committed people do. Without realizing it, we can recreate the same systems we wanted freedom from, except now we’re the ones enforcing them. For queer and marginalized business owners, this can be especially layered. Many of us have spent years learning how to adapt, anticipate other people’s expectations, and prove that we belong. Those skills often come from resilience and survival, and they may have helped us get where we are today. But the tools that helped us survive aren’t always the same ones that help us build sustainable, fulfilling businesses. The beautiful thing about creating something of your own is that you also get to choose how it evolves. The first version of your business was likely built by the version of you who needed it most. Maybe that version needed stability, validation, income, or proof that your idea could work. There’s nothing wrong with that. That version of you deserves gratitude. But you are also allowed to ask new questions. Instead of asking, “How do I do more?” you might ask, “What actually matters?” Instead of asking, “How do I keep everyone happy?” you might ask, “What allows me to keep showing up?” Instead of asking, “What should a successful business look like?” you might ask, “What do I want success to feel like?” Because freedom doesn’t automatically happen when you become self-employed. Freedom is something you intentionally build into your business. It shows up in your boundaries. Your pricing. Your schedule. Your offers. The people you work with. The way you define “enough”. A business can look successful from the outside and still feel unsustainable on the inside. More followers, more sales, and more opportunities don’t necessarily mean more alignment. Success that requires you to abandon yourself isn’t the kind of success most of us set out to create. Your business is allowed to change because you are allowed to change. You can adjust, simplify, rebuild, or redefine what success means now. You don’t have to burn everything down to make a different choice. Sometimes the most powerful shift is simply remembering why you started. You didn’t create your business just to build another place where you have to prove your worth. You started because you imagined something different. You’re still allowed to build that. If you’ve built something meaningful but find yourself wondering, “Why doesn’t this feel the way I hoped it would?” — that’s the kind of conversation I love having. I help purpose-driven business owners create businesses rooted in clarity, sustainability, and success on their own terms. Reach out at [hello@loveyourlife.co](mailto:hello@loveyourlife.co) — let’s explore what’s possible for you and your work. --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-2-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### Out on the Ranch: At the Mouth of a Magical Valley URL: https://www.stonewallnews.net/at-the-mouth-of-a-magical-valley/ Last updated: 2026-07-12T17:42:34.000Z At the mouth of Robe Valley, tucked into the foothills of the Cascade Mountains, lies a well-traveled route of humanity. It is in western Washington, north and east of an area the Indigenous peoples used as a portage between two rivers, now known as the city of Granite Falls. The Mountain Loop Highway is a National Scenic Byway through the Mt. Baker-Snoqualmie National Forest. It is a loop within the larger Cascade Loop. Reaching into the mountain peaks, the route circles back west over Barlow Pass. The ranch is on land, in a loop, within another loop, of travel that has brought people to this wilderness for a long time. About seven miles from town, after gaining some elevation, early gold prospectors reached the Green Mountain plateau on the north side of the valley. Glaciers wore down the mountain ridge and left behind a broad rocky bench, upon which a portion of the ranch now occupies. The South Fork Stillaguamish River carved out the valley as it headed back toward town. In the early 1890s, prospectors cut spur roads through the area, creating what became the main driveway at the ranch. The rest of ranch drops steeply down the valley wall by way of a switchback road. To push their road farther into the valley, the prospectors followed the creek that still runs through the center of the property. One-third of the ranch is old and young-growth forest along the original Mountain Loop. Another third is forested frontage where the modern highway now passes by. The final third is the meadow that sits atop the Green Mountain plateau. We look across the valley to the north face of Mt. Pilchuck, one of the most photographed mountains in Washington. Long before highways, prospectors, or property lines, people passed through this opening in the mountains. Rivers, trails, logging roads, and now highways have all followed the same invitation. Today, the Mountain Loop Highway is the modern route allowing humanity to explore this area. There is no doubt that something at this plateau overlooking the valley catches people's attention. This is one of those thin places, and it is tangible. Spend enough time here and the meadow seems to speak in its own quiet way. Visitors often tell us they don't know why they turned up the driveway. They simply felt they should. Every summer the meadow seems to cast another quiet spell. The chicory awakens with the morning sun, opening hundreds of sky-blue blossoms across the field as if reciting the day's first incantation. By afternoon the blossoms begin to fade, folding closed again before evening, only to repeat the ritual with fresh flowers the next sunrise. It is an enchantment so ordinary that many people drive right past it. Folklore has long regarded chicory as a magical plant. It was carried to invite abundance, planted for protection, and gathered for spells meant to clear obstacles from one's path. Standing in a mountain meadow filled with blossoms that faithfully appear each morning, only to vanish again by dusk, it's easy to understand how our ancestors found meaning in their rhythm. Over twenty years, we have noticed a pattern. Everyone driving up the old spur road entrance leaves changed. For some maybe it's a nudge, for others a core memory, and for a few a shift to a higher plateau. The spiritual magic here is real. The meadow asks them to observe. The forest asks them to listen. Children seem especially receptive to the magic of the land. The free ranging alpacas and chickens, set the pastoral scene and invite people to slow down and join in the unhurried pace. The mountains participate as well, framing our human presence with their embrace. At the opening of the Obama Presidential Center, former first lady, Michelle Obama summed it up, “You know, that feeling when you clear the tree line and see a vista that takes your breath away. A feeling that can never be erased…Because that's the work of democracy too. Being neighborly. Taking care of public spaces. Having some fun enjoying each other. Shaking out of the isolation and division that have crept too deeply into our lives." Perhaps that is what places like this are meant to do. They remind us that we are not separate from nature but part of it. We are not the ones who seek isolation in the mountains but are drawn to build communities at these confluences. Every morning the chicory opens its blue blossoms once again, as if welcoming the next passerby. The Robe Valley has been gathering travelers for a very long time, offering moments of wonder, reflection, connection, and belonging. We are simply fortunate that this magical mountain meadow is one of the stops along the way. --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-2-1-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Stonewall Pride Guide to 105 PNW Pride Events in WA, OR, ID, and MT URL: https://www.stonewallnews.net/stonewall-pride-guide-to-105-pnw-pride-events-in-wa-or-id-and-mt/ Last updated: 2026-07-23T16:36:36.000Z ### JUNE 2\. **June 5–7, Burien Pride** \[WA\] Pride celebrations in Burien, WA, kick off with a dance party on the streets of the city — Burien Town Square Park, to be exact — on Friday, June 5 from 5 to 10 pm. There will also be a beer garden available to those 21+. The next day, the 10th annual Burien Pride All-Day Street Festival will begin at 10 am in the Town Square. It’s a family-friendly event with live music, DJs, drag performances, vendors, and an area for kids with fun activities all day long. The kids’ area will be open until 6 pm, vendors will be there until 7 pm, and a beer garden for those over 21 will be open until 10 pm. The next morning, on Sunday, you can fill your stomach with pancakes and your heart with drag at Drag Queen Bingo & Pancakes from 10 am to 3 pm, also at the Town Square. All proceeds from the pancake sales support a Burien Pride High School scholarship, which is awarded by the Highline Schools Foundation to local students. More details on the ticketed Sunday event [here](https://www.burienpride.com/all-events/2025/3/2/530-ehmrl-wcepm?ref=stonewallnews.net). 3\. **June 5–7, Yachats Pride** \[OR\] If you like your Pride celebrations with a bit of Western flair, Yachats Pride might be the festival for you. At the Yachats Commons, on Friday, June 5, you can kick up your high-heeled boots at the opening ceremony and CowFolk chili and baked potato dinner, with a live performance by Ina Saffire Doll and Drag Bingo, plus a show hosted by the Haus of Blunt. The next day, join Yachats Pride for a Trans Tea Party Panel, an educational event with conversation led by local Trans leaders. A free light lunch will be provided. “Attendees are invited to listen, learn, ask questions, and build understanding in a safe, welcoming, and supportive environment,” the event description reads. The tea party panel will be followed by a petting zoo at 2 pm in the grassy area behind the Commons. At 5 pm, doors open for a 16+ variety show called “Way Out West Follies.” The event will feature a full dinner service, and performers that run the full gamut from local drag to live line dancing, from knife throwing to whip tricks and lasso artistry. Afterward, from 8 to 10 pm, there’s a hoedown hootenanny dance party with line dancing lessons. On Sunday, June 7, the Commons will be open from 9 am to 3 pm for a community market with local vendors, a picnic hosted by Yachats Presbyterian Church, Queer Karaoke hosted by KJ Sagee, an animal adoption event hosted by the Waldport Animal Shelter, and a Puppy Parade from 1 to 2 pm with prizes for every puppy. More information on the festival [here](https://yachatspride.org/schedule?ref=stonewallnews.net). 4\. **June 6, Hillsboro Pride** \[OR\] There are few details available yet, but Hillsboro Pride has announced that its annual celebration is scheduled for June 6\. More information [here](https://www.facebook.com/events/1591510091996846/?ref%5Fsource=NEWS%5FFEED) when available. 5\. **June 6, Woodinville Pride** \[WA\] On Saturday, June 6, Woodinville Pride will host its fifth annual free celebration in Woodinville, WA, from noon to 5 pm. Last year, its Pride had food trucks, live entertainment, and a free shuttle service from the Wilmot Gateway Park, where the event was hosted, to the Park & Ride. If you’re interested in vending or performing at this year’s Pride, you can apply [here](https://woodinvillepride.org/?ref=stonewallnews.net). More information on the schedule of events for the day will be posted [here](https://woodinvillepride.org/?ref=stonewallnews.net) when available. 6\. **June 6, PhinneyWood Pride Rainbow Hop** \[WA\] The Phinney Neighborhood Association (PNA) is hosting its 13th annual Pride Rainbow Hop on June 6 from 9:30 am to 1:00 pm in Seattle. The event is a free parade of sorts from 67th to 87th along Greenwood Avenue. You can get a free map with a list of activities and participating local businesses, which have themed fun planned. Participating kids can get stamps on their maps, and those with at least six can exchange their maps for a free Woodland Park Zoo ticket. Some of the events on the list include a free antibullying play at Taproot Theatre, a Senior Pride Parade at the Greenwood Senior Center, and Drag Queen Story Time at the Greenwood Library. More details on the hop can be found [here](https://www.phinneycenter.org/events/rainbow-hop/?ref=stonewallnews.net). 7\. **June 6, Stanwood-Camano Pride** \[WA\] On Saturday, June 6, you can celebrate the fifth annual Stanwood-Camano Pride from noon to 4 pm at Freedom Park on Camano Island. The family-friendly celebration will feature vendors, live performances, and local organizations tabling with information. More information on the event can be found [here](https://stanwoodcamanopride.com/event?ref=stonewallnews.net#event-map). **June 6, Southern Idaho Pride** \[ID\] There are not many details on the website as to what you can expect from this celebration, but [Southern Idaho Pride ](https://sites.google.com/southernidahopride.org/sip/twin-falls-pride?ref=stonewallnews.net)is holding a Pride Rally at Twin Falls City Park in Twin Falls, ID, on June 5, and the Twin Falls Pride Festival in Twin Falls City Park on June 6. 9\. **June 6, White Center Pride** \[WA\] Go “All Out” at White Center’s 7th Annual Pride Street Festival, hosted by White Center Pride. The “All Out” theme is inspired by the way the community has gone all out for each other, as well as the aspiration that all Queer people in the community can feel safe and proud being out. There will be food, vendors, entertainment, beer gardens, a resource fair, and a kids’ area at the street festival. Additional details on time and location will be announced soon [here](https://www.whitecenterpride.org/white-center-pride-street-festival?ref=stonewallnews.net). 10\. **June 6, Kittitas County Pride** \[WA\] Join [Kittitas County Pride](https://www.kittitascountypride.org/events/2026-drag-show?ref=stonewallnews.net) for a free parade — which begins at the Ellensburg Rodeo Grounds at 11 am and continues toward downtown Ellensburg — on June 6 from 11 am to 1 pm. That evening, there will be a drag show from 6 pm to 11 pm. Tickets are on sale now [here](https://donorbox.org/events/928369/steps/choose%5Ftickets?ref=stonewallnews.net) 11. **June 6, CDA Pride** \[ID\] This year, the North Idaho Pride Alliance is celebrating its 10-year anniversary as a nonprofit organization and hosting a monthlong CDA4Pride campaign to celebrate Pride the entire month of June with a “variety of in-person events, activities, and educational opportunities for all ages to raise awareness and build community.” The main [Pride in the Park festival ](https://www.nipridealliance.com/cda4pride?ref=stonewallnews.net)will be held at the Coeur d’Alene City Park from 11 am to 6pm on Saturday, June 6\. It will feature a full lineup of performers, headlined by special guest, [musician Amelia Day](https://www.ameliadaymusic.com/?ref=stonewallnews.net). Last year, there were over 3,500 attendees. CDA4Pride has an interesting history: In 2022, [31 members of the Patriot Front](https://www.npr.org/2022/06/15/1104481518/idaho-pride-lgbtq-patriot-front?ref=stonewallnews.net), a white nationalist group, were arrested — pulled out of a U-Haul with riot gear and smoke bombs — on their way to the Pride event downtown. That same year, a far-right blogger falsely accused Eric Posey, a local drag performer, of exposing his genitals during an all-ages performance at the CDA4Pride Festival. (Posey later won over $1 million in [a defamation case](https://www.advocate.com/news/idaho-drag-eric-posey-defamatio?ref=stonewallnews.net) against the blogger.) Since drawing national attention in 2022, the community has rallied around CDA4Pride, and in 2025, there were over 2,500 attendees celebrating at the annual CDA4Pride event. With the [continued](https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://idahocapitalsun.com/2026/03/31/idaho-governor-signs-bill-to-criminalize-trans-people-using-bathrooms-that-align-with-their-identity/&ved=2ahUKEwjM1ZGi8%5F2TAxVtOTQIHaVZMhsQFnoECBsQAQ&usg=AOvVaw0swHvx3qndS8MPnZwaYR%5Fo)[ barrage](https://stonewallnews.net/articles/boise-makes-pride-flag-an-official-city-flag-in-jab-at-idaho-law/23669/?ref=stonewallnews.net#:~:text=the%2520state%2520level.-,This%2520session,-%252C%2520the%2520Idaho%2520Legislature) of anti-Queer and anti-Trans policies coming out of the Idaho legislature, it is more important than ever to show up and show out for Pride festivities in Idaho! 12\. **June 6, Chelan Pride** \[WA\] Chelan Pride is hosting its fifth annual celebration at Riverwalk Park from noon to 4 pm. The theme this year is “No Permission Needed,” and the event seeks to honor the Queer history of rebellion and the Black and Brown Trans people and sex workers at the forefront of that rebellion. Pride didn’t begin with a picnic or a parade, the [website reads](https://chelanpride.org/?ref=stonewallnews.net); it began as a riot. The event is family-friendly and has free admission, and will feature live music, local vendors, and community resources. 13\. **June 6, Seabrook Pride Celebration** \[WA\] Last year, Seabrook, WA, hosted its very first Pride celebration. … The [2026 celebration](https://www.seabrookwa.com/events/outdoor-activities/seabrook-pride-celebration/?ref=stonewallnews.net) is taking place on Market Street from 10 am to 3 pm. There will be live DJ, food trucks, local vendors, and interactive activities all day long. Because Seabrook is a beach town where 90% of the population at any given time is part-time or vacationing, there are plenty of rentals available for anyone wanting to make a weekend out of traveling to a quaint beach town to celebrate, and the city is encouraging people to book a rental and stay for the weekend. 14\. **June 6, Seattle, Pride in the Park** \[WA\] Seattle’s Pride Month event calendar is booked full, but it starts with Pride in the Park at Volunteer Park on June 6, from noon to 7 pm. This is the 16th annual Pride in the Park, and will feature live music, arts, and performances all day long. If you want to vend or perform at the event, you can sign up [here](https://seattlepride.org/seattle-pride-month?ref=stonewallnews.net). 15\. **June 6, Walla Walla Pride** \[WA\] Walla Walla Pride will be back in downtown Walla Walla, WA, for the sixth year in a row on June 6 from noon to 5 pm at Heritage Square Park. This year, the theme is “Stronger Together, Más Fuertes Juntos.” As always, the celebration is free and family-friendly. You can sign up to volunteer or vend, or learn more info, [here](https://wallawallapride.com/?ref=stonewallnews.net). 16\. **June 6, Port Townsend Pride** \[WA\] Pride in Port Townsend, WA, is back and even bigger than last year. The [event](https://www.theproductionalliance.org/ptpride?ref=stonewallnews.net), scheduled for June 6 from noon to 5 pm, will feature more than 65 vendors, a boat parade, live drag, live music, a kid zone, and a sensory zone. The Production Alliance organizers are featuring a history of Port Townsend Pride on their [website](https://www.theproductionalliance.org/pride-history?ref=stonewallnews.net), which describes how the event emerged after a 2018 Women’s March, with the inaugural Pride happening that same year. 2025 was a particularly successful year for the celebration, with more than 3,000 attendees, and more than $20,000 raised through business sponsorships to support Pride. The 14-boat parade was a big highlight, bringing the Pride spirit to the waterfront. 17. **June 6, Snohomish Pride Parade** \[WA\] Starting at 10 am on June 6, Out in Snohomish is hosting the Snohomish Pride Parade and Pride Market. Both events are billed as all-ages and free to attend. The Parade runs downtown and ends at 11:30 am, while the Pride Market — featuring “LGBTQIA+ and BIPOC artists, makers, nonprofits, and community organizations,” — runs from 10 am to 3pm. More details will be available [here](https://www.outinsnohomish.org/pride-2026?ref=stonewallnews.net) as the event grows closer. You can still sign up to [vend](https://www.outinsnohomish.org/pride-market-sign-up?ref=stonewallnews.net), [march](https://www.outinsnohomish.org/parade-sign-up?ref=stonewallnews.net) in the parade, [volunteer](https://www.outinsnohomish.org/volunteer?ref=stonewallnews.net) and [sponsor](https://www.outinsnohomish.org/sponsor-pride?ref=stonewallnews.net). While the main Pride event is scheduled for June 6, Out in Snohomish is also hosting a variety of other Pride events throughout the month of June. On June 13, it’s hosting an all-ages potluck with storytime at the Snohomish Library at Hill Park from 4 to 7 pm. Following the potluck will be a 21+ drag show at the Helios Ballroom from 7 to 10 pm. The next morning, you can power through a hangover in community at an all-ages drag brunch hosted from 11 am to 1 pm on Sunday, June 14, at Jardin el Sol. And, all month long, Out in Snohomish is also hosting a Pride Passport program to encourage supporting Queer-supportive businesses. More info on all that [here](https://www.outinsnohomish.org/pride-2026?ref=stonewallnews.net). 103\. **June 6, Pullman Pride** \[WA\] The Pride march leaves Cougar Plaza at 1:30 pm and arrives at Reaney Park for the main festival, with live performances, a community voices open mic, local vendors, food, youth activities, and interactive events throughout the day. Guests are encouraged to bring picnic blankets and enjoy the community, food, and activities in a relaxed festival setting. More info can be found [here](https://www.visit-pullman.com/event/2026-pullman-pride-%25E2%2580%2593-june-6-2026/617/?ref=stonewallnews.net). 18\. **June 7, Curry County, Pride in the Park** \[OR\] Southern Oregon Coast Pride is hosting a Pride festival in Azalea Park in Brookings, OR, on June 7\. The event will feature free lunch, face painting, a live DJ, a silent auction, vendors, and various arts and crafts. They’re still seeking vendors and volunteers: sign-ups and more information are available [here](https://www.socpride.org/pride-in-the-park?ref=stonewallnews.net). 19. **June 7, Clark County Pride** \[WA\] At 11 am, the sixth annual Rainbow Walk begins at the La Center Bridge in La Center, WA. Immediately following is the Pride Festival at Holley Park, which runs until 4 pm. Both events are hosted by Clark County Pride. More information on the events and sign-ups for vending are available [here](https://clarkcountypride.com/rainbowwalk2026?ref=stonewallnews.net). 20\. **June 7, Thurston County Pride** \[WA\] From noon to 6 pm, you can check out the fourth Annual Thurston County Pride Festival, hosted by Lady L’s Promotions. The free event takes place at the Thurston County Fairgrounds and will feature DJ Hawk, live entertainers, vendors, and more. All the details are [here](https://www.thurstoncountywa.gov/events/4th-annual-pride-festival-hosted-lady-ls-promotions-12-6pm?ref=stonewallnews.net). 21\. **June 7, Lake Stevens Pride** \[WA\] From 11 am to 6 pm, you can join Lake Stevens Pride for its annual Pride celebration at the Stevens Creek Elementary School. There will be all-ages activities, performances, and community speakers throughout the day. More information on the event is [here](https://lspride.org/pages/event?ref=stonewallnews.net). 22\. **June 7, Snovalley Pride** \[WA\] You’ve heard of Pride parades and Pride in the park, but have you heard of a Pride Picnic? Snovalley Pride is hosting its fourth annual [Pride Picnic](https://snovalleypride.org/pride-picnic-2026/?ref=stonewallnews.net) at the Tolt Commons in Carnation, WA, on June 7 from 11 am to 3 pm. You can enjoy free live music, free food, free art-making stations, and community at this family-friendly event, billed “the sweetest picnic in the Valley.” 38\. **June 7–July 3, McCall Pride Week** \[ID\] Last year, McCall, Idaho held a Pride Week. This year, it’ll be an even bigger celebration: they’re looking to hold a Pride Month, with events throughout June. They kicked off the planning in April, and while things are still getting organized, they did post a sneak peek on their [Instagram](https://www.instagram.com/p/DXnppXaER22/?img%5Findex=1&igsh=N3BqdG8wbmRkYWN5&ref=stonewallnews.net) of the month’s events. Here are a few highlights: - A Pride potluck at Ponderosa Park on June 7 - Queereoke hosted by Cyraphina Thunderpussy and Cody Pendant at the Yacht Club on June 11 - A drag show with ThunderPussy Productions at Foresters on June 13 - A Pride and Bike Party at Brundage Mountain Resort on July 3. More details to come! 94\. **June 10, Pride Night with the Wenatchee Apple Sox** \[WA\] On Wednesday, June 10, the Wenatchee Insurance Agency is sponsoring a Pride Night at the Wenatchee AppleSox game, which begins at 6:35 pm. This is the first official Pride Night ever at an AppleSox game. The occasion will be marked with a first pitch thrown by Wenatchee Pride President Kelsey Riggs, with resources provided by Out NCW, Cafe, and Wenatchee Pride. One lucky ticket holder will be given a free, unique AppleSox jersey with a rainbow logo. Tickets are available [here](https://www.applesox.com/2026-schedule??ref=stonewallnews.net). 95\. **June 11–13, Sun Valley Pride** \[ID\] From June 11 through 13, Sun Valley, ID, will celebrate Pride. The [full schedule](https://visitsunvalley.com/events/sun-valley-pride/?ref=stonewallnews.net) has yet to be announced, but the [Pride in the Garden](https://visitsunvalley.com/events/pride-in-the-garden/?ref=stonewallnews.net) event is scheduled from 10 am to 4 pm on June 13 at the Sawtooth Botanical Garden. 98. **June 12, Pride Family Fun Day, La Grande** \[OR\] The Eastern Oregon LGBTQ+ Coalition and Community Kindness of Eastern Oregon are joining together to host Pride Family Fun Day on June 12 from 5 to 9 pm at Max Square in La Grande, OR. There will be vendors, music, karaoke, games, resources, an open mic, and more. Tabling at the event is free, and you can sign up to do so by messaging the Eastern Oregon LGBTQ+ Coalition on [Facebook](https://www.facebook.com/groups/Pridelagrande/). 23\. **June 12–14, Pendleton Pride** \[OR\] Presented by Stonewall Behavioral Health and the Queer Belonging Project, Pendleton Pride is scheduled for June 12–14\. Friday kicks off with a sign-making and coloring party in the morning, with “queer-aoke” in the evening. On Saturday, the Pride Parade and Festival will take over downtown Pendleton with live music, vendors, art, and a drag show scheduled for the evening. Pride attendees can finish out the weekend of celebration with an affirmation and blessing led by a local minister on Sunday morning, followed by a drag brunch full of fabulous performers. More details [here](https://www.pendletonoregonpride.org/?ref=stonewallnews.net). 24\. **June 12–15, Flathead Pride Festival** \[MT\] Hosted by the Glacier Queer Alliance, the Flathead Pride Festival in Montana has a slate of Pride events scheduled for June 12–15\. Festivities kick off on Thursday with an all-ages yard party at Bonsai Brewing in Whitefish, MT, from 5 to 8 pm. On Friday the 13th, a family fun day is scheduled at the Gateway Community Center in Kalispell from 5 to 8 pm, with kids’ karaoke, [Belegarth battles](https://www.belegarth.com/belegarth-events?ref=stonewallnews.net), crafts, raffles, and more. At 9 pm, there will be drag roulette at the Community Center. This is a ticketed 18+ event, with a 21+ bar, intended to raise funds for Glacier Queer Alliance. On Saturday, June 14, festivities will continue at the Community Center with Pride Inside from 11 am to 3 pm, with free Realm of Frostwall Battles, Birds of Wild Wings raptor recovery, and aerial arts displays. Saturday will close with a ticketed 18+ drag show featuring performers from around Montana. The Festival closes on Sunday with a ticketed drag brunch at the Blue Store Resort in Columbia Falls at 10 am and a ticketed rafting trip with a 2:45 pm check-in at 11970 Hwy 2\. E, W Glacier. All the event details and ticket info are [here](https://www.glacierqueeralliance.org/events/fpf?ref=stonewallnews.net). 25\. **June 13, Pride in Fife** \[WA\] Pride celebrations in Fife are scheduled for June 13, from 6 to 9 pm at the Fife Community Center. For the first time ever, Pride in Fife will feature the crowning of the first Pride of the Valley Supreme, after local competitors from across the Puyallup River Valley compete live in a drag showdown. There will also be bingo, on-site concessions for purchase, and general good vibes. You can find more information and a sign-up to compete in the Pride of the Valley Drag Showdown [here](https://www.fifewa.gov/608/Pride-in-Fife?ref=stonewallnews.net). 26. **June 13, Salem Capital Pride** \[OR\] In Salem, OR, Capital Pride is hosting a Pride Parade and Block Party with activities, food vendors, games, and live performances. This event takes place in downtown Salem on June 13 from noon to 5 pm. It will begin with a parade starting at the Capitol Building and ending with a block party that takes over two blocks of Liberty Street. Later in the summer, they’re planning to host the 48th annual Pride in the Park. More info on the Pride Parade and Block Party is [here](https://salemcapitalpride.org/pride-parade-and-block-party/?ref=stonewallnews.net). 27\. **June 13, Wilsonville Pride Celebration** \[OR\] On Saturday, June 13 from 2 to 5 pm, Wilsonville, OR, will host a free, family-friendly Pride [celebration](https://www.wilsonvilleoregon.gov/bc-diversity/page/pride-celebration?ref=stonewallnews.net) at Town Center Park. There will be performances by drag queen [Dr. Poison Waters](https://www.poisonwaters.com/?ref=stonewallnews.net) (who is also emceeing the event) and friends, plus music by DJ SM4SH and a speech from the executive director of Basic Rights Oregon, Kyndall Mason. There will also be a costume contest, with honors for the Most Fabulous Pride-Themed Adult Attire, Kid Attire, Decorated Bike, and more. Arts and crafts, seating, and food for purchase will be available at the event. If you’re an avid biker, you can consider joining the free group bike ride from Villebois to the Pride Celebration (details [here](https://www.wilsonvilleoregon.gov/transit/page/ride-pride-community-bike-ride?ref=stonewallnews.net)). 28\. **June 13, Spokane Pride** \[WA\] Technically, Spokane Pride kicks off on June 12 with a party under Big Tent in Riverfront Park from 5 to 9 pm, but the main event is scheduled for Saturday. Spokane Pride is the largest Pride celebration in the Inland Northwest, and saw around 50,000 attendees last year. The theme, performer lineups, and full schedule have yet to be announced, but we know most of the basic details. The parade begins at noon in downtown Spokane, ending at Riverfront Park, where official kick-off festivities for the festival start at 1 pm. Spokane Pride takes over most of the park, with multiple stages running live performances by drag queens, musicians, and other artists. Vendors are set up throughout the park, selling merchandise, hosting free activities, and passing out merch. More information will be [here](https://www.spokanepride.org/pride2026?ref=stonewallnews.net) when available. 29. **June 13, Marysville Pridefest** \[WA\] Marysville Pride is hosting its second annual Pridefest on Saturday, June 13 from 11 am to 3 pm at Asbery Field. It is still seeking performers and DJs for the event. You can apply [here](https://marysvillewapride.org/performers?ref=stonewallnews.net) if interested. More details on Pridefest will be [here](https://marysvillewapride.org/event-calendar?ref=stonewallnews.net) when available. 30. **June 13, IndigiQ 2-Spirit Powwow, Spokane** \[WA\] The same day as Spokane Pride, the fourth annual IndigiQ 2-Spirit Powwow will also be hosted at the Red Wagon in Riverfront Park. They’re still seeking Indigenous musicians and drum groups to support the event, which you can sign up for [here](https://q.me-qr.com/vs95rtfx?ref=stonewallnews.net). 105\. **June 13, Pride Block Party, Vancouver** \[WA\] This year marks the fifth annual Vancouver Pride Block Party! It’s free and family-focused, and draws over 4,000 attendees. This year’s celebration will feature more than 80 vendor booths, exciting activities, and live performances — all in the heart of downtown Vancouver, at SW 7th and Main Streets! This is a free event for the whole family — ALL ARE WELCOME! More info can be found [here](https://dandelionteahouse.com/pages/pride-block-party?ref=stonewallnews.net). 31\. **June 13–14, Columbia Gorge Pride Festival** \[WA\] The Columbia Gorge Pride Festival, hosted by Skamania Pride, kicks off on Friday, June 13 at 3 pm. There will be community gathering time, a pizza dinner, and performances by Silk and Steel and Ladybug Infestation. From 9 to 10 pm, there will be an 18+ performance by Hood River Burlesque. On Sunday, festivities run from 8 am to 6 pm, with breakfast, speeches, a parade at noon, lunch, and a market. All the details will be [here](https://skamaniapride.org/pride-event-schedule?ref=stonewallnews.net) when available. 32. **June 14, Canby Pride** \[OR\] On Sunday, June 14 from noon to 4 pm, Canby Pride is hosting Pride at Wait Park. More details to follow [here](https://www.canbypride.org/?ref=stonewallnews.net) when available. 33\. **June 14, Canyon County Pride** \[ID\] Two years ago, Canyon County held its first Pride Festival in a Nampa park. Canyon County Pride [made national news ](https://www.washingtonpost.com/nation/2024/06/25/idaho-pride-lgbtq-threats/?ref=stonewallnews.net)after its first Pride, when large fences were erected to protect participants after angry residents made vague threats and left thousands of derogatory Facebook comments on a news release about the upcoming event. The mayor herself stated it went against her beliefs, and Brian Lenney, the region’s state senator, [warned](https://www.idahopress.com/news/local/a-look-at-complaints-feedback-city-of-nampa-received-leading-up-to-canyon-county-pride/article%5F048ce84c-2da8-11ef-9181-2b74ab480cc7.html?ref=stonewallnews.net) that it could “turn our community into another Boise.” Still, despite fears and pushback, Canyon County’s first Pride was so successful, they almost hit fire occupancy limits with all the people celebrating. It ended with a public marriage proposal onstage, and by the end of the day, around 2,000 people had joined the festivities. Last year, they successfully had their second Pride. The third Canyon County Pride celebration is scheduled for Sunday, June 14\. No schedule is available yet, but more details will be [here](https://www.canyoncountypride.com/2025-schedule?ref=stonewallnews.net) when available, and those interested in performing should reach out to [CanyonCountyPride@Gmail.com](mailto:CanyonCountyPride@Gmail.com). 34\. **June 14, Tri-Cities Pride** \[WA\] Tri-Cities Pride in Pasco bills itself as the largest Pride event in southeastern Washington. The free, family-friendly celebration typically draws over 3,000 people, organizer Kenzie Budge, the Communications Chair on the Tri-Cities Pride board, told *Stonewall News Northwest* last year. As usual, the event will be held at Memorial Park, and feature live performers, vendors, resource booths, and more. Trans youth in Pasco recently faced a digital firestorm after a local city councilmember amplified false claims that a Trans student had made a cis student uncomfortable by using a bathroom aligned with their gender rather than sex assigned at birth. Pasco School District officials said the claims were [not true](http://applevalleynewsnow/?ref=stonewallnews.net), but the misinformation spread rapidly on social media. Tri-Cities Pride issued a statement calling on local officials to verify information before sharing it and to “center the well-being of students over speculation.” “There was no transgender student involved in this incident. The real harm came from treating an unverified claim as fact, resulting in a student being targeted and threatened,” the statement read. “Every young person deserves to live free from the harm of being targeted for who they are or who they are rumored to be.” You can support Tri-Cities Pride and learn more about the annual celebration [here](https://www.tcpridefest.org/?ref=stonewallnews.net). 101\. **June 18, Baker Pride** \[OR\] “Rural, Resilient and Proud”: Join Baker Pride for a resource fair, chalk art, photobooth, free swag, and more from 5 pm to 8pm in Geiser Pollman Park. More info can be found [here](https://www.facebook.com/photo/?fbid=1278951984392819&set=a.280013377620023). 35. **June 20, Newberg County Pride** \[OR\] On Sunday, June 20, Wine Country Pride is hosting it sannual street fair, titled “Pride on Third,” on Third Street in McMinnville, OR. The schedule has yet to be announced, but typically, the celebration features events all day long on Third Street. More details will be [here](https://winecountrypride.com/street-fair/?ref=stonewallnews.net) when available, and sign-ups to participate are [here](https://winecountrypride.com/street-fair-participation/?ref=stonewallnews.net). 36. **June 20, Gate City Pride** \[ID\] Gate City Pride is hosting its Pride celebration on June 20 from 10 am to 5 pm at Centennial Park in Pocatello, ID. Not many details are available on the website yet, but you can sign up to sponsor, volunteer, or vend at the event [here](https://www.gatecitypride.org/donate%23anchors-mnwna4hv?ref=stonewallnews.net). 37\. **June 20, Rexburg Pride** \[ID\] We’re still awaiting a schedule of events, but Rexburg Pride is officially scheduled for June 20\. Last year, the event was held at Porter Park and featured vendors, booths, and activities like bracelet making, an art center, life-size chutes and ladders, games, weaving, a drum circle, live performances, and more. More information will be [here](https://www.rexburgpride.org/?ref=stonewallnews.net) when available. 39\. **June 20, Philomath Pride** \[OR\] Save the date for Philomath Pride at Philomath City Park on June 20 from noon to 4 pm! [Philomath Pride](https://www.facebook.com/philomathpride) is currently in the process of planning, and looking for volunteers to help with logistics, marketing, and even curating the entertainment lineup. You can sign up to volunteer [here](https://l.facebook.com/l.php?u=https://forms.gle/h3UiH4YB4ZfYbGWh6?fbclid=IwZXh0bgNhZW0CMTAAc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHlNOfejNGP6elRyOcDpuwVRMXDMCjmqf9796%5FQ176xmOBMkMJA%5FotB0ttOlO%5Faem%5FcrPkmE3oaRAdnqE%5FfDcG3w&h=AT6JK1lzEuIRkBqv-kot%5FHFhlH6A98balE3S8DIkstvQy2BLXT2BEVM2zwBjInSuiyHbNpzWoZ52S3goe-xCVQmEbCP3R5wEU2x0RY--o5x0Cy27mo7TH0X6aLcB4K1u90HIr204m5XTR7g%5FTYcIBIWvRQ&ref=stonewallnews.net). 40\. **June 20, Everett Pride** \[WA\] On Saturday, June 30 from noon to 6 pm, you can join Everett Pride for a block party in Everett, WA. More details will be [here](https://www.everettpride.org/events/everett-pride-block-party?ref=stonewallnews.net) when available. 41. **June 20, Yakima Pride** \[WA\] Voted the Best Festival in Yakima last year! You can experience the magic yourself on June 20, starting with the [parade](https://www.yakimapride.org/our-work/pride-month/parade-contingents?ref=stonewallnews.net) at 10 am — best known for the absolutely massive, 130-foot Pride flag carried along the route. At noon, the Yakima Pride Festival kicks off at State Fair Park. It’s all-ages, with free entry, and features vendors, exhibitors, live music, and performers. There’s also a ticketed 21+ afterparty at Pioneer Hall, starting at 8:30 pm and going until 2 am. More information on Yakima Pride can be found [here](https://www.yakimapride.org/our-work/pride-month/pride-festival-parade?ref=stonewallnews.net). 42\. **June 20, Wenatchee Pride Fest** \[WA\] From 11 am to 6 pm, you can celebrate the Wenatchee Pride Fest at Lincoln Park. The event is all-ages and free, with local vendors, artists, live entertainment, community resources, and more. Wenatchee Pride seeks to create a “welcoming environment where everyone can show up as they are.” Recently, the city made [headlines](https://www.stonewallnews.net/articles/june-pride-banners-in-wenatchee-to-be-replaced-by-family-month-banners/24859/) for [replacing](https://www.wenatcheeworld.com/news/local/pride-banners-out-in-wenatchee-after-incomplete-application/article%5F314687f0-c57b-4af2-8496-772506466963.html?ref=stonewallnews.net) the June rainbow Pride banners that are typically installed on light poles across the city with “America’s Family Month” banners sponsored by the local Turning Point USA chapter. Now, the community is seeking businesses and other locations that want to display Pride banners for the month of June to ensure that the city is vibrant and celebrates diversity. More info can be found [here](https://www.eventeny.com/events/wenatchee-pride-fest-2026-27657/?srsltid=AfmBOoriz1SrBekUOH%5FCRPTFgLiXtmFqaAhTpDQB%5F5TmiIAWAs71Dr%5FR&ref=stonewallnews.net). 43\. **June 20, San Juan Island Pride, Friday Harbor** \[WA\] Save the date for a Pride party at Brickworks in Friday Harbor on Saturday, June 20, hosted by San Juan Island Pride Foundation. More details will be [here](https://sjipride.org/event/6424240/750671880/pride-party-2026?ref=stonewallnews.net) when available. 44. **June 20, South Whidbey Pride** \[WA\] Join South Whidbey Pride (theme: “Rising Together”) on June 20 from noon to 3 pm in downtown Langley and the South Whidbey Community Center for the fourth annual Pride Parade and Festival. The parade treks through downtown Langley, starting at the corner of Cascade and Camano Avenues, and ends where it begins, with a festival immediately following at the SWCC. You can learn more, or register to walk in the parade, vend, or volunteer [here](https://www.southwhidbeypride.org/parade-and-festival?ref=stonewallnews.net). 45. **June 20, Bainbridge Pride Festival** \[WA\] Join the Bainbridge Pride Festival (theme: “Rooted in Pride”) at noon on Saturday, June 20 at Waterfront Park. You can learn more or sign up to sponsor, vend, or volunteer at the event [here](https://www.bainbridgepride.org/?ref=stonewallnews.net). 46\. **June 20, Astoria Pride** \[OR\] Save the date for Astoria Pride and Picnic in the Park on Saturday, June 20, hosted by Astoria Has Pride. The theme is “Still Queer, Still Here.” The organizers are seeking sponsors, artists, entertainment, vendors, and volunteers. You can find more info [here](https://www.facebook.com/AstoriaOregonPride) or by emailing [info@astoriahaspride.org](mailto:info@astoriahaspride.org). 47\. **June 20, Days Creek Pride** \[OR\] Socially anxious? Hate crowds? Obsessed with those cute little miniatures you find at antique markets? Days Creek Pride, which bills itself as “possibly the smallest planned Pride event in Oregon,” might be the event for you. Days Creek itself is an unincorporated community in Douglas County, OR, that has a unique rural-but-suburban feel and a generally conservative population. To join (probably) the smallest Pride in Oregon, go to the bridge over the South Umpqua River in Days Creek at noon for community and Pride flag waving (RSVP or direct questions to 541-236-4787). It may be small, it’ll be full of heart and spirit, organizers promise. 48\. **June 19–21, Missoula Pride** \[MT\] Missoula, MT, takes its Pride seriously. Not only is there a full three days of fun from June 19 to the 21, but there are also hikes, brunch, sports, games, and [more](https://www.missoulapride.com/events?ref=stonewallnews.net) in the lead-up to the beginning of the official weekend. The festivities begin with a Pride Fun Run on June 19 from 10 to noon, beginning at the Missoula Art Museum. This is nontimed, three-ish-mile course just to stretch your legs before the rest of the weekend. Next is the second Annual Missoula Two Spirit Pride Powwow, also on Friday, from 1 to 5 pm at Caras Park, “honoring the past, present, and future of Two-Spirit peoples and their deep, generational ties to this land.” The night ends with multiple options for live music at two venues. On Saturday, June 20, you can start your morning by Navigating the Genderverse with TransVisible Montana from 10 am to 11 am at the Zootown Arts Community Center, where you’ll learn about “the challenges that misinformation and cisnormative systems create for transgender, nonbinary, and Two-Spirit Montanans.” Beginning at noon, join the fifth Annual Missoula Pride Block party from Main St. Orange to Higgins, featuring powerhouse performers like Bob the Drag Queen, Cain Culto, and more. The parade also starts at noon, running from Third and Higgins to Main and Higgins, S Third St W & S Higgins Avenue. There are a variety of other events happening on Saturday, too, all listed [here](https://www.missoulapride.com/events?ref=stonewallnews.net). And on Sunday, you can take it easier with a drag story hour and a free dance performance. 49\. **June 19–21, Camas Pride Block Party** \[WA\] For the third year in the row, Camas Pride is hosting its annual Pride event. This is a full weekend party that begins on Friday evening, rolls into events on Saturday, and finishes with the fourth annual Block Party on Sunday from 11 am to 4 pm. The Block Party is family friendly, and the theme is “Living Your Best Life.” More programming details will be [here](https://www.livewellcamas.com/pride26?ref=stonewallnews.net) when available. 50\. **June 21, Mt. Hood Pride** \[OR\] On June 21 from 10 am to 4 pm, Wander Free and Queer is hosting a Queer Carnival at CoffeeHouse 26\. This [event](https://www.wanderfreeandqueer.com/mt-hood-pride-queer-carnival-2026?ref=stonewallnews.net) is billed as family-friendly and substance free, with “a deep focus on community connection.” There will be carnival games, live music, local vendors with handmade items, and a raffle benefiting the Trevor Project. 51\. **June 20–21, Pride at the Zoo, Tacoma** \[WA\] If you’ve ever wanted to celebrate Pride with furry and scaly friends, the Port Defiance Zoo and Aquarium Pride Celebration in Tacoma, WA, might be one to put on the calendar. There are Pride parades at 10:30 am and 3:30 pm on both Saturday and Sunday, beginning at the Picnic Pavilion and ending at the Plaza, both inside the zoo. The animals at the zoos will get special rainbow-themed enrichments all weekend long. This event is free with tickets to the zoo, available [here](https://www.pdza.org/event/pride-celebration/?ref=stonewallnews.net). 104\. **June 21–22, Pride in Ocean Shores** \[WA\] Previously canceled, Ocean Shores Pride is back on, now coordinated by Gina McCauley, who also manages Facebook group Out and About in Ocean Shores LGBTQ. The fun begins Saturday, June 20 at 10 am with the Ocean Shores Pride City Market and an 11am minigolf tournament (all ages, registration required), with an awards ceremony at The Garage (21+). The fun continues on Sunday at 11:30 am with a Pride picnic at Emerson Park and Pride bingo at Galway Bay Irish Restaurant and Pub at 4 pm. More info is available [here](https://www.facebook.com/photo?fbid=10232638797248375&set=gm.2017817138821417&idorvanity=582414015695077). 52. **June 21, Anacortes Pride** \[WA\] On June 21, you can check out the fifth Pride Parade and Celebration in Anacortes, WA, with the theme “Stronger Together.” The parade starts downtown and is followed by a celebration at The Depot. Sign up to volunteer, march in the parade, or vend [here](https://www.anacortespride.org/events?ref=stonewallnews.net). 53\. **June 26, Coeur d’Alene, Pride on the Runway** \[ID\] \[Support\] CDA4Pride by attending their annual Pride on the Runway fundraiser. Pride on the Runway is a 21+ night full of fashion, drag, music, and other festivities, with raffle items from local businesses for sale to benefit the organization. The doors open at 6 pm, with the show starting at 6:30 pm. Tickets start at $40, with optional upgrades and add-ons, and can be purchased [here](https://www.zeffy.com/en-US/ticketing/cda4pride-2025-pride-on-the-runway?ref=stonewallnews.net). \[See June 6, CDA Pride for more background information.\] 54\. **June 26, Trans Pride** \[WA\] Trans Pride in Seattle is “a free annual festival celebrating Trans life and community across the Pacific Northwest and beyond.” This year, Trans Pride is scheduled for June 26, from 5 to 10 pm at the Volunteer Park Amphitheatre. There will be music, live performances, resources, and community. Trans Pride requires attendees to wear masks, and provides other accessibility accommodations, like accessible seating, ASL interpretation, wheelchair accessibility, and a low-sensory tent. The event also differentiates itself by refusing to accept corporate sponsorships, and avoiding a march or other activities that would necessitate a police presence, as required by city law. More information on the event can be found [here](https://transprideseattle.org/?ref=stonewallnews.net). 99. **June 26, Omak Pride** \[WA\] [FYRE](https://okfyre.org/?ref=stonewallnews.net), a youth center in Omak, WA, is hosting its sixth annual Pride in the Park on Friday, June 26 from 5 to 8 pm at Civic League Park. There will be community booths, face painting, a mechanical bull, and even a free barbecue. More details on the event can be found [here](https://www.facebook.com/events/2130692921062646/) when available. 55\. **June 26–28, Capital City Pride Festival** \[WA\] Head to Olympia, the capital of Washington (no, it’s not Seattle), June 26–28 for a three-day Pride celebration with live entertainment, a festival of food trucks, vendors, and resources, and a bounty of local art vendors and live exhibitions. The weekend will start with a block party on June 26, followed by a Music and Art Fest with a Health and Wellness Resource Fair on Saturday, June 27\. On Sunday, June 28, there will be a parade, plus Dyke Day in the Park. The whole event is free. More details will be [here](https://www.capitalcitypride.net/3-day-fest?ref=stonewallnews.net) when available. 96\. **June 26–27 , Southwest Montana Pride Weekend** \[MT\] Butte Pride and Anaconda Pride in southwest Montana have teamed up for one big Pride weekend! On Friday, June 26, the fourth annual Butte Pride Festival is back, scheduled for 5 to 8 pm at the Original Mineyard in uptown Butte. You can apply to vend at the festival [here](https://docs.google.com/forms/d/e/1FAIpQLSddT9t5xH7jl4rGjSEPvZ9HFupRc2GZrusg5Jm8GvKIZUxquA/viewform?pli=1&ref=stonewallnews.net), or to volunteer [here](https://docs.google.com/forms/d/e/1FAIpQLSf%5FcZocV-ZpU6lAUfMdXDmreXAxjOGncnW9aTvAgo3nu21LkQ/viewform?ref=stonewallnews.net). The festivities continue on Saturday, June 27 with Anaconda Pride at the Kennedy Commons in Anaconda, MT. You can sign up to vend in Anaconda [here](https://www.anacondapride.org/vendors.html?ref=stonewallnews.net). The full schedule of events will be [here](https://www.anacondapride.org/?ref=stonewallnews.net) when available. 56\. **June 27, Longview Pride** \[WA\] Longview Pride is getting ambitious and seeking to hold its largest Pride ever starting at 10 am on June 27\. “It’s time to show out with a bash worthy of our community! We’ve never had a Pride of this scale,” the website reads. Learn more and sign up to get involved [here](https://www.longviewpride.com/?ref=stonewallnews.net). 57. **June 27, Eugene Pride** \[OR\] Eugene Pride, which typically draws more than 12,000 people, is scheduled for Saturday, June 27 from 11 am to 7 pm at the Lane Events Center. Attendees can expect live entertainment, local vendors, family activities, and community celebration. More details will be [here](https://www.eugenepride.org/festival-26?ref=stonewallnews.net) when available. 58\. **June 27, Edmonds Pride Festival** \[WA\] Hosted by Edmonds Pride, the Edmonds Pride Festival is scheduled for 2 to 6 pm on Saturday, June 27 at the Edmonds Civic Center Playfield. This free event is emceed by Maya Mem Saab, and features live music by Hetakuso, Sara Brunner, and more; storytelling by Aunt Mama and Sister Juno; and drag performances by Navouny Divine, Indie Scent, and more. There will also be an arts and crafts area, local vendors, food trucks, and local resources. More information, including a vendor list and stage schedule, will be [here](https://www.edmondspride.net/pride-calendar/edmonds-pride-festival?ref=stonewallnews.net) when available. 59. **June 26–27, Idaho Falls Pride** \[ID\] Idaho Falls Pride will kick off with an 18+ drag show at the Westbrook Convention Center (time and ticket sale information to be announced soon). On Saturday, June 27, the Pride Parade will kick off from the Unitarian Universalist parking lot at 10 am, snake around the greenbelt, and end back at the festival across the street from the parking lot at the Idaho Falls Greenbelt Bandshell Area. Both the parade and the festival are free and family-friendly. More information can be found [here](https://www.idahofallspride.com/2026?ref=stonewallnews.net). 60. **June 27, Pride in Perry** \[WA\] Hosted by Odyssey Youth Movement — an organization specifically serving LGBTQ+ youth in Spokane, WA — Pride in Perry is scheduled for June 27\. The family-friendly, free event functions much like a block party, taking over parking lots and public space on the Perry District in South Hill, with local businesses participating. There is typically tabling, live entertainment, and activities. Last year, [Selkirk the Cat](https://www.inlander.com/culture/selkirk-the-cat-made-waves-at-spokane-pride-now-hes-an-internet-star/article%5Fcfeed8e7-5519-588c-a2ef-a2f76a24e68c.html?ref=stonewallnews.net) made an appearance, accepting pets and [giving political endorsements](https://www.instagram.com/reel/DNOeMf%5FSCSe/?ref=stonewallnews.net). The Perry District is affectionately thought of by some residents as Spokane’s “gayborhood,” playing host to Odyssey Youth Movement, a community center for Queer youth; Wishing Tree Books, a Queer-friendly children’s bookstore; and a rainbow crosswalk, which has been the [repeated site](https://rangemedia.co/copycat-vandalism-south-perry-pride-crosswalk/?ref=stonewallnews.net) of anti-Queer [vandalism](https://rangemedia.co/pride-resilience-queer-business-vandalism-spokane-homophobia/?ref=stonewallnews.net). In 2023, Pride in Perry was [crashed by members](https://www.opb.org/article/2023/08/07/new-network-pacific-northwest-hate-groups-targets-smaller-pride-festivals/?ref=stonewallnews.net) of the Proud Boys, a white nationalist group, holding banners saying “Pedophiles not welcome” and “Protect white children,” as part of a [deliberate targeting of rural and smaller Pride celebrations](https://www.spokesman.com/stories/2023/jul/16/hate-wants-hate-back-white-supremacists-target-pri/?ref=stonewallnews.net). Despite the hatred, event organizers [told ](https://www.spokesman.com/stories/2023/jul/16/hate-wants-hate-back-white-supremacists-target-pri/?ref=stonewallnews.net)[*The Spokesman-Review*](https://www.spokesman.com/stories/2023/jul/16/hate-wants-hate-back-white-supremacists-target-pri/?ref=stonewallnews.net)that it brought the community closer together. And for any Pride organizers out there reading this, there are regional-specific resources available for minimizing risk while planning Pride celebrations, like Western States Center’s [Protecting Pride guide](https://www.westernstatescenter.org/protectingpride?ref=stonewallnews.net). Learn more about celebrating Pride in Perry and supporting Queer youth [here](https://www.odysseyyouth.org/prideinperry?ref=stonewallnews.net). 61\. **June 27, Twin City Pride** \[WA\] Save the date for Twin City Pride at Pearl and Main Street in Centralia, WA, on June 27 from 10 am to 1 pm, hosted by Lewis County Pride. More details can be found [here](https://lewiscountypride.org/?ref=stonewallnews.net) when available. 62\. **June 27, Sequim Pride** \[WA\] Sequim Pride is partnering with the Sequim Farmers and Artisans Market for “a day of diversity, celebration, and community goodwill,” on June 27\. Those interested in volunteering can email [sequimpride@gmail.com](mailto:sequimpride@gmail.com). More details available can be found on the [Instagram page](https://www.instagram.com/sequimpride/?ref=stonewallnews.net) when available. 63\. **June 27, Gig Harbor Pride** \[WA\] Join Pride Gig Harbor for its fourth annual Pride in the Park on Saturday, June 27 from 11 am to 4 pm at Skansie Brothers Park in Gig Harbor, WA. The event this year is called “Cirque do So-Gay” (like Cirque du Soleil). They are still seeking [vendors](https://docs.google.com/forms/d/e/1FAIpQLScV%5FJkxdoTY1Dz3JEqhUoBPcMnmDcvT-Ri5voa6AVG6vcHPmA/viewform?ref=stonewallnews.net) and [sponsors](https://forms.gle/GKuamDstXn9odo2S7?ref=stonewallnews.net). More information on the event will be posted on their Facebook [here](https://www.facebook.com/pridegigharbor) when available. 64\. **June 27–28, Seattle Pridefest** \[WA\] Two locations, two days, hundreds of thousands of people. Seattle Pridefest is scheduled for June 27 and 28, at both Seattle Center and on Capitol Hill. They’re still seeking performers, vendors, and sponsors for the 2026 event. More information and sign-ups can be found [here](https://www.seattlepridefest.org/?ref=stonewallnews.net). 102\. **June 27, Ontario Pride** \[OR\] "Together in Unity We Rise!" Organized by One Community All Spirits, in partnership with the Eastern Oregon Center for Independent Living and local advocacy groups, Ontario Pride \[will take place\] 12 pm–4 pm at the Ontario Historic Train Depot. Organizers are looking for vendors (artists, nonprofits, and businesses), with drag show details coming soon. To sign up, email [shauntay@eocil.org](mailto:shauntay@eocil.org). The Pride flyer can be found [here](https://l.facebook.com/l.php?u=https://cdn.fbsbx.com/v/t59.2708-21/702397682%5F1878651752796323%5F6897252695235422628%5Fn.pdf/Pride-Month-3.pdf?%5Fnc%5Fcat=102&ccb=1-7&%5Fnc%5Fsid=2b0e22&%5Fnc%5Fohc=RnUdsdXeNU8Q7kNvwFSVNZA&%5Fnc%5Foc=Adps6qB%5F7vT1yVc1GvchhNGJVX3LyZKh8ztvILth5XwYIGOva4Df%5Fhc5DV7dx5XgdpRmZE3OYY1s324D9iiB5yuZ&%5Fnc%5Fzt=7&%5Fnc%5Fht=cdn.fbsbx.com&%5Fnc%5Fgid=El4IHGdzYV75FExM0p6%5FfQ&%5Fnc%5Fss=7a22e&oh=03%5FQ7cD5QEOlOVkIgMchMsMXmqnbUNEpy7U3McGDEM5NPgEqALbmg&oe=6A0D2A2B&dl=1&fbclid=IwZXh0bgNhZW0CMTAAYnJpZBExdGVVd3RXNHlpVjhoNnptNXNydGMGYXBwX2lkDzUxNDc3MTU2OTIyODA2MQABHs34bhHBAWtciUpWzkTlUVI4sRYpAs4eOlF2ETQhPsub6caKaGFJLB7wq%5FEr%5Faem%5FnZGdsf828ioxUPQN0Jameg&h=AUATXpO%5FbBE8I0w9cS4T-yMSpQVCp0EeGEVYATbPURmA5hpBG-i5ZBvObrVdVLESd-xry0kAZez6Z5KRqcJaeug83NB0zwo4SCLU%5Fv1LrOqSzDFDs3MUiyJlWoUeV05yeuJo4k%5F-0pk%5Frw&ref=stonewallnews.net). There is also a free virtual event with a great lineup this year that can be found [here](https://docs.google.com/forms/d/e/1FAIpQLSdpk4Wy9s1rcc9t71BFWxnM8MSlalTLh-PmGaNM%5FAqP%5Fqoqow/viewform?ref=stonewallnews.net). 65\. **June 28, Albany Pride** \[OR\] Save the date for Albany Pride at Monteith River Park on June 28\. More details when available plus sign-ups to volunteer and perform can be found [here](https://www.facebook.com/albanyorpride). 66. **June 28, Methow Pride** \[WA\] Want to go to Methow Pride? Save the date for Sunday, June 29\. Event details can be found [here](https://www.methowpride.org/upcoming-events?ref=stonewallnews.net) when available. 67\. **June 28, Beaverton Pride** \[OR\] They might be biased, but the organizers of Beaverton Pride call it “Beaverton’s favorite summer event.” This year, Pride in the Park is scheduled for June 28 from 11 am to 5 pm, with a parade kicking things off from 11 am to noon. Entertainment and a more detailed schedule will be announced [here](https://pridebeaverton.org/pride-2026/?ref=stonewallnews.net) soon. 68\. **June 28, Stonewall Pride Walk** \[OR\] From noon to 2 pm on June 28, the organization People Like Us will hold its fourth annual Stonewall Pride Walk, which starts at the Wallowa County Courthouse. All friendly faces are welcome — more information can be found [here](https://wallowalgbtq.org/?ref=stonewallnews.net)! 69\. **June 28, Prideville Festival** \[OR\] On June 28 from noon to 5 pm at Pioneer Park in Prineville, OR, Prideville is hosting its sixth annual Prideville Festival. This year’s event is themed “Small Town, Big Pride” and will feature vendors, resource booths, and live entertainment. More information and details on how you can support it can be found [here](https://www.prideville.org/festival.html%23/?ref=stonewallnews.net). 97\. **June 28, Boise Resource Fair** \[ID\] On Sunday, June 28, about a dozen organizations — including the the Wassmuth Center for Human Rights, Boise Trans Collective, and ACLU of Idaho — are coming together to host a Pride Month Community Resource Fair at the William F. Hayes Memorial Auditorium in the downtown Boise library from noon to 6 pm. Alongside resources from the participating organizations, the event will also feature an LGBTQIA+-inclusive storytime at 2:15 pm and a Celebration of Pride featuring the Starbelly Dancers & Starbelly Student Troupe at 4:30 pm. More information on the event can be found [here](https://boisepubliclibrary.libcal.com/event/14251480?ref=stonewallnews.net). 100\. **June 28, Nehalem Bay Pride** \[OR\] Save the date for Nehalem Bay Pride, hosted at the Heart of Cartm studio in Wheeler, OR, on June 28 from noon to 4 pm. There will be more details on a schedule of events for the weekend of June 26–28 posted on the [Manzanita Pride Facebook](https://www.facebook.com/story.php?story%5Ffbid=122215134248291028&id=61558730858740&mibextid=wwXIfr&rdid=Crjr9CZX2F7QbPjr%23) page when available. ### JULY 70\. **July 9–12, Sandpoint Pride** \[ID\] Sandpoint Pride, hosted by the Sandpoint Alliance for Equality, is one of the more rural Pride celebrations on the list. This year, [the event](https://www.safe-idaho.org/sandpointpride?ref=stonewallnews.net) is scheduled for July 9–12\. Despite the rural location, SAFE’s website estimated attendance for the event at over 2,600\. Photos from previous Sandpoint Pride celebrations show a family-friendly event with live performances of music, dance, and drag; activities like face painting; and tabling by a variety of community nonprofits. 71\. **July 11, Saturday in the Park, Vancouver** \[WA\] The Southwest Washington Pride Alliance is hosting Saturday in the Park on July 11 from 10 am to 5 pm. Saturday in the Park is a little different than your traditional Pride celebrations, with a focus on providing educational workshops for LGBTQ+ families, and fundraising for local charities. Of course, there will also be fun and entertainment to be had! You can learn more info, or sign up to vend, volunteer, or sponsor the event, [here](https://swwapa.org/saturday-in-the-park/?ref=stonewallnews.net). 72\. **July 11–12, Bellingham Pride** \[WA\] Every year, thousands of people attend Pride festivities in Bellingham, WA. There’s a [whole weekend](https://prideinbellingham.org/2026-events?ref=stonewallnews.net) of celebration planned this year, with the Pride Fairhaven Family Fun Day kicking things off with an all-ages picnic at the Fairhaven Village Green from noon to 3 pm, with food and drinks available for purchase. Then, head to the annual all-ages dance party at -HUT- for live DJs and drag performers from 4 to 7pm, via the alley entrance next to the former Boundary Bay Beer Garden. On Sunday, the Pride Parade runs from 11 am to 1 pm, with the route starting at the Bellingham High School parking lot and ending at the Pride Festival in Depot Market Square at the 1100 block of Railroad Avenue. The festival runs until 4 pm, with artisans, community groups, nonprofits, and businesses tabling at the event. And for those over 21, you can end the night at the Rumors afterparty, with dancing at Rumors Cabaret & Side Piece, open noon to 2 am. 73\. **July 12, Tacoma Pride** \[WA\] The Tacoma Pride Festival will be hosted by the Rainbow Center on July 12 at Wright Park, beginning at noon. More information on the event can be found [here](https://tacomapride.org/?ref=stonewallnews.net) when available. 74\. **July 13, Belfair Pride & Diversity** \[WA\] On Monday, July 13 from 5:30 to 7:30 pm, the Mason County Democrats will host Belfair Pride & Diversity at the Belfair House Apartments in Belfair, WA. No additional details are available, but more info can be found [here](https://www.masoncountywademocrats.org/calendar?ref=stonewallnews.net) when they are. 75\. **July 18, Lincoln County Pride** \[MT\] Save the date for Lincoln County Pride in Libby, MT, on July 18, hosted by the Northwest Montana Queer Alliance. If you want to volunteer, perform, or vend, you can sign up by contacting them on Facebook [here](https://www.facebook.com/NorthwestMTQueerAlliance). More information on the event will be posted [here](https://www.libbypride.com/schedule?ref=stonewallnews.net) when available. 76\. **July 18, Kitsap Pride** \[WA\] On July 18, Kitsap Pride will hold its annual Pride Festival. No additional details are available yet, but you can find them [here](https://kitsappride.org/calendar/category/pride-events/?ref=stonewallnews.net) when they’re posted. 77\. **July 18, Goldendale Pride** \[WA\] Save the date for Goldendale Pride, an annual celebration of love, inclusion, and community hosted at the Klickitat County Courthouse. More information can be found [here](https://members.goldendalechamber.org/visitor-calendar/Details/goldendale-pride-1652527?sourceTypeId=Website&ref=stonewallnews.net) when available. 78\. **July 18–19, Portland Pride** \[OR\] Hosted by Pride Northwest, Portland Pride’s [Waterfront Festival](https://portlandpride.org/2026-portland-pride-official-events?ref=stonewallnews.net) is one of the West Coast’s biggest Prides, and this year it’s scheduled for July 18–19 at Tom McCall Waterfront Park. The celebration begins at noon on July 18, and runs until 8 pm that night. Afterward, join Radiance, the 14th annual Gaylabration dance party, at the Crystal Ballroom. On Sunday, Pride is back. The parade begins at 11 am; festivities will continue at the park from 11:30 am to 6 pm. While it’s free to attend, there is a suggested $10 donation, with all proceeds going to both keeping the annual event running and supporting Pride Northwest’s year-round programming. 79\. **July 25, Pacific County Pride, Long Beach** \[WA\] While a lot of the details — like evening festivities — are still up in the air, Pacific County Pride has announced a celebration in Long Beach, WA, on July 25 from 9 am to 8 pm. The day will begin with kite-flying on the beach, followed by the festival from noon to 7 pm in downtown Long Beach and the Veterans Field and Stage. Evening festivities will commence at 8 pm. More information can be found [here](https://www.pacificcountypride.com/?ref=stonewallnews.net) when available. 80\. **July 26, Pacific County Pride, Raymond** \[WA\] The next day, Pacific County Pride will be back at it, this time in Raymond, WA. There, celebrations will start at 10 am with a mimosa bar and brunch at Alder + Co / WildPines Coffee Co. The festival will run from noon to 4 pm at Riverfront Park, with vendors, a DJ, and a beer garden. There will be a celebration walk at 4 pm from a yet-to-be-announced location to Raymond Theatre, where a drag show begins at 5 pm. More information can be found [here](https://www.pacificcountypride.com/?ref=stonewallnews.net) when available. 81. **July 26, Puyallup Tribal Pride** \[WA\] Save the date for the Puyallup Tribal Pride on July 25, from 2 pm to 6 pm at 3001 Puyalupabsh St. in Tacoma, WA. More information on the event will be posted [here](https://www.puyalluptribe-nsn.gov/puyallup-tribe-pride-2026/?ref=stonewallnews.net) when available. 82\. **July 26, Milwaukie Pride** \[OR\] From 10:30 am to 2:30 pm, you can join a community-led gathering at Scott Park in Milwaukie, OR, to celebrate Pride Month. This is an all-ages event with live entertainment, food, games, and more. Additional details are available [here](https://www.instagram.com/milwaukiepride/?ref=stonewallnews.net). ### AUGUST 83\. **August 1, Coos County, Pride in the Park** \[OR\] Southern Oregon Coast Pride is hosting a Pride festival in Mingus Park in Coos Bay, OR, on August 1\. The event will feature free lunch, face painting, a live DJ, a silent auction, vendors, and various arts and crafts. They’re still seeking vendors and volunteers: sign-ups and more information are available [here](https://www.socpride.org/pride-in-the-park?ref=stonewallnews.net). 84\. **August 1, Battle Ground Pride** \[WA\] Mark your calendars for the sixth annual Battle Ground Pride, hosted by Evoke Cascadia at the Battle Ground Event Center on Saturday, August 1 from 11 am to 4 pm. This is a free, family-friendly event. KN95 masks will be required inside, and masks will be provided at the door while supplies last. There will be vendors, resources, a lip-sync battle, a clothing closet, a sensory room, and a silent auction. More information and applications to become a vendor can be found [here](https://evokecascadia.org/battle-ground-pride?ref=stonewallnews.net). 85. **August 22, Garland Pride, Spokane** \[WA\] The third annual Garland Pride, hosted in the Garland District of Spokane, WA, by neighborhood Queer and allied businesses, with support from Spokane Pride, is scheduled for August 22 from 4 to 9 pm. This year’s theme is “Alice in Wonderland,” with a free showing of the movie at the neighborhood’s Garland Theater. There will also be a vendor faire, which businesses and nonprofits can sign up for [here](https://www.zeffy.com/en-US/ticketing/garland-pride?fbclid=IwY2xjawRh7wJleHRuA2FlbQIxMABzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEekqO26p20QNgWQtKu6NXtYM%5FFQomhu14vLZBac9eyc5HV7zvv6sUILSRYdZU%5Faem%5FbGqq3sPfbHrtSTu7pphVRg&ref=stonewallnews.net). More details on the event can be found [here](https://www.facebook.com/profile.php?id=61567667302398) when available. 86\. **August 22, Poulsbo Pride** \[WA\] Save the date for Poulsbo Pride’s annual celebration, this year at Raab Park. More information and volunteer and performance opportunities will be posted [here](https://www.facebook.com/p/Poulsbo-Pride-100095089748826/) when available. 87\. **August 28–30, Palouse Pride, Moscow** \[ID\] Inland Oasis will be hosting its Palouse Pride festivities the last weekend of August. We know there will be drag bingo on Friday, Pride in the Park and a drag show on Saturday, and a brunch on Sunday. More information can be found [here](https://www.inlandoasis.org/pride2026.html?ref=stonewallnews.net) when available. 88\. **August 29, Oregon City Pride** \[OR\] Save the date for Oregon City Pride on August 29, with vendor, volunteer, and sponsorship opportunities coming [soon](https://oregoncitypride.com/?ref=stonewallnews.net). 89\. **August 31, Community Pride, Wallowa** \[WA\] There’s not much information available yet, but save the date for the Community Pride Celebration in Wallowa, WA, hosted 2SLGBTQIA+ nonprofit People Like Us. ### SEPTEMBER 90\. **September 5, Pride Across the Bridge, Kirkland** \[WA\] Pride Across the Bridge will be held on September 5 in Kirkland, WA, from noon to 5 pm. This marks a move from the original location (Redmond). Organizers attributed the move to incredible growth over the last four years, with over 1,000 attendees in 2025\. While the official Kirkland location has yet to be announced, event details state that it will be in a park with ADA-accessible parking spaces nearby, allowing for heightened accessibility and overall capacity. Some things aren’t changing though — the event is staying free and police-free. More information can be found [here](https://prideacrossthebridge.org/pride/?ref=stonewallnews.net). 91\. **September 18–20, Boise Pride Festival** \[ID\] Boise Pride is back and bigger than ever for the 37th Boise Pride Festival. This year, attendees can expect a three-day celebration, with a ticketed opening night on Friday and free festivities on Saturday and Sunday. More info can be found [here](https://boisepridefest.org/?ref=stonewallnews.net) when available. 92. **September 18–20, Newport Pride** \[OR\] Newport, Oregon, Pride will be hosting the fifth annual Pride Festival on September 18, 19, and 20\. They are still seeking sponsors and volunteers. More information and sign-ups can be found [here](https://www.newportoregonpride.com/?ref=stonewallnews.net). ### CANCELED **Grays Harbor Pride** \[WA\] For 12 years, Out & Proud has hosted the annual Grays Harbor Pride festival, but in the past year, the board of directors has changed significantly, “largely due to burnout.” Both the president and the Pride Committee chair recently stepped down, leaving the board with just four active board members, according to a statement [posted on Facebook](https://www.facebook.com/OPGHC/). No one has stepped up to replace them. Because of lack of board volunteers, the Grays Harbor Pride festival is canceled this year. Still, they’re not giving up. They’re still planning on hosting the annual Pride drag show at the Historical Seaport on September 19, and the annual Pride Prom the night before at Events on Emerson. They’re hoping to be back with the annual festival in 2027. ### Brynn's Bookkeeping URL: https://www.stonewallnews.net/brynns-bookkeeping/ Last updated: 2026-07-10T19:33:59.000Z [Brynn’s Bookkeeping![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-f18f6d9e-a90e-4cc0-80f2-ec0d75d82d9c.ico)Brynn's Bookkeeping![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/CoverPhoto-ecaba461-02b2-4a94-820c-c45b99e48bbd.png)](https://www.brynnsbookkeeping.net/?ref=stonewallnews.net) ### The Man I Love: Coming to Theaters This Fall URL: https://www.stonewallnews.net/the-man-i-love-coming-to-theaters-this-fall/ Last updated: 2026-07-17T20:54:10.000Z There’s a movie coming this fall that many of us will want to see together. It’s called *The Man I Love*, and it already earned a standing ovation at its Cannes premiere this past May. Ira Sachs directed it, and if you’re familiar with his work — like *Love Is Strange* — you know he doesn’t rush his stories. He tells heartfelt, unhurried tales that really stick with you. Set in New York City in the late 1980s, the film stars Rami Malek as Jimmy George, a stage actor living with AIDS. But this isn’t a sad tale of a man waiting to die. It’s about someone determined to keep going, putting on one more show with his small theater group even as his health declines. He lives with his boyfriend, Dennis (Tom Sturridge), who moves in, tracks his pills, and cares for him. Then there’s Vincent (Luther Ford), a younger guy who falls for Jimmy. The two start something while Dennis is still around, so things get complicated. However, no one is cast as the villain. They’re all just holding on to what they have while they still can. Malek carries the film, but he’s supported by a strong cast. Rebecca Hall plays Jimmy’s sister, Brenda, who takes him out to a drag bar and loves him just as he is. Ebon Moss-Bachrach is her husband, Gene, whose awkwardness around Jimmy says a lot about how families were back then. Sachs shot the entire movie on 35mm, so the New York City depicted feels warm and lived-in, not slick or artificial. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-02T112545.910.jpg) The Man I Love / IMDb One important thing to know is that Jimmy George isn’t a fictional character out of thin air. Sachs based him on real Queer artists from that era — Ron Vawter, Frank Maya, and the drag legend Ethyl Eichelberger — who helped shape the downtown art scene before AIDS claimed so many of them. That connection matters. If you recognize those names, you’ll feel it. If not, maybe you’ll be inspired to look them up. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-02T112625.835.jpg) The Man I Love / IMDb *The Man I Love* premiered on May 20 at Cannes, where it was in competition for the Palme d’Or and the Queer Palm. When it ended, the audience stood and clapped for nearly ten minutes, making Malek teary. We don’t get films like this very often — made with genuine care, telling stories that matter. It’s not asking for your sympathy; it’s inviting you to remember, reflect, and live a little bit bigger. You can catch *The Man I Love* in theaters starting October 23, 2026. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/The-Man-I-love-Movie-Poster-1.jpg) The Man I Love --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--3.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Ty Stober: A Leader with Vision and Heart Running for Clark County Auditor URL: https://www.stonewallnews.net/ty-stober-a-leader-with-vision-and-heart-running-for-clark-county-auditor/ Last updated: 2026-07-19T15:26:54.000Z Ty Stober, a respected leader in Vancouver’s public service community, is now seeking to serve as Clark County Auditor. Currently serving as Vancouver City Council member, Position 5, he has earned a reputation as a thoughtful and effective leader, recognized for his commitment to equity, sustainability, and meaningful community engagement. His campaign for Auditor underscores a dedication to promoting transparency and accountability in local government. Since his first election to the City Council in 2015, Stober has worked tirelessly to address the needs of his community. Whether advocating for economic development, championing inclusivity, or tackling sustainability challenges, his leadership has left a lasting impact. His involvement extends beyond the council chambers — he has served on numerous boards and committees, including the National League of Cities, where he has held leadership roles advancing racial equity and LGBTQ+ representation in local government. Before entering public service, Stober spent over two decades in sales, marketing, and operations, gaining valuable experience in both entrepreneurial ventures and established organizations. His professional background includes managing energy efficiency programs that benefited communities across the Northwest. This blend of private-sector expertise and public service experience uniquely positions him to bring innovation and efficiency to the role of Clark County Auditor. Stober’s campaign is rooted in the belief that the Auditor’s Office should be a model of transparency and fairness. He envisions modernizing systems to improve accessibility and efficiency while fostering trust between the government and the people it serves. For him, the role is about more than managing numbers — it’s about ensuring that every resident feels represented and valued. Beyond his professional achievements, Stober’s personal story adds depth to his candidacy. A longtime resident of Clark County, he lives in Vancouver with his husband, and together they are active members of the community. His experiences as a member of the LGBTQ+ community have shaped his perspective and strengthened his resolve to create a more inclusive and equitable society. His ability to connect with people on a personal level makes him not just a leader, but a neighbor who truly understands the community he serves. As he embarks on this campaign, Stober invites voters to join him in envisioning a brighter future for Clark County. His candidacy is a call to action for those who believe in the power of transparency, accountability, and community-driven leadership. In a recent conversation, Stober shared more about his vision and personal journey. The following are questions posed to him, along with his responses. **Frank Gaimari: What inspired you to leave the private sector and dedicate yourself to public service?** Ty Stober: I have always been dedicated to public service — it’s been a constant throughout my life, even before I found my path to elected office. As an Eagle Scout and through serving in student government as early as sixth grade, I developed a strong instinct for leadership and community involvement. Those values have stayed with me ever since. Early in my career, a mentor advised me to first gain experience in the private sector, saying it would provide a solid foundation for a future in policymaking. I took that advice to heart, and the years I spent building my private-sector career have deeply informed my perspective as a public servant. Looking back, there was another reason I waited before pursuing elected office: I wasn’t yet comfortable being open about my sexuality. Accepting myself was an essential first step toward building the life and career I had always envisioned. Once I embraced my authentic self, I moved forward with purpose. In 2005, I attended Victory Institute training, joined the board of Equal Rights Washington, and worked on the Measure 71 domestic partnership campaign. Later, as chair of the organization, I led efforts during the Measure 74 marriage-equality campaign. By the time I ran for Vancouver City Council in 2013, seeking elected office felt like a natural next step — a culmination of the journey I’d been preparing for all along. **FG: Can you share a moment during your time with the Vancouver City Council that you’re particularly proud of?** TS: The moment I’m proudest of in my public service came during the pandemic, when our Council formally adopted equity, safety, and climate action as our core governing principles. While that decision might seem like a small policy detail to some, for me, it was the result of years of dedication and advocacy. From my very first day on Council, I believed that these three areas should be at the heart of everything we do. For quite some time, however, I struggled to build a majority consensus around that vision. Then, in 2020, the world changed. The George Floyd protests, catastrophic wildfires that left Vancouver with some of the worst air quality in the world, and a spike in dangerous driving all converged at once. Suddenly, these crises underscored the urgency of the issues I had been raising, and my colleagues became open in ways that years of conversation hadn’t achieved. What makes me just as proud as that initial breakthrough is what came afterward: we’ve remained committed to these principles, even as the national conversation has grown more polarized and hostile toward equity. Standing firm in our values — especially when it isn’t easy — is, in my view, what truly matters in leadership. **FG: How has your personal journey as a member of the LGBTQ+ community influenced your leadership style?** TS: When you spend years hiding something fundamental about who you are, you develop a deep understanding of what it feels like to be unseen. You become acutely aware of what it’s like to navigate systems that weren’t designed with you in mind, and to wonder whether you’ll be accepted if people really know your story. That feeling never truly leaves you. For me, it’s become the lens through which I approach leadership. I think about constituents who walk into a government office, uncertain whether they’ll be treated with dignity. I think about the employee who isn’t sure if their workplace is a safe place to be themselves. I think about the voter who’s made to feel like their participation is an obstacle rather than a right. That attentiveness — the instinct to ask who is not being seen, whose experience isn’t being considered — comes directly from my own journey. Chairing Equal Rights Washington during the marriage equality campaign deepened this perspective even further. We were asking the public to vote on whether love like mine deserved legal recognition. You gain a particular understanding of what’s at stake when your own life is on the ballot. That experience made me a more careful listener, and I hope, a more thoughtful leader. **FG: What do you see as the most pressing challenge facing the Clark County Auditor’s office, and how would you address it?** TS: The Auditor’s Office is responsible for administering voter registration and elections in Clark County. This is not just an abstract civic duty — it is the foundation of our democracy, the process through which every individual exercises rights that generations have fought, marched, and even sacrificed their lives to secure. Safeguarding that process and ensuring that every eligible voter can participate with confidence is a responsibility I hold with the utmost seriousness. In October 2024, one of our county’s ballot drop boxes was targeted for tampering. Thanks to the professionalism and swift action of our election staff, nearly all affected ballots were recovered. That outcome was no accident — it was the result of highly trained, dedicated people doing their job under immense pressure. As Auditor, my role would be to support and strengthen that team, ensure our systems are secure and resilient, and serve as a steady, trustworthy voice for the integrity of our elections — especially at a time when others are working to undermine public confidence. Who serves in the offices that administer our elections matters. It sends a powerful message about who our democracy is for, and I believe representation in these roles is vital to the health of our community and our democratic process. **FG: What hobbies or activities do you enjoy that help you unwind and stay grounded?** TS: First, my husband and I love to travel whenever we have the chance. Stepping outside of the familiar always broadens my perspective and helps me see things in new ways. I also spend time mentoring others — which some might not consider a way to unwind, but I find it deeply rewarding and grounding. It reminds me of the people who invested in my journey, and I feel a real sense of purpose in supporting someone else’s path. And honestly, time with close friends is essential for me — the kind of time where you don’t have to be “on” or perform, but can simply be yourself and enjoy each other’s company. What connects all these activities is that they require me to be present and fully engaged. In that way, they’re not so different from what good public service demands: showing up, paying attention, and being genuinely invested in the moment. **FG: How do you and your husband stay connected to the community, and what role does your personal life play in shaping your public service?** TS: On June 20th, Lamar and I will celebrate 23 years together and 13 years of marriage. Our relationship has grown alongside the evolving legal recognition of relationships like ours. For the first five years we were together, we had no legal status at all. Then, Washington voters stood up to defend the Domestic Partnership law at the ballot box. Five years later, they defended the right to marry. We’ve now been legally married for thirteen of our twenty-three years together — and it was elections that made that possible. That isn’t an abstract concept for me; it’s my lived experience. It’s a big part of why I care so deeply about protecting the integrity of elections and ensuring every eligible voter has the chance to participate. The Auditor’s Office oversees that process in Clark County, and I take that responsibility very seriously. Lamar is a private person — he’s not one to knock on doors or give speeches — but he’s always there for the moments that matter most. His steady support is something I depend on, even if I don’t always say it out loud. More than anything, my personal life has given me a real understanding of what it means to need your government to truly see you — and how powerful it is when that finally happens. That perspective guides my public service every day. **FG: What message would you like to share with voters about why this election matters and what you hope to achieve as Auditor?** TS: The Auditor’s Office handles work that most people never think about — and that’s exactly how it should be. When elections run smoothly, county employees are paid accurately and on time, public records are preserved, licenses are issued, and funds are tracked and reconciled; these systems become almost invisible. But when something goes wrong, people notice immediately. I’m running because I believe this office deserves a leader with a track record of building and managing the kinds of systems, teams, and financial operations that keep everything running seamlessly behind the scenes. I also believe that representation matters — in every office, at every level, including those that don’t often make the headlines. For LGBTQ+ voters especially, representation in government is significant. We have fought hard for the right to be counted, and I want to be the person who ensures that counting is done right. Ty Stober’s campaign is more than just a run for office — it’s a reflection of his deep belief in the impact that effective, ethical governance can have on people’s lives. As election day approaches, voters have a chance to explore Ty’s vision for Clark County and the core values that guide his leadership. With a strong combination of professional experience, community involvement, and a genuine commitment to public service, Ty Stober is prepared to lead Clark County toward a future defined by transparency, accountability, and trust. *To learn more about Ty and his campaign, visit* [*https://votety.com/*](https://votety.com/?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--37.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### A Place of Our Own: New LGBTQ+ Spaces Open Up Across the PNW URL: https://www.stonewallnews.net/a-place-of-our-own-new-lgbtq-spaces-open-up-across-the-pnw/ Last updated: 2026-07-23T16:39:48.000Z The LGBTQ+ community has been known to be versatile in creating safe spaces for events, support networks, and live engagement throughout the years. In recent history the internet has invited methods for us to find each other, socialize independently, and even organize live events on the fly. The one thing that cannot be manufactured by social media is real life interaction and genuinely safe spaces that are meeting local functions. So many of our events and gatherings have relied on community centers, library meeting rooms, churches, or public parks… and some of those are done only via word-of-mouth due to concerns they might be targeted. A wave of organizations in the Pacific Northwest are working to create active brick-and-mortar spaces for a variety of resources and safe engagement, and several have succeeded in spades. ### **Our 3rd Space (Vancouver, WA)** Southwest Washington Pride Alliance recently held a Queer Resource Center Grand Opening & Celebration event on March 21st, welcoming the community into the shared space they hold functions in along with Our Third Space at 609 Main St, Vancouver, WA. For over 30 years they have continued to work in outreach, visibility, and community engagement in the area and are happy to have a local space and create a location where they can base their operations to support Clark, Colwitz, Skamania, Wahkiakum, and Pacific counties. Currently they have a 9 person board, but are expanding to include those who would like to be involved in greater trans, youth, fundraising, or cultural outreach as they support the region. Board President, James Tolson, told me that while they are very proud with how well their annual Saturday in the Park is attended each year, that “\[we\] can always get better, and we're always going to strive to get better, but Pride is only one day out of the year.” SWWPA organizes the Saturday in the Park event each year as their annual Vancouver Pride gathering, and this year’s All Ages Event promises to be as amazing as years past, with up to 5,000 attendees at times. It is free to all, July 11th at Esther Short Park from 10am to 5pm. To speak with them and see their upcoming events, you can reach them directly through their website at [swwapa.org](http://swwapa.org/?ref=stonewallnews.net) or see space information at [our-3rd-space.com](http://our-3rd-space.com/?ref=stonewallnews.net). ### **Rogue Trans (Rogue, OR)** Maeve Wolfe has been a powerful advocate of one, but even greater at creating alliances and funding in what would otherwise be an island between queer support communities. What originally started from her frustration trying to find local affirming care, Wolfe started building a resource list that slowly morphed into a Facebook group and, “that’s how Rogue Trans Outreach was born.” Over the last couple of years she has worked on a mobile trans clothing bank, organizing hikes and other gatherings, and spent countless hours submitting grant proposals. With the combination of dedication and support from the Teresa McCormick Center and United Way, the Rogue Trans location at 611 Siskiyou Blvd, Ashland, OR is now open! She has worked tirelessly to create a place for a stable clothing exchange, movie nights, dances, games, support groups, etc in an area that is so far removed in all directions from the big city resources. They will be holding a grand opening event for all to attend May 2nd from 5 to 8 pm. For additional information, open hours and calendar of events see [roguetransoutreach.org](http://roguetransoutreach.org/?ref=stonewallnews.net). ### **The Lavender Network Queer Resource Center (Eugene, OR)** On February 10th Lane County celebrated an expansion to a larger space at 1590 Willamette St, Eugene, OR. Through a $2.5 million donation made by local resident, Helen Shepard, they were able to move into the much larger space and expand their resources to better provide clothing exchange, health care, and additional community services. The Lavender Network consists of 5 co-operative organizations: Queer Eugene, Eugene Pride, TransPonder, HIV Alliance, and Authentic Movement Project. We were unable to reach anyone at the Lavender Network for a direct comment on how the new space is or what plans they may have in the future, but you can see more about their space and events at [lavendernetwork.org](http://lavendernetwork.org/?ref=stonewallnews.net). ### **Salem’s Rainbow Youth Center (Name TBD, Salem, OR)** In Oregon’s capital, Salem, Rainbow Youth has been working since 1995 to create local engagement and safe spaces for LGBTQ+ youth and adults to meet for support and fun activities and learning opportunities that cover a wide spectrum. On December 13th they held what was the first of several events to raise funds and gather information to help with planning what their new space should be. Dani Davalos, one of their 9 board members, is actively working on also gathering data to determine more accurately who would make use of the space and where respondents feel the greatest needs would be. Currently they have regular bi-weekly community youth group meetings and “Try-it Tuesdays” for people of all ages to share skills/knowledge with each other at Stormie’s Place, 333 High St NE, Salem, OR. Their event calendar also has many other activities throughout the year but as they stated: “we are consistently reliant on one-time availability in churches, libraries or other spaces that we can’t make our own.” Along with Capital Pride, PFLAG, Black Joy, Crafty Coyotes, Radness Ensues, Dragonwolf Collective, and Punx with a Purpose, they are working on establishing a location that supports drop-in hours, health services, a full-time events and a makerspace. Their next big fundraising event is planned at the Reed Opera House on August 9th, details forthcoming soon. To donate online to their fundraiser you can go to [tinyurl.com/salemqcenter](http://tinyurl.com/salemqcenter?ref=stonewallnews.net), and to help name the new center you can vote on their Google form [here](https://docs.google.com/forms/d/e/1FAIpQLSdF1ZWlAhHXRtP2KGL5GC91RmfLGD3n6o5Ty06TPeJ6sa5N9A/viewform?ref=stonewallnews.net) (link only available online). You can find more information about all of their activities and where they’ll be anytime at [rainbowyouth.org](http://rainbowyouth.org/?ref=stonewallnews.net). With such a great start to 2026, one cannot help but feel excitement and pride all around. Big cities, small towns, young, old, cis, trans, NB, and everyone within our big, beautiful diaspora deserve safe spaces to come together for support and enjoyment. I hope to see many more, and that these communities continue to get the support from us that they need to thrive for many years to come. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Img_9053.jpg) Vancouver City Council Member Ty Stober speaks at Vancouver's Out 3rd Space Grand Opening March 21, 2026\. | Photo by Mike Schultz ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000017796.jpg) Rogue Trans, Ashland, Oregon | Courtesy photo ### Much to Be Proud Of at Spokane Pride 2026 URL: https://www.stonewallnews.net/much-to-be-proud-of-at-spokane-pride-2026/ Last updated: 2026-07-23T16:41:19.000Z ### And much to look forward to with Garland Pride on the horizon It’s almost been a full week since Spokane’s annual Pride celebration, and Matt Danielson is tired. The executive director of Spokane Pride, Danielson said he’s still waiting for the full emotion of the day to sink in — and for cellphone data that will indicate truly how large the gathering was this year to come back — but he’s proud of how the event went. While they don’t have a headcount on attendees, and won’t for a few weeks, there were slightly more parade entrants than usual, Danielson said, and “incrementally more” vendor registrations. Around 130 groups marched in the parade, and 250 registered for booths in Spokane’s Riverfront Park. Whatever the exact numbers are, it was a huge event, sprawling across most of the park. Five different stages hosted performances ranging from drag to local bands to open karaoke for anyone to participate in. Spokane Indigi-Q held their fourth annual celebration in the park, too, with a queer, Indigenous fashion show, an Indigi-Q drag show, traditional dances and drum contests. The night capped off with a huge block party hosted by Nyne, which got to shut down a city block for the first time, bringing celebrations out into the street. With the sheer volume of entertainment and community events taking place not just on Saturday — the Friday before featured a Trans Rights Rally hosted by Trans Spokane and Spokane Pride, community yoga by Coil Studio and a kick-off show under the pavilion — one of the high points for Danielson was simply the organizational smoothness. This year, they divided volunteers and board members into teams of committees that focused on specific aspects of Pride, like accessibility, entertainment and Trans Pride. “ Honestly, I was so proud of my people. We really built out these committees this year, and they functioned at such a high level,” Danielson said. “ I was also really proud of the fact that we got [four hundred volunteers](https://www.stonewallnews.net/articles/thank-you-spokane/25033/), I think … Our community comes together so much for this, and I'm so appreciative of all the help.” Drag artist TS Loveless, who programmed the stage in the beer garden under the pavilion alongside longtime drag queen Crystal Marche and DJ Derrick, also pointed to the smoothness of the operation as a high point. “ From the standpoint of somebody who really put a lot of time into planning it, everybody showing up on time and being ready to go was a huge highlight,” Loveless said. Because of this new operational efficiency, they were in and out of the park quickly, and Danielson was able to actually enjoy at least some moments of Pride. He said he was able to personally visit each booth in the park, and to wish all the parade entries “Happy Pride!” by biking up and down the line before it began. ”It was really cool being able to, like, actually interact with the parade, because my joke used to be, ‘What parade?’ But I'm like, you know, running the festival and everything,” he said. The Parade was led this year by Indigenous Peoples Grand Marshal and founder of the Montana Two-Spirit Society Steven Barrios, Community Grand Marshal Dr. Kristine Coons, Youth Grand Marshal [Veronica Garcia](https://www.washingtonpost.com/nation/2025/12/28/transgender-female-athlete-competition-trump/?ref=stonewallnews.net), Over the Rainbow Grand Marshal Robbin Wood, Organizational Grand Marshal [Jewels Helping Hands](https://www.stonewallnews.net/articles/from-sanctuary-to-shelter-spokane-church-opens-lgbtq-homeless-shelter/24708/) — who just opened a homeless shelter for LGBTQ+ Spokanites — and Ally Grand Marshal Dr. Pam Kohlmeier. [Jonathan Shuffield](https://www.stonewallnews.net/articles/in-loving-memory-of-jonathan-shuffield/24875/) was also honored en memoriam as the Legacy Grand Marshal, marked by a cardboard cut-out of a smiling Shuffield. Justine Lee, the lead of the accessibility committee, was most proud of the way that Spokane Pride made [accessibility](https://www.spokanepride.org/accessibility?ref=stonewallnews.net) a priority this year. Lee led much of that effort, setting up an indoor sensory zone for people and creating [maps](https://static1.squarespace.com/static/60f0c93fb830100cea95e9b0/t/6a20e4f8a8647f5a66294baf/1780540664257/ACCESSIBILITY+MAP+2026+%288+x+8+in%29.pdf?ref=stonewallnews.net) that listed the services available. Booths were intentionally placed on accessible paths, Danielson said. There were ASL interpreters announcing the Pride Parade and two of the stages, accessibility shuttles that made drop-offs at locations around the park, free ADA parking and an accessibility parking lot shuttle. Lee, who got involved after attending the 2025 Pride Festival and seeing a need for more accessibility, said one of their highlights was the indoor sensory zone, which gave people a chance to get out of the heat and away from the crowds and loud noises. It was a safe space for people to continue their Pride festivities, Lee said, including for a woman who was able to finish out the day inside at the sensory zone with her grandchildren after she fainted. Since Saturday, the accessibility committee has grown even larger, and has a checklist of things they want to improve for 2027 celebrations. “I truly hope we can continue to improve inclusion for our community,” Lee wrote in a text to Stonewall News Northwest. Loveless said inclusivity was a focus of the programming for the beer garden stage, which featured musicians like the lesbian-couple-fronted band [Angela Marie Project](https://www.angelamarieproject.com/the-band?ref=stonewallnews.net), Wild Alchemy belly dancers and multiple groups of drag performers, including Loveless’s own alternative drag group Queerdos, and burlesque performances by the Vaude Villains. “ We wanted it to be a really good variety of entertainment,” they said. “ We wanted really, really solid and reliable performers that we felt actually represented the diversity and differences in our community.” Though Spokane Pride is over, Danielson, Lee and Loveless are all looking forward to Garland Pride in late August. It’s two months out, but preparations are well underway. Lee is working to find a business with storefront space in the Garland district to set-up an accessibility zone in, while Loveless is coordinating the main drag show for the event (and also hoping to be able to carve out some time to celebrate). For Danielson, Garland Pride, which recently received a $10,000 grant from the city of Spokane, isn’t even the next big thing. Spokane Pride provides support to other rural Prides in the Inland Northwest: they’re sending volunteers to Missoula Pride soon, and Danielson will be taking sound equipment up to Creston, BC in Canada to help support their very first Pride. He also plans to go to Sandpoint Pride, Lewiston Pride and Palouse Pride — and somewhere along the way, maybe he’ll get to celebrate himself. “ There's lots of Pride, and it needs to all happen,” Danielson said. “ And I think Spokane Pride showing support to the smaller Prides is just so important, and just like building our overarching community of the Inland Northwest — and if shit gets real bad, coordinating pushback and mutual support. I think that's the direction we need to go as a community.” ### Queer Community Network: Creating Art, Community and Education in Vancouver URL: https://www.stonewallnews.net/queer-community-network-creating-art-community-and-education-in-vancouver/ Last updated: 2026-07-12T20:26:01.000Z The LGBTQ community has always functioned largely as a volunteer-based, wildly creative, and often politically active minority. The organizations that have grown up within us are an even smaller minority within this population that sometimes are not as inclusive or fully engaging the entire diaspora. Representation and active participation continue to be an issue, partly due to so many wondering where they belong and how best they can be active. Trying a new engagement model is always hard, however. Queer Community Network had previously hosted the Vancouver Pride Block Party, but has chosen to move their focus elsewhere. While incredibly proud of the effect the event had on the area as a whole, and how well it has been received over the years, the board decided to shift focus elsewhere. They are keeping their main efforts set largely on a “consent-based, sociocracy-inspired governance model” approach centered on connection, advocacy and information access that involves everyone at all levels of engagement. As stated on their website, “continuing our involvement would require compromises that do not align with QCN’s values or our responsibility to those we serve.” The five person board is set up to effectively manage day-to-day operations, but insists on a style that is not a “top-down” model, and while they are a functional 5013c non-profit and divide responsibilities, they are able to ensure their goals are based on local needs and engagement. ### **Made with Pride Series** One of the specific groups within their greater representation are the artists and creatives. *Where do we exhibit our work, market to each other, or find spaces to share and display?* In general there are few spaces outside of the annual Pride festivals locally that might allow most to sell or even display pieces. *And what do we do for the other eleven months?* Local art markets often regard anything “political” as banned items, or will even ban a creator of any medium that might show queer pride or familiarity. *Where do I even begin with displaying my items, and what materials are needed?* QCN is working not only to address and facilitate a space to explore these questions, but bringing mentorship and safe spaces throughout the year to help bring the community together while sharing what others create and wish to share. Queer Community Network in Vancouver, WA has made a concerted effort to create a “Made with Pride” series of open market days throughout the calendar year at Fourth Plain Commons a regular occurrence for Queer and LGBTQ+ friendly creative makers to share their work and connect with the greater community at large. The series is a wonderful example of how the egalitarian model of engagement and advocacy is working in practice. Torrey Hair of Torrey’s Trinket Trove connected with Terah Ebie (President/Founder QCN) regarding how little exposure and access local queer artists had in our local areas. Torrey is a disabled queer artist that was looking for ways to show their wares and finding few locally, so they proposed a queer market. From that the Made with Pride market series started to take shape. During my time speaking with them both, one item was repeated by Ebie with great focus: “**HOW** we work and collaborate is important.” The space itself is an open area with meeting spaces and low-income housing integrated. The first market, titled: “Spring Fling”, was a great success, with an estimated 400 attendees and 25 vendors. The local neighbors and vendors were overwhelmingly happy with the initial launch, and the next market is scheduled for August 8th, and will be from 4:00pm-8:00pm to beat the heat at the same location. As they plan the next event, they are looking for more volunteers, more vendors, and more attendees. Julia Cameron (author of The Artist’s Way) wrote; “Art opens the closets, airs out the cellars and attics. It brings healing.” QCN appears to be doing this through opening greater avenues to artists, makers, and all of us who look to find ways to better reach each other every day. ### **Political Engagement** In addition to social events and the arts, they are actively helping with educational projects related to “No Hate in Washington State” and fighting initiatives such as IL26-638 that would require youth athletes to submit to invasive physical examinations to participate in sports, and IL26-001 that would functionally out youth to their families (regardless of safety of the child) which greatly affects queer youth in Washington state. Leadership sessions teaching current and future politically active Washingtonians are being held regularly to help facilitate better discussion on the main points of the current issues affecting us all, as well as providing tools to help us all be more engaged and identify ways to communicate to others how initiatives and laws impact our region. ### **Community Engagement/Support** Currently QCN is operating with over 95% of funds going directly to programming. They have sponsored 10 scholarships for youth to attend Camp Wild Heart, as well as supporting Camas Pride and Battle Ground Pride. Living Legacy Circle is a monthly meetup for trans people of experience to share, connect and support one another. Wild Heart Book Club (through Wild Heart Society) has four sessions throughout the year for queer, trans and ally affirming literature discussion, and QCN is partnering to assist when the purchase of a book is difficult for any who need - to ensure all are welcome and financial need is not a barrier. All of this also involves partnerships with Gender Justice League, Evoke Cascadia, and grants for the markets from City of Vancouver and WellPoint to open up learning and feedback events to sponsor other forms of engagement and activism. Future projects and experiences are encouraged, as any in the area are welcome to connect, participate and suggest projects that fulfill possibilities not yet thought of. *To volunteer, support or inquire about future events you can see their information and calendar at* [*queerpnw.org*](https://www.queerpnw.org/?ref=stonewallnews.net)*, or email them directly at* [*hello@queerpnw.org*](mailto:hello@queerpnw.org)*. Hope to see you all at the next market!* [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Screenshot-2026-06-16-074645.jpg)](https://www.queerpnw.org/markets?ref=stonewallnews.net) ### Just Out: Three People Behind the Most Important Queer Publication in Portland History URL: https://www.stonewallnews.net/pacific-northwests-lgbtq-community-discovers-inclusive-faith-spaces-2/ Last updated: 2026-08-21T12:12:05.000Z --- ### Stonewall News Northwest interviewed three key members of *Just Out* who share their history with the publication and what they're doing now. --- > Just Out co-founder and publisher (1983-1999) **Renee Lachance**, art director **Rupert Kinnard** and second publisher (1999-2011) **Marty Davis** talked with Stonewall News Northwest. **Jonathan Kipp**, third and final publisher (2012-2013) declined interview requests. --- Before smartphones and social media feeds, LGBTQ+ people often found others like them through something far more fragile: a newspaper on a rack in a café, bookstore, or community center. For thirty years, Just Out served Oregon’s LGBTQ community as more than a publication. It functioned as infrastructure by connecting people to news, resources, political movements, businesses, events, and each other. Published from 1983 to 2013, it became one of the longest-running LGBTQ newspapers in the United States — covering the AIDS crisis, major political battles over LGBTQ rights, and the collapse of print journalism now seen in the digital age. What stands the test of time is not just that the paper existed, but the work that it did. Across three decades and changing leadership, Just Out consistently operated as a space for community-building at a time when those systems, now online, did not yet exist. This story is about Just Out, but not just the words — it is about the people behind the scenes, building this infrastructure and community on the printed page. ### **Building Something Different (1983)** Just Out began in 1983 out of frustration and necessity. Founder Renee LaChance, co-founder Jay Brown, and art director Rupert Kinnard were part of Portland’s LGBTQ media landscape at a time when representation was limited, controversial, and often contested. All three had been connected to a predecessor publication, Cascade Voice, that became a flashpoint for disagreements over racism, inclusion, and community accountability. Kinnard recalls tensions around how the publication responded to a racist incident at a Pride event, and broader dissatisfaction with how LGBTQ communities were being represented in print. Rather than continue within that structure, the trio chose to build something new. “We wanted to start a paper that more embraced the diversity of the community,” Kinnard said. In August 1983, LaChance and Brown sat at Portland’s waterfront with a thesaurus and chose a name: Just Out. Within weeks, the first issue was printed. From the beginning, the paper was designed to do more than report news. It was meant to reflect a community still forming itself publicly—one that needed visibility, information, and connection in equal measure. ### **More Than a Newspaper** Across every interview, one idea repeats with unusual consistency: Just Out was a resource for finding people. Every issue included community calendars, organizational listings, advertisements, and resource guides. Readers could learn where events were happening, which businesses were safe, what political groups existed, and how to connect with services and support networks. “You could look at the paper and see where you were safe in the community as an LGBTQ person,” LaChance said. For readers outside Portland, those pages often meant something much larger. LaChance recalls hearing from people who discovered Just Out in small-town libraries or community spaces and realized, sometimes for the first time, that they were not alone. “They would say, ‘I didn’t know there were other people like me,’” she said. Kinnard described LGBTQ+ newspapers of the era as “the community’s lifeblood.” “We would get together for Pride,” he said, “and then throughout the year, the newspaper is where we got all of our information.” Before the internet, this reliable, tangible communication mattered in concrete ways. It told people where to go, who to call, and which spaces offered safety or belonging. ### **Crisis, Visibility, and Political Survival** The paper’s earliest years coincided with the emergence of the AIDS crisis, which reshaped LGBTQ+ life across the country. *Just Out* became a source of information, advocacy, and visibility at a time when mainstream coverage was often limited or harmful. At the same time, Oregon’s LGBTQ community faced escalating political attacks, culminating in Ballot Measure 9 in 1992, which sought to embed anti-LGBTQ language into the state constitution. LaChance describes this period as one that required deep coalition-building across communities. “We had to do real community organizing,” she said. Just Out helped connect organizations, amplify messaging, and distribute information during the campaign. The fight against Measure 9 became one of the defining political moments in Oregon LGBTQ history. LaChance also argues that earlier work in the 1980s—particularly around inclusion, racism, and coalition-building—helped make later political organizing more effective. ### **Art, Identity, and Visual Language** For nearly two decades, Rupert Kinnard served as Just Out’s art director, shaping how the newspaper looked, felt, and communicated visually. Early production was limited by technology and budget. Color was scarce. Layout was manual. “I was always interested in seeing what I could do with that color and black,” Kinnard said. Despite constraints, the paper quickly developed a recognizable visual identity and earned early recognition for its design work. For Kinnard, the paper represented both artistic experimentation and community purpose. Kinnard’s “Cathartic Comics,” featuring Brown Bomber and Diva Touché Flambé, ran in the paper and became a landmark in alternative queer media—centering race, sexuality, and politics through humor and critique. “It challenged the community to not be one-dimensional,” he said. ### **Growth, Professionalization, and Peak Influence (1999–2011)** In 1999, ownership of Just Out transitioned to Marty Davis. Davis arrived at the paper after leaving a corporate career and initially taking a sales role with Just Out. While originally as a temporary job, it became long-term stewardship. “I kind of took over,” she said. Under her leadership, Just Out expanded significantly. At its peak, the publication employed a staff of roughly a dozen people, including editors, designers, columnists, and sales staff. Distribution widened, production modernized, and the paper became a recognized voice in Portland’s LGBTQ+ and broader progressive media. This era also reflected broader cultural shifts. National brands began targeting LGBTQ+ consumers. Advertising expanded beyond queer-owned businesses into mainstream companies seeking “lavender dollar” markets. Davis describes the period as both influential and unstable. It was defined by growth, but also by dependence on shifting advertising ecosystems. “We were respected,” she said. “We were a voice in the community.” ### **When the Model Broke** As the internet expanded, the functions the newspaper once served migrated online. Classifieds disappeared. Personals moved to digital platforms. Community calendars shifted to websites and social media. Then came the 2008 recession, which sharply reduced local advertising revenue. “I tried to keep it going for three years,” Davis said. “It wasn’t sustainable.” The financial pressure reflected broader changes across the publishing industry, but smaller community newspapers were especially vulnerable. The economic foundation that had sustained Just Out for decades effectively dissolved. “It was miserable,” Davis said. “I should have shut it down sooner than I did.” Jonathan Kipp bought the publication and from 2012 to 2013, he was the editor as the newspaper published its final editions. By 2013, the paper had ceased publication. ### **What Remains** Today, the racks are mostly gone. The personals are gone. The classifieds are gone. But the people remain. After *Just Out* closed, Marty Davis shifted from print to digital media, continuing her long-standing work connecting and informing the Pacific Northwest LGBTQ+ community. She created *Shout Out*, a Facebook page that promotes news, stories, events, and celebrations across the region and has grown to roughly 11,000 followers. The page functions as a digital continuation of what *Just Out* once provided in print—amplifying community information, highlighting local voices, and keeping people connected across cities and towns. In many ways, it reflects a direct adaptation of the same mission, translated into the speed and reach of social media. Rupert Kinnard continues his artistic work, including a major retrospective of his decades-long comic practice. His work featuring Brown Bomber and Diva Touché Flambé remains a foundational contribution to LGBTQ representation in comics. In 2025, a retrospective collection of his work was nominated for a Will Eisner Comic Industry Award, one of the highest honors in the field of comics. Renee LaChance continues writing and working on community-focused projects rooted in storytelling and collective memory. After *Just Out*, she operated a motel in Yachats that became a gathering place for retreats and community events, extending the same impulse to create spaces for connection beyond print. The tangible memory of Just Out for these people is not nostalgia for the printed page, but recognition of the doors it opened. *Just Out was never only a newspaper. It was a system for connections.* It helped people find the spaces they needed when they had no alternative. It created shared community across cities in a time when such spaces were often scarce, contested, or hidden. In the media age, information is abundant. Connection is constant. As a byproduct, intentional community infrastructure is harder to see—and harder to sustain. The memories of Just Out remind us that communities do not emerge automatically. They are built—carefully, imperfectly, and persistently—by people willing to create the spaces where others can belong. Just Out was a newspaper, and a lifeline. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Marty-Davis-1-1.jpg) Just Out's second publisher, Marty Davis | Courtesy photo ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Rupert-Kinnard-1.jpg) Just Out Art Director Rupert Kinnard at Rose City Comic Con in 2025 | Wikipedia ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Renee-LaChance-1.jpg) Just Out Co-Founder and Publisher Renee LaChance at the Portland Gay Press video presentation by History of Social Justice Organizing, January 23, 2014. --- ### Online issues of ***Just Out***: > Stonewall News Northwest LGBTQ+ Pacific Northwest Publication Archive: [LGBTQ+ Pacific Northwest Publication ArchiveWith over 35,000 pages across thousands of issues from Seattle to Portland and Spokane going back to 1971, welcome to the largest LGBTQ+ publication archive in the world. This archive is comprised of newer issues published in PDF and older paper issues scanned to PDF in 300dpi full color.![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/S-icon-88d36a84-a73b-4d34-87f5-30d01a6b40af.jpg)Stonewall News NorthwestStonewall News Northwest![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/publication-cover-67514be0-e58b-468c-b5e1-1f84dce600da.jpg)](https://www.stonewallnews.net/pdf-issues/) > University of Oregon, Historic Oregon Newspapers: [https://oregonnews.uoregon.edu/lccn/2013202554/](https://oregonnews.uoregon.edu/lccn/2013202554/?ref=stonewallnews.net) > Just Out issues from June 16, 2011 through February 1, 2013: [https://issuu.com/justout](https://issuu.com/justout?ref=stonewallnews.net) ### More information about ***Just Out***: > Wikipedia: [https://en.wikipedia.org/wiki/Just\_Out](https://en.wikipedia.org/wiki/Just%5FOut?ref=stonewallnews.net) > Portland Design History, Just Out: [https://www.portlanddesignhistory.com/post/just-out](https://www.portlanddesignhistory.com/post/just-out?ref=stonewallnews.net) ### More information about **Rupert Kinard**: > Wikipedia: [https://en.wikipedia.org/wiki/Rupert\_Kinnard](https://en.wikipedia.org/wiki/Rupert%5FKinnard?ref=stonewallnews.net) > Portland Design History, Rupert Kinard: A Superhero in His Own Right by Melissa Delzio: [https://www.portlanddesignhistory.com/post/rupert-kinnard-1](https://www.portlanddesignhistory.com/post/rupert-kinnard-1?ref=stonewallnews.net) ### Made with PRIDE Markets URL: https://www.stonewallnews.net/advertisement/ Last updated: 2026-07-10T19:20:31.000Z [Made With Pride Markets — Queer Community NetworkShop Small, Dream Big, Be Proud! Made With Pride Markets are a series of community-centered pop-up markets celebrating queer, BIPOC, and historically underrepresented markers, atrists, and small business owners - because great talent deserves to be seen, supported, and shouted about.![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/icon/favicon-26d64e29-7d4c-4d92-bbe9-1eede5a6ac99.ico)Queer Community Network![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/thumbnail/qcn-SocialImage-board-d9c4c585-fe0f-4e60-a640-9abe449703c4.png)](https://www.queerpnw.org/markets?ref=stonewallnews.net) ### Thank You, Spokane URL: https://www.stonewallnews.net/thank-you-spokane/ Last updated: 2026-07-24T22:53:37.000Z ### A love letter to a community coming together and those who make it happen --- *Matthew Danielson, Spokane Pride’s executive director, has a job that is much more involved than yelling “Happy Pride!” every chance he’s got. Matthew juggles sponsors, negotiating and encouraging everyone to stay involved and give as much as they can. He is swamped with emails and social media comments leading up to Pride, and somehow, he’s always got time to chat. He’s the bridge between the Pride Parade and the City/Parks/PD, always looking out for Pride participants and making sure they are as safe as possible. On Pride Day, he triages a million questions and suggestions from morning to evening, and amazingly he never snaps at anyone. Below is Matthew’s love letter and thank you to the folks behind the scenes.* --- Spokane Pride grew from just a small corner of Riverfront Park ten years ago when I first started helping with the event to the most joyous weekend of love and connection that Spokane has to offer, as well as being one of Spokane’s largest events. It is a fusion/blend/combination of community connection and group adulation like nothing I’ve ever seen. So much has gone into making this event what it is today, and I’d like to shine a light on those that make this event happen. It is so much more than just me, and I think that needs to have a spotlight, and I’d like to name names and show all the different aspects of coordinating this event. **Jake Schwartz** is our Board President, always good for an inspirational speech and many other skills to help the organization in a wide range of ways. He sits on most of the committees with me and helps hold the thing together emotionally and logistically. I deeply appreciate his partnership in leading this organization. **Kassandra Forsman** is our Board Vice President, and when she is not handling large logistics like backing trailers, she is doing nails for free in a corner of our community room at the SAN Pride Center. As a former combat marine, she brings a cool head and a laid-back charm to our org. **Jacob Beye** is our Board Treasurer and is just so good at simplifying interpersonal issues into easy to digest plans of action that both parties can move forward with, in addition to bringing us to a whole new level of budgeting prowess as an organization. **Anna Brougher** is our neurospicy teacher/secretary/parade coordinator extraordinaire. She has implemented new policies and structures that have made our parade a model of organization, even flexing those skills and volunteers to help with the road closure for the Nyne Block Party. **Shelby Ramey** is our creative butterfly and is responsible for much of the better graphics (not the ones slapped together by me) that Spokane Pride produces, in addition to helping coordinate small events, and producing all of our custom merchandise for Spokane Pride and our smaller events. **Conar Durglo** is our board member who looks over the Indigi’Q programming formerly the Two Spirit Powwow. He runs a crafting circle every week where they craft and plan their parts of the Pride festival. I am personally so proud of helping steward this programming in his partnership. I see this as Spokane Pride’s land acknowledgment in our commitment to right the wrongs of history and push forward to a more equal and loving world. **Dave Walton**, board member, has been helping me with tech at gay events ever since I was hosting karaoke behind the bar at Irv’s longer ago than I like to admit, so naturally he had to follow me to Pride. He floats and fixes whatever tech issues we are having, and with an event with 8 locations doing sales, this is a hugely consequential role. **Val Walton**, Dave’s mom and Board mom is Shelby’s assistant and partner in crime. Come to almost any pride event and you will be greeted by val. She is the queen of sales and has been a part of prides merch production for the last three prides. **Marieah De La Vega** is Pride's second employee ever I’ve recently hired and has taken swiftly to vendor management and sitting at the center of the storm as Pride approached learning a ton and using her experience working events at Riverfront Park to make the many tasks of a looming event seem lighter and more manageable. I’ve been able to maintain a much healthier lifestyle as pride season came on because of many people here, but especially her. **Michael Stubor** is our command center lead and has revolutionized our command and control systems for Pride. Since he started with us in 2023 the command center has provided a space for vendors, attendees, PD, Fire, Safety, etc.… to call one number to get centralized up to date info on the functioning of the event. This project is complimented by our logistics committee that oversees all the inner workings of the event. **Christina Thomas (Tommi)** has become a lead for our entertainment committee and also a crucial task master for the logistics committee and sort of keeps all the meetings functioning smoothly while cataloging and capturing all the decisions and data gathered. She also sits in the command center at Pride aiding to the command and control structure especially from the entertainment perspective. **Justine Blair** is a lead for the accessibility committee and is utterly focused on making Spokane Pride as widely accessible as it can be. She oversees the sensory zones, accessibility mats, ASL interpreters, accessibility stops, etc.… and has really helped make Spokane Pride a place for all! **Kimber** and **Marcia Ryburn, Sloan Poe, Maggie Maguire** and the **Trans Pride Committee** in partnership with **Trans Spokane** planned the Rally for Trans Rights at Pride and also contribute to many other aspects of Pride and our community in various ways. **Derrick Leggott, Dixon Burkett,** and all the rest of the tech crew set up, tear down, and run 5 stages at Spokane Pride with mostly our own or borrowed equipment. They also sit on the entertainment committee and help plan lineups and organize backing tracks and band info. **Dave Lenz** sits on the logistics committee, entertainment committee, and is the events director for the Spectrum singers. He took the whole week of Pride off to help take care of a range of things leading into the event, then hosted the karaoke/open drag stage at Pride. **Kris Neuharth** is the lead for the **Peace Angels** of Spokane and organizes the angels so they can safely and effectively block out the haters at Spokane Pride. She diligently takes care of the angels and peacekeepers keeping Pride a joyful and fun place and keeping the protestors in their place. **April Gascon**/striker head of the brand new safety committee worked closely with logistics committee, park rangers, private security, **PD, Pjals Peacekeepers, angels, AMR**, etc.… to provide a more unified security plan and added high level contingency planning plus facilitating first aid training for our safety volunteers. **Joe Stussi** and the **Peacekeeper**s had their largest contingent of peacekeepers ever! They are especially trained for deescalation and first aid and are the people with the orange vests around keeping an eye on things during the events. Thank you to **Princess Dallas** for getting all vendor documents and insurance info in order for vendors and parade entries in a kind, loving, but firm way. **Pia Hallenberg** is a constant companion of Spokane Pride and sits in the command center to handle media relations and is always there for me to ask questions and get info with her deep knowledge of our community. There are so many more committee members and past board members and volunteers, and I’d like to thank all of them for helping us get the event and this organization where it is now. Big thank you to **Stephanie Allen** our new volunteer coordinator, she rocked this position and pulled some very long days at Pride this year. Thank you to **Purgatory** for always taking such great pics and organizing photographers. The lovely people from **Black Bee Tattoo** put together and organized the submissions for our art gallery in the pavilion and it was AWESOME, thank you! Thank you to our 80 plus drag performers, especially **TS Loveless , Crystal Marche, Mylar Black**, and **Ducky Loveless** to just name a few. Thank you to our 8 hosts, and 12 comedians keeping things light and fun in a family friendly. Thank you to all of our sponsors that help pay for this growing event, especially the **Episcopal Diocese of Spokane**, and **Gonzaga University** because I think the union of Pride and affirming churches are the best way to fight Christian nationalism and heal our society. Thank you to our nearly 250 vendors, you made the park so beautiful with your wide-ranging offerings. Everyone was so happy about the offerings in the park. Thank you to our 100 plus Parade entries, biking through the parade and yelling happy pride as everyone was lining up and leading the parade into the finish was truly one of the most beautiful moments I’ve ever had at a Pride and you all are a part of that! Thank you to **Odyssey** and all of the GSA’s that marched under their banner and attended the Teen Zone! I also cannot thank **Lori** from Riverfront Park enough; we are so trauma bonded after everything we’ve been through running this event together. We started the same year and we are always so good at rolling with the punches and chaos. Shout out to Megan and Sarah, the event specialists helping us too. There are literally hundreds of volunteers that are going unnamed here, this event would not be possible without you. You bring organization, joy, and love to this event and make it possible. Thank you for being a part of this amazing weekend. Thank you to EVERYONE who attended this event. You are a part of something larger than all of us. You are a part of the building love and equality that this movement and event represent. You are a part of connecting our community and collective healing that comes with the adulation of communal healing that comes from events like these. ### Girls Like Girls URL: https://www.stonewallnews.net/girls-like-girls/ Last updated: 2026-07-17T21:02:12.000Z Watching *Girls Like Girls* and seeing the main character’s first taste of love brought back a flood of memories. I remembered what it was like to fall in love for the first time. Understanding her journey made the movie particularly meaningful to me. Hayley Kiyoko’s first time directing reveals a sincere vulnerability that feels natural and unforced. The story centers on Coley, played by newcomer Maya da Costa, who faces more than the challenge of relocating to a new town. She is burdened by grief and haunted by a recent loss that shapes her every move. Her world shifts when she meets Sonya, portrayed by Myra Molloy. What unfolds is a first love that feels genuine — awkward, thrilling, and complicated, all at once. Coley isn’t just falling for someone; she’s also on a journey to accept herself. The film captures this against the backdrop of a sun-drenched summer, where days seem to blend together and every small moment feels monumental. Kiyoko doesn’t rush the romance; instead, she allows it to breathe, observing these two girls as they circle each other, test the waters, and gradually lower their guards. The tension feels authentic because the film values its quiet, tender moments just as much as its more intense scenes. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-06-24T194724.111-1.jpg) Maya da Costa and Myra Molloy / IMDb ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-06-24T194759.954-1.jpg) Myra Molloy and Maya da Costa / IMDb Maya da Costa carries the film. As Coley, she masterfully balances grief and longing without veering into melodrama, allowing viewers to feel her hesitation, hope, and fear simultaneously. It’s an impressive performance for someone so early in her career. Opposite her, Myra Molloy brings a guarded confidence to Sonya, and the chemistry between them makes everything feel real. The supporting cast adds richness to the story, with Levon Hawke playing Trenton and Zach Braff stepping in as Curtis. What makes *Girls Like Girls* especially meaningful is the time and care that went into its creation. It didn’t start as a movie; it began in 2015 as Hayley Kiyoko’s hit single. From that song, it grew into a 2023 best-selling novel, expanding the story and characters. And more than a decade later, it became a motion picture, co-written by Kiyoko herself alongside Stefanie Scott. You can feel that history in every frame. This isn’t a quick adaptation chasing a trend; it’s a labor of love. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/MV5BNzAwYmRjMzMtNTdkNC00Yzk5LTllZDYtMWRiZGZkNWY2NzMwXkEyXkFqcGc@._V1_.jpg) Girls Like Girls --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--2.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### We Burned So Bright: A Story of Love, Courage, and Goodbyes URL: https://www.stonewallnews.net/we-burned-so-bright-a-story-of-love-courage-and-goodbyes/ Last updated: 2026-07-17T21:02:33.000Z *WE BURNED SO BRIGHT* TJ KLUNE ©️2026 Tor Books 176 pages A rogue black hole is hurtling toward Earth, and in 30 days, everything you love will be gone. It’s a grim setup, but it raises a question author TJ Klune truly wants you to sit with: Where would you be, and who would you be holding when the end finally comes? For husbands Don and Rodney, the answer is simple: each other. And it’s that answer that fuels one of the most radical love stories you’ll read this year. Klune is a *New York Times* best-selling author and Lambda Literary Award winner. His books include *The House in the Cerulean Sea*, *Under the Whispering Door*, *In the Lives of Puppets*, and the *Green Creek* series. As an openly queer writer, he highlights the importance of representation. In this book, he draws on his passion to explore a seldom-discussed theme: what queer love is like after 40 years together. The story is simple. As the world approaches its true end, Don and Rodney drive from Maine to Washington state, racing to complete their final tasks. Along the way, they encounter people who deny the end of the world and others who eagerly embrace it. They find themselves at spontaneous weddings, roadside bonfires, and shared meals during humanity’s final weeks. Then, under a fractured moon, they reflect on their accomplishments and grapple with the haunting question: Is it enough to shine brightly if nothing emerges from the ashes? What makes this story matter is how rarely we get to see ourselves grow old in fiction. Queer characters tend to be young, beautiful, and falling in love for the first time. By placing two married gay men in their later years at the center, Klune insists that our love stories do not expire. They deepen. And for LGBTQ+ readers raised on the lie that we would never marry or that we would die alone, watching these two face the end side by side feels like a hard-won victory. At 176 pages, Klune presents a richly layered story in a compact book. While it can be finished in one afternoon, its emotional resonance stays with readers for months. Ultimately, this story is more than just about Don and Rodney; it serves as a reflection. So I ask you what the book asked me: When the countdown reaches zero, where will you be, and whose hand will you be holding? *To learn more about the author and his work, visit TJ Klune’s official website at www.tjklunebooks.com/.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/TJ-Klune-Courtesy-Of-tjklunebooks.com.jpg) Author TJ Klune --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--10.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Leviticus: A Haunted Love Under Fire URL: https://www.stonewallnews.net/leviticus-a-haunted-love-under-fire/ Last updated: 2026-07-17T21:02:52.000Z I caught an early screening of *Leviticus*, and honestly, it’s haunted me ever since. Most horror movies deliver quick scares that fade away quickly. But this one? The storyline sticks with you. It’s the kind of film that lingers in your mind long after it’s over. *Leviticus* follows two teenage boys, Naim and Ryan, whose relationship becomes dangerous once it’s exposed in their deeply religious small town. What begins as a story about young love under pressure quickly turns into something far more disturbing when the adults around them respond with fear, judgment, and cruelty, disguised as moral righteousness. As the boys are pushed further into isolation, a supernatural force is unleashed — one that takes on an especially twisted form, reflecting their desire, shame, and vulnerability back at them. From there, the film becomes both a survival story and a psychological horror piece, using its central threat to explore the terror of being seen as sinful by the very people who claim to want to save you. The performances are surprisingly strong. Joe Bird as Naim is incredible: He doesn’t need many words to show every ounce of fear, hope, and exhaustion. You feel it all in his eyes. Stacy Clausen as Ryan also surprised me with a layered performance. Watching him open up and show vulnerability made everything feel real, raw, and heartbreaking. Their quiet moments together hit the hardest — they feel genuine. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-18T194539.778-1.jpg?resize=1024%2C768&ssl=1) Stacy Clausen and Joe Bird / IMDb The performances are surprisingly strong. Joe Bird as Naim is incredible: He doesn’t need many words to show every ounce of fear, hope, and exhaustion. You feel it all in his eyes. Stacy Clausen as Ryan also surprised me with a layered performance. Watching him open up and show vulnerability made everything feel real, raw, and heartbreaking. Their quiet moments together hit the hardest — they feel genuine. The supporting cast is just as good. Mia Wasikowska plays Naim’s mom with a quiet, almost detached presence. She comes across as cold and unreadable, playing the role so well that I disliked her — which is exactly the point. Nicholas Hope as the so-called “Deliverance Healer” is downright unsettling: calm, polite, and utterly convincing. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-18T195049.973.jpg?resize=1024%2C768&ssl=1) Joe Bird and Stacy Clausen / IMDb On a technical note, the film is tight and effective. Tyson Perkins’s camerawork keeps everything close, tense, and intimate. Jed Kurzel’s score sneaks in subtly, slowly building an uneasy atmosphere. The film is only 88 minutes long, but every second feels purposeful — no fluff, no filler. As I mentioned, what stayed with me is what the film is really about. The title points to a biblical verse, and the story uses that to explore how religion and hate can distort love. For me, the horror isn’t just the creature — it’s what the church and the parents do to these kids. They call it love, but what they do is deeply wrong. *Leviticus* hits theaters on June 19\. If you’re into psychological horror, this film is for you. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Leviticus-Movie-Poster.jpeg) Leviticus --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Darcelle XV Plaza: Portland’s “Queer Living Room” Set to Open Later in June URL: https://www.stonewallnews.net/darcelle-xv-plaza-portlands-queer-living-room-set-to-open-later-in-june/ Last updated: 2026-07-23T17:09:06.000Z A dog park, a stage and arty lighting will glamify the new Darcelle XV Plaza in Portland which is set to open later this month. “People talk about Pioneer Courthouse Square as the city’s living room, and so folks were talking about this being the Queer living room,” said Maija Spencer, a Community Engagement Coordinator for the city of Portland. The park lies on Harvey Milk Street, a happy coincidence, according to Spencer. “Could you make that any better? It was the most poetic thing I could think of when I finally realized it,” she said. “That wasn't necessarily intentional, it was just where these two things converged.” In addition to a dog park, there is a stage for events, a walk of fame and a giant pink shade in the shape of a triangle. The plaza will also have fencing for safety that will be locked when the park closes as well as “artful” lighting. “It's pretty open, wide sightlines, good lighting,” Spencer said. Spencer added the plaza is surrounded by businesses and offices that add to the sense of security and add bring people into the area. “Different businesses and offices around are looking down on the site, so it's largely surrounded by tall buildings, with ground level businesses,” she said. “I was excited to see there's a new vintage clothing shop. It literally just opened a week or two ago across the street, that will also provide good daytime activities.” The plaza will open later in June, with a soft launch June 18. The soft opening will have a choir, speeches from local leaders including the mayor, and a ribbon cutting ceremony. Drag Queen Poison Waters will emcee. The park will then close for further construction until June 25, where there will be a grand opening celebration. “That's more of a glitz and glam, less speakers, more party,” said Spencer. Other events are already scheduled at the plaza including a mass wedding and vow renewal during Portland Pride in July. “There'll be, it's an opportunity for folks to either renew their vows or get married in the park in one big day, and they're going to be hanging out Voodoo Doughnuts,” she said. “It’ll be very Portland*.*” The plaza is replacing the O'Bryant Square, a park and underground parking lot, which was found to be structurally unstable. The park was renamed in July 2023 and has been undergoing renovation since. "Darcelle XV Plaza is a new gem in the heart of our magnificent city," said Portland Mayor Keith Wilson in a press release. "Its design embodies Portland's long-standing dedication to inclusive, vibrant public spaces and provides a welcoming destination for the LGBTQ2SIA+ community and all Portlanders." The site was reportedly where W.C. Overton and Asa Lovejoy agreed to found Portland in 1843. "By renaming O'Bryant Square to Darcelle XV Plaza, we are embracing and celebrating the indelible contributions of Darcelle XV to our city's LGBTQ+ community," said Portland Commissioner Dan Ryan when the park was officially renamed. Darcelle XV was the first Drag Queen on the west coast. Darcelle also founded Darcelle XV Showplace, which is recognized as the longest running Drag show on the west coast. Darcelle, born Walter Cole, purchased the Showplace in 1967, after coming out as gay and separating from his wife. Darcelle helped push for civil rights for gay and lesbian Portlanders, helping raise money for LGBT advocacy group Portland Town Council. Later, in the 1990s, Darcelle again helped raise money to support people fighting AIDS. Often dressing in sequins and diamonds, Darcelle became an icon in Portland. “What Darcelle did was use art and performance to make changes in our community to bring people together,” Spencer said. “That's kind of the same thing that we wanted to do in Portland Parks and Recreation.” Darcelle published her memoir “Just Call Me Darcelle” in 2010 and served as Portland Pride Grand Marshal that same year. In 2020, Darcelle’s became the first LGBTQ+ site in Oregon to be added to the National Register of Historic Places. “It's just really an honor for the city of Portland and Portland Parks and Recreation to honor Darcelle and that history and legacy,” she said. “It's just an honor to be able to celebrate that legacy with the community.” Darcelle passed away in March 2023. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/CUML5SPPJNCBZICFKA3K3XGHEU--800x600.jpg) The new Darcelle XV Plaza will have a stage, a dog park and a large pink triangle shade. | Courtesy Portland Parks. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/darcelle-plaza-design-overhead.jpeg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image1-1.jpg) Darcelle at Portland's Kell Fountain Park for the city's 2012 "Pedalpalooza" bike ride. Darcelle passed away March, 2023\. | Wikipedia ### Jimpa: A Powerful Exploration of Family and Queer Identity URL: https://www.stonewallnews.net/jimpa-a-powerful-exploration-of-family-and-queer-identity/ Last updated: 2026-07-17T21:03:09.000Z Some films win you over not with perfect storytelling but through the genuine humanity of the characters onscreen, and Jimpa belongs to this category. Directed by Sophie Hyde, this Australian drama feels sincere and deeply personal. The story follows Hannah, a filmmaker played by Olivia Colman, who travels to Amsterdam with her trans nonbinary teenager, Frances, to visit her grandfather. What starts as a simple visit gradually becomes more complex when teenager Frances requests to stay in Amsterdam for a year with her queer grandfather, who has left his marriage and children to live authentically. This wish prompts Hannah to face long-avoided questions about how to parent a child eager for freedom and how to reconcile with a father who prioritized his happiness over his family. The film alternates between moments of joy and grief, celebrating a family that loves openly and continues to choose each other despite their differences. At its center is Olivia Colman, and there is a reason audiences trust her before a single frame plays. As Hannah, she delivers some of her most delicate work yet, building the character out of small, precise moments — a flicker of doubt behind a smile and a breath held just a beat too long. She never reaches for big, showy emotion and instead trusts restraint, letting silence and stillness carry the weight. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-15T065701.723.jpg?resize=1024%2C768&ssl=1) Aud Mason-Hyde and Olivia Colman / IMDb If Colman is the film’s anchor, Aud Mason-Hyde is its quiet revelation. As Frances, they bring a lived-in authenticity that no script could manufacture. What makes the performance so compelling is its ordinariness — in the best sense. Frances isn’t reduced to a single struggle. They are a full person, and the film treats their identity as just one part of a rich inner life rather than the whole story. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-15T065554.906.jpg?resize=1024%2C768&ssl=1) Aud Mason-Hyde / IMDb John Lithgow clearly relishes his role as Jimpa, playing him as charming, self-absorbed, and impossible to ignore, while also revealing the tenderness beneath the ego. The supporting players add texture, with Kate Box bringing sharp energy as Hannah’s sister, and the wider ensemble creating a sense of a real family. What lingers after *Jimpa* is not a tidy plot or a neat resolution but the warmth of a family willing to keep showing up for one another. Sophie Hyde has made something generous and emotionally intelligent, a film that values listening over judgment and finds quiet beauty in honest connection. At its heart is Olivia Colman, reminding us yet again why she is among the most gifted actors today. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/MV5BYjdjZWJmNmYtNGQ4Yi00ODgzLWExYzktZDE0ZjQ5YjMwY2NhXkEyXkFqcGc%40._V1_.jpg?resize=691%2C1024&ssl=1) Jimpa --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--33.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### All Aboard the Glamazonian Express! URL: https://www.stonewallnews.net/all-aboard-the-glamazonian-express/ Last updated: 2026-07-17T21:03:34.000Z I entered *Stop! That! Train!* fully aware of what to expect: unfiltered chaos, rhinestones, and an abundance of glitter. This film not only embraces its over-the-top nature — it fully commits to it. It’s a cinematic cavalcade racing down the tracks at full speed, inviting you to join the laughter and fun. The plot? Gloriously ridiculous: a runaway train rockets across the country, with only the most mismatched, over-the-top crew imaginable to save the day. There are double-crosses, mistaken identities, and more twists than a ballroom voguing competition. Just when you think you’ve got it figured out, the train jumps tracks, and you’re off again. This movie commits to the bit like a drag queen commits to a death drop, and it’s impossible not to be swept along for the ride. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design-2026-06-12T184654.307.jpeg) RuPaul and Matt Rogers / IMDb The cast knows exactly what kind of movie they’re in, and they’re having the time of their lives. The guest stars are the cherry on top: blink and you’ll miss Sarah Michelle Gellar hamming it up as a self-important celebrity, Joel McHale and Paul Scheer bare-chested and in leather, Jerry O’Connell and Nicole Sullivan as a bickering married couple, Nicole Richie buzzing through as a workaholic, and even Charo. Each cameo is a glitter bomb — here for a good time, then vanishing back into the sparkly chaos. Ginger Minj, Jujubee, Symone, Marcia Marcia Marcia, Brooke Lynn Hytes, and Latrice Royale each sashay in with their own distinct flair, razor-sharp punchlines, and a knack for stealing the spotlight. One arched eyebrow from these queens can derail an entire scene, and the film is smart enough to let them werk. No one’s chasing an Oscar (unless there’s a new category for “Most Glitter Per Square Inch”) — they’re here to have fun, and it’s infectious. The chemistry crackles, the shade is plentiful, and the love of camp is unmistakable. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-12T184539.218.jpg?resize=1024%2C768&ssl=1) Marcia Marcia Marcia, Brooke Lynn Hytes, and Symone / IMDb And every frame RuPaul is in is a master class in campy, razor-sharp comedy. Equal parts ringmaster and chaos agent, he makes every entrance a moment, with the whole movie orbiting that star power, disco-ball lighting and all. Director Adam Shankman deserves a bouquet of roses for keeping this train on the rails. The pacing never drags, the gags land, and nothing overstays its welcome. And stick around for the gag reel, which is possibly even funnier than the movie itself — packed with flubbed lines and laughter. I can’t remember the last time I sat through the entire credits, but this time I did, grinning as if I’d just caught the bouquet at a drag wedding. *Stop! That! Train!* is loud, proud, and ridiculous — and it knows it. Grab your heels, hop aboard, and enjoy the ride. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Stop-That-Train-Movie-Poster.jpg?resize=655%2C1024&ssl=1) Stop! That! Train! --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1-.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | Ryan’s Guide to a Truly Terrific Pride URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-ryans-guide-to-a-truly-terrific-pride/ Last updated: 2026-08-16T16:23:29.000Z ### *Finding community one garden party, movie night, and bowl of cereal at a time.* --- My last two articles have both been "Guides," which is ironic because I once guided an entire holiday parade down a dark alley and right into a dead end (true story for another time). As such my husband says he only trusts me to guide him to the best breakfast cereals (Lucky Charms is objectively the gayest cereal), to build tiny Hobbit holes, or to host an elite-tier Halloween celebration. Yet here I am again with another guide. After some reflection, though, I do feel somewhat semi-qualified on this topic. And if that isn't the highest form of confidence available to a Midwesterner, I don't know what is. This is my guide to Pride- or, more specifically, to building and celebrating community, because after years of organizing parades, galas, garden parties, and movie nights, I’ve come to believe that community is Pride’s greatest gift. Let me start by sharing that, as a gay man, I struggled for years with the concept of Pride. And this was even after serving on the organizing committee for our local Pride celebration for two years. One year, I even led the effort to create a family-friendly area complete with dozens of carnival games and prizes. I was basically a slightly anxious gay camp counselor with a clipboard and a vision. I think part of my discomfort came from my religious upbringing, which instilled in me a healthy suspicion of the word *pride*. Pride goes before the fall, they say. Before coming out, I struggled to answer the question: *What exactly am I proud of?* And somewhere in wrestling with that question, I found an answer that changed… and perhaps even saved… my life. During some very dark moments in my early closeted years, finding my first tiny molecule of pride in myself as a gay man helped me keep going. It wasn't loud or dramatic. It wasn't a parade or a rainbow flag. It was simply the quiet realization that maybe there wasn't something fundamentally wrong with me. That perhaps I was worthy of love, friendship, joy, and a future. That tiny molecule grew. Over time, I became proud of my resilience and determination. Proud of the countless LGBTQ+ people who came before me and made my life possible through their courage and sacrifice. Proud of our community's remarkable ability to survive, to thrive, and to continue contributing beauty, compassion, creativity, and hope to the world- even when the world hasn't always returned the favor. Today, I'm proud of my community. I'm proud of my queer friends. I'm proud of the life my husband and I have built together. And I can hold that pride while still humbly acknowledging that I have so much more to learn, so much room to grow, and more than enough opportunities to accidentally say something awkward at a dinner party. Pride, for me, has become a celebration of resilience, friendship, and queer culture. It is a reminder that none of us were ever meant to walk through this life alone. That who we are is not something to apologize for. And that sometimes the smallest spark of self-acceptance can illuminate a path toward a life filled with love, belonging, and joy. Over the last decade, my husband and I have found our own ways to celebrate those things. My husband and a friend founded an annual Rainbow Run to bring people together to run or walk along Spokane's beautiful Centennial Trail. We host an annual Pride Garden Party for friends and colleagues from wildly different walks of life. We organize Pride movie nights featuring queer classics like *Priscilla, Queen of the Desert* and *Love, Simon*. Pride has become less about a single parade and more about creating spaces over the course of this month where people can show up fully as themselves and be reminded that they belong. So, in the spirit of someone who has made plenty of mistakes and learned a few things along the way, here's my guide to a stellar Pride. **1\. Do remember where and who we’ve come from.** Just as a strong house needs a solid foundation, communities need stories. Recognizing those who came before us matters. The activists, artists, musicians, writers, and everyday people who made life a little safer, freer, and more joyful for the rest of us deserve to be remembered. During Pride Month, I intentionally dive into queer books, movies, and music—and invite friends, gay and straight, along for the journey. This month, I'm reading *Homosexuality in History* by Colin Spencer. This book traces the diverse roles of homosexuality in society from a historical perspective demonstrating that we’ve always been here and have contributed significantly to society through music, theater, art, science, leadership, service, and more. My playlists include Brandi Carlile, Frank Ocean, Sister Rosetta Tharpe, Elton John, and the Indigo Girls. In fact, I'm listening to "Closer to Fine" by the Indigo Girls as I write this article, which feels appropriate because, if Pride teaches us anything, it's that none of us have it all figured out—and we're all just trying to get a little closer to fine. **2\. Do host gay movie nights.** There are some truly terrific queer films worthy of gathering a few friends together, creating the perfect cuddle puddle ([see my previous article for detailed cuddle puddle specifications](https://www.stonewallnews.net/articles/thoughts-from-the-hobbit-house-a-middle-earth-cuddle-puddle-the-healing-power-of/24429/)), and celebrating love, resilience, and fabulous outfit choices. Some films haven't aged quite as gracefully as we'd like, but here's my list of excellent group-viewing options: *Moonlight*; *Fire Island*, *But I'm a Cheerleader*, *Bottoms*, *Aristotle and Dante Discover the Secrets of the Universe*, *To Wong Foo*, and *Latter Days* to add to those I mentioned earlier. Bonus points if someone dramatically quotes the movie afterward. Double bonus points if snacks are themed. We had strawberry pie and fruity cocktails while watching *To Wong Foo*, and honestly, Patrick Swayze would have expected nothing less. **3\. Do attend multiple Pride celebrations if possible and don't stay home.** For me, this is partly about celebration and partly about survival. It's much harder to ignore, dismiss, oppress, or harm people you've actually met. Visibility matters. My husband and I visit multiple Pride celebrations every year- both in our hometown of Spokane and in smaller communities throughout Idaho, Montana, and Canada. Each one has its own flavor. Some are giant festivals. Others are held in small parks with folding chairs and volunteers who look mildly overwhelmed by the sudden appearance of 300 people wearing rainbow suspenders. All of them matter. Every Pride says: *We're here. We belong. And we're not alone.* **4\. Do put out a Pride flag.** For all the same reasons one should attend Pride: be visible. A Pride flag is a small thing, but small things matter. To some people, it says, "I'm proudly queer." To others, it says, "You're safe here." And for a teenager quietly wondering if they'll ever be accepted, it can say, "Your future might be brighter than you think." Also, if your HOA sends strongly worded letters about your seasonal inflatable dragon but says nothing about your Pride flag, I consider that progress. **5\. Don't hold grudges. During Pride Month, call a truce.** Pride Month is an excellent time to release old resentments. Forgive the ex. Forgive the ex's ex. Forgive the friend who forgot to Venmo you for brunch in 2019. I'm not suggesting we tolerate harmful behavior or abandon healthy boundaries. I *am* suggesting that community requires grace. There are only so many of us, and life is too short to spend it maintaining spreadsheets of interpersonal grievances. Especially right now. During Pride Month, call a truce. If you run into that ex, former friend, or that one-night stand who got on one too many of your nerves, let it go and just show them kindness. The LGBTQ+ community has always been strongest when we've chosen compassion over division. **6\. Do actively connect with other queer people.** Take a walk with the lesbian in your life. Grab coffee with a bisexual friend. Invite your trans neighbor to join your game night. Golf with a gay… just not me. I only enjoy driving the golf cart. The point is this: don't just text people. Don't just "like" their vacation photos or quietly Facebook stalk them. Reach out. Schedule in-person interactions. The truth is that queer people have always survived by finding one another, caring for one another, and building community where none existed before. Sometimes the bravest thing we can do is simply show up for each other. **7\. Do work on yourself.** Boy, do I have a lot of work to do. Just ask my husband. In fact, don't ask him. He has enough material for an entire sequel to this article. I'm impatient. I can be quick to judge. I don't trust easily. I sometimes assume I know the ending of a story before I've taken the time to hear the whole thing. These are all things I need to keep working on. Pride isn't just about celebrating who we are. It's also about becoming who we want to be. That’s hard work. That’s also holy work. Now more than ever, I need to show up as my best self for my husband, my family, my friends, and my community. Not my perfect self—because that person doesn't exist—but my most thoughtful, compassionate, courageous self. During Pride Month, take some time to work on you. Read the book. Go to therapy. Take the walk. Apologize when you need to. Learn something new. Practice patience. Extend grace. Become a little more curious and a little less certain. Growth is an act of hope. The beautiful thing about Pride is that it celebrates authenticity, not perfection. We don't honor the polished versions of ourselves. We honor the brave ones—the people willing to learn, evolve, heal, and keep showing up. So celebrate who you are. And don't be afraid to become even better. **8\. Do support and appreciate your LGBTQ+ leaders.** Being a leader is hard. Being an LGBTQ+ leader can be especially so. Leadership often means stepping into the spotlight knowing that criticism will inevitably follow. It means showing up to difficult conversations, carrying other people's hopes and frustrations, and continuing to move forward even when you're exhausted. Most leaders I know are fueled by equal parts passion, stubbornness, and caffeine. During Pride Month, take a moment not just to say *thank you*, but to do something tangible to support an LGBTQ+ leader in your life. Write the note. Buy the coffee. Volunteer for the event. Show up. Actions speak louder than words. In that spirit, I'd like to recognize a few LGBTQ+ leaders and role models I greatly appreciate: - **Matthew Danielson**, Executive Director of Spokane Pride, has been a source of inspiration in my life and for many others as he has compassionately and determinedly brought our community together. - **Jac Archer**, longtime advocate, Co-Executive Director at SCAR, and law student, has shown me and so many others what courage looks like during challenging times through their unwavering commitment to justice. - **Councilman Zack Zappone** has been a thoughtful leader and a fierce champion for the City of Spokane. - **Judge Mary Yu**, Washington State's first openly gay Supreme Court justice, has been a trailblazer whose example has helped illuminate the path for generations of LGBTQ+ people who followed. The truth is that none of these leaders arrived where they are alone. Behind every visible leader is a community of people who encouraged them, supported them, challenged them, and occasionally reminded them to eat lunch. If we want courageous leaders tomorrow, we have to support courageous leaders today. And perhaps that's one more thing Pride teaches us: none of us thrive on our own. We rise by showing up for one another **9.Don't judge Pride or your queer community.** Before I came out in college, I was one of the harshest critics of Pride and my fellow gay men. It embarrasses me to admit that now, but I think it's important to say out loud. For me, criticism became a way of creating distance. If I convinced myself that *those* people were "too much," "too loud," or "not like me," then maybe I wouldn't have to confront the truth about myself. It was a way of hiding—both from others and from who I really was. It was also harmful. To my community. And to me. Here's what I've learned: communities are messy. Pride events are messy. Human beings are messy. No Pride celebration will perfectly reflect every queer person's preferences, politics, personality, or taste in music. Thank goodness for that. The beautiful thing about Pride isn't that everyone shows up in the same way. It's that we show up at all. There are already too many people eager to criticize, diminish, or tear down LGBTQ+ people right now. They don't need our help. So if you're tempted to criticize your local Pride celebration, pause and ask yourself a different question: **How can I help make it even better?** Volunteer. Donate. Join the planning committee. Start the event you wish existed. Offer encouragement to the exhausted organizers who are probably running on iced coffee, adrenaline, and approximately four hours of sleep. Courage doesn't always look like marching in a parade. Sometimes it looks like choosing curiosity over judgment. Sometimes it looks like extending grace. And sometimes it means recognizing that the very things that once made us uncomfortable are the same things that helped someone else finally feel brave enough to show up exactly as they are. **10\. Have fun.** Yes, I'm ending on something so simple and obvious. But sometimes the most brilliant advice is also the most straightforward. Have fun. This is a month to celebrate. To remember why this long, complicated, difficult, painful, occasionally ridiculous trek through life is worth it in the first place. Fun is how we win. Years ago, I had an intensely homophobic man begrudgingly admit to me that, while he didn't agree with me or understand anything about my life, he was jealous of how much fun I was having. I’ve had this experience multiple times in my life. And in that moment, I realized something. I had already won. Not because I had changed his mind. Not because I had convinced him of anything. But because I had built a life filled with friendship, purpose, authenticity, and joy. A life he could recognize as beautiful, even if he couldn't yet understand it. Pride has never just been about surviving. It has always been about living. About refusing to let fear have the final word. About insisting that joy belongs to us, too. So, this Pride Month, have some fun. Be gloriously, unapologetically alive. Eat the Lucky Charms (marshmallows first is a plus!). Whatever joy looks like for you, embrace it. Because joy is contagious. And sometimes the most revolutionary thing we can do is create lives so full of love, laughter, and meaning that others can't help but wonder how they, too, might find their way there. **HAVE. SOME. FUN.** So there you have it: eight "do's" and two "don'ts." An even 10! Not because I have Pride all figured out, but because these are the things that have helped me find joy, friendship, and belonging along the way. Pride isn't about perfection. It's about resilience. It's about joy in spite of hardship. It's about friendship, laughter, dancing terribly to songs everyone somehow knows the choreography to, and creating spaces where people can exhale and say, *"I think I can be myself here."* And if all else fails, start with cereal. Invite someone over for a bowl of Lucky Charms, put on the Indigo Girls, have them help you hang your Pride flag, and remind each other that none of us are meant to do this life alone. **Happy Pride.** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-4-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Out & In Business | You Weren’t Meant to Build a Business Alone URL: https://www.stonewallnews.net/out-in-business-5/ Last updated: 2026-07-12T19:12:12.000Z There’s a story that entrepreneurship loves to tell. The successful business owner is self-made. Independent. Tireless. They bootstrap their way to success, solve every problem on their own, and never need to ask for help. It’s a compelling story; it’s also one of capitalism’s biggest lies. For many queer people, survival has never been an individual sport. We’ve built chosen families, shared resources, traded skills, and leaned on one another long before "community care" became a popular phrase. We know that belonging isn’t a luxury; it’s a lifeline. So why do so many of us believe we have to build our businesses alone? Somewhere along the way, many entrepreneurs absorb the message that asking for help is a weakness, that collaboration is risky, and that other business owners are competitors rather than companions. We scroll through polished social media feeds, comparing our beginning to someone else’s middle, wondering why success seems easier for everyone else. Comparison is isolating. Collaboration is liberating. The truth is that sustainable businesses are rarely built in isolation. They grow through referrals from trusted colleagues, conversations where ideas are exchanged rather than guarded, accountability partners who celebrate our wins and gently call us back to our intentions when we lose our way, and communities that remind us we don’t have to reinvent the wheel. Queer communities have always understood this. We know how to create networks of care where everyone contributes something, and everyone receives something. We know that abundance grows when it’s shared. Imagine approaching your business with that same mindset. Instead of asking, How do I outperform everyone else? ask, Who could I build alongside? Instead of guarding every opportunity, ask, Who else belongs in this room? Instead of believing you have to know everything, ask, Who has walked this path before me? Mutual aid isn’t just a social movement. It can be a business strategy. Recommending another coach when your calendar is full. Hiring another queer entrepreneur instead of doing it all yourself. Sharing resources, introductions, knowledge, and encouragement without keeping score. Try this month: ● Reach out to another queer business owner for coffee or a virtual chat. ● Find an accountability partner who can help you stay connected to your goals, values, and boundaries. ● Refer a client to someone you trust and notice what happens when abundance circulates. ● Ask for help with something you’ve been trying to carry alone. Community isn’t a distraction from your business. It may be one of your greatest business assets. Success doesn’t have to be lonely. In fact, maybe the strongest businesses are those rooted in reciprocity rather than rivalry. Your business doesn’t have to survive because you can do everything yourself. **It can thrive because you let yourself be supported.** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-3-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### Out on the Ranch | The Ecology of Connection URL: https://www.stonewallnews.net/out-on-the-ranch-17/ Last updated: 2026-07-12T18:39:08.000Z Spring on the mountain is when connections become visible. And if you spend enough years paying attention to Nature, you begin noticing something else. Healthy systems are built through relationships; not through dominance, control, or uniformity. They are built through connection. Lately, I’ve been thinking about that old phrase: The blood of the covenant is thicker than the water of the womb. As estrangements grow across this country—political, religious, cultural, even familial—I’m seeing new kinds of chosen connection forming in response. People are building intentional community again. They are seeking spaces rooted in pluralism, hospitality, mutual aid, and presence. They are finding each other outside the structures that once demanded loyalty through fear, shame, or conformity. Permaculture teaches something similar. People often ask me: “How do you garden with chickens?” “How do you deal with bugs?” “How do you keep predators away?” The assumption behind those questions is usually the same: identify the problem and eliminate it. But ecology doesn’t work that way. One of the first lessons in permaculture is to avoid disrupting cycles unnecessarily. The more violently we disturb an ecology, the more we create conditions for opportunists and imbalance. Rototill a field and you wake dormant weed seeds. Destroy predator habitat and prey populations explode. Overcorrect for one imbalance and another emerges immediately behind it. The human instinct is to grab a sledgehammer, when oftentimes we need a scalpel. So instead of declaring war on aphids, we divert them. Early spring mustard greens and bolting radishes become sacrificial attractors that protect summer crops. Instead of fencing and dominating every inch of space from predators, we establish balance points. Around young seedling starts we use what I call “The Three C’s”: cloches, covers, and collars. Plastic jugs become miniature greenhouses. AG fabric protects seedlings from frost, bugs, and opportunistic chickens. Black plastic collars suppress weeds and preserve moisture around vulnerable transplants. With poultry, we don’t endlessly punish scratching behavior. Chickens scratch because chickens are supposed to scratch. So we work with the behavior instead of against it. Freshly seeded areas are temporarily covered. New plants are protected with logs, limbs, and stones until roots establish themselves strongly enough to withstand disruption. Resilience emerges not from domination, but from thoughtful relationship. People are often surprised to learn how few outside inputs we actually require to run this ranch. We don’t operate from a livestock-centric mindset where animals exist primarily as production units. We operate from a land-centric ecology-building mindset where the animals contribute to the health of the meadow. The alpacas are here because they keep us in a meadow architecture and prevent succession back to secondary growth forest. Their fiber is a bonus. Chickens and turkeys renovate pasture and interrupt bug cycles; eggs and meat are a bonus. Even animals considered predators or a nuisance have purpose. Instead of trying to eradicate coyotes, bobcats, rabbits, or pigeons, we design around them. Bramble corridors, rotational fencing, buffer zones, and habitat stacking help move wildlife around the ranch rather than through it. We manage microbes the same way. Healthy soil-food-web systems reduce disease pressure naturally. Standing water is interrupted before mosquito cycles explode. A rainwater micro-pond develop algae, snails, fish, and beneficial bacteria that support the larger ecology, and even serves probiotic good bacteria to alpacas that drink it. Nature solves most problems long before human intervention becomes necessary, if we learn to stop interrupting every process. That lesson feels increasingly relevant beyond the ranch. Right now, America is experiencing enormous disturbance. Institutions are being dismantled. Communities are fragmenting. Religious extremism is attempting to consolidate power through fear and exclusion. The loudest voices insist that uniformity equals unity. But, healthy systems do not thrive through forced sameness. Monocultures collapse easily. It is Diversity that creates resilience. Permaculture understands this instinctively. Meadows are stronger than sterile lawns. Ecologies survive because many species occupy many niches simultaneously. Balance emerges from interdependence. Human communities are no different. What I see happening right now beneath all the national noise is not simply division. I see reorganization. I see people quietly finding one another. Chosen families are forming and mutual support systems are emerging. New community networks are replacing brittle old hierarchies where we assumed neighbors shared common values. The estrangements are real. Some relationships cannot survive authoritarianism, cruelty, or ideological radicalization intact. History shows us this repeatedly. But nature also teaches that pruning is not always destruction, sometimes it is preparation for healthier growth. People sometimes ask why I spend so much time sharing content online about the ranch, the animals, the systems. It is because awareness builds connection, and connection builds community. We created this place not around the question, “What can we extract?” but around the question, “What can we help grow?” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-3-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### The Swimmer: A Powerful Dive into Masculinity, Desire, and Hidden Emotions URL: https://www.stonewallnews.net/the-swimmer-a-powerful-dive-into-masculinity-desire-and-hidden-emotions/ Last updated: 2026-07-20T13:23:19.000Z When I sat down to watch *The Swimmer*, I expected a typical sports underdog story — sweat, grit, and a big win at the end. But this film turned out to be so much more. The story follows Erez, a gifted young swimmer at a high-pressure Israeli training camp where only one athlete gets the chance to go to the Olympics. Everything at the camp is intense. The training is rigorous, the rules are strict, and there’s a constant sense of competition and assessment. Nevo arrives as Erez’s rival but soon becomes his secret sexual obsession. Their tension propels the film. The camp is built on a fragile idea of masculinity that requires discipline, dominance, and silence. Erez struggles to conform to this ideal, and his desire becomes a source of personal conflict. Omer Perelman Striks gives an outstanding performance as Erez, exemplifying why he received the Best Actor award at the Jerusalem Film Festival. Asaf Jonas, portraying Nevo, is equally impressive, effortlessly shifting from warmth to coldness. The dynamic and tension between their characters are compelling, keeping the film interesting. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-07T221959.541.jpg?resize=1024%2C768&ssl=1) Omer Perelman Striks and Asaf Jonas / IMDb The supporting cast enhances the story’s authenticity. Igal Reznik, playing the tough coach Dima, and Nadia Kucher, as the camp manager, deliver compelling performances. Their presence, combined with the ensemble cast, makes the setting feel genuine and immersive, emphasizing the emotional challenges the athletes face. One thing that really stands out is how director Adam Kalderon handles nudity and intimacy. It never feels gratuitous. Instead, it is used to express all the emotions the characters cannot bring themselves to say. A look, a breath, a moment of hesitation — these small gestures are loaded with meaning. The real power of *The Swimmer* comes from everything that is left unspoken. *The Swimmer* is a film that balances tenderness with tension. Even if you’re not interested in sports dramas, it’s worth giving this one a try. This beautiful film deserves a broader audience, so watch it — you won’t regret it. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/The-Swimmer-Movie-Poster.jpg?resize=711%2C1024&ssl=1) The Swimmer --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--61.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Sacred & Proud | We Baptized Our Son Into the World — Not a Church URL: https://www.stonewallnews.net/sacred-proud-we-baptized-our-son-into-the-world-not-a-church/ Last updated: 2026-07-23T17:45:39.000Z We wanted our son to understand, from the beginning, that he is not the center of the world — he is part of it. That he is a steward, not an owner. We took him to Kamiak Butte to say so out loud. My wife and I have hiked Kamiak often over the years. It's our place. But we hadn't made it up there much since Stanley arrived. So last month we brought him, along with the people who love him most, and we baptized him into all of creation. There was no traditional creed or liturgical call and response — but there was a pastor. The Rev. Andy CastroLang married my wife and me. She officiated at the wedding of two women who couldn't have legally married in Washington just a decade before that. Now, a couple of years later, she stood with us on a butte that rises out of the Palouse — a reminder that this land has its own memory — and she baptized our son. Queer families know something about finding the sacred outside the walls that once shut us out. We've had to. We've built ceremonies out of necessity and out of love, in backyards and on hilltops, with pastors who said yes when institutions said no. Kamiak felt like that kind of place. The ponderosa pines have stood on that butte long enough to have witnessed everything — including the people who had to seek their holy ground elsewhere. Beneath the surface, they're still talking to each other about it. It seemed like the right place to welcome a baby into the world. Raising a child has a way of forcing the question: What do you actually believe? Not what you were taught, not what you've defended — what do you hold onto when you're holding him? For two queer women who have both found and lost faith communities, the answer is something woven from long walks in the Palouse and a faith that's still finding its shape. It doesn't fit neatly into any one vessel. But it holds. And I wanted Stanley held by it, too. Not bound by it. Held by it. The ceremony was simple. We spoke words of him — beloved, curious, tender, rooted, free — and we meant every one. We asked the people present to witness his arrival into this community and this place: the ponderosa pines, the basalt canyons, the wheat fields, the rolling hills just outside our door. We poured water, because water means life, and because even outside doctrine, some symbols need no explanation. After the ceremony, we caravanned back to our house — the one with the chickens and the bees and the dogs and not nearly enough chairs. Then we ate, and the people who had just made a vow to Stanley got to actually be together — which felt like the point. There's something queer families understand viscerally about chosen community: it isn't a consolation prize for the biological or religious ties that frayed. It's a different kind of covenant, made intentionally, by people who chose one another. The guests who climbed that butte weren't there out of obligation. They were there because they meant it. I didn't want to give Stanley a checklist or a creed. I wanted to give him a disposition — toward the world, toward other people, toward the kind of faith that makes room for mystery. And I wanted him to grow up knowing that his family is proof that love takes many forms, and that the sacred can be found in all of them. We want Stanley to grow up knowing that wonder is a form of faithfulness. That paying attention to a wheat field or a bee or a stranger's story is a spiritual act. That the sacred isn't somewhere else, waiting to be accessed through the right ritual — or the right family structure. It's here. It's the Pacific Northwest. It's the people who drove hours to stand in our backyard and say, yes, we'll be part of this child's life. That's a key part of a baptism, isn't it? A community saying: we see you, we claim you, we'll show up. For LGBTQ+ families, that claiming has rarely come from institutions. It has almost always come from people. The theology can vary. The commitment is the same. As we said at the ceremony, "We want Stanley to inherit our questions without inheriting our fears. We want the people gathered on that butte to be around long enough to embarrass him at graduation and cry at his wedding." Whatever that wedding looks like. Whoever he is. We want him to know he is loved — not for what he becomes, but for what he already is. That felt worth gathering people for. That felt worth calling a sacrament. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Tracy_Simmons-2-1-1.jpg) Tracy Simmons is an award-winning journalist specializing in religion reporting and digital entrepreneurship. She is a Professor of Journalism at WSU and executive director at FaVS News, a digital journalism start-up covering religion news and commentary in the Pacific Northwest. Learn more at: [https://favs.news/](https://favs.news/?ref=stonewallnews.net) ### Pride Month Starts with Madonna and Grindr Extravaganza URL: https://www.stonewallnews.net/pride-month-starts-with-madonna-and-grindr-extravaganza/ Last updated: 2026-07-17T21:03:57.000Z Madonna launched Pride Month with a dazzling Times Square performance, live-streamed on Grindr for fans worldwide. The June 4th event transformed the heart of New York City into a giant dance floor, uniting the community in celebration and offering everyone an exclusive sneak peek at her highly anticipated album, Confessions II. Few stars have earned the kind of trust Madonna enjoys from queer audiences. For decades, she has been a fixture in gay nightlife and dance culture, using her platform to advocate for LGBTQ+ rights and visibility long before it was safe or fashionable to do so. That history is part of why the event felt less like a celebrity dropping in for Pride and more like someone coming home. Madonna knew exactly where her audience would be, and she came straight to them. Perhaps the smartest aspect of the concert was how Madonna let everyone in. Streaming on Grindr meant viewers didn’t need to be standing in the crowd to feel like they were right there. Whether they were in Times Square or somewhere far away, the app put the performance in front of them, making the distance disappear. The performance itself was loud, fun, and unmistakably hers. Madonna tore through some of her biggest songs, reworked into pure dance floor anthems, moving from “I Feel So Free” and “Bring Your Love” into “Love Sensation,” “Get Together,” “I Love New York,” and a closing “Hung Up” that sent the whole square into a frenzy. She moved with the kind of ease that only comes from years of experience — playful one minute and commanding the next. Many stars perform at Pride festivities, but few leave a lasting impression. Madonna did just that — she seamlessly transformed a livestream and a street concert into a unified celebration that was vibrant, fun, and truly unforgettable. Pride is here, and thanks to Madonna, the celebration has kicked off with a bang. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Madonna-Confessions-II-Courtesy-of-www.Madonna.com_.jpg?resize=1024%2C1024&ssl=1) Confessions II / Courtesy of [http://www.madonna.com](http://www.madonna.com/?ref=stonewallnews.net) *Madonna’s highly anticipated new album, Confessions II, will be available on July 3rd. Fans can pre-order the album now through her*[*official store*](https://www.madonna.com/?ref=stonewallnews.net)*, major retail chains, and popular music hubs. Don’t miss your chance to be among the first to experience this exciting new chapter in Madonna’s legendary career.* Madonna - Confessions II Live in NYC --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--9.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Rural Queer Open Mic: A Traveling Show for Stories, Revelations, and Visibility URL: https://www.stonewallnews.net/the-rural-queer-open-mic-a-traveling-show-for-stories-revelations-and-visibility/ Last updated: 2026-07-23T16:30:48.000Z Looking for stories of woodsy whimsy and being as gay (happy) as Miss Bennet from Pride and Prejudice? Even better: stories that come from your own town? No, it’s not the new TJ Klune novel. These tales are as real as can be. This is the Rural Queer Open Mic, a project by Marika Straw and co-hosts AJ and Dani Savage, a traveling initiative that brings LGBTQ+ voices, creativity, and community building to towns where people often say such spaces could never exist. There are no rules at this show. All are welcome. In fact, Straw even says some people bring their pets (one time, a friendly guinea pig made an appearance!), so be sure to bring your whole motley, fluffy, and friendly crew to the next performance. Over three weeks (July 7–26, 2024), the tour hit 11 towns, ranging in size from just over 2,000 to just over 33,000\. From Wallowa County to Brookings, from Newport to Walla Walla, it popped up in Grange halls, straw-bale octagon farmhouses, art galleries, cultural centers, and even the basement of a Queer teen program. In total, 215 people (and at least one guinea pig, a kitten, and a magic white rabbit) came out to listen, sing, read, laugh, and dance. Their ages spanned from toddlers barely learning to clap to elders in their eighties who’ve seen it all before. At the heart of the chaos were three humans, collectively known as “The Fruit Snaxxx”: Marika, tour emcee, van DJ, manager, heavy lifter, spontaneous detour guide, chronic oversharer, asker of embarrassing questions at the exact wrong time; AJ, merch queen, massage therapist, lodging scout, keeper of snacks, provider of perfectly timed one-liners, guardian of everyone’s posture; and Dani, van organizer, sound wrangler, safety planner, country driver, eye-roller-in-chief, getter-of-Marika-to-shut-up.Together, they schlepped gear, wrangled sound, stretched budgets across the state to make rural Queer magic happen. And *you* can help that magic happen again in 2026\. The trio are working on reinstating the tour for the upcoming year, but they need some support. Marika says they are seeking new tour partners, collaborators, and facilitators, who must be Queer and live in rural areas. Potential collaborators who are BIPOC are especially encouraged to reach out to [ruralqueeropenmic@gmail.com](mailto:ruralqueeropenmic@gmail.com). ### **The vision** The idea was simple: create spaces in small towns where Queer people could gather, perform, and be seen. “Every single one was beautiful and unique,” Marika said. Each night followed a rhythm: · A local opener, paid for their time · An open mic for music, poetry, storytelling, and comedy · A “collaborative storytelling” activity with a happy Queer story (with the motto “If it’s not happy, it’s not over yet”) · Anonymous question prompts read aloud onstage · Chair massage by AJ, for a donation · A closing set by Marika Marika says the idea for the Rural Queer Open Mic was a result of her own experiences growing up in the country. When she was young, especially in spaces where LGBTQ+ narratives weren’t necessarily the norm, she craved space for unchallenged creativity. “I’m a bitter, stubborn person. I don’t give in,” she said about herself. But that stubbornness paid off. Marika was able to launch her own music career in her hometown, where she felt less pressure than in a big city. “I'm Nonbinary, and it is a huge challenge to be properly gendered while performing, especially in the rural spaces I am in most often,” she said. “It's also regularly stressful to discern what commentary about my music will be safe and comfortable to share and what will not in specific spaces or at specific venues. The Rural Queer Open Mic was also a space for me to practice performing my own music and sharing the real stories behind my Queer love songs in a safe, affirming environment.” (Be sure to catch some of Marika’s tunes at https://marikastrawmusic.com.) ### **The shows** Each stop had its own flavor: · **Wallowa County**: A blue silk shirt, a platypus love story, and a ring pop with blue lips. A collaborative story turned delightfully weird, capped off with the now-infamous line: “Thank you for once again caring about the moisture on my body.” · **Ontario**: The smallest but possibly most unforgettable crowd: twelve teens and three adults. The highlight? A performance of “Banana Man,” complete with backup dancers, followed by karaoke of Chappell Roan’s “Pink Pony Club.” Someone even asked (anonymously, of course), “Did you meet the cutest t-girl in Ontario?” · **Walla Walla**: The biggest show of the tour. Forty to fifty people packed into a gallery, plus a fashion show with hand-painted jackets, a set from Clownfetti the DJ, and more poetry than anyone expected — including verses in Spanish. It was also the night of some of the heaviest stories, including one about surviving queerphobic violence and then returning years later to start Walla Walla Pride. Healing, catharsis, joy — all in one room. · **Brookings:** On a foggy coastal night, a teen showed up with a newborn kitten; the opener played her first-ever gig, watched proudly by her parents; a Lesbian poet read to her lover and sealed it with a kiss under the tour banner; and somewhere in the crowd, someone decided to start a Queer soup potluck. · **Newport:** At the Performing Arts Center, by the end of the night, ten people had walked into the building for the first time, and at least one left dreaming of starting more participatory art events. · **Astoria:** Sweetest moment of the tour: a coming-out celebration for a teen named Hope, complete with cheering, hugging, and more than a few tears. · **Welches:** The smallest show of all, just a handful of folks in a coffee shop. Proof that numbers don’t matter nearly as much as stories told. ### **The stories** If the tour had a currency, it wasn’t ticket sales or merch. It was stories. There were the collaborative ones: fairy tales about Gay fairies founding GSAs, or platypuses falling in love. There were anonymous questions, ranging from serious to ridiculous: “What’s your favorite pick-up line?” “Are you giving or receiving?” “Is my lipstick messed up?” There were personal revelations: Someone said, “I felt most Queer when I was pregnant.” Another said, “I hadn’t seen anything explicitly Queer in nine days” and pulled their car off the Oregon Coast highway just to come in. A teen in Brookings quietly realized they weren’t alone. And then there were the absurd moments, the ones that stitch a tour together: Dani cracking crab in a hotel bed. Eggs sliding off the van roof. A bear wandering outside the bar after a show. Marika yelling “Are you single?” at the exact wrong time. ### **By the numbers** · 11 towns across Oregon and Washington · 215 attendees total, aged 2 to 80+ · Populations ranged from 2,071 (Cave Junction) to 33,339 (Walla Walla) · Funding: $5,000 from the Pride Foundation, $2,500 from the Oregon Community Foundation, $1,355 in private donations, plus in-kind support (sound system, van use, lodging, meals, pet care, herb bundles, and more) · Zines: 50 copies of 2SLGBTQIA+ sex ed zines donated to each location ### **The lessons** Marika said some lessons from the trip were logistical: The van was too small. Never, ever put the mics in front of the speakers. Rest days matter. Others were deeper: · Messiness works. Perfection doesn’t build trust — vulnerability does. · Rural Queer people don’t just need city-based events. Sometimes, the most radical act is showing up where no one expects you. · Joy multiplies. A Queer teen open mic in Lincoln City spun off from the show. A soup potluck idea was born in Brookings. Artists played their first gigs and left with confidence to keep going. ### **A year later** Already, some of the spaces that hosted the open mic have shifted or closed: The apothecary in Brookings, a Queer youth program outside Portland, a shop in Astoria. The rural Queer community remains fragile, underfunded, stretched thin. But the connections remain: organizers reaching out months later, friendships formed, a PrideFest booking on the coast, the ripple effect of being seen. In the end, the Rural Queer Open Mic tour wasn’t about perfect shows or packed houses. It was about gathering people. It’s a reminder to all of us that sometimes we don’t need words to share emotions. Sometimes performers and audience members didn’t even speak the same language, but it was clear that everyone in the room was there to appreciate the beauty of others’ stories, and hopefully be able to understand their own better along the way. It’s also a reminder that performance doesn’t have to be perfect, that sometimes even the what seems like the darkest parts of us can create something beautiful. It’s a reminder that there *should* be spaces to channel one's creativity and identity wherever you go, and that that identity can be understood. ### **How you can help** You can support the Rural Queer Open Mic by following and sharing their work on Instagram [@ruralqueeropenmic](https://linktr.ee/ruralqueeropenmic?ref=stonewallnews.net), donating via Venmo or PayPal through their Linktree, or contacting ruralqueeropenmic@gmail.com if you’d like to contribute in a larger way. They’re also looking for host groups and locations (mostly in Oregon, Washington, and Idaho, though they’re open to suggestions), as well as new Queer rural partners, collaborators, and facilitators, especially BIPOC people. If you’re interested, you can connect with them by email or DM. ### **The magic** All in all, the Rural Queer Open Mic is an invitation to show the most simple, pure parts of yourself. By sharing those, we create environments in which people are more apt to be vulnerable, colorful and real. So sometimes, all it takes is a wandering rabbit, a ringing chime, and a messy emcee shouting too loudly into a mic to remind us: rural Queer life is alive, and its stories are onlywaiting to be told. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/_8506316.jpg) Marlon Day, Wallowa County ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Marika-AJ-Dani-van.jpg) Marika, AJ and Dani ### A Saving Grace: Redefining Sacred Spaces URL: https://www.stonewallnews.net/a-saving-grace-redefining-sacred-spaces/ Last updated: 2026-07-23T16:43:48.000Z Throughout history, churches have been places of safety for people all over the world, welcoming spaces that often provide food, safety, and community. But although they may have been beacons of light for many, they have historically not been places of safety for those in the LGBTQ+ and other marginalized communities. In many Christian traditions, especially within institutions such as the Roman Catholic Church and the Eastern Orthodox Church, same-sex relationships were historically condemned based on interpretations of biblical texts, and LGBTQ+ people often faced exclusion or punishment. During periods such as the medieval era and the Reformation, both Catholic and emerging Protestant communities reinforced moral teachings that framed homosexuality as sinful. North Hill Christian Church in Spokane, Washington, is changing that. It is converting what was formerly a Sunday school room into an emergency shelter space for LGBTQ+ people experiencing homelessness. The church partnered with the local nonprofit Jewels Helping Hand to create what it calls the Aurora Center. “I realized \[that\] in Spokane, \[being\] LGBTQ+ is not \[accepted\]… This is the first \[such\] center I’ve seen,” said Ronald, a worker at Jewels Helping Hand. ### **The Aurora Center** The shelter provides 15 beds and 24/7 trauma-informed care in a setting designed to feel safe and affirming for self-identifying members of the LGBTQ+ community — something organizers say was previously lacking in the local shelter system. “All beds \[were\] filled a week after it was opened. Shows how it’s really been needed,” said a pastor at North Christian Church. The organizers of the Aurora Center say they’ve found that Queer people are not treated the same as the general population in homeless shelters, where LGBTQ+ residents often feel unsafe among non-Queer guests. The shelter still follows the same rules as local shelters, however. Residents need a referral from the housing navigation center, providers, or case managers. But once they are there, they can stay for 90 days. After that, they are assessed to see if they’ve reached their treatment goals, and another 90-day stay becomes possible. Many local LGBTQ+ advocates and service providers have strongly supported the effort, arguing that Queer and especially Transgender people face higher rates of homelessness, as well as harassment in traditional shelters. Groups like PFLAG Spokane and Spokane Pride have emphasized the need for affirming, trauma-informed spaces. Supporters often frame the shelter as a safety measure, not preferential treatment — pointing to documented disparities in homelessness among LGBTQ+ youth and adults. ### **Other efforts** According to the National Network for Youth, up to 40% of youth experiencing homelessness in the US identify as LGBTQ+, even though Queer youth make up only about 7–9.5% of the general youth population. This means Queer and Trans young people are significantly overrepresented among those without stable housing. Luckily, similar efforts are being made worldwide. In New York, the Ali Forney Center provides housing, supportive services, and protections for LGBTQ+ youth experiencing homelessness. Across the pond in London, The Outside Project launched a new community center and shelter offering year-round housing advocacy, drop-in support, domestic abuse help, and other services tailored for LGBTQ+ homeless people. Closer to home, in Oregon, the Lavender Network recently opened a dedicated center in Eugene where LGBTQ+ people can drop in for support, connection, and services. Together, these spaces suggest something powerful: community can grow in places where many once thought it impossible. So maybe things are changing. Here’s hoping that every person will find their safe space, whether that’s in a church or not. ### Making a Difference: The Impact of Pride in Idaho and Rural Communities URL: https://www.stonewallnews.net/making-a-difference-the-impact-of-pride-in-idaho-and-rural-communities/ Last updated: 2026-07-23T16:44:59.000Z ### Spokane Pride Executive Director Matthew Danielson and North Idaho Pride Alliance Executive Director Sarah Lynch answer seven questions about the impact of Pride in Idaho and our rural conservative communities. --- ### ***Why is Pride in Idaho and rural areas so important?*** **Matthew**: The significance of Pride celebrations is even greater in rural areas where they meet more resistance. Pride as a resistance movement can be what makes Pride meaningful and effective. Pride is the pushing forward of universal rights of identity and living for truth over trying to mold oneself into the expectations of a culture of the past. I firmly believe that Pride is even more important in places outside of our metropolitan areas. Even though their attendance is smaller, rural Prides are one of the main frontlines of our culture war, and they cannot be neglected. **Sarah**: The North Idaho Pride Alliance (NIPA) serves LGBTQIA2S+ folks throughout 15,000 square miles of mostly rural, underresourced communities in one of the most politically hostile climates in the nation. According to the Movement Advancement Project, Idaho’s overall LGBTQ policy score dropped even further into the negative this year, ranking 54th out of 57 US states and territories, and we now come in dead last for gender identity policies. The hardest hit population are our most vulnerable, our youth and trans folks. Across the past six legislative sessions, Idaho has enacted 16 anti-LGBT laws whose negative impacts don’t stop at the border. Due to dwindling or nonexistent affirming support, we regularly refer inquiries for services to our partners to the West, from Spokane and beyond. ### ***How long have you been involved with Pride?*** **Matthew**: I’ve been helping with Pride events in northern Idaho since 2013\. Back then it was our yearly ‘Pride Cruise,’ where Outspokane, which would later become Spokane Pride, would rent a boat on lake CDA and have dancing and queer joy for a two hour cruise. Since then I’ve helped with dozens of Pride events in the Inland Northwest, from Clarkston, WA to Libby, MT, and I hope to make that hundreds soon. I’ve seen all manner of community reaction to these events, from near total acceptance, to their being nearly as many protestors as attendees to these Prides. One thing is true for all of them, they move the needle. **Sarah**: I first got involved with NIPA as a board member just prior to our 2022 Pride in the Park celebration and was quickly thrust into the position of public safety liaison due to my military background and emergency management expertise. Unfortunately, that year’s Pride celebration was hijacked by protester interference and defamatory attacks on a drag performer that stole attention from the story of CDA’s biggest and best Pride in the Park to date. Since that time, NIPA has grown exponentially, expanding our reach from not only our annual Pride festival, but to Pride celebrations throughout the Idaho Panhandle, and even to non-Pride events throughout our broader community. We use a threefold approach of Networking, Advocating, and Educating in our year-round programming, and central to that approach is the importance of visibility. While visibility is a common goal of Pride, it’s important to us to respect that not all Prides look alike, and that Pride must be locally sourced and developed in order to effect change within a community. We always encourage to attendees follow the lead of local organizers. ### ***How do you shift attitudes in communities where LGBTQIA2S+ people still face open opposition?*** **Matthew**: Though there were many protestors at some of these Prides, they were not the professional protestors on predictable city corners with familiar signs of hate and bigotry. They were members of that community, and I saw several of the Pride attendees have respectful conversations with the protestors over extended periods of time. Just knowing who people are and being in conversation can move the needle, even in such potentially hostile contexts. **Sarah:** Our work at NIPA is guided by the conviction that face-to-face conversation humanizes ourselves and others. A lot of people think of a Pride organization as one that activates for Pride month and then falls dormant for the rest of the year. We’ve recognized the need to remain visible and offer opportunities for conversation throughout the remainder of the year as well. Outside of Pride in the Park, our year-round programming not only provides connection for queer folks, it also offers opportunities to continue the conversations necessary to shift the culture of demonizing the LGBTQIA2S+ community that drives the onslaught of anti-LGBT policy enactment. ### ***How does visibility help support and protect queer folks, especially youth, in small towns?*** **Matthew**: Pride in these smaller towns is joy. Pride is always joy, but there is something even more salient and powerful being in a place where you wouldn’t think being oneself would be acceptable. There are young queer people coming of age not just in our metropolitan areas, but in these towns, and we must have visibility everywhere so the next generation can grow up without the scars caused from thinking they are alone and have no people. **Sarah**: NIPA’s overarching goal in providing opportunities for conversation is to combat isolation and improve mental health outcomes for LGBTQIA2S+ folks. The 2024 U.S. National Survey on the Mental Health of LGBTQ+ Young People in Idaho reveals an alarming picture of youth well being. Thirty eight percent of LGBTQ+ young people in Idaho have seriously considered suicide, and 12% have attempted it. At the same time, 68% report symptoms of anxiety and 63% report symptoms of depression, rates far higher than their non LGBTQ+ peers. Even more concerning, 62% of LGBTQ+ youth wanted mental health care but were unable to access it, underscoring a profound gap between need and available support. I’ve always held that NIPA’s Pride in the Park is a critically life-saving event, especially for our youth! ### ***How does Pride help people in small towns build understanding and reduce prejudice through real, face to face connection?*** **Matthew**: Prides show people in these areas that they usually know a queer person even when they might not have known it. It is so much harder to hate a friend or neighbor than a soundbite of Fox TV. People need to understand that we are everywhere, and we are not going anywhere, and Pride is the biggest way that happens in many of these places. **Sarah**: Matthew’s point is a textbook illustration of contact theory in action. When Pride events bring LGBTQIA2S+ people into public, joyful, everyday visibility, they create the kind of real life interactions that reduce prejudice far more effectively than arguments or media narratives ever could. Contact theory shows us that when people personally know someone from a marginalized group—or even simply see them as neighbors, coworkers, or fellow community members—their attitudes shift. Fear gives way to familiarity, and stereotypes lose their power. It is deeply important to NIPA that we showcase the fact that LGBTQIA2S+ people are inextricably interwoven into the fabric of our society, as we always have been! ### ***How can rural Pride events create meaningful connections that turn unfamiliar neighbors into allies?*** **Matthew**: I believe that rural Pride events can help turn neighbors unacquainted with our queer community into allies by creating space for there to be authentic interaction between people. These events also bring people into these communities, showing that there is a wider base of support for the queer community in these towns. **Sarah**: NIPA is grounded in a belief that a quiet, complacent majority is hiding amidst the noise of a loud minority. We are committed to engaging this majority, educating them to become better allies. Our allies need safe spaces to ask questions and learn, and we all need places where straight and queer community intersection can be made visible, our commonalities illuminated, and our differences appreciated. ### ***What final message or invitation would you share with readers who want to show up, support rural Pride events, and stand with queer communities this season?*** **Matthew**: I believe it is my duty and the duty of anyone in these larger cities who has the ability to help and to SHOW UP. Show up and help with these events, volunteer, donate, share, ect… whatever you are able to do. I am not, however, encouraging people who might be targeted by certain reprehensible legislation moving through the Idaho capitol to do anything or cross any borders that they are not comfortable with. We cannot abandon our queer community in these right wing areas, the privilege to pick up and move because of a state’s policy is not open to so many people. I hope to see y’all at Pride, whether it’s here in Spokane or somewhere beyond. HAPPY PRIDE! **Sarah**: We are deeply grateful to Spokane Pride who always shows up in support of NIPA’s Pride in the Park! We extend a warm invitation to all of our neighbors to come out and celebrate our 10th anniversary this year on Saturday June 6th from 11 am to 6 pm at Coeur d’Alene’s City Park, with special guest, Amelia Day. NIPA prioritizes the safety and well being of every Pride attendee through a robust, multilayered safety plan that includes coordinated partner communication, a trained safety team, clear emergency protocols, and accessible event design. This ensures Pride in the Park remains a space where people can gather confidently and celebrate in an environment grounded in collective care. We’re overjoyed this year to celebrate the award of not one, but TWO, inaugural Pride Scholarships for local queer youth. And there’s still time to register as a vendor booth or sign up to sponsor! *Learn more about NIPA at https://www.nipridealliance.com/cda4pride* *Learn more about Spokane Pride at https://www.spokanepride.org/* ### LGBTQ Caucus Makes Gains in Washington Legislative Session URL: https://www.stonewallnews.net/lgbtq-caucus-makes-gains-in-washington-legislative-session/ Last updated: 2026-07-23T16:49:42.000Z > By Faith Ellis, UW News Lab | This story is republished through a content partnership with FāVS News, the only digital newsroom in America devoted entirely to local religion journalism. As lawmakers across the country continue to advance legislation targeting the LGBTQIA+ community, Washington state ended its 2025-26 legislative session by reinforcing its reputation as one of the nation’s most protective states for Queer communities. This year’s session delivered new safeguards in health care access, student privacy, antidiscrimination policy, and criminal justice. Washington state Senate Majority Leader Jamie Pedersen says the state is fighting back and advancing measures to expand rights and improve daily life for LGBTQIA+ Washingtonians. “We have, over the last 20 years, really built sort of a sanctuary place for LGBTQ+ people,” said Sen. Pedersen, a member of the legislature’s LGBTQ Caucus. “We’re working to hold onto that status in light of the federal administration.” Across the nation, state legislatures have played a crucial role in fighting for LGBTQIA+ rights. Since 2021, however, lawmakers in many states have introduced or passed measures restricting gender-affirming care for minors, banning discussion of LGBTQIA+ identities in classrooms, and narrowing nondiscrimination practices. Most of those efforts gained traction in 2022 after the U.S. Supreme Court overturned Roe v. Wade. By contrast, Washington’s 2025-26 legislative session expanded privacy, health care, and legal safeguards rather than rolling them back. ### Legislation passed during this session In a win for privacy, lawmakers passed SB 6081, spearheaded by Pedersen, which protects residents from unauthorized disclosure of information, including sex designation information and historical sex designation changes in official government records. “People are using these records to harass Trans folks,” Pedersen said. “Other states are searching out records of Transgender folks to try to enforce their bad law\[s\] on people who are refugees from those bad laws.” Health care was a major theme of this session. Under HB 1971, health plans are required to enable an option for 12-month prescriptions for hormone therapy, which helps patients avoid gaps in treatment due to frequent renewals or insurance hurdles. HB 6183 addresses insurance coverage for HIV antivirals. The bill expands access to prevention and treatment, ensuring that insurance companies do not impose unnecessary barriers to obtaining the medications people need. “We were able to enact that for all folks with state-regulated insurance,” said Washington state Rep. Nicole Macri. “So folks could get HIV prevention and treatment drugs without any prior authorization or \[being\] required to go through several steps before they can get the medication that works best for them.” A bill focused on Washington’s youth, HB 1296, increases protections for LGBTQIA+ students and limits forced outing policies that expose a student’s sexual orientation or gender identity without their consent. For incarcerated individuals, HB 1604 mandates that jails within Washington state implement policies for respectful treatment of Transgender and Intersex people who are undergoing searches. The bill allows for Transgender and Intersex individuals to request that a strip search be conducted by staff of a particular gender. ### Looking to the future With the legislative session closed, some initiatives moved from the floor to the ballot, putting these decisions directly in the hands of Washington voters. Not all of these bills are friendly to LGBTQIA+ people. Sponsored by Let’s Go Washington, IL26-638 aims to restrict Transgender athletes from competing in girls interscholastic sports. The initiative would be enforced by requiring verification of students’ sex through routine physical examinations and forcing school districts to prohibit students assigned male at birth from participating in athletic activities intended for female students. “We are such an important bulwark in the country,” Pedersen said, referring to Washington state. “If they can pass anti-Trans initiatives at the ballot in Washington, then they’re going to be emboldened to do that everywhere across the country.” ### Idaho Christians Push Back on Transgender Bathroom Law: ‘Jesus Said to Draw Them In’ URL: https://www.stonewallnews.net/idaho-christians-push-back-on-transgender-bathroom-law-jesus-said-to-draw-them-in/ Last updated: 2026-07-23T16:53:48.000Z > *This article is published through a content partnership with* [FaVS News](https://favs.news/?ref=stonewallnews.net)*, the only digital newsroom in America devoted entirely to local religion reporting.* Pastors at two Boise churches say welcoming transgender people is a matter of faith — and the new law puts them in an impossible position. The predominantly Christian Idaho legislature recently passed a law banning transgender people from using sex-segregated facilities that align with their gender identity, but some Christian leaders in the state are arguing that the law is not Christian-like at all. The law, which goes into effect in July, [requires transgender people](https://legislature.idaho.gov/wp-content/uploads/sessioninfo/2026/legislation/H0752.pdf?ref=stonewallnews.net) to only use bathrooms, changing rooms or similar facilities that align with their sex at birth — no matter what gender they identify as. Although the law was passed by a Legislature that starts many meetings with a Christian prayer, not all Christians feel as if the law represents their faith. “To hear that the state was actually trying to roll us back in history, instead of move us forward into a spirit of inclusion, was incredibly disheartening,” Josh Lee, senior pastor with [Boise First United Church of Christ,](http://www.boisefirstucc.org/?ref=stonewallnews.net) said. ### **Bathroom bill applies to public and private spaces** The bill doesn’t only affect government spaces, like city halls and libraries, but also applies to privately-owned places that are generally open for the public, like stores and religious venues. Pastor Bob Lewis with [Immanuel Lutheran Church in Boise](https://www.ilcboise.org/?ref=stonewallnews.net) said the church’s council will need to discuss the law and decide how to move forward as a congregation. “I am not going to ask people to sit outside our bathrooms and police them. I can’t do that,” Lewis said. “Our mission and our statement is, ‘We welcome all.’ “All means all,” he added. Violating the law carries criminal penalties. Anyone convicted of a first violation will receive a misdemeanor, with the potential of up to a year in jail, and anyone convicted of a second violation within five years will receive a felony, with the potential of up to five years in prison. There are eleven exceptions to the law, including things like providing medical assistance or doing maintenance. ### **Transgender bathroom laws across the nation** Eight other states, spread in a broken patchwork line from Idaho to Florida, [have passed laws](https://mapresearch.org/equality-map/bans-on-transgender-people-using-public-bathrooms-and-facilities-according-to-their-gender-identity/?ref=stonewallnews.net) banning transgender people from using facilities that align with their gender identity in all government-owned spaces. Twelve more states have some sort of ban associated with transgender people and bathrooms, according to the [Movement Advancement Project](https://mapresearch.org/?ref=stonewallnews.net) think tank. Lee, a married gay pastor of an affirming church, said he’s concerned about how Idaho’s law will be enforced in public places where people across political ideologies mingle, like restaurants. He said he can imagine a situation in which a transgender man with a beard is harassed for using the women’s restroom, even though it would align with his sex at birth. ### **Bill’s supporters say it keeps ‘women and girls safe’** Many of the state senators and representatives who spoke in favor of the bill declared it a form of protection, citing the need to keep women and girls safe from “indecent exposure.” A 2025 [study ](https://williamsinstitute.law.ucla.edu/publications/safety-in-restrooms-and-facilites/?ref=stonewallnews.net)by the UCLA School of Law Williams Institute, a research center conducting independent research on LGBTQ+ themes, found that there was no statistically reportable evidence of increased harms to cisgender people when transgender people use the restrooms that align with their gender identity. However, the opposite does occur when transgender people are banned from their restroom of choice: 11% of transgender men were verbally harassed in women’s restrooms and 9% of transgender women were verbally harassed in men’s restrooms. When transgender people used the bathroom in alignment with their gender identity, the verbal harassment went down to 7%, the report found. Rep. Clay Handy, R-Burley, said he expected his committee hearings on the bill to be filled with public testimony about transgender people committing voyeurism. “I didn’t hear any of that,” Handy, who voted against the bill, said. Instead, he said, there was testimony after testimony about how people who are transitioning often have awkward and unpleasant experiences in public bathrooms. “To me this just seems a little bit over the edge,” Handy said. “If we’re just trying to cast stones at transgender people, then I’m not going to be the person to throw the first stone.” Other politicians argued that supporting the bill was a moral necessity. Rep. Dale Hawkins, R-Fernwood, said people should support the bill to protect women’s spaces rather than considering the viewpoints of “0.4% of the population,” an apparent reference to transgender people. “This really is simple,” Hawkins said. “We either are a moral society, or we are not.” ### **‘They want to legislate these people out of the state.’** Opponents of the bill have raised logistical questions about how the law will be enforced. The Idaho Fraternal Order of Police [told lawmakers](https://idahocapitalsun.com/2026/03/16/idaho-house-passes-criminal-transgender-bathroom-ban-in-business-government-buildings/?ref=stonewallnews.net) that the bill has “significant practical enforcement challenges” for police officers. Law enforcement would have to determine someone’s sex assigned at birth, a venture that is often difficult and sometimes impossible without questioning or investigative actions that are invasive and inappropriate, Idaho Fraternal Order of Police President Bryan Lovell wrote. Lee said he thinks the law is part of a Christian nationalist push to make Idaho inhabitable for people who oppose a conservative agenda. Both Lewis and Lee said they know transgender people who are planning to leave the state, or have already left it, due to policies implemented by the state Legislature. “We lost them as members of our community, which is disheartening, but at the heart of it is exactly what the legislature wants,” Lee said. “They want to legislate these people out of the state.” During floor debate on the bill, Sen. Josh Kohl, R-Twin Falls, said the law would help protect Idaho’s “cultural decency.” “We don’t want to become like California or New York,” Kohl said. “We want to keep Idaho safe from so many of the cultural influences that are pressing down.” ### **‘Jesus said to draw them in’** Idaho, a [historic stronghold](https://www.pewresearch.org/religious-landscape-study/state/idaho/?ref=stonewallnews.net) for Christian groups that lean conservative including Latter-day Saints and evangelical Protestants, is often [influenced by the conservative politicians](https://www.eastidahonews.com/2022/11/idaho-has-dozens-of-latter-day-saint-church-members-in-the-legislature-how-has-faith-guided-politics/?ref=stonewallnews.net#:~:text=We%20go%20to%20great%20lengths%20to%20preserve,Saints%20or%20have%20affiliations%20with%20church%20insti) who serve in state government. In Pastor Lee’s mind, believing that Christianity supports exclusionary practices is “heartbreaking.” “They will claim that this legislation is coming forward because of faith and desire to be a Christian state, and yet they somehow totally dismiss the words of Jesus where he calls them to love the least of these,” Lee said. “To me, the least of these are anyone who are less than 5% of society. Trans, homeless, immigrants. Those are the very people that so much of the legislation is aimed at trying to cast them out.” “Jesus said to draw them in,” Lee said. “It is very disheartening.” Lee said Jesus’s support and inclusion of eunuchs, or castrated men, provides an example of how transgender and intersex people should be treated by Christians. “Its very interesting to think about the ways in which Jesus made space for and cared for people who, because of their gender, were a little ambiguous,” Lee said, referencing eunuchs. “For us, there’s a rich tradition of Jesus welcoming people who typically lived and found themselves in the margins of society.” Lee said now is the time for progressive Christians to step up to the microphone. In the political realm, the loudest Christian voices have often been conservative, Lee said, while progressive Christians have often kept their faith private. “In doing so, we sort of ceded the faith,” he said. Lee said the solution lies partly in progressive Christians being more vocal about their faith in public life. He pointed to former [U.S. Secretary of Transportation Pete Buttigieg](https://sojo.net/media/pete-buttigieg-and-new-conversation-faith-and-politics?ref=stonewallnews.net) and Rep. [James Talarico](https://www.thetimes.com/us/american-politics/article/james-talarico-texas-democrat-trump-maga-b0rsvl3sr?ref=stonewallnews.net), D-Texas, as examples of politicians who openly blend progressive Christianity with public service. “They’re helping us, in many ways, reclaim our identity and faith,” Lee said. “It’s not just conservative Christians representing faith in the public square.” ### Wenatchee Banner Applications ‘Permanently Suspended’ Surrounding Ongoing Uproar After City’s Decision to Ditch Pride Banners URL: https://www.stonewallnews.net/wenatchee-banner-applications-permanently-suspended-surrounding-ongoing-uproar-after-citys-decision-to-ditch-pride-banners/ Last updated: 2026-07-23T16:47:30.000Z Wenatchee will no longer accept banner applications amid backlash after the city opted to fly Turning Point- backed family month banners instead of pride banners in June. “This decision reflects the City’s commitment to the overall health and cohesion of our community,” Wenatchee HR director Kim Oglesbee said in internal emails obtained via records request. “The level of division that has emerged around this program is not conducive to a productive or collaborative environment, and it is important that we take steps that support the city’s well‑being.” The decision was made May 5 by the mayor of Wenatchee, Mike Poirier. Current applications will not be affected, meaning Turning Point USA Vector’s Family Month banners will still go up in June. ### **Issue center of Thursday city council meeting** The Wenatchee city council had a 20-minute round table regarding the banners ahead of their regular council meeting on Thursday. Councilmember Jose Cuevas argued LGBTQ members of the community should “move on with your lives.” He said gay members of his family are saying the same thing. “They're all welcome, everybody's welcome,” he said. “It's just a banner. Let's move on with our lives.” Councilmember Top Rojanasthien was one of the lone voices in favor of the pride banners. “It was not easy for me to keep up to date on the ongoings of this banner issue,” he said. “Since I’ve been a council member, I think the city has proclaimed twice that the month of June in this town is known as Pride Month.” The banners were at the forefront of the public comment portion of the Wenatchee city council meeting. “The issue that we’re debating today really is a free speech issue,” said Keyton Lawter, the founder of Turning Point Vector. “These banners allow citizens to have a voice in what’s displayed in their city.” Local attorney Catherine Houser called out Lawter by[ ](https://www.freedomcon26.com/speakers/gen-z?ref=stonewallnews.net)[quoting a profile where he stated](https://www.freedomcon26.com/speakers/gen-z?ref=stonewallnews.net) he has “taken on the battle of replacing the gay pride flags” from Wenatchee streets. “That is his intention,” she said. “It’s not to celebrate family month. It’s to share the values of his organization. It’s to replace the gay pride flag, and that’s why this matters.” Lawyer Ben Jordan said the move by the city could even cause legal repercussions from the ACLU. “This isn’t a free speech issue, this is dealing with equal protection and due process,” he said. “And those rights have been offended.” Community members brought up the recent murder of a 19-year-old transfemme woman in Seattle last week, saying visibility is needed now more than ever. “These debates around pride banners in our small town is not removed from these events, no matter how small they may seem,” said East Wenatchee resident Allison Bittinger. “So which side are you on?” Military veterans also spoke up, arguing the banner policy could threaten banners that fly during Veterans and Military Families month in November. “These banners don’t just reflect artwork, these banners reflect a way of life that we had to live,” said resident Ron Bruno. “They’re a part of our healing process.” ### **The roots of the dispute** The family month banners in Wenatchee are set to replace the Pride month banners that had flown during June for the last five years. Family month runs from Mother’s Day in early May to Father’s Day in late June. The family month banners in Wenatchee will fly from June 1 to June 30\. The America-colored banners say “freedom” and “America’s Family Month.” The banners are sponsored by local Turning Point USA chapter at the unaccredited school Vector College, which is operated by the controversial Grace City Church. Turning Point USA was created by conservative activist Charlie Kirk who was shot and killed in September. The Vector College chapter was founded in the weeks after his death. NCW Equity Alliance, the group that usually sponsors the Pride Banners, had applied a day before Turning Point, but the application was flagged incomplete by the city due to missing artwork. The city reached out to Juan Diaz, executive director of NCW Equity Alliance. Diaz did not respond until the next week, which he attributes to a slow-responding vendor. The city operates on a first-come, first-serve basis for banner applications. Other groups had tried to claim that Turning Point filled out the application wrong, they had put down “Turning Point USA Vector College” on the application instead of “Turning Point USA Vector, which is the group’s name in the IRS non-profit database. Only not-for-profit groups are allowed to sponsor a banner in Wenatchee. The city saw the mistake and categorized it as a clerical error in the application. The application was approved. In response, Wenatchee pride group OUT NCW has installed a year-round pride billboard in downtown Wenatchee. The billboard, located in downtown Wenatchee, is adorned with pride flags and says “you are loved” several times. In addition, another billboard reading “Love thy neighbor” recently went up in East Wenatchee. After the council meeting, OUT NCW blasted the City of Wenatchee in a post to their Facebook accusing them of playing favorites to Turning point and other groups applying for banners. “The contradictions show clear and distinct favoritism being applied by our city's government,” the post reads. “It cannot be ignored that in both cases, the denied parties are those championing marginalized voices in our community.” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image3-1.jpg) In Wenatchee, America’s Family Month banner on the right, sponsored by a local Turning Point USA chapter and Grace City Church, will replace the Pride banner on the left that had flown for years during June, previously proclaimed by the City as “LGBTQ+ Pride Month” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image4-2.jpg) Newly covered flag poles at Boise City Hall | Courtesy Will Heatter ### Six Transgender Idahoans Sue State to Block Bathroom Law Before July 1 URL: https://www.stonewallnews.net/six-transgender-idahoans-sue-state-to-block-bathroom-law-before-july-1/ Last updated: 2026-07-23T17:07:36.000Z > *This article is published through a content partnership with* [FaVS News](https://favs.news/?ref=stonewallnews.net)*, the only digital newsroom in America devoted entirely to local religion reporting.* Six transgender people are suing Idaho for banning people from using sex-segregated facilities that do not align with their sex at birth, asking the district court to bar the law from going into effect on July 1 The law, passed by a predominantly Christian legislature, [received pushback](https://favs.news/idaho-bathroom-law-christian-leaders-response/?ref=stonewallnews.net) from local Christian leaders who argued that the law was not Christian-like and was an attempt to push transgender people out of Idaho. In April, six transgender Idaho residents challenged the law in the U.S. District Court of Idaho, arguing that the law violates the Equal Protection Clause and Due Process Clause of the Fourteenth Amendment by discriminating against people who are transgender without being clearly tailored to meet legitimate government interests. “The fact that it applies to private businesses, and every place of public accommodation in Idaho, speaks to how sweeping the effect will be on transgender people,” Emily Croston, attorney for the ACLU of Idaho, said in an interview. “It really locks transgender folks out of being able to participate in their day to day lives.” The lawsuit is being represented by the ACLU, the ACLU of Idaho, [Alturas Law Group ](https://www.alturaslawgroup.com/?ref=stonewallnews.net)and [Lambda Legal](https://lambdalegal.org/?ref=stonewallnews.net). At least one of the attorneys is transgender, according to the ACLU of Idaho. On Friday, lawyers debated the preliminary injunction in front of Judge Amanda Brailsford. If approved, the preliminary injunction would bar the law from going into effect until the case is litigated and a final decision is made. Croston said she hopes to hear back on the preliminary injunction by June 15\. ### **Law applies to government and private spaces open to public** The law that is being debated [is unique](https://www.acluidaho.org/press-releases/transgender-idahoans-challenge-criminal-restroom-ban-in-new-federal-lawsuit/?ref=stonewallnews.net) among laws targeting transgender people for using sex-segregated facilities of their choice, according to the ACLU of Idaho, because [it applies to both](https://legislature.idaho.gov/wp-content/uploads/sessioninfo/2026/legislation/H0752.pdf?ref=stonewallnews.net) government buildings and private businesses that are open to the public — including churches and other religious institutions. Out of all 21 states that have similar laws for certain institutions, Idaho’s law also carries the steepest penalties, the ACLU of Idaho said. The law requires transgender people to only use bathrooms, changing rooms or similar facilities that align with their sex at birth — no matter what gender they identify as. Violating the law carries criminal penalties. Anyone convicted of a first violation will receive a misdemeanor, with the potential of up to a year in jail, and anyone convicted of a second violation within five years will receive a felony, with the potential of up to five years in prison. There are 11 exceptions to the law, including things like providing medical assistance or doing maintenance. ### **Law said to limit public lives of transgender individuals, plaintiffs argue** The complaint, filed by six defendants who hope the court will grant it class action status, [claims that the law](https://assets.aclu.org/live/uploads/2026/04/Jackson-Edney-v-Labrador-Filing.pdf?ref=stonewallnews.net) will “inevitably limit transgender individuals’ willingness or ability to participate in public life,” including “attending school or work, traveling, advocating at the legislature, attending places of worship or other activities outside their homes.” Amelia Milette, a 50-year-old transgender woman and one of the plaintiffs in the lawsuit, [said in a statement](https://www.acluidaho.org/press-releases/transgender-idahoans-challenge-criminal-restroom-ban-in-new-federal-lawsuit/?ref=stonewallnews.net) that she will “now have to evaluate every social activity I participate in against the risk I’ll experience if I need access to a bathroom facility.” “This new law does not protect anyone,” she added. “It only puts people like me in danger.” Many state senators and representatives who spoke in favor of the bill while it was being debated declared it a form of protection, citing the need to keep women and girls safe from “indecent exposure.” Others have argued that the law is an attempt to make transgender people unwelcome in Idaho. “The legislature considered and enacted HB 752 alongside a slate of bills seeking to push transgender Idahoans out of public life,” the lawsuit complaint read. Croston, the attorney for the ACLU, said the law “doesn’t require anyone entering a bathroom to have some sort of intention to perform a bad act.” Instead, Croston said, the law makes a prescriptive assumption about the intentions of people entering bathrooms that does not align with their sex assigned at birth. “That reveals what they think about transgender folks,” she added. ### **Study challenges safety claims of bathroom law** A 2025 [study](https://williamsinstitute.law.ucla.edu/publications/safety-in-restrooms-and-facilites/?ref=stonewallnews.net) by the UCLA School of Law Williams Institute, a research center conducting independent research on LGBTQ+ themes, found that there was no statistically reportable evidence of increased harm to cisgender people when transgender people use the restrooms that align with their gender identity. However, the opposite does occur when transgender people are banned from their restroom of choice: 11% of transgender men were verbally harassed in women’s restrooms and 9% of transgender women were verbally harassed in men’s restrooms. When transgender people used the bathroom in alignment with their gender identity, the verbal harassment went down to 7%, the report found. If Idaho’s law survives legal scrutiny, several plaintiffs listed in the lawsuit said they were planning to alter their lifestyles in an attempt to avoid public restrooms, either by being less active outside of the home or drinking and eating less. If the law is passed, transgender residents like 30-year-old plaintiff Zoey Wagner would have to plan all their outings around whether they could find a safe restroom to use, the lawsuit claimed. “If HB 752 goes into effect, Zoey would try to avoid using public bathrooms in public by staying out in public less,” the complaint said. ### P.S. Burn This Letter Please: A Moving Journey into Drag Culture and Queer History URL: https://www.stonewallnews.net/p-s-burn-this-letter-please-a-moving-journey-into-drag-culture-and-queer-history/ Last updated: 2026-07-22T16:15:08.000Z In this deeply moving documentary, *P.S. Burn This Letter Please* is notable not only for its subject but also for its unique discovery story. It begins when someone uncovers a box of sixty-year-old letters hidden in an abandoned storage unit. These letters, written by drag performers and their friends, are rich in wit, warmth, and coded language, and are signed with pseudonyms to protect the writers’ identities. This aspect is vital. The letters are not merely part of the film — they form its core and heartbeat. The film’s title, *P.S. Burn This Letter Please*, perfectly captures the risks these writers faced. In an era when being queer or dressing in drag could mean arrest, shame, or violence. The letters offer a glimpse into a hidden world — one that could easily have disappeared if they had been destroyed, as so many were. Using these letters as a guide, the documentary traces the lives of the people who wrote them and explores the vibrant drag scene in New York before Stonewall. It shows how, despite living in fear, these performers built friendships, found joy, and created a sense of community. As the filmmakers track down the real names behind the pseudonyms, the film becomes part detective story, part history lesson. We hear directly from people who lived through that era, and their memories bring the past to life. What makes the documentary truly special is how warm and engaging it feels. It never slips into dry facts or distant storytelling. Instead, the personalities of the letter writers shine through — funny, clever, stylish, and full of life. Even when the film explores dark or difficult moments, the letters themselves are bursting with character and humor, making the story feel alive and full of heart. *P.S. Burn This Letter Please* is more than a history lesson — it’s an act of remembrance and revival. It shows how something as small as a saved letter can help us hold onto the struggles, joys, and humanity of a community that might otherwise have been lost. The film is a powerful reminder that even the most ordinary things can make an extraordinary difference. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/burn.jpg?resize=728%2C1024&ssl=1) P.S. Burn This Letter Please --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--75.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### What a ‘Star Trek’ Episode Still Teaches Us About Fear, Gender, and Human Evolution URL: https://www.stonewallnews.net/what-a-star-trek-episode-still-teaches-us-about-fear-gender-and-human-evolution/ Last updated: 2026-07-23T17:56:58.000Z > *This article is published through a content partnership with* [FaVS News](https://favs.news/?ref=stonewallnews.net)*, the only digital newsroom in America devoted entirely to local religion reporting.* Over the decades, I’ve been a Star Trek fan on a limited basis, preferring The Original Series (TOS) and The Next Generation (TNG) iterations, along with the first six movies. I feel much the same about the Star Wars franchise, enjoying the original three movies George Lucas produced – even writing a “fan fiction” novel in 1980, and a book on Jedi Spirituality that’s posted on Amazon Kindle. One episode of TNG that really stays with me is from Season 3, titled “Transfigurations.” The story tells how the crew of the U.S.S. Enterprise discovers a wrecked ship on a planet, with one life form barely alive. That being is taken to the ship and placed in the care of Dr. Beverly Crusher, whose treatment assists in its survival, while she also notices phenomenal healing abilities when running her tests on the body. As it turns out – as they say, “Spoiler Alert!” – this being is one of a race that is approaching an evolutionary change. Traveling with companions already experiencing that transformation, they hoped to escape persecution and execution by those on their home world who feared what was happening, intending to stop the trend. Even the first time I saw this episode, the timeliness of the subject matter struck me. But, then, Star Trek always seemed to reflect the state of Earth through adventures in the furthest reaches of the galaxy. Even more than 35 years since its original airing, this storyline retains a deep meaning as the rights of the LGBTQ+ community continue to be debated. A major objection to permitting those whose gender identity does not fit in the standardized “box” of male and female, who love differently, is rooted in fear of change. Yet, does this tension involving a failure to accept others not align with the continued evolution of humanity? What if, in the broader scheme, we are not meant to be more fluid about the concept of gender? ### **Questioning the gender of God — and angels** For that matter, the very idea about God as male has been discussed for many years, with the original language of the Genesis creation story indicating both male and female, or genderless, attributes to deity (albeit denied in many circles). Angels supposedly have no gender, either – the need for such entities to procreate eliminates this need. The fact that fear motivates so many actions, reactions – even legislation – in regard to gender identity is a sad commentary on the supposed “enlightenment” of humanity. Rather than being open to the mysterious variations of creation, too many try to wrap themselves in a security blanket of “traditional values” and rail against what should be viewed as opportunities for growth. The same can be said for those who are neurodivergent – a relatively new term that encompasses many conditions. Vast numbers of people fear those who are unable to think along commonly accepted lines, preferring to label them and prescribe medication that will force them to act “normally.” ### **What history’s ‘different’ minds gave us** Pausing to consider how these recent advances in medical diagnostics truly are, what about those of generations past who exhibited the same traits or symptoms as those with ADHD, for instance, bi-polar disorder, or autism? Did not some of the greatest poetry, music, fiction, inventions – even comedy – come from those minds? What if those singular individuals had been drugged into compliance with society’s expectations? What contributions to art and science would have been lost? Indeed, some were locked away in primitive psychiatric facilities, but still managed to express themselves. Others were ostracized, living in the slums or homeless, yet finding beauty and knowledge as they endured each day. What those who proclaim their faith – every faith – must remember: faith is not stagnant. It must grow and evolve, discovering new, deeper facets to belief in order to thrive, just as humanity must grow, and evolve, to thrive. We cannot stop that evolution, as the fearful culture in that Star Trek episode tried – and failed – to do. So, rather than make claims that such evolution and those embracing it are dangerous, may we come to see in it the hope for future generations. ### Martin Cloutier Delivers a Debut of Wit and Warmth URL: https://www.stonewallnews.net/martin-cloutier-delivers-a-debut-of-wit-and-warmth/ Last updated: 2026-07-17T21:04:28.000Z From the moment I opened *Waiting for Something Else*, I was hooked. Martin Cloutier’s debut novel is equally hilarious, heartfelt, and thought-provoking. It’s hard to believe this is his first book, as it reads like the work of a seasoned storyteller. The fact that it is already a finalist for the 2026 Lambda Literary Award for Gay Fiction is a testament to Cloutier’s talent and the novel’s excellence. The story follows James, a self-described bald, bewildered, and Buddhist restaurant manager trying to find his footing in Brooklyn. Nine months into his job at a gourmet restaurant, James is lonely, dateless, and secretly pining for Sherry, a magnetic but self-absorbed Wiccan. But life takes an unexpected turn when James finds himself drawn to Roger, his Gay coworker and a playwright with a knack for crafting sharp, sex-fueled comedies. What begins as a drunken confession of unrequited love spirals into a tangled web of attraction, identity, and self-discovery. Cloutier masterfully navigates these complexities, creating characters who are flawed, funny, and achingly real. What sets this novel apart is its humor. Cloutier doesn’t just sprinkle in jokes — he builds the entire narrative on a foundation of sharp wit and comedic timing. Yet, beneath the laughs lies a deeply introspective story about the fluidity of desire and the human need for connection. The characters wrestle with their own expectations and limitations, and Cloutier captures these struggles with a blend of empathy and brutal honesty. James’s awkward sincerity, Roger’s weary charm, and Sherry’s chaotic energy make for a dynamic trio that keeps the story moving in unexpected directions. Set against the backdrop of Brooklyn, the novel also explores themes of transformation — both personal and societal. The city’s gentrification mirrors the characters’ journeys as they grapple with shifting identities and desires. Cloutier’s prose is sharp and evocative, painting a vivid picture of a world in flux while keeping the focus squarely on the messy, beautiful humanity of his characters. This is a novel that doesn’t shy away from the uncomfortable. Cloutier dives headfirst into the awkwardness of relationships, the contradictions of attraction, and the ways we sabotage ourselves in the pursuit of happiness. It’s a story that feels both deeply personal and universally relatable. Eager to learn more, I reached out to Cloutier to discuss his inspiration and writing process. He generously agreed to an interview, during which he shared insights into the creation of his book. **Frank Gaimari: Humor plays a central role in your storytelling. How do you balance laugh-out-loud moments with the deeper, more introspective themes of the novel?** Martin Cloutier: Of course, there must be a balance between the two, but one of my central aims was to write a novel that wasn’t just absurd, mildly amusing, or clever in a David Foster Wallace/Thomas Pynchon-esque way but to write with a kind of wit that provokes genuine laughter. Humor wasn’t an afterthought but the engine driving the story. I try to anchor humor in real emotion. I take a character’s anxiety, anger, or desire and push it until it becomes something exaggerated. For example, Roger spirals after being rejected by James; he goes on an internal rant, musing that the sex was so bad it “should have come with a warning label and protective gloves.” James, thinking lustfully about Sherry, finds his mind returning to the pesky image of Roger’s penis: “He had eaten the forbidden fruit. Drunk the Devil’s nectar. Tasted treif.” That tension, between what characters want to feel and what they actually feel, is where the humor lives and where the introspection sneaks in. **FG: James and Roger’s relationship is complex and unconventional. What do you hope readers take away from their dynamic?** MC: Readers will form their own opinions, but I believe relationships are built over time, not magically discovered like some rare Beanie Baby on eBay. There isn’t one “soulmate” who’s going to fit perfectly into your life. Many people could fit, and whether they do depends on how committed both parties are to working on the relationship. From my own experience with long-term relationships (eight, five, ten, and currently six years), the focus should be on what you have to give rather than what you expect your partner to give you. If what you have to give — emotionally, psychologically, practically — is not what your partner needs, then there’s no basis to sustain the relationship. With James and Roger: Roger encourages James’s artistic ambitions, giving him practical advice and confidence in his abilities, and by finding him attractive, he also enhances James’s poor self-image. James gives Roger the stability and devotion he craves while also, by comparison, boosting his creative ego and vanity about his appearance. **FG: You’ve mentioned that your characters are deeply flawed and sometimes unlikable. Why do you think it’s important to portray such raw and honest depictions of humanity?** MC: I find likable characters inherently dishonest. There’s a convention writers use to help readers identify with a protagonist. Most people like to think of themselves as decent, kind, and self-aware. So, a likable protagonist becomes a surreptitious way to flatter the reader: look at this nice character, she’s just like you. It’s a comfort and makes readers feel safe. But fiction shouldn’t be a mirror that reassures us. It should be a place where we confront what we don’t like in ourselves, where failure, delusion, selfishness, and moral uncertainty can be explored. Some of the greatest literary novels do this using unlikable characters. *Wuthering Heights* shows how revenge corrodes a life. *Madame Bovary* exposes the damage of selfishness and delusion. *Crime and Punishment* dismantles moral certainty. *Sabbath’s Theater* shows the pitfalls of desire and mortality. These books, and many others, don’t require their protagonists to be likable or even moral to be readable. Currently, there’s a demand that protagonists be upstanding citizens, or at least be legible as “good” people. The result is a sameness of story, depicting characters as underdogs oppressed by external events — death, trauma, addiction, bigotry, illness — rather than agents of their own bad decisions. When fiction narrows in this way, we lose the full spectrum of human behavior, especially the transgressive imagination. For me, the moment when a character stops being good is usually when they start being interesting. **FG: The title, *Waiting for Something Else*, seems to encapsulate the characters’ struggles with longing and inaction. How did you settle on this title, and what does it mean to you?** MC: The characters are waiters, both professionally and psychologically. Like many of us, they’ve come to New York thinking that, once here, good things will just magically transpire. James moves from Michigan, wanting a girlfriend or even a friend who understands his artistic ambitions, but he’s doing nothing to make it happen. Roger, originally from Philadelphia, wants a long-term relationship but continually sleeps with men who seek the opposite. And Sherry comes from Iowa with a half-formed dream of finding a partner and launching a makeup line, but she wastes her energy on narcissists who don’t appreciate her. I spent fifteen years in restaurants with people like this — I was like this myself — so I know the delusion is real. In New York, you’re always one party, one audition, one meet-cute away from changing your life. And sometimes, that’s just enough to keep you waiting. **FG: The novel delves into the idea of “types” in attraction. Do you believe people can truly break free from their ingrained preferences, as some of your characters attempt to do?** MC: When I started writing the novel, back in the depths of 2006, I believed we all had types that couldn’t be changed. My last two partners were men over 6 feet, 2 inches, and after these giants, I thought I could never be attracted to a guy my height (5 foot, 10 inches) or shorter. I spent my 40s dating in New York, searching for that Holy Grail. But the percentage of tall, Gay men living in my vicinity who were emotionally open, relatively sane, and interested in me was so small that I felt like I was on a quest. Gradually, after years of dating some lofty losers, I found a guy my height who rocked my world. And then I found another … and so on, and so on. Turns out, types aren’t fixed — they’re habits. And habits can change. Plus, you really do have better sex with shorter guys — there are so many more positions. **FG: What was the most challenging part of writing this novel, and how did you overcome it?** MC: In a word, the most difficult thing was rejection, and I’m not sure I overcame it; I just persevered. I’ve been working on this book for almost 20 years. The first story I ever published was in 2006, and it was about these characters. When I tried to turn it into a novel, I realized I didn’t know how novels worked, so I got an MFA and workshopped it. After graduating, I found an agent who tried her best but couldn’t sell it. In truth, the writing was still unfinished. I put it aside, wrote another novel, and found another agent. She couldn’t sell that novel, and when I gave her *Waiting for Something Else*, she said, “What’s the point of all the sex?” — a question people still ask to this day. Years later, a third agent spent nine months revising with me and then insisted I change the title to *The Brooklyntagonists* or “something with Brooklyn in the title.” When I refused, she dropped me, as though she had a dozen other Brooklyn titles to sell and no time for my nonsense. So, a couple more years elapsed while I finished the 11th draft, and the book finally took its rightful shape. I then queried 335 agents, all of whom passed, and sent it to 20 small presses, who also passed. I finally found Heliotrope Books, which agreed to publish it in 2025. It was a long journey — first to learn how to structure a novel and then to find a publisher. And really, the only thing that kept me going was that I didn’t have any other forms of validation: no high-paying job, no partner, no family, and approximately 1.5 friends. Writing wasn’t so much a dream as a hostage situation. And I understand why people give it up: there are easier ways to find fulfillment. But I had no other options. **FG: If you could spend a day with one of the characters from the novel, who would it be and what would you want to learn from them?** MC: All my characters are part of me, so technically, I spend every day with them. However, the character I’d most enjoy spending time with is Sherry. I know she’s the potential villain of the story, but that’s more a matter of structure than character. We could talk about how to manipulate men or trash our respective boyfriends. I’m sure we’d have a lot of fun. And I’m sure she’d fall in love with me. *Waiting for Something Else* is more than just a debut — it’s a statement. It’s a book that will make you laugh out loud, think deeply, and maybe even see the world a little differently. If this is what Martin Cloutier can do with his first novel, I can’t wait to see what he has in store for us next. Do yourself a favor and pick up this book on [Amazon](https://a.co/d/0bvb77Fn?ref=stonewallnews.net) — you’ll be glad you did. *To learn more about the author and his work, visit Martin Cloutier’s official website at*[*https://www.martincloutier.net/*](https://www.martincloutier.net/?ref=stonewallnews.net)*.* ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/04/waiting-for-something-else-book-cover.jpeg?resize=600%2C893&ssl=1) Waiting for Something Else --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--43.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Andrew Scott Shines in the War Drama Pressure URL: https://www.stonewallnews.net/andrew-scott-shines-in-the-war-drama-pressure/ Last updated: 2026-07-17T21:04:48.000Z D-Day was one of the most important military operations of World War II. On June 6, 1944, Allied forces launched the Normandy landings in northern France, beginning the liberation of Western Europe from Nazi control. Known as Operation Overlord, the invasion brought together American, British, Canadian, and other Allied troops in a massive air, sea, and land assault across five beaches. It was not only a battle of soldiers and weapons. It was also a battle against time, tides, and weather. The success of D-Day depended on a narrow set of conditions, including enough moonlight for airborne troops, low tide for landing craft, and weather calm enough for ships and planes to operate. That is where *Pressure* finds its gripping focus. Rather than telling the story from the beaches, *Pressure* turns its attention to the rooms where the invasion’s fate was debated before a single soldier landed in Normandy. The film concentrates on the meteorologists tasked with predicting the weather for D-Day, especially Group Captain James Stagg, the Scottish meteorologist whose forecast helped shape General Dwight D. Eisenhower’s final decision. The drama comes from a brutal question: Should the Allies launch the invasion as planned, or delay it and risk losing their chance? The film centers on two conflicting perspectives. Stagg (Andrew Scott) contends that the weather is becoming hazardous and that the June 5 invasion might lead to disaster. In contrast, American meteorologist Irving P. Krick (Chris Messina) predicts more favorable conditions using his forecasting methods. Their disagreement extends beyond science, involving personal, political, and intense emotional stakes. The outcome could mean life or death for thousands, depending on who is correct. This is where *Pressure* works best. It understands that history does not always turn on speeches or battlefield heroics. Sometimes it turns on charts, instinct, experience, and the courage to speak up when no one wants to hear bad news. Scott is one of our finest actors, and this performance is another reminder of why. Stagg is sharp, controlled, and often unsettling. Scott portrays him as intense, difficult, and not especially likable. Part of that guarded, distant manner seems shaped by the strain of being separated from his pregnant wife, with no communication between them. It is a performance built on restraint. Scott does not need grand gestures to show pressure. You see it in his face, in his clipped speech, in the way he holds himself around military leaders who may not fully trust him. He makes Stagg memorable by portraying him as brilliant and deeply human. The character’s coldness never feels like a gimmick. It feels like armor. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/MV5BZDIwNjBmMzAtNTg2Yi00ZDA5LWE5NDEtNjhmMTQ0NTA3OWY1XkEyXkFqcGc%40._V1_.jpg?resize=1024%2C576&ssl=1) Brendan Fraser / IMDb Brendan Fraser delivers a strong portrayal of Dwight D. Eisenhower, fulfilling the role’s requirements with steadiness and authority. The supporting cast, notably Messina, Kerry Condon, and Damian Lewis, deserve praise for maintaining consistent tension across scenes. In a story heavily reliant on suspense, silence, and atmosphere, such support is crucial. Director Anthony Maras approaches the story with a clear sense of purpose. Instead of making *Pressure* a typical war film, he builds tension through conversation, disagreement, and waiting. The importance of this movie is clear. Stagg’s forecast helped persuade Eisenhower to delay the invasion from June 5 to June 6, when a brief break in the weather gave the Allies their chance. Had the operation gone ahead in the storm, the result could have been catastrophic. Had it been delayed too long, secrecy and timing might have been lost. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/MV5BYjkwMTkwYzItNTg4MC00OTc2LTk2Y2EtOGU3ZGE0NmQyYzdjXkEyXkFqcGc%40._V1_.jpg?resize=691%2C1024&ssl=1) Pressure --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--53.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Emotional Canvas of Ross Collado URL: https://www.stonewallnews.net/the-emotional-canvas-of-ross-collado/ Last updated: 2026-07-17T21:05:10.000Z In an age in which authenticity can be hard to find, Ross Collado stands out for his honest and soulful approach to art. Born and raised in the Philippines and now living in Seattle, Collado creates paintings that explore solitude, emotion, and the delicate balance between beauty and chaos. His work is celebrated for its emotional depth, encouraging viewers to pause and reflect on their lives. Growing up in an environment where emotional vulnerability was often discouraged, Collado found his voice not through words but through art. Painting became his sanctuary and his language, a means of expressing his feelings. Each brushstroke is an act of self-discovery, exploring longing, memory, grief, and hope. Initially, his works featured layered stories and subdued colors, but over time, they have evolved into vivid, minimalist pieces. This change in style indicates not only a shift in his artistic approach but also his willingness to embrace new experiences and perspectives. In the following conversation, Collado shared more about the experiences, influences, and ideas that shape his work and perspective as an artist. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/Finding-Ever-After-Painting-Ross-Collado.jpeg?resize=803%2C1024&ssl=1) Finding Ever After by Ross Collado **Frank Gaimari: Your art often explores themes of solitude and emotion. How do your personal experiences shape these narratives?** Ross Collado: My work is deeply shaped by lived experiences — migration, identity, emotional restraint, love, loss, and the tension between beauty and chaos. Growing up in the Philippines, I was immersed in a culture where vulnerability, especially for men, was often suppressed. Painting became my way of expressing emotions that didn’t always have words. Much of the solitude in my work stems from introspection rather than isolation. I am drawn to those quiet emotional spaces people carry within themselves — longing, memory, grief, desire, nostalgia, and hope. Pieces like “The Call of Solitude,” “Silences So Deep,” or “But Where’s Home?” reflect that search for connection and meaning, both with others and within oneself. **FG: What role does your studio play in your creative process?** RC: My studio plays a crucial role in my creative process, because the environment directly influences how I think, feel, and respond to the canvas. I work best in a space that is clean, organized, and intentional. A neat environment provides me with clarity — it eliminates distractions and allows me to focus entirely on the dialogue between intuition and execution. There’s a certain energy that comes from order, and I believe that energy translates into the work itself. The view from my studio also profoundly impacts my perspective and process. Being surrounded by the city — its movement, architecture, light, and atmosphere — constantly reminds me that everything is in flux. The city feels alive, unpredictable, and layered. That energy inspires me to remain curious and open within the studio. I’m not necessarily seeking solace or meditative stillness when I paint. For me, the process is more about discovery — finding something unexpected within the work itself. While I approach every piece with intention, I avoid over-controlling the outcome. Intuition plays a significant role in how my paintings develop. Sometimes a color, texture, or movement reveals a direction I couldn’t have anticipated. I trust those moments because they often lead to the most honest and compelling aspects of the work. The balance between intention and instinct is vital to me — having enough structure to ground the piece while leaving enough openness for something new to emerge organically. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/I-Belong-Deeply-To-Myself-By-Ross-Collado.jpeg?resize=1024%2C1024&ssl=1) I Belong Deeply to Myself by Ross Collado **FG: How has your identity as a Gay artist influenced the themes and emotions in your work?** RC: My identity as a Gay man has undoubtedly shaped who I am, but for a long time, I never consciously thought of my sexuality as something that defined my art career. I’ve always approached painting from a deeply human and emotional place first, rather than labeling the work through the lens of identity. While I’m proud of who I am, I’ve never felt the need to create work solely to make a statement about my sexuality. That said, when I reflect on my body of work, I realize that my relationship has quietly been at the heart of so much of it. One of my most significant solo exhibitions in 2023 explored my relationship with my partner — the struggles we’ve endured, the emotional complexity of building a life together, and the profound love, respect, and understanding that define our bond. In many ways, that exhibition became one of the most personal projects I’ve ever created. Even beyond that show, many of my painting titles are inspired by him — by moments we’ve shared, conversations, emotions, tensions, and memories that have subtly embedded themselves into the work. So, while I may not intentionally frame my art around my sexuality, my lived experiences naturally find their way onto the canvas. Love, vulnerability, longing, conflict, and intimacy — these are universal emotions, but my perspective and experiences as a Gay man inevitably shape how I interpret and express them. What matters most to me is authenticity. I don’t want my work to feel confined by categories or expectations. I want it to resonate emotionally first. If viewers connect with the humanity within the work — whether they see themselves in the love, the struggle, the tenderness, or the emotional tension — then the paintings have achieved what I hoped they would. **FG: Your style has evolved over the years. What inspired the shift toward minimalism?** RC: My style has evolved naturally, driven by a desire to simplify rather than add more. Ironically, I believe simplicity is one of the most challenging things to achieve — not just in art, but in life. Minimalism is often misunderstood as being easy or empty, when it demands clarity, restraint, and intention. Stripping away elements while preserving emotion, depth, and tension is an incredibly difficult balance to strike. In my earlier works, I leaned toward muted tones and layered visual narratives. Over time, I became increasingly fascinated by how much could be communicated with fewer gestures, fewer distractions, and more space for emotion and interpretation. This shift toward minimalism wasn’t about reducing meaning; it was about distilling it. I’m deeply inspired by the simplicity inherent in Japanese aesthetics — the appreciation for space, balance, imperfection, silence, and subtlety. There’s a quiet power in restraint that resonates with me. I admire how minimal forms can carry profound emotional weight without needing to over-explain themselves. At the same time, I’ve learned not to confine myself creatively. I never imagined I would eventually create highly colorful works after spending so much time working with muted palettes. That unpredictability has become an essential part of my process. One of my most frequent statements is: “I don’t know what I’m doing,” and I genuinely mean that in a positive way. It keeps me open, allowing curiosity, intuition, and experimentation to guide the work rather than being constrained by expectations or repetition. **FG: What challenges do you face as an artist, and how do you overcome them?** RC: One of the biggest challenges I face as an artist is the constant questioning — the quiet voice that asks, “Is this good enough?” or “What if no one connects with this? What if no one buys it?” I think those doubts are something many artists experience, no matter where they are in their career. Creating something deeply personal and then presenting it to the world always comes with a certain level of vulnerability. There are times when I question the work, the direction I’m heading, and even myself. But over the years, I’ve learned that the only way to move past those doubts is to keep showing up — to keep creating despite the uncertainty. I remind myself to stay authentic, both in the studio and when sharing my work publicly. While I can’t control how people respond, I can control the honesty and intention I bring to every piece. What has helped me immensely is witnessing how viewers react to my work in person. During exhibitions and shows, there have been moments when someone stands silently in front of a painting, becomes emotional, or shares a personal story that the piece brought to life for them. Those moments are priceless. They remind me that art has the power to move people in ways I could never fully anticipate. **FG: Are there any upcoming projects you’re excited about?** RC: I’m entering a phase in my life and career that feels both exciting and transformative. One of the biggest changes ahead is partially relocating near Taos and building a life there with my partner, John. The idea of working in a completely different environment — surrounded by open landscapes, a rich artistic history, and a community deeply connected to creativity — fills me with inspiration. I believe this shift in atmosphere will naturally influence my work in ways I can’t fully predict, and that sense of the unknown is something I wholeheartedly embrace. I’m especially looking forward to having a new studio. Environment plays such a vital role in my creative process, and I’m curious to see how the energy, colors, textures, and slower pace of life there will shape the next evolution of my paintings. I’ve always believed that growth happens when you place yourself in unfamiliar spaces, and this feels like one of those pivotal moments. Professionally, I’m incredibly excited about several projects. Two television series, *The Rookie North* and *The Land*, have recently licensed my work for upcoming episodes. Seeing my paintings move beyond gallery walls and into cinematic storytelling has been deeply meaningful. It’s thrilling to imagine my work reaching audiences in such a different context. I was also recently approached by a company that designs airport retail spaces across North America to license one of my pieces for a project at Seattle–Tacoma International Airport. Opportunities like this are especially special, because they allow my work to be present in public spaces, where people can encounter it unexpectedly during moments of movement and transition. More than anything, I’m excited to keep evolving — not just as an artist but as a person. I don’t have a fixed endpoint in mind. My goal is simply to continue creating work that feels honest, emotionally resonant, and alive with curiosity. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/The-Feels-The-Moon-And-My-Soul-Painting-Ross-Collado.jpeg?resize=1024%2C1007&ssl=1) The Feels, The Moon and My Soul by Ross Collado ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/Ross-Collado-Courtesy-Of-Ross-Collado-dot-Com.jpeg?resize=1024%2C768&ssl=1) Ross Collado Collado’s art is more than just paint on canvas — it’s a reflection of his life, his identity, and his journey. Each piece invites viewers to feel, reflect, and connect, reminding us of art’s power to tell stories and inspire. Through his work, Ross continues to share his soul, one brushstroke at a time. *To learn more about Ross Collado, visit his website at*[*http://www.rosscollado.com*](http://www.rosscollado.com/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--6.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | Ryan’s Guide to Gay Marriage URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-ryans-guide-to-gay-marriage/ Last updated: 2026-08-16T16:24:09.000Z ### *A public service announcement from a man who has been successfully gay married exactly one time with wisdom from couples smarter than he is.* --- I received 67 written responses to my last column, “I Made All the Gay Dating Mistakes So You Don’t Have To.” …thank you. This doesn’t include over 400 social media comments. (By the way, NEVER read the comments.) And yes, I counted. Now, 23 of those responses were deeply unpleasant, aggressively homophobic, grammatically incorrect, and written with the kind of emotional regulation usually associated with someone screaming at a self-checkout machine. But 44 messages were kind, encouraging, and surprisingly heartfelt. Two people even asked me out on dates to show me what a successful date actually looks like. One very respectfully added: *“Only with your husband’s permission.”* Which honestly felt progressive, polite, and mildly medieval all at once. For the record, my husband said no. (Sorry Chris!) But among all the responses, four people essentially asked the same question: ***“What does it actually take to become successfully gay married?”*** And since I, Ryan Oelrich, have now been gay married exactly one time for nearly ten years, I feel uniquely underqualified — but emotionally compelled — to answer. Also, as Pride Month approaches, reflecting on gay marriage feels fitting considering we’ve only had this right nationwide since June 26, 2015\. And lately, the fragility of that right feels impossible to ignore. I also reached out to several long-term gay and queer couples for wisdom, because relying exclusively on my own judgment has historically produced… mixed results. So let’s begin with reasons to get gay married (yes, I’m recruiting here. I have multiple gay single friends ready to walk down the aisle.), and end with what actually helps people stay gay married once the confetti settles. Brace yourselves. --- **Reason #1 to Get Gay Married: You Escape Gay Dating** First and foremost, I highly recommend gay marriage because it means you no longer have to participate in gay dating. And if you read my last article, you already know that gay dating is essentially a psychologically fascinating obstacle course fueled by emotional damage, iced coffee, and abs. My husband often remarks that marrying me was a tremendous public service because it permanently removed me from the dating pool before additional harm could occur. Marriage allows you to retire from the battlefield. No more apps. No more trying to determine whether “Hey” means: - romantic interest, - casual friendliness, - or someone attempting to recruit you into cryptocurrency. No more spending 45 minutes choosing an outfit just to sit across from a man named Tyler who says things like: “I’m really focused on my journey right now.” Marriage is peace. Marriage is safety. Marriage is deleting apps and never hearing the word “situationship” again. --- **Reason #2: Gay Marriage Is Environmentally Friendly** One thing society does not discuss nearly enough is how astonishingly efficient gay marriage can be. You can share hygiene products. Shelf space suddenly opens up. Half-empty bottles disappear. Your shower no longer resembles a tiny cosmetic civil war. You can also share appliances: - electric razors, - water picks, - vibrating toothbrush bases. (And before heterosexual couples send me angry emails: yes, some of this applies to you too.) To be clear, however, I am *not* advocating for shared toothbrush heads. We are celebrating love here, not launching a biohazard event. Separate heads. Remain civilized. But overall, think about the environmental impact: - less plastic waste, - less clutter, - fewer arguments about why there are somehow eleven identical face washes under the sink. So yes. Gay marriage is saving the planet. You’re welcome, Earth. --- **Reason #3: Gay Marriage Saves Money** Another deeply underrated feature of gay marriage: Shared clothing. You essentially double your wardrobe overnight. That sequined Armani shirt? Fabulous on both of you. That flannel? Also fabulous. My husband is forever raiding my side of the closet. Financial experts should really be discussing this more. Honestly, somewhere there’s probably an economist desperately trying to calculate the GDP impact of gay men sharing jackets. --- **Reason #4: The Learning Curve Is… Shorter** Now let’s address what every straight reader became intensely curious about approximately four paragraphs ago. And what various heterosexual men have asked me about over the years after they’ve consumed approximately three beers. And which my heterosexual female friends now immediately ask me about having watched ‘Heated Rivalry.’ The answer is: Yes. Absolutely yes. There are certain practical advantages to being romantically involved with someone who possesses the same operating system you do. Who better understands your equipment than someone using the exact same model? It shortens the learning curve. Reduces confusion. And eliminates at least some of the awkwardness inherent in human intimacy — which, no matter your orientation, remains fundamentally strange if you think about it too long. And honestly, after enough years together, romance becomes less: “Take me now, my love…” And more: “Did you lock the front door?” “Did the dog go outside?” “Why does your knee keep making that sound?” Which, honestly, is intimacy too. --- **Reason #5: You Can Get Away With a Big Gay Wedding** Weddings in general have become increasingly elaborate regardless of orientation. But I would argue — confidently and without hesitation — that gay weddings continue to take the wedding cake. I have attended gay weddings featuring: - entire forests constructed indoors, - choreographed dance numbers, - lighting effects capable of guiding aircraft. At one point during a ceremony, I genuinely wondered: “Is this still a wedding, or have we transitioned into a Cirque du Soleil residency?” So yes, if you’ve ever wanted: - a production budget, - dramatic lighting, - and a legally binding reason to become the center of attention — gay marriage delivers. Now, in the interest of transparency, let me discuss my own proposal. Because if you’re going to do this, you might as well commit fully to the bit. On a dramatic rainy evening, I arranged for my then-boyfriend to be brought to a pedestrian bridge over the Spokane River under the false pretense of normalcy. It was not normal. I recruited friends to decorate the bridge with floating illuminated balloons while standing heroically in the rain. At the far end, they wrapped a lone pine tree in fairy lights like Christmas had arrived unexpectedly during a thunderstorm. As he crossed the bridge — confused but mostly cooperative — our friends handed him potted plants one by one like participants in a deeply emotional gardening cult. Meanwhile, another friend followed behind carrying a literal jukebox playing *“Love Me Like You Do.”* Which I only later realized was famously associated with *Fifty Shades of Grey.* Not exactly the emotional tone I was aiming for, but by then we were committed. At one point my sister hugged him and said: *“It’s been so nice knowing you.”* So naturally, Rob became briefly convinced he was being offered up as some sort of gay sacrifice. But finally there I stood. Under the glowing tree. In the rain. Ready to propose. I told him I wanted our lives intertwined. I asked him to marry me. And his immediate response was: *“Are you sure about this?”* Which is objectively not the response you hope for in that moment. After a brief but spiritually significant pause — during which our friends likely began preparing grief statements — I confirmed that yes, I was sure. And thankfully… Eventually… He said yes. So here’s the lesson: Gay weddings are allowed to be: - dramatic, - emotional, - slightly unhinged, - and occasionally sponsored by weather and foliage. But ultimately, all that matters is this: Someone stands in front of you and chooses you back. And honestly? That’s worth all the balloons. --- **But Here’s the Actual Secret** Underneath all the jokes, here’s what I think really matters. Marriage — gay or straight — is less about grand gestures and more about choosing each other repeatedly. I reached out to other long-term couples for wisdom. Adam Forcier, who has been with his husband for 22 years and married for 16, shared this: *“Communication is key. As time goes on, you will grow into different people. If you both communicate with open minds and zero judgment, you can grow side by side.”* Which honestly feels much wiser than anything I’ve said so far. A lesbian couple married for 33 years shared: *“You gotta put in the work and continue to choose each other. You also gotta forgive and find at least one thing you enjoy doing together.”* Another couple together for decades gave perhaps the most concise wisdom of all: *“Gin.”* Which, frankly, deserves consideration. Dean Lynch and Michael Flannery, having been together over 40 years, shared: *“Listening to learn and not to respond will go along way. Kiss each other at least twice a day--- good morning and good night.”* Which sounds like sage advice. This same couple later shared another bit of wisdom worth contemplating: *“Sometimes both people are caregivers. It may be important to practice being a recipient.”* And Mike and Nathan, together for over a decade, shared this: *“We’re able to laugh with each other — even during arguments. Eventually we realize we’re both being a little ridiculous, and we really do want what’s best for the other person.”* And maybe that’s it. My husband and I have both made mistakes. We’re stubborn in entirely different ways. We annoy each other. We miscommunicate. We occasionally argue about things so small and absurd that halfway through, one of us suddenly realizes: *“Oh no. We’re fighting about the dishes again.”* Or, this heated debate in our household, *“Should or shouldn’t I use AI to edit an article?”* But, dishes and AI be damned, we continue choosing one another. Over and over. And perhaps successful partnership is simply this: Finding someone who knows exactly how weird you are… …and stays anyway. Someone who chooses you even though you built a Hobbit house in the front yard. Someone you choose even though they permanently lose their keys. Someone who chooses you even though you cry during nearly every Disney movie. Someone you choose even though they leave used chewing gum in deeply concerning locations throughout the house. Maybe love is less about finding perfection and more about finding someone whose strange fits beside your own. And honestly? That feels pretty magical. And very much worth fighting for. **Author’s Note:** Thank you to all the couples who took the time to share their wisdom and insights for this article. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-5-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Obsession: A Thriller That Delivers on Every Level URL: https://www.stonewallnews.net/obsession-a-thriller-that-delivers-on-every-level/ Last updated: 2026-07-20T13:19:31.000Z I usually approach horror movies with low expectations, as so many rely on cheesy scares, over-the-top performances, and weak writing. That’s why Obsession, directed by Curry Barker, took me by surprise. It’s rare for a horror film to be entertaining on every level, but this one delivers. It’s funny when it should be, genuinely unsettling at the right moments, and strong enough to stay with you after it ends. The plot centers on Bear (Michael Johnston), a shy and awkward music store employee who’s secretly in love with his coworker, Nikki (Inde Navarrette). Desperate to win her over, he buys a mystical toy called the “One Wish Willow” from a new age occult store. When he breaks it and wishes Nikki to love him, his wish comes true — but with horrifying consequences. Nikki’s transformation is terrifying. Her newfound love for Bear becomes an all-consuming obsession, driving her to increasingly erratic and dangerous behavior. From unsettling displays of devotion to moments of intense volatility, her descent into madness is deeply unsettling. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/MV5BMzZhNDZmNGQtNjViNi00NmRmLWE4NTItNDc4Nzk4ZjI1NDY0XkEyXkFqcGc@._V1_.jpg) Inde Navarrette in Obsession Johnston is perfect as Bear, bringing a sweet, innocent, and vulnerable quality to the character. He looks the part and makes you root for him, even as his choices spiral out of control. Navarrette, meanwhile, is stunning as Nikki. She’s a natural in the role, seamlessly shifting from a relatable, charming young woman to someone deeply disturbed. The supporting cast adds depth to the story, with Cooper Tomlinson as Bear’s skeptical friend Ian and Megan Lawless as the compassionate Sarah. Andy Richter rounds out the ensemble with a solid portrayal of Carter, the music store owner. Taylor Clemons’ cinematography feels like a character, with muted colors and stark contrasts that bring the eerie atmosphere to life. His use of close-ups and lingering shots pulls you deep into the characters’ unraveling lives, making the tension and unease impossible to ignore. The music and sound design are just as impressive. Rock Burwell’s score blends haunting melodies with sharp, jarring dissonance, heightening the story’s tension and emotional impact. Moments of silence and carefully crafted ambient noise are used brilliantly to build suspense and deliver truly shocking moments. Obsession is a standout blend of horror and drama, offering a fresh take on the “be careful what you wish for” trope. With its powerful performances, innovative direction, and thought-provoking themes, it’s a must-watch for fans of psychological horror. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/Obession-Move-Poster.jpg?resize=691%2C1024&ssl=1) Obsession --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--66.jpg) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Unveiling Liza Minnelli: A Memoir of Resilience and Stardom URL: https://www.stonewallnews.net/unveiling-liza-minnelli-a-memoir-of-resilience-and-stardom/ Last updated: 2026-07-21T23:08:08.000Z For as long as I can remember, I have been captivated by the sheer force of nature that is Liza Minnelli. When her memoir, *Kids, Wait Till You Hear This!*, was released, I couldn’t wait to dive into her story. I purchased an autographed copy signed by Liza herself. To preserve this treasured keepsake, I used an Audible credit to experience the memoir in a way that felt even more personal, with Liza’s extraordinary voice and spirit narrating her history. Born into the dazzling yet daunting world of Hollywood royalty, she could have easily remained in the shadow of her legendary mother, Judy Garland, and visionary father, Vincente Minnelli. Instead, she carved out her own spectacular path, becoming a singular icon and a testament to resilience. This long-awaited memoir is a brilliant, breathtaking journey that explains why she remains one of the most beloved entertainers of our time. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design-2026-05-29T063456.825.jpg) Liza Minnelli in Cabaret / IMDb What stands out most is how Liza approaches her complicated family legacy. She writes about her parents with deep love and respect but never hides from the darker truths of her childhood. With a mother battling serious personal demons, Liza was forced to grow up quickly and forge her own identity. When she says, “Sympathy is my mother’s business. I give people joy,” you clearly see the protective armor she created just to survive. Her status as an EGOT winner came not from her famous name but from her extraordinary talent and unwavering work ethic. If you’re looking for a glossy, PR-approved celebrity autobiography, this isn’t it. Liza bravely reveals her struggles — addiction, heartbreaks, miscarriages, and serious health issues — with striking vulnerability. Yet she never drifts into self-pity; even in her darkest admissions, her unstoppable, show-must-go-on spirit shines. She fully owns her choices, reclaims her truth from the tabloids, and delivers an unfiltered look at the true cost of living so much of her life in the spotlight. Cowritten with her close friend and confidant Michael Feinstein, the memoir exudes an intimate charm, which made me feel as though I was sharing a late-night conversation on a velvet couch. Listening to Liza’s vibrant personality through her own voice added an unparalleled depth to the experience — her breathless excitement and signature throaty laugh bring the stories to life in a way that reading the text could never achieve. The narrative immersed me in the dazzling chaos of Studio 54, the iconic sets of films like *Cabaret*, and tender moments shared with legendary friends such as Halston, Elizabeth Taylor, Frank Sinatra, and Princess Diana. Beyond the glitz and gossip, *Kids, Wait Till You Hear This!* reveals the depth of Liza’s heart. The memoir devotes genuine attention to her fearless activism and her strong bond with the LGBTQIA+ community. At a time when acceptance was far from the norm, Liza stood courageously for what she believed in, giving and seeking love with remarkable passion. *Kids, Wait Till You Hear This!* is a true triumph — not just a chronicle of a dazzling career but a bold celebration of resilience and survival. Liza Minnelli delivers a memoir every bit as strong, funny, and unapologetically honest as she is. Whether you’ve loved her for years or are just discovering her, this book is sure to move and inspire you. *You can buy this book on* [*Amazon*](https://a.co/d/03xHkU1T?ref=stonewallnews.net) *or visit her website at* [*https://www.lizaminnelli.com*](https://www.lizaminnelli.com/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--11.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Maspalomas: An Intimate Portrait of Identity and Its Consequences URL: https://www.stonewallnews.net/maspalomas-an-intimate-portrait-of-identity-and-its-consequences/ Last updated: 2026-07-17T21:05:51.000Z *Maspalomas* is a heartfelt and thought-provoking film that explores the consequences of life choices and the fragility of identity. Directed by Jose Mari Goenaga and Aitor Arregi, it tells the story of Vicente, a 76-year-old man who, at 50, made the life-changing decision to leave his wife and daughter to live openly as a Gay man. For 25 years, he built a life of freedom and joy in the sunny paradise of Maspalomas, Gran Canaria — one he had long denied himself. But when he suffers a stroke, everything changes. Soon, he finds himself in a nursing home in San Sebastián, placed there by his estranged daughter Nerea. The film doesn’t shy away from the complexities of Vicente’s past. Through his strained relationship with Nerea, we witness the emotional fallout of his decision to leave his family. Her perspective adds a powerful layer to the story as the plot delves into themes of regret, forgiveness, and the lasting impact of choices made decades earlier. It’s a raw, honest portrayal of how one person’s pursuit of authenticity can ripple through the lives of those around them. The nursing home, with its rigid routines and conservative atmosphere, stands in stark contrast to the vibrant freedom Vicente once enjoyed in Maspalomas. Stripped of his independence and surrounded by unfamiliar faces, he begins to withdraw, ultimately making the heartbreaking decision to hide his sexuality. This return to the closet is more than just a personal tragedy — it’s a poignant reflection of the societal pressures that can force even the most self-assured people to conform. José Ramón Soroiz delivers a deeply moving performance as Vicente, capturing his vulnerability and quiet strength with incredible nuance. His portrayal earned him the Goya Award for Best Actor, Spain’s equivalent of the Academy Award. Nagore Aranburu is equally compelling as Nerea, portraying a daughter grappling with the emotional weight of her father’s choices. The supporting cast, including Kandido Uranga and Zorion Eguileor, adds warmth and depth to the story, making every character feel fully realized. I saw this film at the Seattle International Film Festival, and it was an unforgettable experience. The theater was packed, and when the credits rolled, the audience erupted into heartfelt applause. It’s been a long time since I’ve seen a film that made me think this deeply. If you’re looking for a movie that lingers in your mind and heart, this one’s for you. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/maspalomas-movie-poster.jpg?resize=1350%2C1920&ssl=1) Maspalomas --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--12.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Sacred & Proud | The Pacific Northwest Isn’t Godless. We Just Haven’t Been Paying Attention URL: https://www.stonewallnews.net/sacred-proud-the-pacific-northwest-isnt-godless-we-just-havent-been-paying-attention/ Last updated: 2026-07-23T17:43:20.000Z Ask most people what they know about religion in the Pacific Northwest and you'll get a shrug. Or a knowing smile. "Isn't that the none zone?" I've heard some version of this for the 14 years I've been running [FāVS News](http://favs.news/?ref=stonewallnews.net), a nonprofit digital newsroom devoted entirely to local religion coverage. People assume the region is too secular, too outdoorsy, too spiritually independent to bother with. National religion media largely agrees — or at least acts like it. Coverage of faith in the Pacific Northwest is thin to the point of invisible. But here's what I've actually seen on the ground: Two friends, inspired by Buddhist monks, are planning a [90-mile kindness walk](https://favs.news/kindness-walk-shoreline-olympia-faith-bridge-monk/?ref=stonewallnews.net) in Western Washington. [A prayer rug](https://favs.news/pacific-northwest-prayer-rug-muslim-indigenous-project/?ref=stonewallnews.net) is connecting Muslim and Indigenous communities across the Pacific Northwest. At a Seattle [talk](https://favs.news/at-seattle-talk-rick-of-christian-nationalism-threat/?ref=stonewallnews.net), Rick Steves and Episcopal Bishop Shelley Bryan Wee warned packed rooms about the threat of Christian nationalism. None of this is the story of a godless region. It's the story of a region whose religious life has gone largely uncovered. This year, FāVS News is expanding statewide across Washington. What began in 2012 as a hyperlocal newsroom covering Spokane is now a regional wire syndicating to 15 media partners - and counting. We're adding reporters and columnists and deepening coverage in communities that have never had a religion beat. We're making the case — loudly — that what people believe, how they practice, and how faith shapes public life matters everywhere. Especially here. For LGBTQ+ readers, that's not an abstract story. Faith communities hold enormous social power — they shape elections, run school boards, operate food banks and foster care systems, and set the cultural temperature of the towns they anchor. The congregations blessing same-sex unions and the ones funding campaigns against our families are both operating in your backyard. When local religion coverage disappears — and it has largely disappeared from American newsrooms over the past two decades — that power goes unexamined. Covering it does more for our communities than ignoring it ever could. As a queer woman who has spent more than 20 years on this beat, I've sat in sanctuaries that felt like home and ones that made clear I wasn't welcome. I cover both with the same curiosity and the same rigor. That's the job — and it's never been more necessary. The "none zone" label isn't entirely wrong. The Pacific Northwest does have higher rates of religious disaffiliation than other regions. But disaffiliation isn't the same as indifference to meaning-making, community, or the questions religion has always tried to answer. And the millions of people in this region who do affiliate deserve journalism that takes their lives seriously — and asks hard questions about the institutions that shape them. FāVS is bringing that coverage to all of Washington. Stonewall News Northwest, a media partner, shares our belief that religion coverage matters. If you have a story about faith, doubt, community, or the ways religion is shaping life around you, we want to hear from you. Reach out at tracysimmons@favs.news. The Pacific Northwest has a religious life. It just needed someone to cover it. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Tracy_Simmons-2-2-1.jpg) Tracy Simmons is an award-winning journalist specializing in religion reporting and digital entrepreneurship. She is a Professor of Journalism at WSU and executive director at FaVS News, a digital journalism start-up covering religion news and commentary in the Pacific Northwest. Learn more at: [https://favs.news/](https://favs.news/?ref=stonewallnews.net) ### Out & In Business | You’re Allowed to Show Up Before You Feel Ready URL: https://www.stonewallnews.net/out-in-business-youre-allowed-to-show-up-before-you-feel-ready/ Last updated: 2026-07-12T19:12:39.000Z There’s a particular kind of pressure that comes with being LGBTQ+ and self-employed. Not just to survive. Not just to succeed. But to know. To know who you are. To know what your business is. To know your niche, your message, your next move. To speak clearly, confidently, and consistently at all times. It’s easy to be convinced that uncertainty is a problem to solve as quickly as possible. But I think uncertainty can also be a form of honesty, something people crave. Sometimes it’s evidence that you are real and change is good. Many of us were taught that visibility only comes after certainty, that we’re supposed to wait until we feel fully healed, fully confident, fully branded, fully sure before we show up publicly. Especially as LGBTQ+ people, there can be enormous pressure to present a coherent version of ourselves. A version that makes sense to others. A version that feels easy to explain. But real life (and business) rarely unfolds that neatly. Sometimes you outgrow a version of yourself before you fully understand who you’re becoming next. Sometimes your business changes because you changed. Sometimes your values evolve faster than your website does. Sometimes you’re building the next chapter while still grieving the last one. And sometimes you disappear for a while because you need space to listen to yourself again. I think a lot of people are in that place right now. Quietly reevaluating. Quietly exhausted. Quietly asking deeper questions about work, visibility, identity, sustainability, and what kind of life they actually want to build. Not because they’re failing. Because they’re paying attention. **Being in Process Is Not a Failure** The dominant culture doesn’t leave much room for people to be in process. Online, especially, there’s pressure to package every transition into a polished lesson. To emerge from every difficult season with a shiny rebrand, a breakthrough, and a clean narrative arc. To market certainty while privately living through ambiguity. That pressure can make people disappear entirely, not because they have nothing to say, but because they don’t yet have conclusions. I want to gently offer something different: \- You are allowed to show up before you feel fully ready. \- You are allowed to be visible while still figuring things out. \- You do not owe anyone a finished version of yourself before you participate in your own life and business. There’s a specific kind of courage in allowing yourself to be seen while still becoming. Not performatively vulnerable. Not turning every tender moment into content. But refusing the idea that uncertainty makes you less legitimate, less trustworthy, or less worthy of being here. **A Few Gentle Places to Start** If you’re in a season of uncertainty, here are a few places to begin: \- Notice where you’re waiting for certainty before allowing yourself visibility. \- Update one small thing in your business so it reflects who you are now, not who you were two years ago. \- Let yourself experiment privately before announcing everything publicly. \- Ask yourself: *What would showing up look like if it didn’t require performance or perfection?* \- Reach out to people who allow you to be honest, unfinished, and human. You do not need to solve your entire future before taking your next honest step. **Becoming Is Part of the Work** Because the truth is: most meaningful lives are built in the middle. In the questions. In the pivots. In the slow reshaping. I think LGBTQ+ people understand this better than most. Many of us have already had to reinvent ourselves. We know what it means to question inherited expectations. To rebuild identity from the inside out. To become more honest over time instead of more polished. That process doesn’t end once you start a business. If anything, self-employment often deepens it. So if you’re in a season where things feel unclear, where your work is shifting, your energy is different, your priorities are changing, or your next step feels uncertain. I hope you know this: \- You do not need complete certainty to move forward. \- You do not need a perfect plan to begin again. \- You do not need to become someone else before you deserve visibility, community, or success. \- You are allowed to be in process. \- You are allowed to change your mind. \- You are allowed to grow slowly. \- You are allowed to show up as you are while the rest unfolds. Maybe that’s not weakness. Maybe that’s what an honest life actually looks like. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-4-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### In Loving Memory of Jonathan Shuffield URL: https://www.stonewallnews.net/in-loving-memory-of-jonathan-shuffield/ Last updated: 2026-07-17T21:09:39.000Z Jonathan Shuffield was truly a force of nature. If you were lucky enough to cross paths with him, you know he was the kind of person who left a lasting impression — an artist, an advocate, a storyteller, and above all, a friend whose vibrant spirit lifted everyone around him. On May 3, 2026, Jonathan passed away peacefully at home, leaving behind a legacy of creativity, compassion, and unwavering dedication to his community. Jonathan’s gifts were as wide-ranging as they were remarkable. On stage, he was magnetic — whether he was belting out songs as Mary Sunshine in *Chicago* or making us laugh as Jesus in the female version of *The Odd Couple*. He had that rare ability to light up a room, to make you forget where you were for a couple of hours and just be swept up in the story. But his love for creativity didn’t stop when the curtain closed. Offstage, Jonathan was always writing — op-eds, interviews, news stories — his words just seemed to pour out of him, each piece thoughtful and sharp, always with a touch of his signature wit. One of his proudest achievements was the web series *Almost… Not Quite: Together Apart*. If you’ve seen it, you know how Jonathan brought his characters to life in a way that felt real and relatable. He was working hard to turn that web series into a sitcom, pouring so much of himself into the project. That was Jonathan — always dreaming, creating, always pushing for the next big thing. His move to Spokane opened a new chapter for both him and the community. He co-created and co-hosted *OUTSpoken*, a radio show that became a lifeline for so many in the LGBTQIA+ community in the Inland Northwest. The show wasn’t just about news and interviews; it was about creating a space where people felt seen and heard. Jonathan’s warmth and humor came through every episode, and he never shied away from tough conversations. He was fearless in his advocacy, helping people feel less alone and more connected. But if you ask those who knew him best, they’ll tell you Jonathan’s real legacy isn’t just what he did — it’s how he made people feel. He had this infectious laugh and a gift for making everyone feel welcome. He loved improv, comedy, and music, and he was always the first to encourage and lift others. He mentored so many, not just with advice, but with a genuine desire to see people thrive. If you were struggling, Jonathan was the one you could call — he’d listen, crack a joke, and remind you that you mattered. Family and friends were everything to him. As his close friend Holly Meginniss put it, “If you were part of Jonathan’s circle, you never had to wonder if he loved you. He made sure you knew.” That was his superpower — making people feel cherished. ![](https://i0.wp.com/www.stonewallnews.net/Upload/stonewallnews/461_75202612628.jpg?ssl=1) Jonathan Shuffield His brother Jason remembers their bond with so much love. “We talked every day for over 12 years. We supported each other through everything. Jonathan was creative, loving, and kind. He inspired everyone around him. I lost not just my brother, but my best friend. I hope people remember him for the love he gave.” ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-01T120249.788.jpg?resize=1024%2C768&ssl=1) Jonathan Shuffield Jonathan’s commitment to the LGBTQIA+ community was unwavering. Whether it was through *OUTSpoken*, *The Queercentric* podcast, or just a quiet conversation over coffee, he was always helping others — especially those trying to find the courage to be themselves. He believed art could change hearts and minds, and he lived that belief every day. Jonathan’s laughter, kindness, and creativity will be deeply missed. But his spirit lives in the community he helped build, in the stories he told, and in every life he touched. He was more than an artist, more than an advocate — he was a beacon of hope, a reminder that with love and imagination, you really can change the world. The world is a little brighter for having had Jonathan in it, and his memory will always be a blessing to those who knew him. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--39.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | May is the Time of the Dandelion URL: https://www.stonewallnews.net/out-on-the-ranch-16/ Last updated: 2026-07-12T18:39:38.000Z The plant we were taught to overlook, even despise. The one that shows up anyway. The one that goes where the ground has been disturbed and begins, quietly, to make it whole again. We’ve been conditioned to see dandelions as an invader working against us. They are not a defect in the system. They are a response to it. They are the first to arrive on bare rock and gravel. They don’t wait for ideal conditions or permission to stabilize and restore. They pull hard to access minerals and nutrients from the ground and prepare the mulch for future meadow grasses and plants to follow. We’re living through a moment of disruption—across institutions, culture, and community. There’s a sense of unraveling, of systems being pushed past their limits, leaving the rubble of destruction in its wake. The instinct in times like this is to react forcefully, to see the dandelion as an opportunist or threat that must be controlled. In permaculture, the goal isn’t domination—it’s balance. When we overcorrect, we create fragility. When we disturb too much, opportunists rush in. The more aggressively we try to control, the more we end up managing the consequences. Resilience comes from working with the system, not against it. From understanding how to nudge cycles into balance, instead of trying to replace them. At our guest ranch, being a change agent isn’t a slogan—it’s embedded in our DNA. It shows up in how we approach land, people, and community. We don’t operate from the mindset of force or extraction. We operate from balance and resilience. Whether it’s protecting freshly planted seedlings with simple, thoughtful barriers instead of disrupting entire ecosystems, or creating space for both people and animals to coexist without constant intervention, the approach is the same: add resilience, look for balance points instead of quick fixes, let the system strengthen itself. Being a change agent means choosing to show up where things are strained or fractured and contributing to repair. Not through grandstanding, but through steady, consistent action. It means our definition of success becomes positioning others to become successful. That’s the work. And it’s the same work the dandelion has been doing all along. In a time when conviction is loud and division is easy, there’s a quieter path—one that focuses on accountability, yes, but also on rebuilding. History shows that when systems overreach, they eventually face both. The collapse isn’t the end of the story; it’s the turning of the soil. What comes next depends on what takes root. The dandelions will be there. They always are. The question is whether we recognize the role they play—and whether we’re willing to take on a similar one. Be stubborn in presence, but purposeful in action. Bring nourishment where there’s depletion. Support life around us in tangible ways. Do the legacy work to prepare the ground for something better, even if we’re not the ones who will fully enjoy it. That’s what it means to be a change agent. Not controlling the outcome, but influencing the conditions. Not demanding perfection, but fostering resilience. Not waiting for stability, but helping create it. May belongs to the dandelions for a reason. They remind us that even in disruption, there is a path forward. That healing doesn’t start with dominance, but with restoration. That the most impactful work often looks small, local, and persistent. The dandelions are always the first to land upon rubble and turn the disrupted and desolate back into healthy and functional. That cyclical nature, no matter how much conviction the human wields, always carries on. So too shall we be like the dandelion, reclaim the land, and build a new national foundation so future generations may thrive. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-4-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### John Cameron Mitchell: Celebrating 25 Years of Hedwig and the Angry Inch URL: https://www.stonewallnews.net/celebrating-25-years-of-hedwig-and-the-angry-inch/ Last updated: 2026-07-17T21:09:59.000Z In 2001, *Hedwig and the Angry Inch* made a striking debut on the silver screen as a brave, unapologetic adaptation of the 1998 off-Broadway musical. Created by, directed by, and starring John Cameron Mitchell, the film has become a cultural icon, known for its intense emotion, punk-rock style, and themes of identity, love, and self-acceptance. Now, 25 years later, Mitchell is celebrating the film with a tour across North America, featuring a 4K restoration, live Q&A sessions, and acoustic performances. *Hedwig and the Angry Inch* centers on Hedwig Schmidt, a Genderqueer rock singer from East Germany. Originally named Hansel Schmidt, Hedwig undergoes a failed sex reassignment surgery to marry an American soldier and flee communist East Berlin. The surgery results in an “angry inch” of flesh, serving as both a physical and symbolic symbol of her broken identity. After her husband abandons her in Kansas, Hedwig forms a rock band called The Angry Inch and begins a journey of self-discovery. Her life intertwines with that of Tommy Gnosis, a former lover and protégé who steals her music and rises to stardom. Through a series of intimate performances at dive bars and seafood restaurants, Hedwig shares her story, blending humor, heartbreak, and rock anthems. The title *Hedwig and the Angry Inch* is a direct reference to Hedwig’s botched surgery, but it also symbolizes the emotional and physical scars that define her journey. The “angry inch” becomes a metaphor for the pain of transformation, the struggle for wholeness, and the resilience required to embrace one’s true self. When Hedwig premiered at the Sundance Film Festival in 2001, it was met with critical acclaim, winning the Audience Award and the Directing Award. However, like many cult classics, its initial reception was modest. Over time, word of mouth and home video brought the film to a wider audience, and it resonated deeply with those who saw themselves in Hedwig’s story. The film’s themes of love, identity, and self-acceptance remain as relevant today as they were 25 years ago. As Mitchell himself noted, “Hedwig speaks to anyone who has ever felt like an outsider, anyone who has ever searched for their other half.” I had the chance to speak with Mitchell, who had just finished his Broadway run with *Oh, Mary*. Gracious and thoughtful, he shared his reflections on Hedwig and the Angry Inch. **Frank Gaimari: What inspired you to create *Hedwig and the Angry Inch*?** John Cameron Mitchell: I was feeling disillusioned with theater at the time because it just didn’t seem to be evolving, either in form or content. I wanted to break new ground by creating a musical that would channel the energy of all the stage forms I loved — punk, drag, stand-up, performance art — all woven together with the structure of Broadway. That’s how *Hedwig* was born, first as a stage production. As its popularity grew, Stephen Trask, who wrote the music and lyrics, and I realized it had the potential to become a film. With the backing of New Line Cinema, I was able to bring my vision to the screen. Although it didn’t initially perform well in theaters, the rise of home video allowed it to find its audience and gradually build a devoted following. **FG: What was the most challenging part of bringing Hedwig’s story to life on screen?** JCM: As a first-time filmmaker, I had so much to learn. Although I felt confident in my acting, stepping behind the camera was an entirely new world, and I quickly realized how much guidance I needed. Fortunately, I was surrounded by an incredible team that supported me every step of the way. Frank DeMarco, Andrew Marcus, Thérèse DePrez, Arianne Phillips, Mike Potter, and Michelle Satter were instrumental in helping me find my footing and grow as a director. I was also deeply grateful for a piece of advice from Robert Redford, who said, “Don’t forget the boy that Hedwig once was.” **FG: Can you share a memorable moment from the original off-Broadway run?** JCM: Oh, there were plenty of wild moments. We were performing in an SRO flophouse hotel with bulletproof glass at the front desk. One night, as the audience arrived, an OD’d body was wheeled out on a gurney. Another time, I came off stage, and a hot Israeli male hooker opened his door and pulled me inside like a trapdoor spider looking for some fun. I was flattered, but I had to dash off to meet Lou Reed — or someone like that — in the dressing room. And by the way, the dressing room was in the cupola tower at the top of the hotel, where RuPaul once lived. **FG: How do you feel about *Hedwig’s* impact on the LGBTQIA+ community?** JCM: I’m still deeply moved when people tell me that Hedwig “changed their life.” I sometimes joke, “In a good way?” Our audience has always been incredibly diverse — spanning sexuality, gender, age, and nationality. In fact, we recently opened in mainland China. The translator DM’d me, and together we worked on the translation in secret so it could get past the censors while preserving what was most important. It ended up becoming a hit there, too. **FG: What does the “angry inch” mean to you personally?** JCM: Life gives us just a little to work with, and it’s up to us to make something of it. Take being queer, for example — it doesn’t automatically mean “good” or even “interesting.” What really matters is what you do with your queerness or otherness. I’ve come to see my otherness as a great privilege. It’s shaped me into a happier, more complex, and empathetic person. **FG: If you could give Hedwig one piece of advice, what would it be?** JCM: Defining yourself as a victim always ends in tears. And ease up on the identity politics — we are, each of us, an identity of one. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T084215.107.jpg) Hedwig and the Angry Inch / IMDb Don’t miss this extraordinary celebration of art, music, and storytelling. While the July 15 show at the Neptune Theatre is sold out, overwhelming demand has led to the addition of an extra show on Tuesday, July 14, 2026\. Fans are encouraged to dress as their favorite Hedwig look, adding even more excitement to the festivities. With John Cameron Mitchell leading the 25th Anniversary Movie Tour, this is your chance to experience the magic all over again — or for the very first time. Don’t wait — grab your tickets for this newly added show and be part of this once-in-a-lifetime event! Tickets are available at [https://www.stgpresents.org/events/hedwig-and-the-angry-inch/](https://www.stgpresents.org/events/hedwig-and-the-angry-inch/?ref=stonewallnews.net). ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Hedwig-25-Anniversary-Banner--1-.jpg) Hedwig and the Angry Inch --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--1.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Brokeback Mountain Returns to Theaters for Its 20th Anniversary Celebration URL: https://www.stonewallnews.net/brokeback-mountain-returns-to-theaters-for-its-20th-anniversary-celebration/ Last updated: 2026-07-23T16:04:47.000Z Few films have etched themselves into the cultural consciousness as profoundly as *Brokeback Mountain*. Directed by Ang Lee and released in 2005, this tale of forbidden love between two ranchers in the American West has become a landmark in LGBTQ+ cinema. As we mark its 20th anniversary, the film returns to cinemas for a limited release on June 22 & 25, inviting fans and new audiences alike to experience its beauty and emotional depths on the big screen. Set in the vast, untamed landscapes of Wyoming, *Brokeback Mountain* tells the tender yet heartrending story of Jack Twist (Jake Gyllenhaal) and Ennis Del Mar (Heath Ledger). The two meet in the summer of 1963, working as ranch hands herding sheep on Brokeback Mountain. Their friendship quickly evolves into an intense and secretive romance. What makes *Brokeback Mountain* so powerful is its refusal to resort to melodrama or clichés. The film captures the aching difficulty of their love against a backdrop of judgment, fear, and repression. Jack and Ennis struggle to reconcile their feelings with the pressures of a world that denies their truth. Over two decades, their tortured bond weaves through their marriages, fatherhood, and, ultimately, tragedy. Jake Gyllenhaal and Heath Ledger deliver powerful performances in their roles. Ledger’s portrayal of Ennis Del Mar is particularly striking as he often communicates more through silence and tense gestures than with spoken words. His ability to express Ennis’ deep inner conflict and vulnerability is remarkable. In contrast, Gyllenhaal’s Jack Twist is open, optimistic, and brave in ways Ennis cannot be. Gyllenhaal brings an intense longing for Ennis and a life that seems out of reach. The chemistry between the two actors is dynamic yet controlled, capturing the intensity of a love that is both forbidden and complicated. The supporting cast is equally remarkable. Michelle Williams, as Ennis’ wife Alma, gives an unforgettable performance as a woman who begins to see the cracks in her husband’s stoic facade. Anne Hathaway, playing Jack’s wealthy, ambitious wife, Lureen, paints a picture of a woman navigating her frustrations and disillusionments. Each character adds layers of heartbreak and complexity to the story. Upon its release, *Brokeback Mountain* received widespread critical acclaim and earned numerous accolades, including three Academy Awards for Best Director, Best Original Score, and Best Adapted Screenplay. Its greatest achievement is the dialogue it sparked about representation, love, and acceptance. The film broke barriers, proving that a story about queer love could be universally resonant and commercially successful. At a time when LGBTQ+ characters were often reduced to stereotypes or relegated to side plots, *Brokeback Mountain* placed their stories front and center with dignity and respect. Mark your calendars for June 22nd & 25th. Experience the enduring power of *Brokeback Mountain* on the big screen again. This rerelease is a chance to revisit its timeless message and celebrate the impact of queer voices in film. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/05/brokeback1.jpg?resize=588%2C879&ssl=1) Brokeback Mountain --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--78.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### British Charm and Heartfelt Humor Shine in The Sheep Detectives URL: https://www.stonewallnews.net/british-charm-and-heartfelt-humor-shine-in-the-sheep-detectives/ Last updated: 2026-07-17T21:10:21.000Z I had the chance to catch an early screening of *The Sheep Detectives* and went in unsure of what to expect. I thought it might not be my kind of film, but it turned out to be a delightful surprise — one that moved me to tears. This warm, endearing family movie is a treasure for audiences of all ages. Its British roots add an extra layer of charm, with the picturesque village, talented cast, lilting accents, and stunning countryside weaving together a story full of heart and authenticity. At its core, *The Sheep Detectives*, directed by Kyle Balda, is a mystery infused with wit and tenderness. The story follows George (Hugh Jackman), a shepherd who spends his evenings reading detective novels aloud to his flock, blissfully unaware that his sheep might understand him. When George is found dead under mysterious circumstances, the sheep take it upon themselves to solve the crime. The premise is as clever as it is heartfelt, leaning fully into the sheep’s perspective with sincerity and warmth. As the flock observes human behavior, pieces together clues, and builds theories, the film strikes a perfect balance between humor and thoughtfulness. The mystery unfolds at a steady, engaging pace, maintaining suspense while preserving the film’s inviting, family-friendly tone. Hugh Jackman is exceptional as George, bringing a natural warmth and tenderness to the role that anchors the entire story. His performance is so genuine, it’s easy to see why the sheep adore him. The voice cast is equally remarkable, with Chris O’Dowd’s impeccable comic timing as Mopple and Julia Louis-Dreyfus’s sharp, poised portrayal of Lily standing out. Bella Ramsey, Regina Hall, and Rhys Darby add depth and personality to the flock, while Bryan Cranston, Patrick Stewart, Hong Chau, Nicholas Galitzine, and Nicholas Braun deliver intrigue, humor, and unpredictability. The film’s CGI animation is nothing short of extraordinary. The sheep are textured, expressive, and seamlessly integrated into the live-action countryside. Their faces strike a delicate balance between realism and charm, making them feel like a natural part of the world rather than a visual effect. The screenplay is another triumph, treating its unique premise with intelligence and care. Rather than relying on the novelty of sheep solving a murder, the script builds rich characters, genuine tension, and sincere emotion. It’s a rare family film that feels as thoughtful as it is entertaining. In a time when many family movies feel rushed or forgettable, *The Sheep Detectives* stands out as a carefully crafted gem. It’s funny, visually stunning, beautifully acted, and brimming with heart. This is the kind of film that brings families together while offering enough wit and depth to captivate adult viewers. This is a modern classic in the making. Don’t miss out — see it on the big screen. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/the-sheep-detective-movie-poster.jpeg?resize=800%2C1185&ssl=1) The Sheep Detectives The Sheep Detectives --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--52.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Lisa Brown: A Legacy of Pride and Progress URL: https://www.stonewallnews.net/lisa-brown-a-legacy-of-pride-and-progress/ Last updated: 2026-07-17T21:10:59.000Z Lisa Brown’s story is one of determination, leadership, and a deep commitment to the people of Spokane. As the city’s 48th mayor, she brings decades of experience and a vision for a more inclusive and equitable future. Her path to leadership began early. Born in a small town in Illinois, Lisa’s early life was shaped by a love of learning and a drive to make a difference. She pursued her passion for economics, earning a bachelor’s degree from the University of Illinois and later a Ph.D. from the University of Colorado Boulder. In 1980, she moved to Spokane, where she began teaching economics at Eastern Washington University. What started as a career move quickly became a lifelong connection to the city she now calls home. Lisa’s career has always been about breaking barriers. In 1992, she stepped into the political arena, winning a seat in the Washington State House of Representatives. Four years later, she moved to the State Senate, where she made history as the first Democratic woman to serve as Senate Majority Leader. Her time in the legislature was marked by bold initiatives — she fought for economic growth, environmental protection, and social justice, always with an eye on how policies could improve the lives of everyday people. But Lisa’s impact didn’t stop at politics. After leaving the Senate, she served as Chancellor at Washington State University, Spokane. There, she played a critical role in the creation of the Elson S. Floyd College of Medicine, a transformative project that expanded healthcare access and brought new opportunities to the region. It was a testament to her ability to turn ideas into tangible results. Throughout her career, Lisa has been a fierce advocate for LGBTQIA+ rights. She marched in Spokane’s first Pride Parade in 1992 and has consistently used her platform to advance equality and inclusion. Her recent mayoral campaign came amid targeted hate crimes against Spokane’s LGBTQIA+ community, including vandalism of Pride symbols. Lisa’s leadership during this challenging time was a source of hope and strength for many. “Standing up for human rights and equality isn’t just a political stance — it’s a moral one,” she said. Now, as mayor, Lisa is tackling some of Spokane’s most pressing issues head-on. Homelessness is a top priority. “We can’t ignore the fact that too many people in our city are sleeping on the streets,” she said. Her approach involves collaboration — working with nonprofits, community leaders, and public safety officials to create sustainable solutions, from affordable housing to better outreach programs. She also sees Spokane as a regional leader, with the potential to influence neighboring areas and set an example for inclusivity and progress. What sets Lisa apart is her deep connection to Spokane. Over the years, she’s lived in neighborhoods across the city, getting to know its people and its challenges firsthand. On weekends, she enjoys outdoor activities with her husband, Brian McClatchey, or cheering on her son, Lucas Brookbank Brown, at local music venues. For Lisa, Spokane isn’t just where she works — it’s where she’s built her life. Inspired by her approach, I reached out to her for an interview, and she kindly agreed. Here are my questions and her responses. **Frank Gaimari: Rural and eastern Washington often face unique challenges regarding LGBTQIA+ visibility and support. What specific policies or initiatives are you championing to ensure Queer individuals in these areas feel safe, supported, and represented?** Lisa Brown: It is crucial not only to demonstrate support through policy but also to visibly stand in solidarity with our LGBTQ+ community. We have made LGBTQ+ visibility a priority across various areas, including our hiring practices, HR policies, and legislation addressing housing, homelessness, and human services. For instance, we recently partnered in the opening of a scattered-site shelter specifically designed for members of the LGBTQ+ community, recognizing that they face unique challenges compared to others experiencing homelessness. Additionally, I actively support this community by issuing proclamations and participating in events such as Pride and the Transgender Day of Visibility. **FG: Queer youth in rural areas often face higher rates of bullying, isolation, and mental health struggles. How can local governments and schools work together to create safer, more inclusive environments for LGBTQIA+ students?** LB: The City of Spokane works closely with Spokane Public Schools, particularly through the Together Spokane and Engage IRL initiatives. These programs are dedicated to making Spokane a community with facilities, programs, and activities that encourage young people and their families to get involved. When children have access to activities and programs that connect them with peers who share similar interests, they can build a sense of community and belonging. Additionally, we are fortunate to have a strong network of non-profits, including Odyssey Youth Movement, the Spectrum Center, and River City Youth, all of which work to engage kids and provide spaces for them to connect with others who share their experiences and identities. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T091332.141-1.jpg) Photograph courtesy of Lisa Brown **FG: Hate crimes against LGBTQIA+ individuals remain a concern. What measures are you implementing to ensure law enforcement is trained to handle these cases and that Queer residents feel protected?** LB: The City of Spokane has invested in both the Office of Civil Rights, Equity, and Inclusion, as well as the Office of Police Ombuds, to ensure resources are available to any community member in the unfortunate event that they are a victim of a hate crime. The OCREI also conducts outreach to various communities to ensure they are aware of the resources available to them. I also ensured that, in hiring our police leadership, we selected someone who is welcoming to the LGBTQ+ community and open to dialogue and understanding. **FG: What’s one thing about Spokane that makes you most proud to represent the city as its mayor?** LB: Many years ago, before it was enacted at the state level, the Spokane City Council passed legislation prohibiting discrimination based on sexual orientation. The law was challenged, but voters upheld it. It was a proud moment for Spokane. **FG: If you could fast-forward 10 years, what’s one thing you hope Spokane will be known for under your leadership?** LB: Championing neighborhoods that are inclusive, walkable, and safe while supporting innovative individuals and the creative economy. **FG: Being a mayor is a demanding job. How do you unwind and recharge when you’re not working?** LB: Riding my bike, baking complicated recipes, and spending time with my grandson and his sisters. **FG: If you could share one message with every resident of Spokane, what would it be?** LB: We have an incredible river right in the heart of our city — everyone should gather their friends and family and connect with it as often as possible. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T091802.131.jpg) Photograph courtesy of Lisa Brown Lisa Brown’s journey from educator to legislator to mayor is a testament to her unwavering dedication to making Spokane a better place for all. As she leads the city into a new chapter, her focus on equity, opportunity, and community promises to leave a lasting legacy. With Lisa at the helm, Spokane is not just moving forward — it’s paving the way for a brighter, more inclusive future. *For more information on Mayor Brown, visit her official website at* [*https://my.spokanecity.org/mayor/*](https://my.spokanecity.org/mayor/?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--8.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Kim Harless Announces Candidacy for State Representative URL: https://www.stonewallnews.net/kim-harless-announces-candidacy-for-state-representative/ Last updated: 2026-07-17T21:11:20.000Z Kim Harless, a dedicated public servant and community advocate, has announced her candidacy for the 49th Legislative District Position 1 seat in Washington State. With a proven track record of leadership and a deep commitment to equity, Harless is ready to bring her “people-first approach” to Olympia. Kim’s story is one of perseverance and determination. Raised in Vancouver, she is multi-racial, Indigenous, and Latina. Her journey as a single mother at 21, navigating food stamps and federal student aid while earning a degree in environmental science, shaped her understanding of the systemic barriers many families face. These experiences have fueled her passion for creating policies that address the root causes of poverty and inequality. As a Vancouver City Councilor since 2021, Harless has championed affordable housing, environmental stewardship, and equitable governance. Her work with the Native American Youth and Family Center and her advocacy for marginalized communities have solidified her reputation as a leader who listens and delivers. Harless’s campaign is centered on addressing the pressing issues facing Washingtonians today. From tackling housing affordability and wage stagnation to investing in behavioral health and climate-smart transportation, her platform reflects a commitment to building a more inclusive and sustainable future. For the LGBTQ+ community, Harless has been a steadfast ally. She has consistently shown up for Pride events, spoken out against discrimination, and advocated for policies that protect and uplift LGBTQ+ individuals. Her dedication to equity extends to ensuring that every voice is heard and represented in the legislative process. Kim’s campaign slogan, “For the People, With the People,” encapsulates her approach to leadership. When she speaks of “her people,” she refers to the diverse communities she has served and stood alongside — working families, marginalized groups, and everyday individuals striving for a better future. She believes in building coalitions and working collaboratively to create meaningful change. As she takes her campaign to the state level, Harless invites the community to join her in shaping a brighter future for all. I reached out to Harless to learn more about her vision, her journey, and her plans. She graciously agreed to answer my questions, and here are her responses: **Frank Gaimari: What inspired you to run for state representative, and how do you plan to bring your city council experience to Olympia?** Kim Harless: On City Council, I've worked on housing, climate, immigrant protections, and equity, gaining valuable experience in navigating a political process that often resists change. I'm bringing that experience to Olympia because this district deserves someone who already knows how to get things done. I grew up here, raised my family here, and have seen firsthand how working people are being squeezed from every direction while the systems meant to support them are being hollowed out. I want to take my lived and elected experiences to the next level to represent this community in the best way I can. **FG: As someone who has faced systemic barriers firsthand, how will your lived experiences shape your policy priorities?** KH: I'm multi-racial (Indigenous Ópata, Mexican American, and white), and I identify as Two-Spirit. I also identify as pan and demiwoman, using she/they pronouns. I was a young mother living in poverty, going to college, and trying to figure out how to hold everything together — balancing immediate needs like food and housing while keeping an eye on the future. I've been told before to wait my turn or to support others who were seen as leaders. To me, that always felt like coded language for not being wealthy enough, straight enough, cisgender enough, or white enough. Instead, I’ve chosen to show how these experiences are "real" expertise — not just for me, but so others can recognize that kind of expertise in the people around them. All this shapes how I legislate and how I lead. I know firsthand what has helped, what hasn’t, and what dignity looks like when you’re just trying to survive. I believe good policy means bringing people with you, not just acting on their behalf, because every person carries their own expertise through their lived experiences. **FG: Housing affordability is a major issue in Washington. What specific policies do you propose to address this crisis?** KH: We're in this crisis because we've treated housing as a financial asset instead of a human need. That must change because housing is, and should be treated as, a human right. I'll fight for eviction protection, rent stabilization, and the right of first purchase for tenants when a building goes up for sale, as well as for social housing and housing trusts. I also want to expand the Covenant Homeownership Program, so it truly reaches the people it was designed for — those who were historically prevented from purchasing homes because of racial covenants. In Vancouver alone, there were over 1,300 parcels with such covenants. Additionally, I want to direct anti-displacement resources specifically to BIPOC communities being pushed out of neighborhoods their families have been part of for generations. I've worked on this at the city level by supporting the anti-displacement section of the update to our comprehensive plan, and I'm ready to take this work to the state level, where even more can be done to address housing needs. **FG: You’ve been a vocal advocate for the LGBTQ+ community. What legislative measures would you champion to protect and support LGBTQ+ rights?** KH: This is personal for me because I’m Two-Spirit and a member of the LGBTQIA2S+ community. It’s also personal because of my immediate family, friends, and the many people in the 49th Legislative District who are part of this community. It is both my duty and my honor to represent the LGBTQ+ community. Washington made real progress this past session by protecting LGBTQ+ students in schools, strengthening accountability when schools violate nondiscrimination protections, and safeguarding students' private information, including their gender identity. I’ll defend those gains and urge voters to reject IL26-001 and IL26-638 — two November ballot initiatives that would roll back these protections for LGBTQ+ students. I’ll fight to protect transgender and nonbinary people in healthcare, housing, and public life. When the federal government targets our community, I want Washington State to stand as a firewall and a haven. **FG: How do you plan to ensure that marginalized voices, including those of the LGBTQ+ community, are represented in the legislative process?** KH: I approach community engagement the way I always have — not as a box to check, but as a crucial step in policymaking. Too often, people are asked to show up, share their pain, and then watch decisions get made without them. At the city level, I’ve been a strong advocate for ensuring that our diverse communities are part of the process from the very beginning, especially those most impacted or for whom the policy is intended. I’ll continue building real relationships with LGBTQ+ organizations, Indigenous communities, immigrant advocacy groups, and others most affected by state policy. I’ll advocate for removing barriers to participation, such as language access and childcare. And I’ll use my own identity to show that people who’ve been told they don’t belong in leadership spaces absolutely do. I bring people with me — I don’t just break through and pull the ladder up behind me. I’ve experienced firsthand the pain caused by those who pull the ladder up, and I never want anyone else to go through that. **FG: As a single mother who juggled multiple responsibilities, what advice do you have for young parents facing similar challenges?** KH: The first thing I’d say is that the struggle you’re in is not your fault — it’s a policy failure. You deserve support, and our systems are failing families. I know firsthand how smart and resourceful someone must be to keep their family safe and well-fed when bills are piling up, and wages aren’t keeping pace. Remember to still make time for joy — it’s what you’ll end up cherishing the most. Find your community and build a support system around you. And while it’s hard to stay politically engaged when you’re focused on meeting basic needs, it’s essential to prioritize it. The decisions made in Olympia, D.C., and at the local level directly impact your access to childcare, paid leave, and affordable housing. These fights are yours, and we need your voice. Our community can’t afford to lose your involvement, because if you’re not voting, others will make decisions for you. **FG: How will you work to combat discrimination and promote inclusivity in schools and workplaces across the state?** KH: In schools, I’ll protect DEI programs, advocate for culturally responsive curriculums, and defend LGBTQ+ students from federal attacks. I’ll push for mental health resources instead of punitive discipline, which disproportionately impacts students of color, students with disabilities, and LGBTQ+ youth. I’ll also work to pass legislation like the SAFE Act (SB 5906), which didn’t pass last session but would have protected immigrant students from federal immigration enforcement in schools. In workplaces, I’ll fight to strengthen anti-discrimination protections and ensure they are effectively enforced. I’ll also fight to protect the right to organize and form unions, because collective power is one of the most effective tools workers have to combat discrimination and exploitation — issues that disproportionately affect workers of color and LGBTQ+ individuals. **FG: What message do you have for young LGBTQ+ individuals who may feel disheartened by the current political climate?** KH: I know what it’s like to be told you don’t belong or that you aren’t enough. As a Two-Spirit person, I’ve lived the balancing act of holding multiple identities in race, gender, and sexuality. But what I also know is that the rights we’re defending today exist because those who came before us refused to give up. You are part of that history, that legacy, and even though times feel uncertain right now, I’m seeing more people in our community fighting and raising their voices. Find your people, rest when you need to, and always remember that joy is a form of resistance. There’s no version of the future worth building that doesn’t include you. Kim Harless’s responses reflect her unwavering commitment to equity, inclusion, and progress. Her vision for a better Washington is rooted in her belief that leadership is about listening, showing up, and delivering for the people. As her campaign unfolds, it’s clear that Harless is not just running for office — she’s running for her people, with her people, and for a future where everyone can thrive. *For more information on Kim Harless, visit her official website at* [*https://votekimharless.com*](https://votekimharless.com/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--40.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Emerald of Siam: A Jewel for Richland’s Rainbow Community URL: https://www.stonewallnews.net/the-emerald-of-siam-a-jewel-for-richlands-rainbow-community/ Last updated: 2026-07-23T17:05:51.000Z An all-ages drag show and yummy khao tom? The Emerald of Siam isn’t your typical Gay dive bar, but it’s still a shining spot of safety for anyone under the rainbow. This Richland institution blends cuisine and culture, drag and dance — all mixed with some mouthwatering pad Thai. It’s not just an authentic Thai spot though — it proves how unexpected spaces can become community and safety hubs, and that you can’t judge a book by its cover. “The Emerald of Siam Thai Restaurant and Lounge has been a safe place for everyone for as long as I can remember. It has a magic about it that feels like you’re in a different world,” said one Facebook user. “I would say that has been my social embrace, and being at Emerald has only helped that feeling,” said another patron. “The Emerald of Siam has always been the most inviting bar and restaurant for the LGBT+ community that I've experienced in Richland,” said patron L.C. “The first time I was ever asked what my pronouns were was there. Although I'm a she/her, it really highlighted how welcoming the atmosphere the Emerald provides is. Thank you for all that you do!” ### **A Little Background** Richland and the broader Tri-Cities area have historically been based on the Hanford Nuclear Reservation, federal work, and Cold War–era norms. The city prized professional ability and “don’t stand out” behavior. The region has also historically remained red. Republican presidential candidates have consistently outpolled Democratic candidates in recent elections: Donald Trump, for example, won the county with a clear majority in both 2020 and 2024. As a result, Richland lacked many gathering places, nightclubs, or dance bars for LGBTQ+ people, who weren’t as openly welcomed as in nearby safer places, like Portland and Seattle. The attitude toward LGBTQ+ people from Richland locals has also been noted as cold. “Actually, this last week I was doing some work with PFLAG and walked into a café just down from Emerald,” said one customer. “The owner was friendly and welcoming… but after I introduced myself and said who I was there on behalf of, the mood changed, and he became cold and standoffish. The tone the owner took towards me felt threatening.” “When I was younger (elementary and jr. high ages), I experienced constant bullying and harassment. It made it very hard to be successful in school and socially. Constantly being physically attacked along with the blatant verbal harassment that ran rampant throughout my school years. This definitely hurt my spirit and caused deep depression in my life (which I currently deal with 30+ years later).” said another customer. In contrast, the Emerald of Siam is a shining example of the persistency of Queer culture, of how, when people lack a typical venue to gather, they will find a third place. In making those spaces friendly, people can bring others out of the woodwork and discover their own identity and safety in unexpected ways. “I came out when I was 17 in Portland Oregon, so when I moved back I had already been out for almost 20 years and definitely felt a lot more confident and secure around town! But the 2 Places I would name are Out and About and Emerald of Siam! Both places are LGBTQIA Safe Spaces and open to everyone!” said Dustin Butcher, a local at the Emerald. ### **History of the Emerald** The Emerald of Siam has been around in Richland for generations. “We just celebrated our 42nd anniversary,” said owner Dara Quinn, “and we were the original Thai restaurant in the Tri-Cities. The first one. My mother opened the place in 1983 to share Thai food and culture with the community. She always provided a nurturing, welcoming atmosphere since the very beginning. Over the years we've had grade school kids come for presentations, cooking classes, and art exhibits. “We love to help host fundraisers and benefits for local groups and individuals in need. Besides amazing Thai food and world-class nightlife, we have provided a space for young artists to get their first live performance experience, including hosting local middle school and high school jazz bands during the school year and having an all-ages open mic.” The Emerald of Siam also hosts another one-of-a-kind event: an all-ages drag brunch. Since before the pandemic, the venue has held these family-friendly drag brunches about quarterly. Children may come with their parents: any raunchiness is omitted, and the family has a great time. “I’ve had parents thank me personally for having a safe space for their children to be exposed to the culture and how warm and supportive it can be,” said Quinn. “Particularly parents of teens who are LGBTQ and worried about expressing themselves and don’t know if they will ever have a place in the community.” These brunches went somewhat under the radar until 2021, when the mayor told her church congregation to let the Emerald know their dismay. This led to an avalanche of vandalism and hate calls and mail to the venue, including a death threat. An overwhelming number of LGBTQ+ people and allies then marched to city council and showed their support of the restaurant, the largest turnout the city attorney had seen in ten years, according to a local report. ### **An Example for Other Towns** When Queer visibility is woven into everyday community life, when a restaurant becomes a sanctuary, and when joy is shared across generations, something powerful happens: people feel seen. In this way, the Emerald of Siam sets an example for other rural towns and places without typical LGBTQ+ bars and clubs. “I don't know, we just have always been ‘people people’ from the start,” said Quinn. “Not politically affiliated, not activists, just lovers. And we welcome everyone. “It's kind of like someone saying, ‘Oh, you are so lucky to have Thai food every day’ … well, to Thai people, it is just food. So to say, "Oh, that's nice that you welcome LGBTQ+ people," well, we just welcome everybody. “But it so happens that we have had to stand up as an ally, because we were targeted by bigots. And I am happy to wave the flag as a safe space for the LGBTQ+ community.” ### Radical Mothering: How Liz Dyer Built a Movement to Protect Queer Youth URL: https://www.stonewallnews.net/radical-mothering-how-liz-dyer-built-a-movement-to-protect-queer-youth/ Last updated: 2026-07-13T12:13:00.000Z When Liz Dyer talks about Real Mama Bears, she doesn’t describe it like a nonprofit. She talks about it like a kitchen table—one that keeps expanding as more chairs are pulled up, more stories spill out, and more mothers recognize they’re not alone. What began in 2014 as a private Facebook group for moms of LGBTQ+ kids has grown into a global grassroots movement serving more than 100,000 families each year. And the foundation hasn’t changed: mothers who are fiercely committed to making the world safer for their kids. “Support, educate, and empower”—that mission was there from the start. “I really believe that a mother’s love can change the world,” Dyer says. “And—as the families go, so goes the world.” Today, Real Mama Bears includes more than 60 chapters across the United States, Canada, the UK, and Australia. It remains rooted in maternal love, but the community has expanded to include allies, queer parents, and even members who realized—through supporting their children—that they themselves were nonbinary or trans. The name “Mama Bears” wasn’t even strategic. “We landed on the name accidentally—it grew out of the community,” Dyer says. “We do not want to exclude anyone <3.” ### Seeing the Pattern—and Breaking It Across decades of political cycles, Dyer noticed the same harmful playbook: “Take a marginalized group. Portray them as a danger to kids or families. Use fear-based messaging to gain political ground. Let real people suffer while the headlines and campaign ads roll in.” The current wave of anti-trans legislation is part of the same pattern. But Dyer sees cracks forming. “As visibility grows and as more people get to know transgender individuals in their own families and communities, fear loses its grip.” Real Mama Bears exists to accelerate that loosening—not through think tanks or lobbying machines, but through the radical, ordinary acts of care that queer people have always relied on. “Advocacy work can be a bandwagon,” Dyer says, “but that is not the case for moms. Moms for LGBTQ+ kids continue to do the work for the rest of their lives because of the world we live in. We want people to live wholeheartedly.” From Conservative Christianity to Community Builder Before becoming a movement leader, Dyer was a Southern Baptist Bible study teacher, writing curriculum and speaking at women’s events across Texas. In 2006, her son came out as gay at age 19\. The world she knew shifted instantly. “I didn’t have a lot of foundation for what to think,” she recalls. “Being a woman of faith, the first thing I did was look at the Bible.” But the verses used to condemn LGBTQ+ people described acts like worshipping fertility gods through temple orgies—“nothing related to my son.” So she broadened her search. “I read books, went to meetings, sought out resources. To do what’s best for my son, I need to keep an open mind. I need to do the right thing for my kid.” Listening to LGBTQ+ people ultimately changed everything. “When I looked at LGBTQ+ people who were living their authentic lives, they were healthier in every way than people trying to repress their identity.” She knew she wasn’t the only mother in need of this clarity, so she began blogging in 2010\. Parents found her. The community grew before the organization even existed. By the time she formed the Facebook group in 2014, it was already national. ### Mothering as Community Practice One thing sets Real Mama Bears apart: it is built on the instinctive drive of mothers to protect their children and each other. Dyer also recognized that mothers and fathers often needed separate spaces. “A lot of cisgender dads are slow to come along or never come along,” she says. “It would mean the mom wouldn’t have the space to share and get resources. Parents need to go on their own journeys.” All programs emerged from listening to what the mothers themselves wanted to do. The Blanket Project began because moms wanted LGBTQ+ youth to have something tangible—soft, warm proof that someone cares. Mama Bears to the Rescue grew from the desire to show up physically when queer youth were targeted. Early in the project, the group supported a young trans girl elected to her high school homecoming court as a joke. When parents pushed for a re-vote, the Mama Bears stepped in. They helped her choose a dress, did her makeup, and ensured her family felt surrounded with love on a night meant to humiliate her. This is mothering extended beyond the home. Mothering practiced as mutual aid. Mothering as survival and resistance. Real Mama Bears also emphasizes advocacy, not just support. “We never want to speak over people in the community,” Dyer explains, “but the reality is that in some places we need hetero straight cis people to speak up on behalf of the community. Sometimes it just isn’t safe for someone in the community to show up and we must keep that in mind.” ### A Movement That Continues to Learn Real Mama Bears adapts constantly. “We are constantly learning,” Dyer says. “Over the years we have adapted language and continued to improve as we have learned.” Programs evolve or sunset depending on the community’s needs, especially as trans people continue to be used as political pawns. The Giving Circle—Real Mama Bears’ grantmaking arm—has distributed more than $450,000 in the last three years to nonprofits serving LGBTQ+ communities. “We give away more money than we take in,” Dyer notes. Funds are managed through Pure Charity for transparency. ### Soul Force and a Viral Moment The Soul Force project recognizes individuals, churches, artists, and institutions that uplift LGBTQ+ people. One mom suggested writing to Schitt’s Creek; the show’s publicist agreed to pass the letter to the cast. They read it on camera during the Season 6 special. The clip went viral. Thousands reached out. Meta took notice and accepted Real Mama Bears into a nine-month accelerator with a $50,000 grant—offering operational skills without changing the movement’s heart. “Moms trying to keep queer people alive.” That’s how someone once described Real Mama Bears to Chasten Buttigieg. Dyer embraces the sentiment. “We are never trying to take the place of anyone’s parent,” she says. “What we can do is be a loving presence in someone’s life.” And maybe that’s why the movement continues to grow: because mothering—real mothering—is a radical act. It is the oldest form of community care. It is sustainable, fierce, adaptable, and contagious. And when turned toward protecting queer youth, it becomes a force big enough to change the world ### Mother Mary: A Queer Art Film URL: https://www.stonewallnews.net/mother-mary-a-queer-art-film/ Last updated: 2026-07-17T21:11:37.000Z Classified as an art film, *Mother Mary*, directed by David Lowery, weaves together complex emotions and quiet moments. Like many films in this genre, it relies more on mood, atmosphere, and subtext than on a straightforward plot. Throughout the movie, this approach is especially apparent in how its emotional weight is conveyed through subtle, unspoken Queer undertones. The film follows Mother Mary (Anne Hathaway), a pop icon who’s been out of the spotlight, grappling with a personal and creative crisis. Determined to reclaim her place in the music world, she plans a massive comeback. But as the concert night looms, Mary realizes something is missing. The dress she’s chosen for her debut doesn’t feel right — it doesn’t reflect who she is or the statement she wants to make. This prompts her to reconnect with Sam Anselm (Michaela Coel), her former friend and costume designer. Their relationship is complicated, to say the least. Years ago, they had been inseparable, with Sam shaping Mary’s early image and career. But as Mary’s fame exploded, their bond fractured, leaving behind shards of unresolved pain and resentment. When Mary shows up at Sam’s secluded countryside home, the reunion is anything but easy. The two are forced to confront their shared history — the betrayals, the misunderstandings, and the love that still lingers beneath them. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/michaela-coel-and-anne-hathaway-imdb--1-.jpg) Michaela Coel and Anne Hathaway / IMDb What makes this movie so captivating is the undeniable Queer energy that runs through it. The film doesn’t tiptoe around the complexities of their relationship — it dives right in. Mary and Sam’s dynamic is messy, passionate, and heartbreakingly real. It’s a raw portrayal of Queer love, with all its beauty and complications laid bare. Their chemistry is electric, and every scene between them feels like it’s crackling with unspoken words and unresolved emotions. Anne Hathaway is fantastic as Mary, capturing the vulnerability and determination of a woman trying to reclaim her identity. But Michaela Coel is the true standout. I’ve been a fan of hers since *The Christophers*, and seeing her in this role was such a thrill. Coel’s performance is magnetic — she’s fierce, emotional, and utterly captivating. Her beauty is jaw-dropping, and her ability to convey so much with just a glance is remarkable. Together, Hathaway and Coel create a dynamic that’s unforgettable. Visually, the film is breathtaking. Lowery crafts a world that feels intimate and grand, with the English countryside providing a hauntingly beautiful backdrop. The concert scenes are dazzling, and the cinematography captures every emotional detail, pulling you deeper into the story. The music is another standout. The original songs feel authentic and emotionally charged, perfectly complementing the film’s themes of love, loss, and reinvention. They add an extra layer of depth to the story, making it feel even more personal and immersive. *Mother Mary* is a bold, emotional journey that challenges you to sit with its complexities. It’s a story that doesn’t give you easy answers but instead invites you to reflect on the messy, beautiful realities of love, identity, and ambition. For fans of Queer cinema or anyone who craves storytelling that’s as raw as it is visually stunning, seeing this film is an experience worth having. It lingers — not in the background, but right in the heart where it matters most. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/04/mother-mary-poster.jpeg?resize=648%2C960&ssl=1) Mother Mary --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--34.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Pride Gala: An Evening for Equality URL: https://www.stonewallnews.net/pride-gala-an-evening-for-equality/ Last updated: 2026-07-17T21:12:02.000Z The Lifelong Pride Gala: An Evening for Equality will light up Seattle on Saturday, June 13, 2026, at The Sanctuary downtown. As the city’s only Pride dinner, this highly anticipated event marks a historic moment as Lifelong’s inaugural gala with the aim of honoring progress, advancing inclusion, and supporting vital programs that make a difference. The evening promises an unforgettable celebration of community, equity, and purpose. Hosted in partnership with Seattle Pride, the event will begin with a festive cocktail hour, where guests can mingle and soak in the vibrant atmosphere. A gourmet, chef-crafted seated dinner will follow, offering a culinary experience to match the night’s grandeur. The entertainment lineup is nothing short of spectacular, featuring a mix of charm, charisma, and performances that are sure to leave a lasting impression. The gala will also feature a live auction, offering exclusive luxury items, including contemporary works by local artists, curated by Seattle Art Source founder Sarah Hurt. Proceeds from the auction will directly support Seattle Pride’s youth programs and Lifelong’s wraparound care, ensuring that the impact of the evening extends far beyond the event itself. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Untitled-Design-2026-06-09T084432.917.jpg?resize=1024%2C768&ssl=1) Pride Gala At the heart of the event is Lifelong, a Seattle-based nonprofit dedicated to improving lives through health and wellness programs. From delivering nutritious meals to providing housing support and HIV care, Lifelong’s work focuses on uplifting the most vulnerable in the community. The Pride Gala reflects this mission, bringing people together to celebrate progress while raising funds for those in need. The organizers of the gala emphasize that it’s more than just a night out — it’s an opportunity for attendees to make a meaningful impact. By participating, guests enjoy an exceptional evening of food, entertainment, and connection, while also supporting programs that empower and uplift the LGBTQ+ community. Wanting to know more about this historic event, I reached out to James Shackelford, the CEO of Lifelong, for additional insights. **Frank Gaimari: What inspired Lifelong to host its first Pride Gala?** James Shackelford: For 43 years, Lifelong has been deeply rooted in the LGBTQ+ community. It was originally founded to support those living with HIV. Over time, our services have expanded to assist a diverse range of clients facing serious illnesses, but our unwavering commitment to diversity, human rights, and equity remains at the core of everything we do. The Pride Gala was created to offer Seattle a fresh and meaningful way to come together, celebrate our collective achievements, foster unity, and reflect on the important work that still lies ahead. **FG: How did the partnership with Seattle Pride come about?** JS: As we looked for ways to offer something truly special in Seattle, partnering with Seattle Pride was a natural fit. We wanted to shine a spotlight on the incredible work Seattle Pride does, especially through its youth programs. As a result, we’ve incorporated them as beneficiaries of the evening’s proceeds, helping raise awareness and support for their important initiatives. **FG: What can attendees expect at the event?** JS: This is Seattle’s only Pride dinner — a unique blend of celebration, concert, and fundraiser. Guests will kick off the evening with a lively cocktail hour, then move into the Sanctuary’s Grand Ballroom for a warm welcome from our host, Brad Goreski. Attendees will enjoy a seated, three-course dinner with wine pairings and a signature cocktail, all while honoring two influential leaders who have made significant strides for the LGBTQ+ community. The evening will feature exciting performances by Miz Cracker and Macy Gray, with even more honorees and performers to be announced soon. In addition, we’ll raise vital funds for Seattle Pride and Lifelong through a live auction featuring luxury art curated by Seattle Art Source. The night will close with an electrifying performance by our surprise guest performer. **FG: How will the funds raised support Lifelong’s programs and Seattle Pride’s initiatives?** JS: Funds from the Pride Gala will directly support Seattle Pride’s youth programs, which create affirming spaces, provide meaningful leadership opportunities, and offer the support LGBTQIA2S+ young people need to truly thrive. For Lifelong, proceeds will further our core belief that health and food are human rights. This means improving health systems, removing barriers to care, and supporting our clients with access to stable housing, lifesaving medications, the ability to age independently, HIV care and prevention, and nutritious food. **FG: Is there a dress code for the evening?** JS: The Pride Gala dress code is creative black tie. We’re hoping to see a mix of everything — whether that’s classic elegance, bold statements, or something uniquely you! ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/06/Pride-Gala-Entertainment-2_224202624350.jpeg?resize=800%2C500&ssl=1) The Pride Gala 2026 --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--21.jpg) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Christophers: A Stellar Cast and Captivating Story URL: https://www.stonewallnews.net/the-christophers-a-stellar-cast-and-captivating-story/ Last updated: 2026-07-17T21:12:19.000Z Any film starring Ian McKellen is bound to be good, and *The Christophers* is no exception. This 2025 comedy-drama, directed by Steven Soderbergh, delivers a perfect blend of humor and heartfelt moments that keep viewers engaged throughout its one-hour-and-40-minute runtime. The story follows the children of Julian Sklar (McKellen), a once-famous artist whose health is rapidly declining. Desperate to secure an inheritance, they devise a plan to hire a forger to finish their father’s incomplete paintings. However, these aren’t just any unfinished works — they are deeply intimate pieces inspired by Julian’s former male lover, a relationship that profoundly shaped his life and art. What begins as a straightforward scheme soon unravels into a complex tale of family conflict, buried secrets, and emotional reckonings. While the plot can occasionally feel intricate, its depth and emotional layers keep viewers fully invested in the characters and their journey. McKellen’s performance is nothing short of brilliant. He brings a mix of strength and vulnerability to the role, capturing the struggles of an aging artist with incredible depth. It’s the kind of performance that deserves an Oscar nomination. Michaela Coel as Lori Butler, an art restorer acting as Julian’s assistant, delivers a strong and compelling performance. She brings a quiet intensity to her role, adding depth and nuance to the story without ever overshadowing it. Her chemistry with McKellen is natural and engaging, and her work here is sure to earn recognition during awards season. The supporting cast, including Jessica Gunning and James Corden, add just the right amount of humor to balance the story. Soderbergh’s direction ties everything together seamlessly. His ability to tell a story visually and emotionally shines through in every scene. The film’s sharp and witty script, written by Ed Solomon, complements his style perfectly, creating a story that feels both entertaining and meaningful. Since its premiere at the Toronto International Film Festival in 2025, *The Christophers* has been winning over critics and audiences alike. It took home the Stolman Audience Award for Best Feature at the Sonoma International Film Festival and earned a nomination for the Knight Marimbas Award at the Miami Film Festival. With its standout performances and thoughtful storytelling, it’s no surprise the film is already gaining recognition. *The Christophers* is a movie that stays with you. It’s funny, touching, and thought-provoking, with performances that are nothing short of extraordinary. McKellen and Coel shine under Soderbergh’s expert direction, making this film a must-watch. Don’t miss it. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/04/the-christophers-movie-poster-1.jpg?resize=8100%2C12000&ssl=1) The Christophers --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--18.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Charlie’s Queer Books: A Bookstore for Everyone URL: https://www.stonewallnews.net/charlies-queer-books-a-bookstore-for-everyone/ Last updated: 2026-08-07T13:47:13.000Z In the heart of Fremont, one of Seattle’s most colorful and creative neighborhoods, there’s a bookstore that’s redefining what it means to be a Queer community space. Charlie’s Queer Books, which opened its doors in late 2023, is more than just a place to buy books — it’s a celebration of LGBTQIA+ stories, culture, and resilience. From the moment you step inside, it’s clear that Charlie’s Queer Books is something special. The space is alive with personality, from its bright pink accents to its cozy children’s reading nook and an attic reading room that feels like a literary hideaway. Every corner of the store invites exploration, offering a sense of warmth and belonging that’s hard to find elsewhere. The shelves are packed with a carefully curated selection of books that span every genre imaginable. Whether you’re looking for a heartfelt memoir, a gripping sci-fi adventure, or a beautifully illustrated graphic novel, Charlie’s has something for everyone. But what sets this bookstore apart isn’t just the variety — it’s the intention behind the selection. Every book on the shelves is chosen to amplify Queer voices and celebrate stories that have often been overlooked or marginalized. But Charlie’s Queer Books isn’t just about the books. Co-owned by Charlie Hunts, it’s a true community hub, hosting events like book signings, LGBTQIA+ awareness celebrations, and even a Trans Rights Readathon. These events bring people together, fostering a sense of connection and solidarity that extends far beyond the pages of a book. The store also offers a range of quirky merchandise, from stickers and tote bags to hats emblazoned with cheeky slogans that celebrate Queer culture with humor and pride. What makes Charlie’s truly unique is its ability to make everyone feel welcome. Whether you’re a lifelong member of the LGBTQIA+ community, an ally, or simply someone who loves a good story, you’ll find a space that’s open, inclusive, and full of heart. **Frank Gaimari: What inspired you to create a bookstore dedicated to Queer literature?** Charlie Hunts: When I started working in print and marketing, I began collecting every LGBTQ+ book I came across. As a trans man, I was especially drawn to books centered on trans characters with stories I never had growing up in Arizona. At the same time, I watched as anti-LGBTQ bills passed, and book bans accelerated. So, I decided to test the waters with a disco-tiled mobile cart I brought around Seattle. The response was so overwhelming that we decided to open our brick-and-mortar store in Fremont. There was also a gap I really wanted to fill. There aren't many third places for queer people that aren't centered around alcohol. This store can be that space, whether you're under 21, don't drink, or just like going to sleep early. Everyone deserves a place to just be. **FG: How do you go about curating the books and merchandise for the store?** CH: We source our books from a variety of places, including customer recommendations, librarians' suggestions, working with publisher representatives, and, of course, reading as much as possible. It's the most fun part of the job! Especially in the beginning, we collaborated with customers to build out genres that weren't necessarily my forte. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Charlies-Queer-Books-Photo-By-Frank-Gaimari.jpeg) Charlie's Queer Books / Photograph by Frank Gaimari **FG: What has been the most rewarding part of running Charlie’s Queer Books?** CH: Seeing the community coming together organically at the bookstore has been the most rewarding part. Our goal was to provide the space and make people feel comfortable, but I'm only one guy. I can't represent the entire community or drive its mission alone. Watching others take the space and run with it lets me know we built a solid foundation that can support so much as a collective. **FG: What role do you think Queer bookstores play in today’s cultural landscape?** CH: Queer bookstores are doing something essential right now, especially given the moment we're living in. These stores aren't just retail spaces. They're an act of resistance. But more than that, they're about joy. We've had people brought to tears in our kids' nook because they wish they had these stories when they were growing up, or because they find them so healing now. People thank us every day just for existing. That's bittersweet to me. It's the reason we're here, but it also shows how much work still needs to be done. So, I'd say queer bookstores are currently functioning as community centers, safe harbors, and cultural preservers all at once. **FG: How do you envision the future of Charlie’s Queer Books in the next five to ten years?** CH: We've already outgrown our little house! I hope we can expand our reach to communities that need access to queer stories. Who knows? Maybe we could open an additional location or even add a fun book truck. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Charlies-Queer-Books-Credit-Frank-Garmari.jpeg) Charlie's Queer Books / Photograph by Frank Gaimari In a time when Queer spaces are more important than ever, Charlie’s Queer Books stands as a beacon of hope and resilience. It’s a place where stories are celebrated, identities are affirmed, and community is built. Fremont is lucky to have it, and so is Seattle. Visit Charlie’s Queer Books at 465 N. 36th St., Seattle, WA 98103, or shop online at [https://charliesqueerbooks.com/](https://charliesqueerbooks.com/?ref=stonewallnews.net). --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--70.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | How We Know About the Neighbor Who Hates Gay People URL: https://www.stonewallnews.net/out-on-the-ranch-15/ Last updated: 2026-07-23T17:44:21.000Z We knew from the start we’d be putting ourselves on a literal ‘front line’ when we built this ranch in an economically depressed, conservative rural area. It was the entire premise behind our vision statement: “make manifest the change we wish to see in the world through hospitality”. Being a social change agent is embedded in the DNA of our business. Over the past 20 years, we have had some common themes among visitors and tourists to the ranch. Some occurrences (thankfully few) are such that we can immediately identify the script that will unfold before us. My favorite “reveals” are the ones where a neighbor hears about us from a supporter who raves about the ranch. They are encouraged to stop by and check us out, ‘get the tour,’ they hear. See what they are doing up there, ‘it’s fantastic!’ So they come check us out. We give them the tour. At some point, a lightbulb goes on in their head that we are gay men here, operating this hospitality business. One of three things inevitably happens: \- the Avoider: their enthusiasm to learn more about the ranch, their receptiveness to hearing about permaculture principles, or animal operations, suddenly shifts and they go quiet. They are now looking for an early exit. They are done here, they want to leave. We never hear from them again. We find their social media profile, and it is clear why we will never ever see them again. This is how we met several neighbors who live up the road from us. It’s very obvious. \- the Principled Stander: their questioning shifts. Now, instead of asking about chickens, they query about our values or principles. They want to find that one thing they can land their hat upon from which they can comfortably judge us. Again, It’s very obvious. One time it was an elderly couple stopping in on a Shearing Day. The wife meanders up to the house after watching the work at the barn. She checks out the store, then plainly asks, “where are your womenfolk?” She could not see how 3 men could keep such a house and homestead without any women around (to cook and clean). The look of shock on her face when realizing she was having a conversation with a gay man was priceless in its reveal. \- the Proselytizer: they turn to religion. Abruptly. One moment we are talking about rotational grazing and the diversity of what we plant in the meadows, and the next moment we are hearing about what Jesus says. Inevitably, the moment comes where the proselytizer insists on praying for and with us. This one never ends cordially for them like the other two scenarios. Not only do they find me quoting their Bible back at them, but they also find out I’m ordained (non-Christian) and perform marriages and memorials here. That really gets under their righteousness. In all three of these common scenarios, we can count on never seeing them again at the ranch. We will never be obtuse or deflective about who we are, what we stand for, and the work we do. Each of the times a visitor has such a reveal here at the ranch, we consider it like striking gold. It’s par for the course when one’s home is open daily to the public that we meet people from all walks of life. The challenge is not compromising one’s integrity to appease another’s insecurity. In any of these scenarios, we receive affirmation: we are doing the right work, at the right time, in the right place where it is needed. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-5-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Thoughts from the Hobbit House | I Made Every Gay Dating Mistake So You Don’t Have To URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-i-made-every-gay-dating-mistake-so-you-dont-have-to/ Last updated: 2026-08-16T16:24:46.000Z ### *A public service announcement & gay dating guide no one asked for, but many desperately need.* --- Let’s start with a disclaimer. This is not a guide to straight dating. I am wildly unqualified for that. If you need help navigating heterosexual courtship, I suggest literally anyone else. This is a guide to gay dating. If you are a gay man—or have ever considered dating one—congratulations. You are the target audience for this deeply questionable expertise. Why should you listen to me? Because I have, with remarkable consistency and commitment, made nearly every mistake in the gay dating handbook. Not just once. Repeatedly. With confidence. And yet—against all odds—I somehow ended up married to an incredible man who is also my husband (yes, both things can be true) and who has tolerated me for the past ten years. Scientists are still studying how. Also, an ex-boyfriend once told me, *“I’m glad I dated you because I learned all the things I don’t want in a relationship. I was then prepared to meet my husband.”* So, to summarize: dating me prepared him to find the love of his life…who was not me. Which, if you think about it, makes me less of a romantic partner and more of an emotional internship. An internship that led him to getting the job- err husband he always wanted. So yes, I think we can all agree, I am extremely qualified to author this piece. My first piece of advice when it comes to gay dating: **Don’t.** For the love of Pete and all that is good and emotionally stable—don’t do it. However, if you insist (and you will), here’s what to do—and more importantly, what absolutely not to do. *Note: All of the following events occurred before I married my dear husband, who I would like to remind you is still here voluntarily.* --- **Don’t Leave Love to Chance** In my twenties, I once locked eyes with a fellow who was witty, charming, and unfairly attractive while he waited on our table. At the end of the meal—fueled by courage and carbohydrates—I wrote a note on a napkin: *“I love your smile, and I’d like to see it again. –Ryan”* (plus my phone number, because I am nothing if not thorough) I folded it into a delicate paper flower and left it on the table like a rom-com protagonist who absolutely wasn’t about to ruin his own life. The next day, I received a text: *“I liked your napkin note flower. I’d like to see your smile too.”* Reader, I levitated. We arranged to meet for coffee. I arrived early, emotionally prepared, radiating what I can only describe as “medium confidence.” And there she was. A lovely, enthusiastic woman in her 50s. The hostess. As it turns out, she had cleared the table, found the napkin, and—bless her optimistic heart—assumed it was for her. And honestly? Respect. Now, you might be wondering how long it took me to clarify the situation? Over an hour. We’d made it through two coffees and an appetizer. Because once you’ve accidentally asked someone out via rogue napkin, there is no graceful exit. There is only commitment. There is only suffering. Eventually, I gently explained. I still think about her sometimes. I hope she found someone who writes her intentional napkin notes. And I hope you learned something important here: **Always. Write. The. Name.** Or better yet—don’t flirt using table linens like you’re in a low-budget Nicholas Sparks adaptation. --- **Don’t Rely Solely on the Internet** I once met a guy online who lived over ten hours away in Utah. Ten. Hours. Which, in gay dating terms, is either a red flag or the beginning of a deeply unnecessary emotional saga. (Spoiler: it was both.) We talked for six months. Six. Months. No meeting. Just escalating emotional intimacy and increasingly unhinged future planning: - “What will our retirement look like?” - “Where should we live?” - “What should we name our first dog?” (We had not yet confirmed if we could tolerate each other chewing.) Eventually, he drove ten hours all the way to Spokane so we could finally meet and spend a week together. He arrived with flowers. A handwritten love letter and poem. He read the letter. He read the poem. Then he looked at me and declared: *“I am in love with you. You are the love of my life.”* And that…that was the exact moment I knew. This was not going to work. Six months of talking. Ten minutes of reality. It took me twenty more minutes to say, *“I don’t think we’re compatible…”* He cried. He left. He drove ten hours back. To this day, I feel awful. But then—plot twist—he wrote a fantastic article for a national publication about the asshole in Spokane who broke his heart. The asshole was me. And honestly? He wasn’t wrong. So here’s the lesson: **Don’t rely solely on the internet to connect with someone.** For both your sakes. And also: **Don’t be an asshole.** --- **Do: Weaponize Snacks** At this point, you may notice a pattern: Two “Don’ts,” very little evidence that I know what *does* work. That feels correct. But I *do* know this: **Food works.** Apparently people need food. When I was trying to win over the man who would become my husband, I did not rely on charm. I relied on snacks. For months, I left small, thoughtful food offerings on his desk. Nothing overwhelming. Just enough to say: *“Hello. I exist. I am kind. I have access to excellent snacks.”* It was less of a courtship and more of a breadcrumb trail. Eventually, when he got hungry enough, he followed the snacks back to me. And the rest is history. So let this be your takeaway: Flowers wilt. Texts get ignored. Personalities crumble. **But men need snacks. Even gay men need snacks.** Use delicious foods to land a delicious fellow. My delicious fellow was partial to Cool Ranch Doritos. --- **Don’t Rely on Temporary Tattoos…or Whatever This Was** If you are my parents—or any extended family member who somehow got their hands on this—or my colleague or my colleague’s colleague— for the love of Pete (still no idea who Pete is), please stop reading immediately. Seriously. This is your exit. … Alright. If you’re still here, that’s on you. Now, at one point in my life, I told myself I was going to “save myself for marriage.” … That might be a lie. A bold, unnecessary lie. What I *did* tell myself was that I would at least wait until the fourth date. Maybe the third. Ok, at least the second. Long enough to establish that we could, at minimum, tolerate each other in daylight. The problem? I am a man… I am a very GAY man. A very human, very flawed, occasionally and often *overly enthusiastic* man. And this turned out to be…challenging. So, like any rational adult, I developed a system. Before a date, I would take a permanent marker and write across my abdomen: **“I have an STD!”** (Yes, with an exclamation mark. Why? Science does not know. My therapist has theories.) This, I reasoned, would ensure that no impulsive decisions were made. A built-in accountability measure. A moral safeguard. A deeply unhinged but effective strategy. And you know what? **It worked.** Right up until it absolutely did not. One evening, I went on a date with a man who was charming, attractive, and—dangerously—very good company with abs to match. The kind of date where you start making highly questionable decisions. At some point, I suggested we go late-night skinny dipping. Because clearly, nothing says “good decision-making” like removing both clothing *and* safeguards near a body of water. But I had a plan. It was dark. Surely he wouldn’t see the writing. And if he did? The water would wash it off. Reader, the water did not wash it off. What it *did* do was smear the ink into something far more confusing. At one point, he grabbed my arm, squinted at my torso, and tried to decipher the now-blurred message. After a long pause, he looked at me—deeply concerned—and asked: *“…Are you in the Spokane Police Department?”* Because, apparently, what he read was: **“I’m the SPD!”** And just like that, the evening took a sharp and irreversible turn. Nothing kills the mood quite like accidental law enforcement impersonation. Especially *enthusiastic* law enforcement impersonation. The date went downhill from there. So let this be your takeaway: If you feel the need to write warnings on your own body as a dating strategy… **DON’T. You may need a different strategy.** --- **Don’t Do Something For Them They Explicitly Told You Not To** This one feels obvious. Painfully obvious. So obvious, in fact, that you might be thinking, “Surely no one needs to be told this.” And yet…here we are. According to my now-husband, this particular moment in our early dating life came *alarmingly* close to ending things. Which, in hindsight, feels fair. At one point, I went through a phase where I believed—deeply, passionately—that every window in a home should have a window seat. Not just some windows. All windows. Was this based on architectural training? No. Was it based on logic? Also no. And yet I proceeded with building window seats for every window anyway. Around this same time, I decided my then-boyfriend’s office could use “a little organization.” So, being a reasonable person, I offered: *“Would you like me to build you some shelves and a window seat?”* He politely declined. Several times. Because I’m annoyingly persistent. A normal person would hear this and think, *“Great, boundary respected.”* I heard this and thought: *“He doesn’t yet understand how much he needs this and how much he would enjoy a window seat on which to sit upon and gaze out the window.”* So I did what any deeply misguided but enthusiastic partner would do. I waited until he left. And then I built it anyway. Not just a shelf. Not just a tasteful addition. A *full-scale construction project.* Shelves. A window seat. An entire wall transformation. Then, because I am nothing if not thorough, I went through all of his belongings and organized them onto the shelves. Because I told myself I was helping. When I finished, I closed the door, tied a metaphorical bow on the situation, and waited. He came home. I led him upstairs. He opened the door. And I, filled with pride and absolutely no self-awareness, yelled: “Surprise!” Which, loosely translated, meant: *“Here is the thing you explicitly said you did not want, but I decided you needed anyway.”* Reader…he did not love it. In fact, I believe the phrase “What did you do?” was involved. And possibly several others that are not suitable for print. The relationship did survive. Barely. But let this be your takeaway: It is not romantic to ignore someone’s clearly stated wishes. It is not thoughtful to override boundaries with enthusiasm. Not every window needs a window seat. And it is *definitely* not a good idea to reorganize someone’s entire life when they told you not to. **Do not make decisions for them. Make decisions WITH them.** **Do: Loudly Announce You’re Done Dating Forever** At this point, I feel a moral obligation to provide another “Do,” since I’ve already issued several “Don’ts” and at least one public apology. So here it is: **Do loudly proclaim—to anyone who will listen, and especially to the universe—that you are done with dating and fully committed to being single forever.** I’m serious. After a truly impressive streak of poor decisions, I reached a point where I thought, *“You know what would be good for everyone involved? If I stopped.”* For my well-being. For the well-being of other gay men in the greater Spokane and Washington (and even one in Tennessee) area. For public safety. So I did the work. I looked myself in the mirror. I reflected. I grew. I deleted the apps. I retired the “three buttons mysteriously undone on my shirt” look (universally understood in gay culture as “available and making questionable choices”). I stopped bleaching my hair and wearing puka shells (also universally understood in gay culture as “available”). I committed. Fully. To being single. And then—because subtlety has never been my strength—I essentially announced to the universe: *“I AM DONE. I CHOOSE SOLITUDE. I WILL BE ALONE AND THRIVE.”* The gay dating gods heard this. Paused. Exchanged knowing glances. And, with a dramatic flick of the wrist, said: *“Oh…that’s what YOU think.”* Because quicky thereafter they dropped an intelligent, handsome, charming man directly into my workplace. My workplace. My carefully constructed, drama-free, personal-growth zone. I tried to resist. I really did. But then he smiled. And three of his buttons were undone and his hair was bleached. And just like that, all my hard-won commitment to singleness melted faster than ice cream in July. Reader, I was done for. Completely smitten. I started depositing Cool Rach Doritos on his desk. So here’s the lesson: **Absolutely work on yourself.** **Absolutely commit to being single.** **Absolutely announce it with confidence.** Because that is the exact moment the gay dating gods will notice you, laugh, and send your future husband directly into your line of sight. You’re welcome. --- **Final Thoughts** Gay dating is chaotic, illogical, and occasionally traumatic. But it’s also hilarious, human, and—somehow—worth it. Even if, along the way, you accidentally ask out the wrong person, break someone’s heart, impersonate law enforcement, gift something they didn’t want, and lure your future spouse with Cool Ranch Doritos. So go forth. Make mistakes. Learn something. Bring snacks. And for the love of Pete— **write their name on the napkin.** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-6-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Frank Gaimari: Conversations with Legends URL: https://www.stonewallnews.net/frank-gaimari-conversations-with-legends/ Last updated: 2026-07-13T18:27:50.000Z Frank Gaimari doesn’t just tell stories, he brings them to life. At 64, this Seattle-based writer and storyteller has turned a lifetime of experiences into narratives that entertain, inspire, and connect with people on a real, personal level. After a 36-year career in the federal government, Gaimari has fully embraced his love for writing, and the results are nothing short of amazing. His latest book, *Conversations with Legends: The Interview Articles*, is a celebration of curiosity, connection, and compassion. This collection of 24-in-depth interviews goes beyond the surface of fame, giving readers an honest, behind-the-scenes look at the lives of some of the most interesting people in entertainment. From the vibrant Kate Pierson of The B-52s and the heartfelt David Archuleta to the bold Margaret Cho and the visionary filmmaker Todd Stephens, Gaimari’s interviews aren’t just Q&As, they’re meaningful conversations full of wit, wisdom, and real emotion. Through his thoughtful questions and engaging style, Gaimari doesn’t just interview his subjects, he brings readers into their world and uncovers the stories that shaped them. (And yes, I’m honored to be one of the voices featured in his book.) Whether it’s the creative mind of Craig Chester or the artistic talent of Richard Vyse, Gaimari’s ability to connect with people on a genuine level makes each interview unforgettable. *Conversations with Legends* isn’t just a book, it’s an invitation to explore creativity, fame, and the shared experiences that connect us all. But Gaimari’s talent for storytelling doesn’t stop with books. He’s also a skilled screenwriter with a knack for bringing history and relationships to life. His screenplay *Vincent and Paul: Unspoken Brotherhood*— a dramatized look at the complicated friendship between Vincent van Gogh and Paul Gauguin — has earned high praise. Another screenplay, *La Famiglia*, stood out in the prestigious Nicholl Fellowship contest, placing in the top 15% in 2019\. These achievements highlight Gaimari’s unique gift for creating stories that truly resonate with people. Curious to learn more about the man behind these stories, I had the chance to talk with Gaimari about the inspiration, challenges, and insights that drive his incredible work. **Lyndal Simpson: What inspired you to write *Conversations with Legends*?** Frank Gaimari: *Conversations with Legends* was born out of a moment that changed everything — a moment that made it necessary to pause, reflect, and refocus. Let me explain. Just recently, I was diagnosed with leukemia. The doctors are hopeful, and my prognosis is good, but hearing those words — “You have cancer” — stopped me in my tracks. It’s the kind of moment that forces you to take stock of your life. I found myself asking questions I’d never really faced before: What truly matters? What have I done with my time? What will I leave behind? The answer came to me almost instantly: my interviews. These conversations with some of the most fascinating, creative, and inspiring people are what I’m most proud of. I wanted to bring them together, not just for myself but for anyone who might find meaning in them. *Conversations with Legends* became my way of holding onto what matters most and making sure these voices and their stories are never forgotten. A diagnosis like this changes everything. It strips life down to what’s essential. It forces you to focus on what gives you purpose and keeps you going. For me, this book became that purpose. It gave me something to hold onto, something to look forward to — something bigger than the recurring tests, doctors’ appointments, and the uncertainty. It reminded me of the beauty of connection, the power of storytelling, and the importance of leaving something behind that matters. **LS: How did you choose the 24 celebrities featured in the book?** FG: When it came to choosing the 24 celebrities for the book, I simply picked people I was genuinely curious about — people whose stories I thought would interest me and, hopefully, the readers as well. My thinking is, if I find someone fascinating or their journey inspiring, chances are others will too. That’s always been my approach: follow my own curiosity and let that guide my interviews. I feel fortunate: About eight out of ten times, the people I reach out to are open to talking. I’m not sure if it’s because of my previous work or just the way I approach them, but I’m always grateful when someone says yes. It means a lot to have them share their time and experiences, and I think a relaxed, genuine approach helps set the tone for a good conversation. **LS: Was there a particular interview that stood out to you as especially memorable?** FG: While no single interview stood out above the rest, what truly left an impression on me was how genuinely kind and grounded these celebrities were. Going into these conversations, you never really know what to expect, but time and again, I was pleasantly surprised by their warmth, sincerity, and approachability. There was only one instance in which someone came across as a bit distant, but that was the exception. What made these interviews so memorable wasn’t just the stories they shared but the authenticity behind them. Getting to know the real, unfiltered people behind the public personas was both refreshing and deeply rewarding. **LS: Your screenplay, *Vincent and Paul: Unspoken Brotherhood*, has received significant recognition. How does your screenwriting process differ from writing a book?** FG: Writing a book like *Conversations with Legends* is a much more interactive process, because I get to engage directly with people. The interviews are conversations, full of energy and connection, which makes the process feel dynamic and collaborative. Screenwriting, on the other hand, is a solitary experience — just me and the computer, crafting the story on my own. While they’re very different approaches, I enjoy both mediums. Each offers its own unique challenges and rewards, and I find fulfillment in both. **LS: What advice would you give to aspiring writers who want to explore both screenwriting and book writing?** FG: My biggest advice is to never tell yourself, “I can’t do this.” If writing is your dream, commit to making it happen. The most important step is simply starting — get something, anything, down on the page. It doesn’t have to be perfect; everything you create can be refined or edited later. The key is to overcome the fear of imperfection and take that first step. Discipline is just as important as inspiration. Sometimes, you must push yourself to keep moving forward. Writing isn’t always easy, but the satisfaction of seeing your ideas come to life is worth the effort. Believe in your ability to grow, and don’t let self-doubt hold you back. Dreams only become reality when you act, so start writing and keep going. **LS: Do you have any upcoming projects or books in the works that you’re excited to share?** FG: Absolutely! After turning my screenplay *Circus Animals* into a novel and seeing the incredible response it received, I felt inspired to do the same for *La Famiglia*. It’s such a beautiful story, and I truly believe it deserves to be told in novel form. I started working on it before my diagnosis, but when I received the news, I set it aside and focused on completing Conversations with Legends. Now that this book is complete, I’m ready to return to La Famiglia and bring it to life. The story is about two Italian men who fall in love. It’s filled with heart, culture, and emotion. It’s a story that means so much to me, and I think it’s one that everyone needs to read. I can’t wait to share it with the world. Frank Gaimari’s talent for connecting with people and bringing their stories to life is the cornerstone of his work. From his heartfelt interviews with celebrities to his award-winning screenplays, film reviews, and novels, he has a unique ability to captivate audiences with his thoughtful, authentic approach to storytelling. *Conversations with Legends* is a true celebration of human connection, offering readers a glimpse into the lives and experiences of some of the most fascinating figures in entertainment The book is now available on Amazon at [https://a.co/d/0dnyhH0K](https://a.co/d/0dnyhH0K?ref=stonewallnews.net). Don’t miss the chance to experience it for yourself. Check out his website at [http://www.FrankGaimari.com](http://www.frankgaimari.com/?ref=stonewallnews.net). *Lyndal Simpson is a multi-award-winning screenwriter with two movies currently in development. She lives in Melbourne, Australia, with her husband and two teenage sons.* [![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/conversations-final.jpeg?resize=802%2C1280&ssl=1)](https://a.co/d/04dQCVu0?ref=stonewallnews.net) Conversation with Legends: The Interview Articles ### Sacred & Proud | Finding Faith URL: https://www.stonewallnews.net/sacred-proud-finding-faith/ Last updated: 2026-07-12T19:35:54.000Z I was raised in a faith community that believed homosexuals are equivalent to murderers. Some years after I came out, my mother sent me a letter and two UPS boxes containing everything from my childhood — baby photos, a stamp collection, matchbox cars — and told me we could no longer be in contact. That was the formal end of my relationship with the faith I grew up in. But it was not the end of my relationship with faith. I am a religion reporter. I have spent more than 20 years walking into houses of worship across the Inland Northwest — mosques and temples and cathedrals and storefronts — documenting what faith communities actually do, as opposed to what their worst representatives claim they stand for. And what I keep finding, again and again, is this: there are faith communities out there actively fighting for us. Not despite their faith but because of it. Let me show you what I mean. In January, on a cold evening in downtown Spokane, about 200 people gathered at the Rotary Fountain in Riverfront Park. They carried flowers and candles and walked 10 blocks through downtown and back. Some were Buddhist. Some were Christian. One man was a Rosicrucian, who came with his dog. There were Tibetan nuns from Sravasti Abbey. There were people who probably couldn’t tell you exactly what they believed — only that they believed in this. They were honoring a group of 20 Buddhist monks who had just completed a 2,300-mile peace walk from Fort Worth, Texas, to Washington National Cathedral — 108 days, sunrise to sundown, walking, as their leader put it, “to find peace for ourselves, to share that to our nation and the world.” Ven. Geshe Thupten Phelgye, who founded the Universal Compassion Foundation in Spokane, flew to the East Coast just to walk with the monks for a single day. He came home with blisters on his feet. “Peace begins from ourselves,” he told one of my reporters from FāVS News. “We have to share peace, love, and compassion and practice humility, compassion, and forgiveness.” Around the same time, Catholic theologian Tracy Sayuki Tiemeier spoke at Gonzaga University about what she calls moral imagination — the story we tell ourselves about strangers, about who deserves dignity and who does not. Her grandparents met while interned at the Heart Mountain Relocation Center during World War II, locked away because they were seen as “not like us.” That history shaped her life’s work. “We can engage with faith in a way that embraces difference, and we don’t have to be afraid of it,” she said. “They don’t have to look like us, they don’t have to pray like us, to be treated with respect.” I have heard versions of that sentiment in congregation after congregation across this region. It is not naive. It is not performative. It is people putting their deepest convictions on the line — showing up, speaking out, welcoming in. I know that many of us in the LGBTQ+ community have been hurt by religion. I was. The wounds are real and they run deep. But I also know, from two decades of reporting, that the faith communities making headlines for exclusion and cruelty are not the whole picture. Not even close. There are people of faith who see you, who claim you, who are fighting alongside you. They are in Spokane and Moscow and Newport and Seattle and towns you’ve never heard of. They are walking 2,300 miles and lighting candles in the cold and asking hard questions in lecture halls. They are already doing the work. And they are doing it, in part, for us. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Tracy_Simmons-2-3-1.jpg) Tracy Simmons is an award-winning journalist specializing in religion reporting and digital entrepreneurship. She is a Professor of Journalism at WSU and executive director at FaVS News, a digital journalism start-up covering religion news and commentary in the Pacific Northwest. Learn more at: [https://favs.news/](https://favs.news/?ref=stonewallnews.net) ### Randy Boyd Returns with an Empathetic Novel About AIDS, Identity, and Resilience URL: https://www.stonewallnews.net/randy-boyd-returns-with-an-empathetic-novel-about-aids-identity-and-resilience/ Last updated: 2026-07-17T21:12:39.000Z Randy Boyd’s *The Unfrozen Few: Book One: Welcome to the Future* is a bold and imaginative work of speculative fiction that combines a gripping premise with emotional depth. The story follows eleven AIDS patients from the 1980s who, after being frozen in a controversial medical experiment, awaken decades later in a world that has moved on without them. This unique concept sets the stage for a narrative that is both thought-provoking and deeply human. At the heart of the story is Dr. Nathan Black, a Black Gay man navigating the challenges of reintegration while uncovering the secrets of his family’s biotech empire, which orchestrated the cryogenic experiment. Boyd crafts Nathan’s character with care, exploring themes of resilience, identity, and the lingering impact of illness. The novel also delves into complex issues such as survivor’s guilt, Queer identity, and societal shifts over time. The story unfolds at a deliberate, thoughtful pace, allowing readers to fully immerse themselves in the characters’ experiences and the intricacies of their world. Boyd skillfully balances a large cast of characters, each with their own motivations and struggles, creating a rich and layered narrative. The interactions between the “unfrozen few” and the modern world are particularly compelling, offering moments of humor, heartbreak, and reflection. What sets *The Unfrozen Few* apart is its ability to tackle heavy themes with empathy and depth. Boyd’s exploration of illness, time, and human connection resonates throughout the story, making it as emotionally impactful as it is entertaining. Boyd, a five-time Lambda Literary Award finalist, is known for his powerful explorations of race, sexuality, and survival in his fiction. His latest novel marks his return to long-form storytelling after more than two decades. His previous works, including *Walt Loves the Bearcat* and *Bridge Across the Ocean*, have earned him critical acclaim and a dedicated readership. Born in Indianapolis and a graduate of UCLA, Boyd has had a career that spans decades of writing fiction and nonfiction that amplifies Black and Queer voices. For those eager to explore this compelling story, *The Unfrozen Few* is available for purchase on [Amazon](https://a.co/d/042OCzcI?ref=stonewallnews.net). It is offered in both paperback and e-book formats to suit your reading preference. *To learn more about the author and his work, visit Randy Boyd’s official website at* [*http://randyboydauthor.com*](http://randyboydauthor.com/?ref=stonewallnews.net)*.* ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/12874--1-.jpeg) The Unfrozen Few --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--56.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### The Oregon Queer History Collective: A Reminder That the Past Isn’t Always So Black and White URL: https://www.stonewallnews.net/the-oregon-queer-history-collective-a-reminder-that-the-past-isnt-always-so-black-and-white/ Last updated: 2026-07-23T17:10:30.000Z When you think of history, you may picture a stuffy visit to a museum: the smell of old documents, the replicas of Civil War–era dresses, dust collecting on ancient plaques. Those places also often overlook the histories of those who need their stories showcased the most. The Oregon Queer History Collective is quite the opposite. Its collection is made up of the colorful personal anecdotes and documents of the state’s Queer community. It isn’t about just preserving the past — it’s also resisting the constant erasure of marginalized people. “We constantly have to be stewards of our own history,” said President Cayla McGrail. “It adds so much to the historical record \[since\] we’re constantly being erased.” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/image--7---800x600.jpg) Archival materials related to Portland’s dyke march and Corvallis’ Lesbian Avengers chapter displayed at Multnomah County Central Library as part of exhibit, Love, Life, Resistance & Solidarity: Celebrating LGBTQIA2S+History in Portland, developed in partnership with Portland City Archives. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/image--6-.jpeg) OQHC Secretary Alex Maresca installs exhibit materials at Multnomah County Building ahead of the county’s Pride Proclamation, July 2025. ### **Queer archiving** For centuries, archives were controlled by governments, religious institutions, and elite scholars, meaning they primarily preserved documents that reflected dominant political, religious, and social structures. Because archival systems were shaped by those in power, they often excluded marginalized communities — including Queer people — whose lives were criminalized, stigmatized, or forced into secrecy. Queer archiving is different. By considering the lived experiences of LGBTQ+ people, it challenges the traditional idea that only official records, government documents, and elite voices are worth preserving. Instead of focusing on power, it focuses on truth. Queer archives actively collect personal letters, zines, flyers, photographs, oral histories, protest signs, and ephemera — materials that traditional institutions often ignore or discard. “I think of the Lesbian Herstory Archives in New York using the moon cycle to organize some of their collections,” said McGrail. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/image--2-.jpeg) ### **Highlights** The collective has been around since 1994, when it was known as the Gay and Lesbian Archives of the Pacific Northwest; the more inclusive name change came in 2024. Full of lore and emotions, it approaches storytelling in a different way. Much of the collection is composed of personal stories and documents, from all across the state. By bringing the private collections of Oregon’s LGBTQ+ community to the public eye, McGrail also gives people a chance to preserve their own histories. Membership is open to all, and McGrail says that anyone is welcome to share their story. Some of the most prominent moments from Oregon’s Queer history are on display, from banners of anti-vice campaigns targeting Queer businesses to ads for a ’50s drag “gayla.” Other items of interest include journals and papers from Patrick Finneran, a Buddhist activist and generally prominent in Portland's Gay community; and those of women activists, including Nedra Bagley, who in the mid-’70s was elected to the board of Portland Town Council, one of the city’s earliest Gay rights groups and the first to include political activism in its charter. Some other key moments from Queer history are on display, such as the Vice Clique Scandal (1912–13), which exposed a system of corruption in Portland in which police, politicians, and judges secretly allowed prostitution and gambling to operate in exchange for bribes. Rather than eliminating “immoral” activity, city leaders regulated it through protection schemes and selective enforcement, punishing vulnerable people while shielding those with money and power. The scandal revealed how morality laws were used as tools for profit and control, not justice, and led to firings, resignations, and a collapse of public trust. It remains a key example of how policing and politics can enable the very systems they claim to fight. The collection also highlights 1992’s Ballot Measure 9, a proposed constitutional amendment backed by the Oregon Citizens Alliance, which sought to label homosexuality as “abnormal, wrong, unnatural, and perverse” and block any state or local protections for LGBTQ+ people. Its defeat marked a major turning point and sparked one of the first large-scale, statewide mobilizations of Queer activists and allies, strengthening grassroots organizing networks and demonstrating that such ballot initiatives could be successfully challenged at the polls. The campaign helped shape future LGBTQ+ political strategy and became a defining moment in the fight for civil rights in the 1990s. McGrail’s said that Collective also makes history interactive and part of daily life, from guest speaker events and presentations to community conversations and intergenerational lunches, where, fueled by prompts like “what is queer joy,” 88-year-olds are able to connect with 18-year-olds. Besides monthly meetings, the Collective does most of its work through social media. With a promise to continue to uplift and document the stories of the LGBTQ+ community, it has active and updated social media accounts that welcome contributions. The Queer History Collective is real. It showcases the genuine, if messy, history of people who have continually been silenced. It’s a reminder that life isn’t perfect, that the past isn’t black and white. But the only way we can encourage a future that is more truthful and genuine is to embrace those colorful moments. “We want to all Oregonians to be inspired by our past,” said McGrail. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/image--1-.jpeg) Poster promoting Portland’s lesbian band, The Dyketones. Exact year unknown. Part of Oregon Queer History Collective’s archive. *The Queer History Collective is mostly on display at the reference library at the Oregon Historical Society, 1200 SW Park Avenue, in Portland. Online resources include the following:* · *Website:* [*www.glapn.org*](https://www.glapn.org/?ref=stonewallnews.net) · *Collections:* [*www.glapn.org/5000collections.html*](https://www.glapn.org/5000collections.html?ref=stonewallnews.net) · *Instagram:* [*www.instagram.com/oregonqueerhistory/*](https://www.instagram.com/oregonqueerhistory/?ref=stonewallnews.net) · *Facebook:* [*www.facebook.com/oregonqueerhistory*](https://www.facebook.com/oregonqueerhistory) *For more information on the OHS, including library hours and admission fees for nonresidents of Multnomah County, visit the* [*www.ohs.org*](https://www.ohs.org/?ref=stonewallnews.net)*.* ### 185 Years of Gay Cruising: A Brief History URL: https://www.stonewallnews.net/185-years-of-gay-cruising-a-brief-history/ Last updated: 2026-07-17T18:17:05.000Z *Twenty-three events that outline the evolution of how gay men would seek out casual sex in bathhouses, parks and eventually online.* --- *This story was produced in partnership with* [*hankycode*](https://open.substack.com/pub/hankycodemagazine)*, an LGBTQ+ history publication.* While it’s widely believed that cruising culture has existed for hundreds of years, the official term [emerged in the 1960s](https://blgbt.org/cruising/?ref=stonewallnews.net) as gay slang referring to a discreet method of men seeking out anonymous same-sex encounters in parks, bathrooms, waterfronts, bathhouses and other such places. Here are 23 key moments that shaped cruising culture in the United States. ### **1842** While a homosexual subculture is growing in New York City, the general public still refers to gay people as “sodomites,” as the word “homosexual” [isn’t coined](https://medium.com/@gvgktang/150-years-ago-the-word-homosexual-was-coined-in-a-secret-correspondence-1803ff9a79bc?ref=stonewallnews.net) until 1868\. Newspapers regularly publish articles calling out and expressing their disgust of suspected sodomites. One reader [writes a letter](https://search.alexanderstreet.com/preview/work/bibliographic%5Fentity%7Cbibliographic%5Fdetails%7C5358099?ref=stonewallnews.net) to the New York City sporting male weekly newspaper, The Flash, about how he tried to catch a sodomite in the act of what is now considered cruising: **“He met me … at the corner of Broadway and Howard street. … I thought to myself I would see how far he would go. After taking some indecent liberties with me, too indecent to be committed to type, he asked me to walk around the corner on Howard street.”** [](https://substackcdn.com/image/fetch/$s%5F!9UH7!,f%5Fauto,q%5Fauto:good,fl%5Fprogressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb0b9955a-a9f6-419b-bbf8-b8a725324060%5F300x550.jpeg?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image50.jpg) A letter to the editor of The Flash from 1842\. [Photo](https://search.alexanderstreet.com/preview/work/bibliographic%5Fentity%7Cbibliographic%5Fdetails%7C5358099?ref=stonewallnews.net) by the American Antiquarian Society. **1903** The [first recorded raid](https://complicatingqueertheory.wordpress.com/a-queer-ethnography-of-counter-culture-in-the-20th-century/early-bathhouses/?ref=stonewallnews.net) of a gay bathhouse in New York City leads to the detainment of 60 men and the arrest of 14\. The Russian and Turkish bathhouse, in the basement of the Ariston Hotel, was a[ free space for gay men ](https://complicatingqueertheory.wordpress.com/a-queer-ethnography-of-counter-culture-in-the-20th-century/early-bathhouses/?ref=stonewallnews.net#:~:text=Located%20in%20the%20Basement%20of%20the%20Ariston%20Hotel,sexual%20expression%20of%20the%20queer%2C%20biologically%20male%20community.)to express themselves sexually and to cruise in a safer environment. Police reportedly [spied on the bathhouse](https://www.nytimes.com/1903/02/22/archives/police-raid-ariston-baths-intense-excitement-among-60-persons.html?ref=stonewallnews.net) for weeks leading up to the raid. ### **1910s** Since at least the 1910s, Washington Square Park has been a popular gay cruising spot. It became so well-known that the 1917 song “[The Greenwich Village Epic](https://ullagegroup.com/2010/03/30/the-greenwich-village-epic/?ref=stonewallnews.net#:~:text=Here%20the%20modernest%20complexes%2C,verse%20is%20the%20mental%20swillage;)” contains the line, “Fairyland’s not far from Washington Square.” According to the [NYC LGBTQ Historic Sites Project](https://www.nyclgbtsites.org/site/washington-square-park/?ref=stonewallnews.net), “The west side of the park, along the fence, was the major cruising area and was referred to as ‘the Meat Rack.’” ### **1918** The San Francisco Police Department’s Morals Squad, which focuses on [prostitution](https://www.foundsf.org/Anti-Vice%5FCampaigns%5Fin%5FEarly%5F20th%5FCentury%5FSan%5FFrancisco?ref=stonewallnews.net), and the military police begin to survey two residences where men who met cruising in public would go for private sexual encounters. For at least 10 days, any men who entered were locked in rooms for questioning until they provided confessions which included divulging the names of friends who engaged in gay sex as well as surrendering personal address books. The [National Parks Service ](https://www.nps.gov/articles/000/the-men-of-baker-street.htm?ref=stonewallnews.net)wrote of the event: **“Eleven men were initially arrested. A second wave of arrests soon followed. … All in all, over 30 civilians and six soldiers found themselves behind bars.”** ### **1919** The Navy learns that some of their sailors are engaging in homosexual activity in [Newport, Rhode Island](https://www.bostonartreview.com/read/issue-13-scandalous-conduct-lawrence-tranchida-great-friends-meeting-house?ref=stonewallnews.net). Waterfronts have historically been prime cruising spots because they are often isolated at night. Mid-level Navy official Ervin Arnold has a personal mission to remove homosexuals from the Navy by sending sailors out to seduce and entrap them. This becomes known as the [Newport sex scandal](https://thepublicsradio.org/artscape/scandalous-conduct-telling-the-queer-history-behind-the-newport-navy-sex-scandal-of-1919/?ref=stonewallnews.net). According to The [New York Times](https://archive.nytimes.com/www.nytimes.com/books/first/l/loughery-silence.html?scp=34&sq=teenage%20sailor&st=Search&ref=stonewallnews.net), “On May 1, 1919, the Foster court of inquiry … declared that sufficient evidence had been gathered to court-martial fifteen of the arrested sailors. They remained behind bars all summer and were tried in the fall, at which time some were released and others sentenced.” ### **1920s** The lawn at the north end of the Ramble in Central Park becomes such a popular cruising spot that it is known as “[The Fruited Plain](https://www.nyclgbtsites.org/site/central-park/?ref=stonewallnews.net).” According to [historian George Chauncey](https://lgbtqstudiesintro.wordpress.com/wp-content/uploads/2014/01/privacy-could-only-be-had-in-public.pdf?ref=stonewallnews.net): **“The enormous presence of gay men in the parks prompted a sharp response from the police. They regularly sent plainclothesmen to cruising areas to entrap men; in the grounds around the Central Park zoo in the first half of 1921 alone, they made thirty-three arrests.”** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image51.jpg) [The Ramble](https://www.nyclgbtsites.org/site/central-park/?ref=stonewallnews.net) in the 1950s. Photo courtesy of the LGBT Community Center National History Archive. **Mid-20th Century** At the request of sexologist and biologist Alfred Kinsey, Samuel Steward documents his hookups in what he titles “[Stud File](https://leatherhalloffame.com/inductees-list/16-sam-steward?ref=stonewallnews.net).” The metal file box contains 746 index notecards—each one detailing a different hookup. The cards include partners’ physical details, meeting dates, sexual acts and a collection of donated pubic hair from 54 different men. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image52.jpg) Photo from [The New York Times](https://www.nytimes.com/2010/07/26/books/26secret.html?ref=stonewallnews.net). **1950s** ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image53.jpg) Photo from [Fire Island Pines Historical Society](https://www.pineshistory.org/the-archives/the-meat-rack-est-1950s?ref=stonewallnews.net) Fire Island Pines and Cherry Grove are [established](https://www.pineshistory.org/the-archives/the-meat-rack-est-1950s?ref=stonewallnews.net) as gay enclaves on New York’s Fire Island. The spaces are connected by a cruising area also known as “the Meat Rack,” which becomes famous as a safe haven for repressed homosexuals to fully express and experience their sexuality. The [Brooklyn Heights Promenade](https://www.nyclgbtsites.org/site/brooklyn-heights-promenade/?ref=stonewallnews.net) becomes one of the most well-known gay cruising areas in New York City. According to [an article](https://www.newspapers.com/image/576153648/?match=1&terms=Operation%20Decoy&ref=stonewallnews.net) in the Brooklyn Heights Press, “It is a well-known tacit fact that after nine o’clock on a mild evening many persons quit the Promenade and leave it to the homosexuals.” ### **1955** Boise, Idaho, becomes the center of a sex scandal as [three men are arrested](https://pdxscholar.library.pdx.edu/honorstheses/1489/?ref=stonewallnews.net) and accused of performing homosexual acts. The situation spirals into a [gay hysteria](https://www.frameline.org/distribution/films/the-fall-of-55?ref=stonewallnews.net), exposing an underground homosexual community in Boise that includes sex workers as well as family men in heterosexual marriages. Over 1,000 people are interrogated and 15 are convicted. ### **1962** Officers target popular cruising spots—including bathrooms, Alumni Halls and the Michigan Union—at the University of Michigan. They arrest 30 men on homosexual or accosting charges. Captain Walter E. Krasny tells [The Ann Arbor News](https://www.newspapers.com/image/1178888004/?match=1&terms=homosexual&ref=stonewallnews.net): **“While many arrests have occurred in University buildings our men will also be checking playground areas and public gathering spots where it is felt homosexuals might meet.”** ### **1966** New York City Mayor John Lindsay [begins to crackdown](https://www.nyclgbtsites.org/site/washington-square-park/?ref=stonewallnews.net) on “honky tonks, promenading perverts … homosexuals and prostitutes” in Times Square. ### **1968** The Continental Baths opens in the basement of the Ansonia Hotel in New York City. [Steve Ostrow](https://www.nyclgbtsites.org/2024/02/16/steve-ostrow-who-founded-famed-nyc-bathhouse-the-continental-baths-dies-at-91-wapo/?ref=stonewallnews.net#:~:text=Steve%20Ostrow%2C%20who%20founded%20the,story%20by%20the%20Washington%20Post.), an icon of gay night life, transforms the dilapidated basement into a Roman-themed bathhouse, which [eventually would](https://magazine.waxpoetics.com/connections/pride/article/the-continental-baths-was-a-dj-incubator-for-larry-levan-and-frankie-knuckles/?ref=stonewallnews.net) include a disco room and a DJ booth. Continental Baths is one of many bathhouses thriving in the Post-Stonewall, Pre-AIDS years. [The bathhouse](https://www.nyclgbtsites.org/site/continental-baths-at-the-ansonia-hotel/?ref=stonewallnews.net#:~:text=The%20Baths%20were%20a%20vital%20alternative%20to,by%20Plato's%20Retreat%2C%20a%20members%2Donly%20sex%20club.) combines sex, socializing and entertainment. It boasts an [impressive list of attendees](https://www.theguardian.com/music/2018/apr/27/sex-disco-and-fish-on-acid-how-continental-baths-became-the-worlds-most-influential-gay-club?ref=stonewallnews.net), including Andy Warhol, Mick Jagger and Alfred Hitchcock. The bathhouse would shut down in 1976. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image54.jpg) A Continental Baths advertisement. [Photo](https://www.advocate.com/obituaries/steven-ostrow-continental-baths-dead?ref=stonewallnews.net) by Fire Island Pines Historical Society. **1970s** [The handkerchief code](https://www.sfgayhistory.com/2014/08/27/origins-of-the-hanky-code/?ref=stonewallnews.net), which helps men discretely express their sexual interests, originates during the gold rush era at a time when San Francisco’s male population is growing dramatically. Since the vast majority of the population is male, men have to dance together at social events. Some men wear blue bandanas to signify they will take the male part of the dance, while others wear red to signify they will take the female part. [](https://substackcdn.com/image/fetch/$s%5F!exMM!,f%5Fauto,q%5Fauto:good,fl%5Fprogressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F73047046-feb7-4911-bcd5-632f6dcac812%5F1600x1600.png?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image55.jpg) Color Codes from Bob Damron’s Address Book (1980). As years pass, the code takes on new life as a way to covertly signify sexual interests. In 1980, [Bob Damron’s Address Book](https://www.thesaintfoundation.org/community/hanky-code-bob-damrons-address-book?ref=stonewallnews.net) includes a section that details how a light blue handkerchief worn on the left means the individual wants a “69’er” and a mustard handkerchief worn on the right signifies “Wants 8″+.” This system helps revolutionize the cruising process by giving men the ability to nonverbally and discreetly communicate their sexual desires. ### **1971** For decades, gay men cruise by posting vague personal ads in select newspapers. They intentionally use language that does not out them, but that signifies their intentions to other gay men. For example, mentioning massages or being a masseuse is common. In 1971,[ The New York Times reports](https://www.nytimes.com/1971/07/28/archives/the-village-voice-is-split-over-ads-model-and-masseur-listing-in.html?ref=stonewallnews.net) that there are internal divisions at The Village Voice about whether to keep running the ads. ### **1978** A gang of men with bats beat up men who they think are gay at the Ramble. Six men are seriously injured. Three men [are convicted](https://www.nytimes.com/1979/10/17/archives/3-sentenced-in-attack-using-bats-against-6-in-central-park-in-78.html?ref=stonewallnews.net) for the attacks. ### **1993** [Gay.net](http://gay.com/?ref=stonewallnews.net), [one of the first](https://windycitytimes.com/2023/10/21/gay-history-month-the-evolution-of-lgbtq-online-dating/?ref=stonewallnews.net) online chat systems, launches. The site—which would later merge with Gay.com—adds an [online component](https://inmagazine.ca/2019/11/a-history-of-hooking-up/?ref=stonewallnews.net) to cruising and offers men the ability to seek out anonymous sexual encounters without some of the risks of in-person cruising. Users start in the main chat room sending flirty but innocuous messages and then often move into a private chat room. ### **1995** Craigslist is founded and eventually becomes a go-to site where people post ads for a variety of things, including hookups. Craigslist would [shut down its personal section](https://www.npr.org/sections/thetwo-way/2018/03/23/596460672/craigslist-shuts-down-personals-section-after-congress-passes-bill-on-traffickin?ref=stonewallnews.net) in 2018, following Congress’ passage of the Fight Online Sex Trafficking Act. ### **1999** Gay dating sites continue to grow. [Gaydar](https://en.wikipedia.org/wiki/Gaydar%5F%28website%29?ref=stonewallnews.net#:~:text=The%20Gaydar%20website%2C%20built%20initially,4's%20The%20Big%20Breakfast.) is initially a desktop-only site designed to connect gay and bisexual men worldwide for relationships, hookups and friendships. An editor for Buzzfeed, [Patrick Strudwick, tells the BBC:](https://www.bbc.com/news/world-africa-41967821?ref=stonewallnews.net) “It was the forerunner to Facebook. The idea \[that\] an individual would have their own page, it was entirely novel.” ### **2009** [Grindr](https://techcrunch.com/2009/03/25/gay-dating-makes-its-way-to-the-iphone/?ref=stonewallnews.net) launches as one of the first geosocial apps for gay men. The site also allows users to filter by age, body type and so-called tribes that include twink, bear and jock. Since then, similar apps like SCRUFF and Jack’d have entered the space, but Grindr remains the largest and most popular. ### **2018** Equinox gym [faces a lawsuit](https://patch.com/new-york/gramercy-murray-hill/men-equinox-steam-room-masturbated-customer-report?ref=stonewallnews.net) when a customer at New York City’s Flatiron location says that three men masturbated in front of him in the steam room. The customer reported the incident to the front desk, who allegedly did not take action nor revoke the men’s memberships. The case is still ongoing and the suit now includes [11 people](https://nypost.com/2025/08/02/us-news/steam-room-sex-assault-vics-can-reach-out-to-equinox-workers-new-york-appeals-court-says/?ref=stonewallnews.net) who were allegedly “sexually assaulted, attacked \[or subjected to\] indecent exposure” in Equinox steam rooms. [Sniffies](https://sniffies.com/?ref=stonewallnews.net) is founded as a web-based map showing nearby users looking to cruise. The site allows users to chat, view profiles and share explicit photos. In May 2025, Apple [removes the app](https://www.out.com/tech/apple-removes-sniffies-app-store?ref=stonewallnews.net) from the App Store. The removal is said to be temporary, but remains in place as of this article’s publication date. ### **2025** Since the summer of 2025, over 200 people are arrested at a Penn Station bathroom for “public lewdness.” New York State Senator Brad Hoylman-Sigal [tells Out](https://www.out.com/news/nyc-gay-sex-arrest-dark-days-return?ref=stonewallnews.net) that these arrests “harken back to the dark days of trapping gay men and other members of the community in public spaces like restrooms.” These arrests indicate that while traditional cruising is still popular, it’s also still being monitored by law enforcement. --- ***Additional reporting by Nico DiAlesandro*** --- *If objective, nonpartisan, rigorous, LGBTQ-focused journalism is important to you, please consider making a tax-deductible donation through our fiscal sponsor, Resource Impact, by clicking this button:* [**Donate to Uncloseted Media**](https://secure.qgiv.com/for/unclosettedmedia?ref=stonewallnews.net) ### OUT North Central Washington Plans East Wenatchee Pride Billboard Following Banner Policy Controversy URL: https://www.stonewallnews.net/out-north-central-washington-plans-east-wenatchee-pride-billboard-following-banner-policy-controversy/ Last updated: 2026-08-25T17:41:39.000Z > This article published by [Source One News](https://www.yoursourceone.com/?ref=stonewallnews.net) Wenatchee-based LGBTQ+ group says it has fully funded a year-long billboard installation in East Wenatchee, marking a new and highly visible effort to support LGBTQ+ visibility in the region following a contentious city policy change. Members of OUT North Central Washington announced that the billboard has been paid for in full and that a contract has been signed, with installation expected during the week of May 4\. While organizers confirmed the billboard will be placed in a prominent, high-traffic location seen by thousands, they are intentionally withholding the exact site for now. Group members said the decision to keep the location confidential is aimed at preventing potential vandalism or interference with the billboard company prior to installation. The campaign comes in direct response to a decision by the East Wenatchee City Council to revise its banner policy earlier this year, a move critics say effectively excluded rainbow-themed diversity banners during Pride Month in June. In response, OUT North Central Washington and its partners opted to pursue a privately funded billboard as an alternative way to maintain visibility. Organizers say the project is part of a broader effort to support marginalized communities across North Central Washington. The group has also partnered with other nonprofit organizations and faith leaders to form a regional coalition focused on increasing visibility, sharing resources, and advancing a unified mission of inclusion. The final billboard design has not yet been revealed. Instead, organizers plan to release several design options to the public, allowing community members to vote on their preferred version. That poll is expected to launch during the first week of April. According to the group, fundraising efforts have already exceeded the initial goal needed to secure the first billboard. Additional donations collected moving forward will go toward funding a second billboard, potentially expanding the campaign’s reach elsewhere in North Central Washington. Organizers are continuing to encourage community members and supporters to contribute to the effort, saying the campaign reflects a broader commitment to standing against hatred, bullying, and discrimination while promoting equity and visibility throughout the region. --- ### Lady Bunny: A Legendary Queer Cultural Icon URL: https://www.stonewallnews.net/lady-bunny-a-legendary-queer-cultural-icon/ Last updated: 2026-07-20T17:31:56.000Z Lady Bunny is a name synonymous with the glittering, unapologetic world of drag. With her towering blonde wigs, double-stacked lashes, and razor-sharp humor, she has been a force in the scene for decades. But this legendary performer isn’t just a drag queen — she’s a comedian, DJ, and cultural trailblazer who has helped shape Queer history and nightlife as we know it. She’s living proof that drag is more than just sequins and sass — it’s artistry, activism, and a celebration of individuality. Born Jon Ingle in Chattanooga, Tennessee, Lady Bunny began her drag journey in Atlanta, where she shared an apartment with none other than RuPaul. Yes, *that* RuPaul. The two future icons cut their teeth performing in clubs and honing their craft before Lady Bunny made her way to Manhattan in the early 1980s. New York City’s gritty, electric club scene became her stage, and her larger-than-life persona made her a standout. She wasn’t just the life of the party — she *was* the party. One of her most enduring contributions to Queer culture is Wigstock, the outdoor drag festival she co-founded in 1984\. For nearly 20 years, it transformed New York City into a Queer utopia every Labor Day, drawing thousands of attendees and featuring performances by underground legends and mainstream stars like Debbie Harry, Boy George, and Neil Patrick Harris. Wigstock wasn’t just a festival; it was a lifeline for the LGBTQIA+ community — a space to celebrate openly and unapologetically. In addition, her one-woman shows have become legendary. With cheeky titles like *Trans-Jester* and *Cuntageous*, her performances are a whirlwind of rapid-fire jokes, biting social commentary, and hilarious pop-song parodies, all delivered in her signature Southern drawl. The *New York Times* once described her shows as making audiences “weep with laughter while groaning with disgust,” a testament to her unique blend of high camp and low comedy. Her humor is outrageous, unfiltered, and unapologetically risqué — but it’s also clever, timely, and packed with heart. And then there’s her DJ career. Lady Bunny has spun at some of the world’s most iconic venues, from the Eiffel Tower to the Paris Opera Garnier. Her sets are renowned for their infectious energy, often featuring impromptu lip-sync performances that turn any event into an unforgettable experience. Whether she’s headlining a Pride event or DJing a chic corporate party, she knows how to get a crowd moving. Her influence doesn’t stop there, though. She has left her mark on film, television, and even the art world. Lady Bunny starred in the HBO documentary *Wig*, chronicling the history and revival of Wigstock, and appeared as the “Dean of Drag” on *RuPaul’s Drag U*. She also had a memorable role in the 2008 comedy *Another Gay Sequel: Gays Gone Wild*, further cementing her status as a Queer cultural icon. Her striking, cartoonish glamour has graced the pages of *Vogue* and *V Magazine*, and she’s collaborated with legends like Andy Warhol and Mario Testino. Oh, and her music? It’s even charted on Billboard. Her career is a testament to fearless self-expression. She has paved the way for today’s drag artists, proving you can be smart, successful, and completely outrageous all at once. Her humor is filthy, her look is over the top, and her politics are unapologetically in your face. **Frank Gaimari: What inspired you to start your journey in drag?** Lady Bunny: My journey into drag began with my first-grade school play, but the inspiration had taken root long before that, thanks to Barbara Eden in *I Dream of Jeannie*. I absolutely adored her — there was something about her glamorous, slightly over-the-top aesthetic that completely captivated me. So, when the school play came around, dressed in the harem outfit my mother made me, I jumped at the chance to channel Barbara Eden’s iconic look with makeup. I’m pretty sure that was the spark that set me on this path. As I grew up, my identity became deeply tied to my hair. While most people saw it as a fashion statement, for me, it was something more. It made me feel connected to myself. When I was feeling alone or underappreciated, my hair became a source of recognition. I had this Kristy McNichol-inspired haircut — parted down the middle and layered on the sides — and people would constantly stop me to ask where I got it done. I’d always reply, “It’s not the cut, it’s the hair!” Those little moments of acknowledgment meant so much to me. They made me feel seen and appreciated in a way I hadn’t experienced before. Later, when I went to school in England from 1978 to 1980, I found myself immersed in the New Wave scene. Androgynous icons like Adam Ant were everywhere, and I was completely drawn to that world. It felt like a natural extension of who I was — bold, expressive, and unapologetically unique. That time in my life helped solidify my sense of self and my love for creative expression. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-20T092808.323.jpg) Lady Bunny / Photo by Steven Menendez **FG: How did your early days with RuPaul influence your career?** LB: I remember early in my drag journey, Ru put me in a Boy George-inspired drag look for a competition. That look earned me third place and $50 — a small but meaningful milestone I’ll always remember. Looking back, I realize it wasn’t just Ru’s sense of style that influenced me but also his relentless drive and ambition. He had a fearless “go-get-them” attitude, fueled by courage and determination. Ru was charismatic and stunningly gorgeous, and had this undeniable magnetism that drew people in. Like me, he never saw the traditional nine-to-five life as his path, and that shared mindset created a strong connection between us. **FG: What was the most memorable moment from Wigstock?** LB: One of the most unforgettable moments from Wigstock was Leigh Bowery’s jaw-dropping performance, where he gave birth to his actual wife. Yes, you heard that right — his wife was hidden inside an elaborate, oversized costume. He strutted onto the stage, lowered himself to the floor, lifted his legs, and out she emerged — attached with a sausage as an umbilical cord, accompanied by some fluids for dramatic flair, all set to a Beatles song. It was outrageous, memorable, and quintessential Leigh Bowery. He was truly one of a kind. He was the ultimate club kid, an exhibitionist, and a performance artist like no other. Originally from Australia, he gained fame in the UK and left an indelible mark on the art and club scenes. There was really nothing like him, and that performance at Wigstock was a perfect example of his genius. **FG: How do you balance humor with social commentary in your performances?** LB: Balancing humor with social commentary is all about authenticity and pushing boundaries. There’s a lot of discussion about how comedians should “punch down” or “punch up,” but honestly, for comedians trying to make a living, the goal is simple: you punch wherever you can to get laughs. The more laughs you get, the more gigs you book, and the more money you make. That’s the reality of the job. I’m not a fan of political correctness — it’s full of contradictions and often doesn’t make sense in practice. Take, for example, the term “Latinx.” A few years ago, we were told to use it instead of Latina or Latino to avoid gender constructs. But here’s the thing: surveys show that over 90% of Latinos don’t like the term. So, as a white drag queen, am I supposed to approach Latino people — who are such a vital part of New York City’s club culture — and use a term they don’t even identify with? Get real! Political correctness often feels like it’s more about appearances than actual connection. For me, the funniest moments are often the ones we’re not supposed to laugh at, and I embrace that fully. My shows have been described as the kind where you feel guilty for laughing — and I absolutely love that. I enjoy pushing boundaries and tackling the kinds of topics I’d joke about with my friends. That’s just who I am. I’m always up-front with what my shows entail. I make it clear in the ticket link: this is not a politically correct show. It’s dirty, it’s inappropriate, and if you’re prudish, this isn’t the show for you. I don’t believe in forcing my humor on anyone who isn’t ready for it. **FG: What has been your most challenging role in film or TV?** LB: The most challenging role I’ve ever taken on was about four years ago for an independent film called Playland. The film explored the decline of a Gay club in Boston that operated from the 1940s through the 1990s. It was an experimental film, and while the project itself was fascinating, one part really pushed me to my limits: I had to lip-sync to an opera song in German. Let me tell you, that was no easy feat. The filmmakers were incredibly thoughtful and even hired an operatic singing coach to help me nail the breathing and timing. But the words? Oh, the words! I mean, I can barely remember my own lyrics sometimes, so trying to lip-sync in German was a whole new level of challenge. **FG: How do you see the future of drag evolving?** LB: The future of drag is evolving, but let’s be real — *Drag Race* has had a huge impact, for better or worse. Sure, the queens on the show are polished, creative, and look incredible, but sometimes it feels like that’s where it stops. You can come out in a stunning outfit, with flawless makeup and hair, and I’ll cheer for that — but you’ve got five more minutes, bitch. What else are you bringing? A lot of *Drag Race* queens seem to be cast more for their personal drama than their talent. It’s reality TV, and reality TV isn’t real. The sob stories can feel overproduced, and the editing is so heavy-handed it’s almost laughable. Like, when Ru meets the cast in the first episode, they’re acting so over-the-top thrilled, you know, some producer told them to crank it up. It’s entertaining, sure, but it’s not the whole world of drag. There are so many incredible performers outside of the *Drag Race* machine. Dina Martina from Seattle is hilarious. Alex Newell, who was on *Glee*, is killing it on Broadway every season. And then there’s stuff like *Oh Mary!* in NYC — maybe not traditional drag, but it’s smart, funny, and so good. That’s the kind of drag that excites me — drag that’s more than just a look or a sob story. It’s about being a true entertainer. **FG: What’s one thing about you that fans might not know?** LB: I’m not a bitch! There’s a misconception that I am because of my jokes and my honest takes on politics, but I’m actually very polite. Out of drag, I wouldn’t say I’m shy, but I’m a lot less outgoing. The truth is, the things I can get away with in drag are pretty wild. Demanding free drinks? Totally fine. But walking into a club out of drag and fondling the go-go boys? Yeah, that’s not going to happen. Drag gives me the freedom to do things I could never get away with otherwise. **FG: How do you stay relevant in an ever-evolving entertainment industry?** LB: It is all about adapting and knowing your audience. For me, parodies are a big part of that — taking popular songs, rewriting the lyrics, and making them funny or relatable. As a DJ, I stay on top of what’s trending, which helps me connect with younger audiences. The key to a great parody is that people need to know the original song, so I make sure to stay current with what’s popular. That way, younger folks get the joke, even if it might go over the heads of some older audiences. I also tailor my act depending on where I’m performing. If I’m in Palm Springs, the vibe might be different than at a young, hip dance party in Brooklyn. Sometimes I’m performing at a Pride event where families bring their kids, so I adjust my material accordingly — maybe warn parents to take a break if they don’t want their kids hearing certain jokes. It’s all about reading the room and making sure the act fits the crowd. The other big thing is keeping your material fresh and putting yourself out there. You have to stay visible — whether that’s through interviews, group shows, or just staying active in the scene. If people stop asking you to be part of things, that’s a sign you’re slipping. So, I keep updating my stuff, staying connected, and making sure I’m still doing it — and doing it well. Lady Bunny’s legacy is all about pushing boundaries and celebrating fearless individuality. She has shown everyone that drag isn’t just a performance — it’s also a form of protest, a way to build community, and a joyful celebration of life in all its sparkling, outrageous glory. Because of her wild spirit and unstoppable drive, both the drag world and queer culture shine a little brighter. *Lady Bunny is currently touring comedy clubs across the country with her hilarious and unapologetically outrageous shows. Her latest tour includes the highly anticipated “Bunny Butchers Broadway” and the delightfully risqué “Don’t Bring the Kids.” For tickets and more information, visit her official website:*[*www.ladybunny.net/*](https://www.ladybunny.net/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--67.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Jimmy Somerville: The Falsetto That Changed the World URL: https://www.stonewallnews.net/jimmy-somerville-the-falsetto-that-changed-the-world/ Last updated: 2026-07-17T21:12:57.000Z As LGBTQIA+ rights face renewed threats worldwide, now is the perfect time to revisit Jimmy Somerville's music. His soaring falsetto and fearless activism were more than just the soundtrack of a generation; they became a rallying cry for equality, love, and resilience. As we navigate these turbulent times, Somerville’s work feels as urgent and relevant as ever. His songs are a testament to the power of music to inspire change and build community. Whether you’re discovering his music for the first time or revisiting it with fresh ears, turn up the volume and let his voice remind you of the strength in standing proud, the joy in being unapologetically yourself, and the hope that comes from knowing you’re not alone. If you’ve ever heard that high, crystalline voice cutting through a synth-heavy beat, you know there’s no mistaking Jimmy Somerville. But what you might not realize, especially if you weren’t there the first time, is that Somerville wasn’t just singing pop. He was actively redefining its boundaries. He poured personal pain, political outrage, and the pure need to move into tracks that made you think. Somerville’s journey began in Glasgow, where he spent his early years trying to fit into a world that rarely made room for someone like him. Tired of trying to shrink himself to meet the expectations of others, he headed to London in search of a community where he could truly belong. It took immense courage: London in the early 1980s was not a welcoming place for a young, openly gay man. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/bb-aoc-40-rgb-4000x4000.jpeg) Bronski Beat - The Age of Consent Yet, in the city’s underground clubs and backroom bars, he found his people. He met Steve Bronski and Larry Steinbachek, and together they founded Bronski Beat in 1983\. These three musicians had zero interest in hiding who they were, and that unwavering honesty instantly set them apart. In an era when most pop stars played it safe for the sake of album sales, Bronski Beat let their identity — and activism — take center stage. In 1984, Bronski Beat released their debut album, The Age of Consent. The title was a deliberate political statement. On the inside of the album cover, the band listed the legal age of consent for gay men across Europe, which served as a stark reminder that equality was still a distant dream for many. Back home in the UK, for example, it was illegal for men under 21 to have sex with other men, while the age of consent for heterosexual couples was 16. The group sang openly about the realities they lived every day and illuminated issues most people would prefer to keep hidden. Nowhere is this clearer than on “Smalltown Boy,” an unforgettable track capable of breaking your heart and making you move at the exact same time. Pure ’80s synth lines wrap around a moving story of alienation and courage. The song tells the tale of a young gay man forced to leave his home because he simply couldn’t be himself there. A profound sadness pulses beneath the driving beat, but you also hear absolute freedom. You hear a feeling of flight in Somerville’s voice that refuses to apologize for who he is. For anyone who has ever felt pushed aside or had to pack up and search for somewhere to belong, this song cuts deep. Bronski Beat didn’t stop there. Their follow-up single, “Why?,” pressed the issue even further. It boldly affirmed their place in society, sending a clear message: we are here, and we are not going anywhere. After leaving Bronski Beat, Somerville kept moving. He never stood still long enough to let the industry box him in. Teaming up with Richard Coles, he formed The Communards and immediately scored massive commercial hits. Their electrifying version of “Don’t Leave Me This Way” became an absolute phenomenon, completely dominating the UK charts in 1986. As a solo artist, Somerville truly came into his own. He covered songs by icons such as Sylvester, bringing a joyful energy to tracks like “You Make Me Feel (Mighty Real)” while maintaining the sharp edge that made his earlier work so resonant. Through massive pop success and incredibly tough times — including the devastating height of the AIDS crisis, the implementation of Section 28 (a UK law enacted in 1988 that prohibited the "promotion" of homosexuality by local authorities and in schools), and widespread government efforts to silence queer voices — Somerville never lost sight of the bigger picture. He stayed loud and proud precisely when it mattered most. He proved that standing your ground could happen right on the dance floor. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/R-79509-1378018716-8972.jpg) Jimmy Somerville - The Singles Collection 1984 / 1990 ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-13T151141.316.jpg) JIMMY SOMERVILLE - Dare To Love (30th Anniversary) For younger listeners — Gen Z and beyond — it might seem normal that today’s pop stars can openly sing about who they love. But Somerville and his peers fought brutal battles to make that reality possible long before it became mainstream. They kicked open heavy doors so that queer love and existence could be sung about in broad daylight, rather than tucked away in coded lyrics or subtle hints. When you spin one of Somerville’s songs today, you are hearing the early anthems of a pop revolution. You are hearing the echoes that still ring out in the work of modern artists who carry that radical spirit forward. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/a1788603193_16.jpg) Club Homage (Limited Edition) For longtime fans, those stacks of 12-inch singles and vinyl remixes are not just relics of a bygone era. They are cultural treasures waiting to be rediscovered. The recent wave of remixes and reissues proves that Somerville’s voice is remarkably timeless. Putting on “Smalltown Boy” today delivers the exact same jolt of energy it did to packed dance floors decades ago. Jimmy Somerville is living proof that music can be brave, joyful, and truly life-changing. His records are bold, unfiltered stories that span decades, uniting people on the dance floor and beyond. Put on one of his tracks and let yourself be swept up in that soaring falsetto. There is simply nothing quite like it. This isn’t just a nostalgia trip. It is a necessary reminder that through music, community, and unyielding pride, we can keep pushing for a more open, loving, and just world. Somerville’s website is [www.jimmysomerville.co.uk](https://www.jimmysomerville.co.uk/?ref=stonewallnews.net). --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--36.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | Finding Our Grounding: Dirt, Roots, and the Work of Spring URL: https://www.stonewallnews.net/out-on-the-ranch-14/ Last updated: 2026-07-12T18:40:46.000Z March at the mountain ranch is not a soft awakening. It is an active negotiation. One morning the ground loosens and trees start to bloom. The next morning, it locks itself under snow again in a final act of winter defiance. We refer to March as the season of Sprinter: not quite Spring, not quite Winter. This is the time of year when our mountain weather is chaotic. It is not the Fall monsoon, it is the Spring thaw. That Spring transition is rarely tidy. As Spring rolls on up the rugged mountain elevations, it is a test of what held. After months of national turbulence, the season of Sprinter reminds me to be less reacting and more rooting. Not digging in with stubbornness but grounding with intention. Years ago, when the ranch became both home and business, my world narrowed geographically and widened ecologically. I joked that I was a monk in a monastery, but what was really happening was an apprenticeship with nature. When you spend most of your days on one piece of land, the land begins to tutor you. Patterns emerge; not mystical ones—observable ones. The angle of light shifting just enough to signal certain plant and insect activity. The subtle change in bird calls and frog song before weather turns. The way certain plants, like dandelion and native plantain, volunteer precisely where soil has been disturbed, quietly doing repair work. The way different insects roll out at different times across Spring and Summer, usually in tune with the lunar cycle. Over time, those observations stopped feeling like studying and started feeling like fluency. The rune Hagal, associated with disruption, is no abstraction when Spring hail flattens the garden starts, or a sudden snow event covers the fruit trees trying to bud. Hagal’s symbolism has been one of the ranch’s most enduring Spring lessons: a meadow ecology is about balance not stasis. It is about nature’s responsiveness to hail and snow events. Spring is when that symbolic disruption turns into work to prepare the ground. Every year about this time we reset our intentional mud-making effort, Muck Alley. For most of the year, the alley accumulated the waste hay tailings from around the barnyard. The herd passed through it daily, adding their own contributions. Worms move in and good microbes develop. Winter freezes and thaws did the patient work of composting weed seeds that vector in with the hay. What begins as waste slowly becomes something else. By early spring, the alley has transformed itself into a living compost: dark, rich material built through the dormancy of winter. It is our tilth bank account waiting to be withdrawn. So when the ground begins to wake up, we muck it out. We harvest the last year’s accumulation and spread it across the meadow pastures, especially in the bright green spots where moss has tried to take hold. The result is not instant transformation, it’s momentum, a toehold for tilth to build. Organic matter builds soil structure. Worms and microbes move outward. Grasses and clovers find footing where gravel once dominated. What once looked like waste becomes the foundation for another season of life. Resetting Muck Alley each spring is one of those rituals that reminds me of what building a legacy actually looks like. It isn’t a dramatic production, it’s cyclical. You build something up for a year, return it to the land, then you begin again. Legacy building is rarely a monument. More often, it is a process that keeps giving long after the original effort is forgotten. The same principle applies beyond the ranch. In chaotic times, the loudest voices insist everything must change overnight. But anyone who has ever built soil knows better. Real resilience happens incrementally. It’s a quiet work accumulating until suddenly the system is stronger than it was before. The Spring rollout models that patience. Amending the ground becomes a sacred act. Grounding, in that sense, is not a withdrawal from the world. It is the preparation needed to stand within it. Nothing green breaks the surface until the root system is ready. Out here on the mountain plateau, spring doesn’t erase winter. It metabolizes it. The muck becomes soil. There is no applause for that work. Yet without it, visible growth would collapse at the first Sprinter disruption. And maybe that’s the deeper lesson this season offers. Communities grow the same way landscapes do—through care, through repetition, through the willingness to transform what others discard, into something fertile. Queer spaces, chosen families, rural sanctuaries like this ranch—they don’t appear overnight. They are cultivated year after year, often quietly, often outside the spotlight. Sometimes it’s nothing more glamorous than shoveling muck. Resilience is not simply surviving the winter. It’s preparing the ground for what comes next. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-6-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Thoughts from the Hobbit House | 22 Hours on Hold: My Battle for Justice and a Refund URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-22-hours-on-hold-my-battle-for-justice-and-a-refund/ Last updated: 2026-08-16T16:25:09.000Z What does it take to survive—and even win—in trying times?. Recently, in my search for answers, I found myself locked in battle with a giant and sinister cell phone company. It was not a battle I had planned to fight, but history rarely asks our permission. The experience tested my resolve. It humbled me. It forced me to confront the limits of human patience. But it also revealed a few truths about perseverance, advocacy, and the strange heroism required to navigate a corporate customer service portal. These truths I’ve found applicable to other aspects of our current times. This is that story. --- I care about nonprofits. A lot. I work with them. I advocate for them. And sometimes… I go to war on their behalf armed only with caffeine, screenshots, and an unreasonable belief in justice. Now to be clear, this story is not merely about a skirmish with a large, ethically questionable telecommunications corporation. (Though it is also very much about that.) Beneath the surface lies something more universal: the quiet, absurd, often exhausting work of standing up for something that matters. Our saga began with a billing mistake. A nonprofit I care deeply about had been overcharged by several thousand dollars. For a nonprofit, that is not “oops money.” That is *we-could-fund-an-actual-program-with-that* money. In March of 2024, a customer service representative acknowledged the error and declared confidently: “This was our fault. It’s been taken care of.” Reader, it had not been taken care of. Not even a little. Three additional representatives. Two store visits. An email confirming it was “resolved.” Even the website claimed it had been fixed. It had not been fixed. Instead, the charges had been quietly relocated to what can only be described as a dark, mystical corner of the billing portal—a place where unresolved balances, abandoned hope, and perhaps several missing socks go to die. Two years later the issue resurfaced and came to my attention. Thinking this would be a quick victory—surely a simple correction—I volunteered to resolve it. Thus began a four-week odyssey through the labyrinth of modern customer service. Here is a brief summary of the campaign: - **14+ verified hours** speaking with representatives - **4 additional hours** on hold listening to music clearly designed by behavioral scientists to dissolve human willpower - **3 separate cell phone stores** visited in person each of which told me the other could help me, but who were unable to actually use one of the cell phones they sell to call and confirm this. They could not help me. - **23 named representatives**, including Eyesha, Brad, Alex, Aramey, Wes, Marcus, Destiny, Rochele, MH, Therese, Abhishek, Sunny, Pearl, Nameera, Dipankar, Alish, Reyna (twice), Anthony, Noel, three “Live Agents,” one mysterious “Service Rep”, and a series of artificial intelligence bots who may or may not have been sentient - **3 hang-ups** (after I had been on hold for more than 30 minutes each time) - **9 assurances** that the issue had been fixed - **11 promised deadlines** that came and went like migratory birds At one point the company locked me out of the account entirely for “security reasons.” Apparently, there had been *too many calls* regarding the issue, which triggered an automated account lockdown. Yes. I had been punished for trying to fix their mistake. I responded in the only reasonable way available to me. I documented everything. Every promise. Every deadline. Every name. Thirty-plus pages of notes accumulated. I began quoting representatives’ own assurances back to them like a nonprofit-supporting courtroom drama. “Don’t worry, this will be resolved in 3–4 business days.” (It was not.) “I will call you Thursday.” (He did not.) “You’ll receive an update within 24 hours.” (I did not.) At one point, after hours on the phone with a representative named Alex, I attempted an appeal to shared humanity: “Alex, if that is your name, I want to believe that wherever you are on the other end of this phone, you are a real human being with feelings and a desire to be courageous today. Because that’s what I’m trying to be over here. Can we be courageous together? Help me, Alex. You’re my only hope.” Yes, I quoted Princess Leia. Desperate times. Later, during a particularly fragile moment, I asked another representative: “Wes, do customers cry when they talk to you? Does this job slowly break people until they sob quietly on the phone? Because I’m close, Wes. I am very close.” In hindsight, perhaps theatrical. But it had been a long day. Eventually I was transferred to Pearl, the supervisor’s supervisor—the most powerful person I had yet waited on hold to reach. “Pearl,” I said, “you have power. The question is whether you will use it for good or for evil.” Pearl assured me she had chosen good. She had not. But then, three days ago, something miraculous happened. The credit appeared. Several thousand dollars—restored. The correct pricing—fixed. Justice—achieved. In that moment I experienced a level of triumph typically reserved for Olympic athletes and people who successfully assemble IKEA furniture on the first try. My poor dog absorbed the brunt of my exhausted celebratory affection. She is not a particularly good kisser, but she rose admirably to the occasion. Victory. Not glamorous. But meaningful. --- Advocacy is not always a microphone and a stage. Sometimes it is a spreadsheet and stubbornness. Sometimes it is refusing to accept “system error” as a final answer. Sometimes it is loving a mission enough to stay on hold for twenty-two cumulative hours. And here is the deeper lesson this absurd journey revealed: Whether you are defending the mission of a nonprofit—or the future of a country you care about—do not simply be loud. Be persistent. Ask questions. Audit systems. Push back when something does not make sense. Document everything. Stay kind if you can. Stay stubborn if you must. Be emotionally dramatic when necessary. Summon the spirit of Princess Leia and every unlikely hero who ever refused to quietly accept injustice. But hold onto your humor. Hold onto your dignity. Because if we can outlast, out-document, out-question, and occasionally out-theatrical the systems that frustrate us… we can still win. The lessons from this strange customer service battlefield have served me well. My next battle, unfortunately, is with an internet provider. Wish me luck. And hang in there, dear friends. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-7-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Kris Andersson’s Journey: Tupperware, Theater, and Fabulousness! URL: https://www.stonewallnews.net/kris-anderssons-journey-tupperware-theater-and-fabulousness/ Last updated: 2026-07-21T23:24:35.000Z Kris Andersson is a name that might not immediately ring a bell, but his alter ego, Dixie Longate, has been making waves in theaters worldwide for over two decades. Born on November 29, 1969, in Ohio, Andersson has built a career that is as unique as it is inspiring. With a background in acting and a knack for storytelling, he has transformed a simple idea into a global phenomenon, proving that creativity and resilience can take you anywhere. Before Dixie came to life, Andersson was a film and TV actor in Los Angeles, with roles in major productions like *Titanic* and *Scream 2*. But his career took an unexpected turn in 2001 when a roommate hosted a Tupperware party. What started as a humorous observation about the world of food storage quickly evolved into a theatrical masterpiece. Andersson created Dixie Longate, a brash, hilarious, and empowering character who uses humor and charm to sell Tupperware while delivering messages of self-worth and strength. Dixie is more than just a character; she’s a force of nature. Drawing inspiration from Brownie Wise, the trailblazing woman who revolutionized Tupperware sales in the 1950s, her story resonates with audiences from all walks of life. Through her performances, Andersson weaves humor with heartfelt moments, encouraging people to embrace their individuality and find strength in their own stories. Since its debut at the 2004 New York International Fringe Festival, *Dixie’s Tupperware Party* has become a beloved staple in theaters across the globe. The show has grossed millions, sold hundreds of thousands of tickets, and earned Andersson a loyal fanbase. But beyond the numbers, it’s the personal connections that make the show special. Dixie’s ability to connect with her audience, both on and off the stage, has created a community of fans who see themselves in her story. Offstage, Andersson is a thoughtful and introspective artist who values authenticity. As an openly Gay performer, he has used his platform to challenge stereotypes and celebrate individuality. His journey from a small-town upbringing to international success is a testament to his creativity, determination, and ability to turn life’s unexpected moments into opportunities. **Frank Gaimari: What inspired you to create Dixie Longate, and how has she evolved over the years?** Kris Andersson: I started selling Tupperware 25 years ago, just trying to make a little extra cash between entertainment jobs. Back then, it was all about filling the gaps and staying afloat. Then, one day, a friend dared me to try selling in drag. It was one of those moments where you think, “Why not?” So, I decided to give it a shot. I thought I’d have a few parties, make some money, and then move on. I had no idea that Dixie would take on a life of her own and completely change my life. From the start, Dixie was this good Southern gal: charming, relatable, and full of personality. Over the years, she’s grown and evolved. She’s a little more polished now, and let’s be honest, a little feistier too. But at her core, she’s always been about empowerment. I wanted her to be someone who lifts people up, makes them laugh, and leaves them feeling better about themselves. I never wanted her to be mean-spirited or cynical. Dixie is all about joy, positivity, and just the right amount of sass. It’s been an incredible journey watching her grow and connect with so many people. I’m constantly amazed at how much she’s become a part of my life. What started as a dare turned into something I never could’ve imagined, and I’m so grateful for it. **FG: How did your early acting experiences in films shape your approach to theater?** KA: I’ve always done theater, so stepping into Dixie wasn’t all that different from approaching any other character I’ve played. But what’s been truly special about Dixie is the time I’ve had with her. Over the years, I’ve been able to build her out in ways I never could with other roles. Every little nuance, every piece of her backstory — It’s all been carefully crafted, and she’s become the most fully realized character I’ve ever had the chance to play. What really sets her apart, though, is the audience participation in my shows. Every performance is a little different, because I’m constantly interacting with new people, creating moments on the spot, and coming up with stories in real time. It’s this ever-changing dynamic that keeps Dixie fresh and exciting, not just for the audience but for me too. She’s grown so much over the years, and I think that’s because she’s not just shaped by me — she’s shaped by every person I’ve had the privilege of performing for. It’s been an incredible journey. **FG: What challenges have you faced as an openly Gay artist in the entertainment industry?** KA: Honestly, I don’t think being Gay has caused many hurdles for me in the industry. Most of the time, it doesn’t even come up. The bigger challenges come from being seen as someone who only does one thing. Many people in the entertainment world tend to associate me with Dixie, and they stop there. This has definitely limited other opportunities for roles and projects where I would be a good fit. I have loved playing one role for so many years, but I know that at some point, I’ll have to retire Dixie completely and shift gears. Playing Dixie has brought me countless opportunities — I’ve been lucky enough to perform all over the world and write four different shows for her. For two and a half decades, I’ve truly lived in her world. But now, the challenge is getting people to see past the red wig and recognize what else I can do. **FG: What’s the most memorable reaction you’ve received from an audience member during a show?** KA: After 17 years on the road, I feel like I’ve seen it all. One of the most memorable moments was early in my career when a pregnant woman’s water broke suddenly. Another time, a woman laughed so hard that she peed on the couch she was sitting on! I’ve also had several people faint or pass out during shows. And I can’t forget the three different cities where tornadoes came through while I was performing. That’s a whole other level of chaos! Every show brings something new, and that’s what makes it so exciting. The audience reactions — whether they’re funny, unexpected, or just plain crazy — are what keep me on my toes and make every performance an adventure. **FG: If RuPaul called and asked you to appear on *Drag Race,* would you say yes?** KA: Honestly, no. I don’t think I’d be a good fit for that show. Those performers are so insanely creative and clever — they’re constantly coming up with these incredible looks and concepts. Dixie, on the other hand, is pretty much one look, and I don’t think I’d do well trying to come up with different hair colors, costumes, and ideas for an entire season to keep people entertained. Plus, I’m a terrible lip-sync performer, so that alone would probably send me packing quickly! It’s such an amazing platform, but I know my strengths, and *Drag Race* isn’t where I’d shine. **FG: What advice would you give to aspiring playwrights and performers looking to break into the industry?** KA: Honestly, I’d say the best thing you can do is take initiative — do as much as you can on your own or find a group of like-minded, creative people to collaborate with and develop projects together. This is a tough industry to gain traction in, and waiting around for someone to give you an opportunity can feel like an endless uphill battle. But when you create your own work, you’re not just waiting for a door to open — you’re building the door yourself. Auditioning can be incredibly frustrating because so much of it is out of your control. You can give the best performance of your life, but there are so many variables — your look, your vibe, the timing — that you just can’t influence. When you’re creating your own work, though, you’re in the driver’s seat. You get to shape the vision, push things forward, and make things happen on your terms. And there’s nothing more rewarding than seeing something you’ve poured your heart into come to life. It’s hard work, but it’s worth it. **FG: If you could collaborate with any artist, past or present, who would it be and why?** KA: With so many incredible options, it’s hard to choose just one. Right now, I’d love to work with Kip Williams, the Australian theater director who created the one-person production of *The Picture of Dorian Gray* on Broadway. I’d love to be part of something like that. Michael Arden is another director whose work on Broadway is highly inspiring. He has such a unique vision, and everything he touches feels fresh and innovative. And if I ever had the chance to work on a film project with Emerald Fennell, I think I’d feel like I’d died and gone to heaven. Her storytelling is so sharp, bold, and unapologetic — it’s the kind of work that really excites me. Of course, there are countless actors I’d love to collaborate with, too. Once Dixie officially retires, I believe I’ll have the opportunity to explore many new possibilities and dive into projects that challenge me in fresh ways. Kris Andersson’s story is one of reinvention, resilience, and the power of laughter. Whether he’s on stage in Dixie’s heels or behind the scenes crafting new projects, Andersson continues to prove that life is what you make of it. And for him, it’s a fabulous, empowering, and hilariously unforgettable journey. Kris Andersson’s website: [https://www.dixielongate.com/](https://www.dixielongate.com/?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/03/dixie-longate-courtesy-of-kris-andersson-still-1-1.jpeg?resize=1080%2C1080&ssl=1) Dixie Longate Dixie's Tupperware Party / YouTube --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--72.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Hurricane Season Hustle: A Queer Thriller Set in New Orleans URL: https://www.stonewallnews.net/hurricane-season-hustle-a-queer-thriller-set-in-new-orleans/ Last updated: 2026-07-17T21:13:17.000Z Greg Herren’s latest Scotty Bradley mystery, *Hurricane Season Hustle*, is a stormy, suspenseful ride that pulls you into the heart of New Orleans during one of its most chaotic and dangerous times. Herren, a master of blending humor, intrigue, and the unique flavor of his hometown, delivers a story that’s as much about family secrets as it is about survival. The title itself is a perfect metaphor for the chaos that unfolds. On the surface, it’s about a literal hurricane — a Category 2 storm that traps Scotty and his family in their Garden District estate. But beneath that, it’s about the emotional and psychological storms brewing within the house. The “hustle” hints at the frantic pace of the tale, as Scotty scrambles to uncover a killer hiding among them before it’s too late. The plot kicks off with Scotty and his lovers taking shelter in the carriage house of his grandparents’ estate, thinking they’ll ride out the tempest safely. But when a tree crashes into the house, revealing a dead body outside, the real danger becomes clear. Forced to move into the main house, Scotty realizes that the storm outside is nothing compared to the one looming inside. With no way to escape, he must untangle a web of family secrets, grudges, and lies to figure out who the murderer is before they strike again. What makes this book so gripping is the way Herren uses the hurricane as more than just a backdrop. It amplifies the tension, creating a claustrophobic atmosphere in which every interaction feels loaded with suspicion. The confined setting of the estate, combined with the relentless squall outside, makes for a nail-biting read. And as always, Herren’s knack for weaving in humor and heart keeps the story from feeling too heavy, even as the stakes rise. For longtime fans of the series, this book offers a deeper look into Scotty’s family history, particularly the Diderot side. Herren doesn’t shy away from exploring the darker aspects of this lineage, including its ties to slavery and environmental exploitation. These moments of reflection add depth to the narrative, making it more than just a whodunit. Herren’s love for New Orleans shines through on every page. A Lambda Literary Award winner, he has a gift for capturing the city’s vibrant culture and its resilience in the face of adversity. His Scotty Bradley series is a love letter to New Orleans, filled with the kind of details only a true local could provide. *Hurricane Season Hustle* is more than just a mystery — it’s about family, survival, and the secrets we keep. Whether you’re a longtime fan or diving into the series for the first time, this book will keep you hooked from the first page to the last. It’s a storm you won’t want to miss. [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/12032.jpeg)](https://a.co/d/0ghYMUT7?ref=stonewallnews.net) Hurricane Season Hustle --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--54.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Liza: A Truly Terrific Absolutely True Story URL: https://www.stonewallnews.net/liza-a-truly-terrific-absolutely-true-story/ Last updated: 2026-07-17T21:13:35.000Z Liza Minnelli isn’t just a performer; she’s a cultural phenomenon, a one-of-a-kind entertainer whose impact spans decades. A new documentary, *Liza: A Truly Terrific Absolutely True Story*, comes to theaters on March 7 and dives headfirst into Liza’s life and career. Showcasing her brilliant highs, profoundly human lows, and everything in between, the film is a heartfelt and vivid portrait of a legend. The documentary, directed by Bruce David Klein, brings together some of the most influential voices in Liza’s life. Weaving through the film are luminaries like Bob Fosse, who helped shape her Academy Award-winning performance in *Cabaret*; Joel Grey; Lorna Luft; Mia Farrow; John Kander & Fred Ebb, whose music became the heartbeat of her career; Halston, the iconic designer; and Michael Feinstein, a close friend and musical companion. Their voices and memories guide the narrative, offering a heartfelt and multifaceted view of the woman! behind the icon. The film is a feast for longtime fans, with unforgettable flashbacks to Liza’s career-defining moments. From her boundary-breaking concert film *Liza with a Z* to her breathtaking performance as Sally Bowles in *Cabaret*, the archival footage pulsates with Liza’s energy and genius. The documentary also revisits her unforgettable stint in *Chicago*, capturing the artistry she brought to the role. And, of course, no Liza story would be complete without dipping into Studio 54, where she reigned as a fashion and social trailblazer alongside Andy Warhol. But beyond the glamour, the film takes us into Liza’s world, revealing her depth and resilience. It sensitively explores her struggles with health, addiction, and the weight of an incredible legacy, painting a portrait of a woman who never stopped fighting to rise above life’s challenges. Whether you’re a die-hard fan or a newcomer curious to know what makes Liza, well, Liza, this film is a must-see. It’s a celebration of stardom, creativity, and resilience, capturing the remarkable journey of a woman who epitomizes the essence of an icon. On March 7, do yourself a favor and head to theaters to experience this heartfelt tribute to one of entertainment’s brightest superstars. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/03/liza_poster_675x1000-405x600-1.jpg?resize=405%2C600&ssl=1) Liza: A Truly Terrific Absolutely True Story --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--17.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Mark Making in the Land of Volcanoes: Ken Spurlock in Ridgefield URL: https://www.stonewallnews.net/mark-making-in-the-land-of-volcanoes-ken-spurlock-in-ridgefield/ Last updated: 2026-07-17T20:05:49.000Z ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/FacingCameraNice.jpg) Ken Sprulock, courtesy photo In Ridgefield, just north of Vancouver, Ken Spurlock begins many of his paintings the same way: by covering the canvas in black. From there, color pushes forward — circles, ovals, crosses layered in acrylic, marker, and collage. Some marks disappear. Others remain. He describes this process as mark making — the idea that everyone is drawn to certain shapes, and that those repeated forms become a kind of signature. In workshops, he asks people to notice what they naturally return to. The exercise is less about technique and more about recognizing instinct. That repetition — of shape, of layering — runs through his work. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/P2230006-b.jpg) “Meanderings” 12 x 16 inches, mixed media, 2025 > This piece is inspired by spring time flowers at Memaloose Overlook park in the Columbia Gorge. This hiking trail explodes with rare flowers between May and June. Views of snow capped Mt Hood and Mt Adam’s in the distance. I have hiked in the Columbia Gorge for over 35 years. Hiking through nature’s wonderland gives me an endorphin rush. Spurlock grew up in a working-class town in northern Michigan, one of three children and the only son. His father was a construction painter with Appalachian roots. His mother hosted painting parties at home. As a child, he wasn’t formally trained in art, but he was always creating — building toys from cardboard and paper, inventing worlds out of what was available. At nineteen, he moved to Idaho to attend a small Nazarene Christian college. While studying sociology, he took an abnormal psychology course and learned that homosexuality was still being described as a mental health issue. He did not yet have the language for his identity. When he eventually came out, he describes leaving that religious environment as a “great divorce.” His church community had shaped much of his early life. Separating from it meant starting over. He moved to Boise, completed his undergraduate degree and later a master’s in education, and became involved in the gay community there. That period marked a turning point — socially and personally. It required redefining who he was outside of the structures that had once defined him. Art stayed steady. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/A7303024-Edit-Edit--800x600.jpg) Artist Ken Sprulock surveys some of his creations. | Photo by Charisa Martin Cairn, charisamartincairn@gmail.com For nearly 28 years, Spurlock worked as a residential real estate agent. He taught children to paint. After moving west, he sang in Portland’s Gay Men’s Chorus. He ran a bed and breakfast near Mt. Adams. In each chapter — educator, realtor, entrepreneur — creativity remained central. About seventeen years ago, he began holding one-man art shows and eventually set up a gallery in his garage. What had long been present became more intentional. Two years ago, after retiring from real estate, he chose to focus fully on developing his art practice. He now lives in Ridgefield, Washington, just north of Vancouver. He calls it the land of volcanoes. The Pacific Northwest shapes his work, even when it remains abstract. Forest tones, river light, and darker contrasts show up in palette and composition rather than literal landscape. He also travels to the Southwest to see Indigenous petroglyphs. The repetition of carved shapes resonates with him — the way people return to certain marks over time. Two years ago, he experienced a stroke that left him with temporary double vision. Instead of stepping away from painting, he created what he calls his Double Vision collection. The works from that period layer forms more densely. Shapes overlap. Contrast intensifies. The physical experience became part of the visual language. His paintings shift with what he is living through. During COVID isolation, anger surfaced in the work. During the Me Too movement, the tone became more confrontational. For Spurlock, art is not separate from experience. It absorbs it. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/A7302936-A7302938-Edit.jpg) Ken standing with Petroglyph Point, 48x48 2023 mixed media painting.| Photo by Charisa Martin Cairn, charisamartincairn@gmail.com One painting, Dixon, began during the Double Vision period in 2023\. It is named after a family he helped move multiple times over the years, reflecting the long relationships built during his real estate career. Like much of his work, it continues to evolve. Ridgefield is small. Artists gather for monthly art chats in Ridgefield, Battle Ground, and Woodland — informal spaces to bring work and receive encouragement rather than critique. The range is wide: recycled jewelry, first canvases, experienced painters. Within that room, Spurlock’s bold abstraction stands out. When he sold a piece of Pride art in Ridgefield for the first time, it felt significant. Being openly gay in a small community is not separate from his practice. He does not hide who he is. He has helped expand local arts bylaws to more explicitly welcome LGBTQ+ artists. He also creates male nude photography for smaller audiences. At the center of his practice is process. The canvas begins in black. Marks return. Layers build. Some are buried. Some stay visible. In Ridgefield and throughout the Northwest, his work hangs on the wall — bold, abstract, and unmistakably his. Ken can be reached at [AbstractArtKSpurlock@gmail.com](mailto:AbstractArtKSpurlock@gmail.com) and his work can be found online at **Instagram @abstractartkenspurlock.** ***Affiliations, shows and awards:*** *2026 Featured Artist at the Ford Gallery, Portland, Oregon* *2025 Creating Spaces Guest Artist at Plas Newydd Farm Art Show, Ridgefield WA* *2025 Featured Open Studios Artist, Clark County, Sponsred by ARSTRA* *2023 Featured Open Studios Artist, Clark County, Sponsred by ARSTRA* *2024 Best of Show Award Winning Artist, Ridgefield, Washington* *2024 Rembrandt Award, Ridgefield Art Association* *2024 Guest Artist at the Broadway Gallery, Longview, Washington* *2022-2024 Clark County Arts Commission* *2022-2024 Ridgefield Art Association board member* ***Current art installations where Ken’s art can be seen:*** *Ridgefield Mercantile at 418 Pioneer Street, Ridgefield, Washington. Ken is the first artist with an installation in this venue that runs through March 31, 2026.* *Ridgefield Library at 210 Main Street,* *Ridgefield, Washington.* *In November, 2026, Ken will be the featured artist with Clark County Open Studios when his art studio will be open to the public for two days.* ### Out on the Ranch | Belonging, and the Grace of Being Seen URL: https://www.stonewallnews.net/out-on-the-ranch-13/ Last updated: 2026-07-12T18:41:15.000Z There is a particular kind of anticipatory quiet that settles over the ranch in the early morning, before guests emerge from yurts, before tours and questions are asked, before engagement arrives along with coffee mugs. It’s in that quiet that I’m reminded why this place matters. Not just as a mountain ranch, but as a place where people come to be seen, to connect, to belong, often without realizing that’s what they’re looking for. As the proverbial innkeeper, I remain intentionally reserved in how and when I insert myself into our guests’ experiences. I operate at the edge, allowing for something authentic to unfold. Hospitality, at its best, is not intrusive, but about holding space for others. Sometimes it is about storytelling, sharing connection to what one is seeking in this pastoral setting. Sometimes it is simply offering a well-timed compliment. Small acknowledgments can create a powerful sense of belonging. One time, we hosted a Girl Scout troop—young pre-teens, brimming with energy and curiosity. For them, it was adventure. For the two troop mothers, it was work. The kind of work that requires constant recalibration: corralling enthusiasm, navigating emotions, keeping the group moving while making sure no one gets left behind. The girls had a great experience, but there were moments when everyone had to regroup. Moms had to have chats and boundaries had to be reset. I watched the mothers handle it all with steady patience. Leadership often looks like composure practiced in public. Other guests were staying at the ranch that weekend as well, and they observed me guiding the troop through barnyard chores. Later, they commented on how effective the scouts were at getting the work done. What they were really noticing was something simple: I met the troop at their level and turned the work into an adventure. High energy doesn’t need suppression; it needs direction. I even challenged them to collect eggs from nest boxes while chickens were still inside; a fun thrill balanced with a bit of courage. I’m certain those moments will bloom into lasting memories. But the moment that mattered most came at the end. On their final morning, with tents packed and the last of their gear being loaded, I walked over to help the troop mothers. And in that moment said, “You two did a great job this weekend. I was genuinely impressed by the grace you showed navigating the energy you were being dealt.” I thanked them. I acknowledged their labor. Then I added something unexpected: an invitation for a future midweek yurt stay, for the two troop moms. The tears came immediately. You have no idea how much that means to hear right now,” one of them said. They felt seen. That, I’ve learned, is often what people are hungry for — recognition. I think often of the words etched into the Statue of Liberty: *give me your tired, your poor, your huddled masses yearning to breathe free.* That invitation is unconditional. It doesn’t ask for belief alignment or comfort. It asks only that we recognize one another’s humanity. Here at the ranch, we practice that recognition in small, intentional ways. We operate at the edges of people’s experiences, nudging only when the moment is right, with thoughtful acknowledgement of our guests’ experiences. There is quiet power in noticing and naming effort, in offering a gracious word without fanfare. Out here, belonging is about being seen. It’s about shared ground. Sometimes, all that takes is a few honest words at the end of a long weekend to remind someone that they matter. They belong. They are seen. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-7-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Paris: The Ultimate LGBTQ+ Destination URL: https://www.stonewallnews.net/paris-the-ultimate-lgbtq-destination/ Last updated: 2026-07-20T13:21:38.000Z Paris has a way of making you feel like the main character in your own romantic film. It invites you to be seen, to be bold, and to fall in love — not just with its iconic landmarks but with yourself. For Gay travelers, this feeling is even more profound. Here, rainbow flags fly above bustling cafés, and same-sex couples stroll hand in hand along the Seine. In Paris, queerness isn’t just an accepted part of the scenery — it’s joyfully celebrated. While the entire city exudes an air of inclusivity, the heart of its Gay culture beats loudest in Le Marais. Spanning the 3rd and 4th arrondissements, this vibrant district is a captivating blend of history and modernity. Its centuries-old mansions have been transformed into contemporary art galleries, and chic boutiques double as art installations. It’s also far from being a tucked-away “gayborhood.” Instead, it’s one of Paris’s most stylish and sought-after areas, where medieval streets like Rue des Archives and Rue du Temple invite you to wander and discover what unfolds. The energy is unmistakable. Queer couples hold hands openly and share kisses on street corners without hesitation. Staying in Le Marais puts you at the center of it all, surrounded by the best of Paris’s inclusive spirit. It’s a district where anyone can sit at a sidewalk café, order a café crème or perhaps a glass of red wine, and people-watch for hours. ![](https://www.sgn.org/image/stories/12464) Notre Dame Cathedral / Photograph courtesy of Frank Gaimari ### Museums Beyond its lively streets, Paris's cultural soul beckons. For LGBTQIA+ travelers, the city’s museums offer more than just celebrated masterpieces; they provide a connection to a Queer history that has long thrived here. A visit to the Louvre is essential. While the *Mona Lisa* might surprise you with its modest size, the Denon Wing surrounds visitors with Greek and Roman statues that honored the male form, quietly affirming that the appreciation of beauty is as old as civilization itself. The Musée d'Orsay, housed in a stunning Beaux-Arts railway station, feels more intimate. Standing before Impressionist canvases that revolutionized the depiction of light and color, you are reminded that Paris has always welcomed artists, outcasts, and those who see the world differently. For deeper insight, a private Queer history tour comes highly recommended. Expert guides reveal layers of the city hidden from standard guidebooks, sharing the secret lives of kings; the stories of writers who found freedom here, like Oscar Wilde and Gertrude Stein; and the moments that shaped Paris’s reputation as a Queer sanctuary. ![](https://www.sgn.org/image/stories/12465) The Eiffel Tower / Photograph courtesy of Frank Gaimari ### Nightlife Parisian nightlife is legendary, with a Gay scene that caters to every mood — from casual drinks to exuberant dancing. Back in Le Marais, Cox stands out as a must-visit institution, always filled with a lively crowd spilling onto the sidewalk, drinks in hand, turning the street into a nightly celebration. The atmosphere is energetic and welcoming, the perfect place to meet locals and fellow travelers. There’s no pretension — just great music and infectious joy. For those seeking something a bit spicier, Le Raidd Bar is iconic, famous for its "shower show," a spectacle that balances performance art with unapologetic fun. The bar is often crowded, sweaty, and unabashedly Gay. Yet nightlife in Paris isn’t only about raucous bars. It’s also about quieter, meaningful moments. Escape the noise and wander down to the banks of the Seine. As illuminated monuments reflect on the water and *bateaux mouches* glide by, you’ll find friends sharing wine and lovers whispering on benches, connecting you to every romantic soul who has come before. What truly distinguishes Paris is its inclusivity. LGBTQ+ couples feel it when they check into their hotel, and the concierge doesn’t blink at a request for a double bed. They sense it while dining in candlelit bistros, where waiters treat them with the same respect as any other couple. Paris invites every traveler to become the protagonist of their own story. It encourages dressing a little sharper, eating a little slower, and loving a little louder. The city doesn’t ask anyone to tone themselves down — it asks them to embrace their fullest selves. So, the advice is clear: don’t just dream about Paris; make the trip. See the *Mona Lisa*, dance until dawn in Le Marais, indulge in too many croissants, and stroll along the Seine until your feet ache. Let the city seduce you. Discover that romance isn’t just for the movies — it’s real and waiting right here in Paris. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-19T065533.791.jpg) Paris / Photograph courtesy of Frank Gaimari ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-19T065557.907.jpg) Paris / Photograph courtesy of Frank Gaimari --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--63.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### From Sandusky to Stardom: The Rise of Tim Murray URL: https://www.stonewallnews.net/from-sandusky-to-stardom-the-rise-of-tim-murray/ Last updated: 2026-07-20T13:21:02.000Z Tim Murray’s journey is as enchanting as his comedy. It begins in Sandusky, Ohio, a lakeside town better known for its amusement parks than for Queer culture or a vibrant comedy scene. Growing up as a closeted Gay kid in a conservative environment, Murray often felt like an outsider. Yet it was within the walls of his small-town home, surrounded by family and a persistent sense of not quite belonging, that the seeds of his comedic genius were planted. His early years were a delicate balance of challenges and creative exploration, filled with dinner-table antics and the refuge he found in the arts at Sandusky High School. There, the choir, drama club, and arts programs became his sanctuary — a space where he could express himself long before he was ready to come out. Leadership came naturally to Murray; he was elected class president, channeling his humor and charisma into every assembly and school event. Today, he is celebrated for his one-of-a-kind comedy-musical show, *Tim Murray Is Witches*. Drawing inspiration from his lifelong love of the musical *Wicked* and a childhood fascination with witches, the show is a whirlwind celebration of self-acceptance and individuality. A mashup of stand-up, original songs, drag, and fearless crowd work, *Tim Murray Is Witches* has captivated audiences on both national and international stages. Murray’s latest project, *Wish You Were Queer*, takes his comedy to new heights. The OUTtv original series follows Murray and his comedy partner, Michael Henry, as they embark on a cross-country journey, performing stand-up in cities across middle America. Under the mentorship of drag superstar Trixie Mattel, the duo is pushed to connect with audiences far beyond the liberal bubble of Los Angeles. Each episode blends comedy, culture, and heartfelt connection, as Murray and Henry navigate the joys and challenges of reaching new communities. But *Wish You Were Queer* is more than just a comedy road trip — it’s a celebration of Queer culture in America’s heartland. Through quirky local encounters and moving conversations with LGBTQIA+ people, the series reveals the resilience and remarkable diversity of Queer life in unexpected places. Recently, I had the opportunity to connect with Murray for an in-depth conversation. What I found was that, beyond his undeniable talent and sharp comedic edge, he is a genuinely kind and thoughtful person — someone who uses his platform to inspire, uplift, and bring people together. Here’s an excerpt from our conversation, in which we explored the moments, mentors, and motivations that have shaped his incredible journey: **Frank Gaimari: How did your experiences growing up in Sandusky shape your comedic voice?** Tim Murray: I ate a lot of ranch dressing, and that made me feel very funny. The culture of Ohio is rooted in kindness and fun, which really set the tone for my upbringing. It was a wonderful place to grow up — aside from the homophobia of the ’90s, which, unfortunately, was common everywhere back then. The people I grew up with were incredibly witty and personable, almost as if it were baked into the culture. Being surrounded by that level of sharpness and charm naturally sharpened my own comedic skills. It was like living in a master class in humor, where every interaction was an opportunity to refine your timing and delivery. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Tim-Murrary-Still-3.jpeg) Tim Murray / Photograph courtesy of Tim Murray **FG: What inspired you to create *Tim Murray Is Witches*?** TM: I had been doing traditional stand-up for a few years when I saw my friend Matt Rogers’ musical comedy show, *Have You Heard of Christmas?* And it completely clicked for me. That night, something shifted. I started thinking about performers like Cole Escola, Catherine Cohen, and all these incredible musical comedians I admire, and I realized I had that same energy in me — I just hadn’t tapped into it yet. Watching Matt’s show, which I absolutely loved, made me ask myself, “What’s my version of this?” And then it hit me: Halloween! From that moment on, it was like a floodgate had opened. Comedy songs about witches started pouring out of me, and I knew I had found something uniquely mine. That realization was the spark that brought *Tim Murray Is Witches* to life. **FG: What’s the most memorable moment you’ve had while performing *Tim Murray Is Witches*?** TM: When I was filming the special in Seattle, I went to breakfast that morning feeling incredibly nervous about how the audience would respond. Having lived in NYC and LA, I initially wanted to film the special in one of those cities where I knew I could count on friends to come out and support me. But my amazing director, Brent Driscoll, convinced me to film it in Seattle, promising he could make it look incredible on his home turf. That morning, as I worried the crowd might not be as excited as I hoped, the waiter brought me a free dessert and said, “I loved your improv song last time you were in town.” It was such a surreal and reassuring moment. I gave him free tickets to the special (which he didn’t know I was filming), and that night, the improv song ended up being about him! It was such a full-circle moment, and one of the most memorable experiences I’ve had performing *Tim Murray Is Witches*. **FG: In *Wish You Were Queer*, what was the most surprising thing you learned about performing in middle America?** TM: The biggest lesson I learned is that you truly can’t predict anything — it’s your job as the comedian to adapt and make it work, no matter the circumstances. Michael Henry and I encountered every type of audience you can imagine. Some were thrilled to have us, others seemed more interested in their drinks, and some were stone-cold sober and somber. And then there was everything in between. It was a major learning curve, but also incredibly fun and rewarding. What stood out to me most was how performing in middle America differs from the coasts. Audiences there are often more excited to see live shows because they don’t get them as frequently, which brings a unique energy to the room. At the same time, you must tweak a few references to make sure the material resonates. It’s a balancing act, but one that taught me so much about connecting with people. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Wish-You-Were-Queer-Still-1.jpeg) Michael Henry and Tim Murray / Wish You Were Queer **FG: How has Trixie Mattel’s mentorship influenced your career and your approach to comedy?** TM: Trixie rocks so hard. Her support has been nothing short of transformative for me during this chapter of my life and career. This year, I’ve been fortunate to have people in higher positions extend a helping hand, and Trixie has been the most significant person doing that. Her mentorship has truly been a game-changer. What’s so inspiring about Trixie is her genuine love for supporting fellow Queer artists. She has an incredible ability to champion people, she believes in — those who work hard and make her laugh — and I feel so lucky to be part of that camp. Her support has not only opened doors for me but also reinforced the importance of lifting others up in this industry. It’s a lesson I’ll carry with me as I continue to grow. **FG: What role does Los Angeles play in your creative process and personal life?** TM: I am deeply obsessed with LA. It gave me so much material and was such a pleasant and beautiful place to live. However, I’ve recently moved back to NYC for my husband’s job and some theater-related comedy opportunities that have come my way. I will always have a deep love for LA, but right now, I’m enjoying being back in New York, surrounded by so many live performance opportunities. **FG: How do you balance live performances, teaching improv, and creating viral content for TikTok?** TM: I don’t! LOL. I’m constantly burnt out. If you’ve ever wondered why my hair looks disheveled or why there are bags under my eyes, it’s because I’ve spread myself way too thin! Luckily, I genuinely love everything I do, but I’ve been feeling the fatigue lately. I’m working on finding a balance so that none of these things suffer. For example, if I’m focused on writing, I still prioritize scheduling live shows and creating viral videos. It’s a beast to manage, but I’m doing my best to keep it all afloat. **FG: What’s next for you — another tour, a new show, or something entirely different?** TM: I’m currently writing two new comedy musicals. *My Traitorz Musical Parody*, which I co-wrote with Ben Fankhauser, recently had its first concert version, and it went well! We’re hoping it will lead to an off-Broadway run or even a tour. The other project I’m working on is something I’m super excited about, but I can’t announce it just yet. Touring will always be a big part of what I do, and I absolutely love being on the road! My next adventure is an hour of comedy at the Upright Citizens Brigade Theatre in NYC on April 9, and I couldn’t be more excited. Plus, I’m doing *Witches* again in Austin on April 15 and 16! Tim Murray’s story is one of transformation, from a small-town boy with big dreams to a comedian redefining what it means to be Queer in America. With *Wish You Were Queer* streaming on OUTtv and *Tim Murray Is Witches* continuing to tour, he’s at the top of his game. Yet, he remains grounded, using his platform to inspire and uplift others in the LGBTQIA+ community. Tim’s website: [https://timmurraycomedian.com/](https://timmurraycomedian.com/?ref=stonewallnews.net) Wish You Were Queer / YouTube --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--64.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Echoes From the Isle of Skye: A Heartfelt, Queer Gothic Romance with Mystery, Intrigue, and Depth URL: https://www.stonewallnews.net/echoes-from-the-isle-of-skye-a-heartfelt-queer-gothic-romance-with-mystery-intrigue-and-depth/ Last updated: 2026-07-19T15:43:31.000Z Zakery Leigh’s latest novel, *Echoes from the Isle of Skye*, is a gothic romance that grips you from the very beginning. Leigh’s writing sweeps you straight into the mist-shrouded hills and dramatic cliffs of the Scottish Highlands, making the hauntingly beautiful Isle of Skye feel mysterious and achingly alive. It’s not just a backdrop — Leigh’s vivid descriptions turn Skye into a living, breathing presence, shaping every emotion and moment in the story. At the heart of the novel is Peter Donahue, who, after hearing an echoing call, arrives at the ancient Dunmoore Castle for what he believes will be a simple getaway with his wife. But his trip quickly takes a turn for the extraordinary when he encounters Lord Edgar Kieran Dunmoore, a spectral nobleman still tied to the castle. Edgar is convinced that Peter is the reincarnation of his lost love, Juhles, and soon, the echoes of their tragic history begin to unravel. As Peter’s journey unfolds, he begins to question his marriage, his desires, his sexuality, and even his very identity. Leigh draws us into a moving exploration of love that defies time and mortality. The characters are beautifully realized. Peter’s inner conflict — his confusion, his longing for belonging, and his ultimate acceptance of something far greater — is authentic and deeply relatable. Edgar’s yearning is palpable and heartbreaking, making the bond between the two men both intense and emotionally charged. Their relationship is more than just a supernatural mystery; it’s a reflection of universal questions about loyalty, identity, and the courage it takes to be true to oneself. What truly sets this novel apart is the way it blends gothic intrigue with real human emotion. Leigh masterfully balances eerie encounters and ghostly whispers with honest, heartfelt depictions of longing and self-discovery. The pacing is purposeful, always centering the romance while peeling back new layers of meaning and depth. Peter’s transformation — from skepticism to acceptance — is handled with nuance, giving the story genuine emotional heft. *Echoes from the Isle of Skye* is a standout read: atmospheric, romantic, and deeply thought-provoking. It lingers in your mind long after you finish, inviting reflection on the enduring power of connection and the intricacies of the human heart. If you love historical romance, complex characters, or stories that weave the supernatural with real-world emotion, this novel absolutely belongs on your reading list. *Amazon link:* [*https://a.co/d/iD3E9oA*](https://a.co/d/iD3E9oA?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/11021.jpeg) Echoes from the Isle of Skye --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--55.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | The Costs of Cowardice & Courage URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-the-costs-of-cowardice-courage/ Last updated: 2026-08-16T16:26:20.000Z ### *Why 2026 is Forcing Us to Choose Who We Really Are* --- Like so many others, I held my breath as I watched hockey star, Scott Hunter, risk everything to courageously invite the love of his life onto the ice after his victory in Heated Rivalry. I definitely was feeling that heat. We love stories about courage because they make bravery feel clean and contained. Real life isn’t like that. There’s no soundtrack. No narrator. And often no reward. In 2026, courage looks less like a moment and more like a choice we have to make over and over again. When I think about courage, my mind drifts to some of my favorite fictional heroes: Bilbo Baggins, a small Hobbit who stepped beyond his round green door into danger and uncertainty; Katniss Everdeen, who stood up to an oppressive system armed with little more than resolve and a stubborn moral compass; or like Scott Hunter who risked his career and public approval to live honestly and love openly. These stories move us because they remind us what’s possible when fear doesn’t get the final word. But these characters are fictional. What does it look like in real life in 2026? --- **When Courage Costs Too Much** Real life doesn’t come with scripts, acts, or applause. Real courage is often quieter. Messier. Less celebrated. And sometimes far more costly. This year, the people of Minnesota have shown us what that kind of courage looks like. Neighbors helping neighbors. Strangers helping strangers. People standing shoulder to shoulder in sub-zero cold—not for politics, but for humanity. Standing against cruelty, intimidation, and violence. Some have paid the highest price for doing so. In early January, Renée Nicole Good, a 37-year-old mother of three, was fatally shot by a federal immigration enforcement officer in Minneapolis shortly after dropping her six-year-old off at school. Her final words—spoken calmly, even kindly—were, *“That’s fine, dude. I’m not mad at you.”* Just weeks later, Alex Jeffrey Pretti, a registered ICU nurse and veteran’s care provider, was executed on the street by federal immigration agents. Both were American citizens. Both deaths shook their community—and our country—to its core. What struck me most was not just the outrage that followed, but the response. Ordinary people showed up. They marched in freezing winds not because they enjoy confrontation, but because they refused to let these lives fade into silence. We gathered to name them. To mourn them. To insist they mattered. We stood not only for Renée and Alex—but for every unseen, unheard person pushed to the margins. This is courage that doesn’t wear a cape. This is courage that arrives holding another person’s hand. --- **So What Does Courage Look Like Now?** In real life. In 2026. It looks like refusing to let injustice go unchallenged. It looks like showing up to vigils, conversations, and protests to protect our shared humanity. It looks like choosing compassion and speaking up even when fear tells us to stay quiet and safe. At this pivotal moment, we’re all being asked to look in the mirror and answer an uncomfortable question: **What does courage look like for me?** I’ve been asking myself that a lot. --- **Learning From My Own Failures** I’ve reflected on moments when I managed to summon courage—and moments when I fell painfully short. I’ve also learned that sometimes courage isn’t optional. The storm is coming either way. Whether we stand tall or curl up, the only real choice is how we meet it. While watching *Heated Rivalry* with friends, when Scott Hunter comes out publicly and embraces his boyfriend on the ice, it stirred something uncomfortable in me, because my own coming-out story was far less courageous. I didn’t step boldly onto the ice—I inched out, carefully. I denied and deflected even when it hurt others. As a teenager, I exchanged excited emails with a boy in another rural town I had a huge crush on. I was too scared to use my real name, so I gave him my middle name—which also happened to be my father’s first name. When he decided to take our romance offline and courageously send me a handwritten love letter, complete with a stamp and a squirt of cologne, it arrived addressed to my very confused father. I should have stood up and said the letter was meant for me. I should have protected him. I should have chosen courage. I didn’t. That boy was outed to his parents. I never heard from him again. I was terrified and heartbroken—and I’ve had to live with that ever since. There are consequences to cowardice. --- **Choosing Courage When It Hurts** There have also been moments when I chose courage knowing it would cost me—when doing the right thing promised no reward beyond being able to face myself in the mirror. On one such occasion, I witnessed illegal actions at an organization I worked with. It became clear that unless someone spoke up, young people would continue to be put in harm’s way. I was ignored. Then warned. Repeatedly told to stay quiet. Instead, I documented everything. I double-checked my facts. I made a plan. And I spoke up. The organization was shut down. I lost my job. I lost future opportunities. I lost relationships. I’m here to tell you unequivocally: it was painful—**and it was worth it.** --- **The Storms We Don’t Choose** Some courage is forced on us. Storms we never asked for but must still face. When I was diagnosed with epilepsy, my life changed dramatically. I was discharged from the military. I faced seizures and daily medications with brutal side effects. Disability was presented as the obvious path. I was devastated and scared. I couldn’t choose the diagnosis—but I could choose my response. I chose to stand. I took a deep breath, and went to work for the Epilepsy Foundation. I learned everything I could. I built relationships with neurologists and pharmacists. I fought to regain control. Late last year, I was diagnosed with cancer. I don’t get to vote on this storm either. But once again, I get to choose whether I face it standing or lying down. I choose to stand. I purchased a *“Battling Cancer. Still Sexy.”* t-shirt, and I’m grateful my prognosis so far is promising. --- **Not All Courage Looks the Same** We can’t all be Superman or Wonder Woman. We often can’t choose the storms we face. And courage isn’t one-size-fits-all. If you think you’re not courageous, you may just be measuring yourself by the wrong standard. Authors Jennifer Armstrong and Lisa Dungate identify six types of courage: - **Physical**: Acting despite fear of physical harm or pain - **Social**: Risking rejection or loss of status to do the right thing - **Moral**: Standing up for convictions, ethics, and justice - **Emotional**: Allowing vulnerability and the full range of feelings - **Intellectual**: Being willing to learn, unlearn, and challenge beliefs - **Spiritual**: Seeking meaning, purpose, and inner peace Not all of us will show physical courage. But moral courage, emotional courage, spiritual courage—especially social courage—are desperately needed right now. So I’ll ask again: **Which courage type are you choosing?** Courage isn’t just what shows up in headlines. It lives in quiet choices. In small acts of solidarity. In facing our own fears and insecurities. In standing with others when retreat would be easier. The storm is already here. History will not remember what we said we believed or our private opinions. It will remember what we were willing to stand up for when it mattered. So stand. Even if your voice shakes. Even if it costs you. Even if you’re scared. Stand. Because the cost of courage is high. But the cost of cowardice is everything. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-8-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Sapphira Cristál’s Stand-Up Tour is Coming to Seattle URL: https://www.stonewallnews.net/sapphira-cristals-stand-up-tour-is-coming-to-seattle/ Last updated: 2026-07-17T21:14:19.000Z Brace yourself, Seattle! This March, drag superstar and comedy powerhouse Sapphira Cristál will bring her sensational new stand-up tour, *One Slue over the Cuckoo’s Nest*, to the Emerald City. A fan favorite from *RuPaul’s Drag Race* season 16, Sapphira is ready to deliver a night of outrageous humor, heartfelt moments, and dazzling drag you won’t soon forget. Known for her incisive wit, magnetic presence, and operatic voice, Sapphira Cristál is a true original. Her latest show dives headfirst into the absurdities of modern life — from travel mishaps and weight fluctuations to the worldwide K-pop craze. With her signature slue-footed charm and impeccable comedic timing, Sapphira transforms chaos into comedy and invites audiences to laugh at the madness we all share. “*One Slue over the Cuckoo’s Nest* is what happens when you’re locked in a room with high comedy, low patience, and impeccable wigs for drag therapy with me. And I’m both the doctor and a patient,” she said teasingly. Sapphira’s journey is as impressive as her performances. She’s graced legendary venues like Lincoln Center, performed alongside Madonna on the Celebration Tour, and wowed audiences worldwide with her theatrical productions. Now, she’s channeling that star quality into stand-up, bringing a fresh perspective — and plenty of glamour — to the comedy circuit. **Frank Gaimari: You’ve been known for your theatrical performances and operatic productions. What made you decide to dive into stand-up comedy?** Sapphira Cristál: Comedy has always been a subtle thread woven into everything I do. Even in my theatrical and operatic performances, there’s always been a touch of humor. Stand-up, though, has been a love of mine since childhood. During my 2024 debut solo tour, *The Cristál Ball*, I discovered just how much I enjoyed the stand-up and storytelling aspects of the show. It was such a thrill to connect with the audience in that way, and I remember thinking, “What if I created an entire show centered around this?” That realization sparked something in me. Since then, I’ve been diving deeper into writing comedic material, and now I’m ready to share it. I know I’m funny, and I can’t wait to bring that side of me to my wonderful fans and, hopefully, to some new friends along the way! **FG: How does your drag persona influence your comedy style?** SC: My drag persona is all about being BIG — big hair, big lashes, big looks, and a big ol’ booty! And, of course, a big mouth to share everything I’ve seen and exactly what I think about it. I’m a little off the wall, so my perspective tends to be delightfully skewed. That larger-than-life energy naturally spills into my comedy. Whether I’m serving a look or serving a punchline, it’s all about going bold, being unapologetically me, and making sure everyone is having a good time. **FG: You’ve performed on some of the world’s biggest stages, including Lincoln Center and Madonna’s tour. How does performing in comedy clubs compare?** SC: Out of all the stages I’ve performed on — whether it’s Lincoln Center or Madonna’s tour — comedy clubs are by far the most terrifying. Usually, I’m performing other people’s work, whether it’s singing opera, lip-syncing, or dancing. But with stand-up comedy, it’s just me — raw and unfiltered — sharing what I think is funny and hoping the audience agrees. It’s vulnerable, nerve-racking, and completely thrilling. I love making people laugh at things they might not normally find funny — it’s such a unique challenge. And as scary as it is, it’s also the most fun I’ve ever had on stage. **FG: Drag and comedy both require a lot of vulnerability. How do you balance being open and staying true to yourself while making people laugh?** SC: I have a self-love practice that I take with me everywhere I go — it’s become a bit of a signature for me. I raise my arms in the air, wave my hands, wrap my arms around myself, take a deep breath, and say, “I truly love and accept myself.” I repeat it a few times, and it grounds me. It’s a reminder that I’m loved, I’m enough just as I am today, and I’m fully present in the moment. Being present is, in my opinion, one of the most important habits to maintain in stand-up. It allows you to be both vulnerable and funny while connecting with the audience in a real way. It also gives you the freedom to make spur-of-the-moment observations that complement your prepared material. When you’re present, the audience feels safe in your care, and that’s when the magic happens. **FG: You’ve been a mentor and teacher in the drag and performance world. How do you hope your comedy inspires your audience?** SC: I hope my comedy inspires my audience to laugh more — even at the things we usually see as sad or heavy. When you can laugh at something, it takes away some of its power. It feels a little less scary, a little less overwhelming. And in that moment of laughter, you’re not just finding relief — you’re also empowering yourself to face it and maybe even do something about it. **FG: What’s one thing you hope audiences take away from *One Slue over the Cuckoo’s Nest*?** SC: If there’s one thing I hope audiences take away from *One Slue over the Cuckoo’s Nest*, it’s that life is funny. No matter how wild, chaotic, or unexpected it gets, there’s always humor to be found if you’re willing to look for it. **FG: Looking back at your time on *RuPaul’s Drag Race*, what was the most surprising lesson you learned?** SC: The biggest lesson I learned on *RuPaul’s Drag Race* is that you can be the best and still lose — and that’s okay! Losing a competition doesn’t define you or make you a loser in life. What matters is how hard you’re willing to work to chase your dreams. I’m living proof of that. Since *Drag Race*, I’ve headlined five national and international tours, I’ve shared the stage with Madonna three times, and now I’m embarking on my first solo comedy tour. None of that would’ve been possible if I had ever entertained the thought of giving up on myself. When I want something, I go after it with everything I’ve got. Because at the end of the day, a girl who fights for what she wants is always a winner, baby! ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/sapphira-banner-2.jpg?resize=1600%2C1200&ssl=1) Photograph courtesy of Sapphira Cristál Sapphira Cristál’s *One Slue Over the Cuckoo’s Nest* is more than just stand-up — it’s a celebration of resilience, authenticity, and joy. With her razor-sharp humor and larger-than-life charisma, Sapphira delivers an experience that is as inspiring as it is hilarious. Tickets for the March 29th show at the Emerald City Comedy Club are now on sale at [https://www.sapphiracristal.com/tour](https://www.sapphiracristal.com/tour?ref=stonewallnews.net). Whether you’re a devoted fan or new to her world, this is a night of comedy and drag excellence you won’t want to miss. Check out Sapphira’s website at [https://www.sapphiracristal.com/](https://www.sapphiracristal.com/?ref=stonewallnews.net). ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/02/sapphira-still-3.jpg?resize=2160%2C2160&ssl=1) Photograph courtesy of Sapphira Cristál --- ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--23.jpg) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Inside Matelotage, The Same-Sex Partnerships Between Colonial-Era Pirates URL: https://www.stonewallnews.net/inside-matelotage-the-same-sex-partnerships-between-colonial-era-pirates/ Last updated: 2026-07-17T19:11:38.000Z ### During the Golden Age of Piracy, some buccaneers engaged in matelotage, a form of civil union. Sometimes these arrangements were purely financial — but often they were affectionate, romantic, or sexual. > *by Andrew Milne | Edited by John Kuroski* > *Published on All That’s Interesting,* [*https://allthatsinteresting.com/matelotage*](https://allthatsinteresting.com/matelotage?ref=stonewallnews.net) --- Pirates have been an endless source of fascination for centuries — their rootless ways, their quests for treasure, and their sophisticated and stateless societies hold a strong appeal. But one little known aspect of their culture is matelotage – a sort of pirate civil union. In pirate communities of the 17th and 18th centuries, ships were male-dominated, tightly packed, and the ship’s crew largely formed their own mores and rules. Matelotage developed in that environment where crew mates often knew one another more intimately than the wives and children they’d left behind on land. In some cases, matelotage was affectionate, even fraternal; in others, it was romantic and sexual. But regardless of the nature of each relationship, pirates took the bonds of matelotage very seriously. As far as historians can tell, matelotage began during the 1600s. The word derives from the French matelot, which means sailor or seaman. “Matey” likely also derives from matelot, making it a sort of cousin-word to matelotage. It’s believed that matelotage began as a strictly economic partnership. One pirate would agree with another that they could inherit the lion’s share of their fortune after leaving “part to the dead man’s friends or to his wife,” according to The Invisible Hook by Peter T. Leeson. Some historians describe it as something like an informal will. While a work of fiction, Édouard Corbière’s 1832 novel, Le Négrier, produces a definition of matelotage: “This amatelotage of sailors among themselves, this hammock camaraderie, establishes a type of solidarity and commonality of interests and of goods between each man and his matelot.” In Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth Century Caribbean, Professor Barry Richard Burg writes that matelotage was “an institutionalized linking of buccaneer and another male — most often a youth — in a relationship with clearly homosexual characteristics.” This arrangement could sometimes parallel the pederastic relationships of ancient Greece. Young matelots explicitly traded sex for stability, advancement, and often money. Other forms of matelotage were built around passengers or sailors trading sexual favors for food, security, or as a form of payment for outstanding debts. These relationships clearly offered benefits to both parties, but how widespread were they really? Matelotage manifested in many different ways, but among pirates in the Caribbean in the 18th century, it generally denoted a sexual relationship. Even Captain Robert Culliford, the English pirate who defied Captain Kidd, engaged in the practice. A register from Calendar of State Papers: Colonial Series records a John Swann, who was known as a “great consort of \[Captain\] Culliford’s, who lives with him.” The note is ambiguous, but clearly a relationship greater than economic convenience had developed between the sailors. Jealousy and passion were often interwoven in matelotage. The entanglement of money, love, and sex on a pirate ship was bound to end in calamity from time to time. Though the bonds of matelotage were respected on board pirates’ ships, same-sex unions were still highly stigmatized on land. All but the wealthy elite could be jailed or even killed for homosexuality. Even in the pirate world, homosexuality wasn’t quite accepted as the norm. In Tortuga, a hotspot for buccaneers in the Caribbean, Governor Le Vasseur wrote to France in 1645 requesting that the government send 2,000 prostitutes to the colony, in hopes that the presence of more women would curb the prevalence of matelotage. However, the plan backfired when some pirates began marrying prostitutes, only to share them with their matelotage partners. It seems the custom offered pirates a kind of security and companionship that they couldn’t find onshore and wasn’t so easily gotten rid of. In terms of exactly how common same-sex romance was among pirates, historians today generally believe that rates of homosexuality likely mirrored what would have been found in the population at large. Unfortunately, without written matelotage records and only a handful of anecdotes documenting this practice, it’s impossible to say just how far-reaching it was. Ultimately, whether their relationships were romantic or platonic, matelotage partnerships gave pirates a modicum of safety as they navigated a life of crime on the high seas. ### Bosco: The “Grindhaus” Interview URL: https://www.stonewallnews.net/bosco-the-grindhaus-interview/ Last updated: 2026-07-17T21:14:39.000Z Seattle’s drag scene is about to ignite as international showgirl, producer, and *RuPaul’s Drag Race All Stars 10* sensation Bosco brings back her acclaimed drag revue, *Grindhaus*, to The Crocodile on February 6–7 for two unforgettable nights. Known for her razor-sharp wit, jaw-dropping looks, and undeniable star power, Bosco has curated *Grindhaus* as a dazzling fusion of drag, burlesque, cabaret, and avant-garde performance art. This installment promises to be the must-see event of the season, featuring a star-studded lineup from both the global and local drag scenes. Joining Bosco will be drag royalty Sasha Velour, Lady Camden, Stasha Sanchez, Midori Monet, Stacey Starstruck, and Angel Baby — each bringing their own unique flair and captivating style to the stage. “This is the sixth installment of *Grindhaus*, and I couldn’t be more excited to bring it back to our home venue, The Crocodile,” Bosco explained. “It’s a star-studded, Queer variety revue that combines the clout of global drag superstars with the talent of our local Seattle showstoppers. Thanks to The Crocodile, *Grindhaus* has truly found its home in a high-production, large concert venue that allows the show to thrive and grow.” **Frank Gaimari: What does the title of the show, *Grindhaus*, mean?** Bosco: A “grindhouse” refers to a type of theater that specialized in showing low-budget, gritty, and often outrageous films — think raunchy, shocking, and unapologetically over the top. It’s the kind of entertainment that doesn’t take itself too seriously but still leaves a lasting impression. Honestly, that’s the perfect vibe to describe the Seattle drag scene. There’s a raw, unfiltered energy in Seattle drag that feels like it belongs in its own kind of theater, so *Grindhaus* is my way of creating that space. And why the spelling? Well, I added a little flair, because, let’s be real, I’m Gay. It’s a nod to Queer culture, where we take something classic and make it fabulous. **FG: How does it feel to bring *Grindhaus* to The Crocodile?** B: Bringing *Grindhaus* to The Crocodile has been truly magical. This iconic venue has proven to be the perfect home for the show — it feels like the stars aligned, and we found our soulmate in a theater. The Crocodile’s team is phenomenal, and their support has made it possible to bring this wild, unapologetic vision to life. For me, *Grindhaus* is more than just a show. It’s my love letter to Seattle. It’s a celebration of the city’s unique drag scene — its grit, its humor, and its heart. And where better to stage that love letter than at a venue that’s been such a cornerstone of Seattle’s cultural identity? It feels like the perfect marriage of venue and vision, and I couldn’t imagine *Grindhaus* happening anywhere else. **FG: You’ve toured the world and performed on some of the biggest stages. How does Seattle’s drag scene compare to other cities?** B: Seattle’s drag scene is truly one of a kind, and I genuinely believe it’s home to some of the best drag in the world. What makes it so special? The audiences. Seattle audiences are incredible — they’re passionate and engaged, and they know what they want. They demand a lot from their performers, and they’re not afraid to hold you to a high standard. But here’s the thing: when you meet their expectations, they give back tenfold. There’s this beautiful energy exchange that happens in Seattle. The audience isn’t just there to watch — they’re there to be part of the experience. They cheer louder, laugh harder, and connect deeper. That kind of support pushes performers to be their absolute best. It’s a challenge, but it’s also a gift, and it’s one of the reasons I’m so proud to call Seattle’s drag scene my home. **FG: What can audiences expect from this year’s *Grindhaus*? Any surprises you can tease?** B: I give full control to the cast for each show, so honestly, I don’t know what to expect any more than the audience does. And that’s exactly what makes it so thrilling. By giving the performers the freedom to swing big and take creative risks, we create those electrifying, unpredictable moments that have become the hallmark of *Grindhaus*. Every show is its own unique experience, shaped by the incredible talent and vision of the cast. It’s raw, it’s bold, and it’s always full of surprises. That element of the unknown is what keeps the energy alive and the audience coming back for more. *Grindhaus* isn’t just a show — it’s a living, breathing spectacle, and I can’t wait to see what the cast brings to the stage this year. **FG: You’ve assembled an incredible cast for this show. How did you choose the performers?** B: Years of working in both national and local drag scenes have given me the privilege of building relationships with some of the best performers out there. When it comes to casting *Grindhaus*, I always have two goals in mind. First, be entertaining. That’s the heart of the show — making sure the audience is captivated, thrilled, and having the time of their lives. Second, I want to give incredible performers the space they need to bring their vision to life. *Grindhaus* is all about celebrating bold, creative talent, and I believe in giving the cast the freedom to push boundaries and take risks. It’s about creating a platform where they can shine, surprise, and deliver unforgettable performances. That combination of talent and trust is what makes this cast so extraordinary. **FG: Drag has evolved so much in recent years. How do you see *Grindhaus* pushing the boundaries of what a drag show can be?** B: I believe that drag — especially Seattle drag — deserves to be seen on a stage that matches its artistry and ambition. *Grindhaus* is about giving power to the performers, trusting their vision, and creating a space where they can push boundaries and redefine what drag can be. That’s how drag continues to grow and evolve. Seattle performers have always been on the cutting edge of where drag is headed. There’s this fearless creativity and raw energy that sets them apart, and I want *Grindhaus* to amplify that. At the same time, it’s important to honor Seattle’s DIY punk roots, which have always been a huge part of the city’s drag identity. *Grindhaus* blends a gritty, rebellious spirit with bold, innovative performances to create something fresh, exciting, and uniquely Seattle. **FG: What’s the most rewarding part of producing a show like *Grindhaus*?** B: Producing this show is incredibly stressful — there’s no sugarcoating that. But there’s this moment, right after the last show of the weekend wraps, where everything hits me all at once. I’m overwhelmed with pride, gratitude, and this incredible sense of accomplishment. It’s in that moment that all the hard work feels worth it, and, somehow, I’m immediately energized to start planning the next one. My team and I pour so much of ourselves into these shows. It’s a labor of love, and while the process can be exhausting, the reward is truly in the work itself. Seeing the vision come to life, watching the performers shine, and feeling the audience’s energy — it’s all so fulfilling. *Grindhaus* is a passion project in every sense, and that’s what makes it so rewarding. **FG: You’ve accomplished so much in your career — from walking New York Fashion Week to starring in your own documentary. What’s next for Bosco?** B: I’ve got exciting shows in the works for 2026, both in Seattle and across the country. Big projects are brewing, and I can’t wait to share them. Keep your eyes peeled for major announcements in the coming months. I have a feeling this is going to be my biggest year yet. There’s so much on the horizon, and I’m ready to take things to the next level. It’s going to be bold, it’s going to be exciting, and I can’t wait for everyone to see what’s next! ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhaus-bosco-1.jpeg?resize=800%2C1000&ssl=1) Bosco / Photo by Eric Magnussen As Bosco and her stellar cast prepare to take the stage, *Grindhaus* promises an unmissable evening of jaw-dropping performances. Whether you’re a die-hard drag fan or new to the scene, this is your chance to experience the absolute best of Seattle’s drag. *Tickets are on sale now at*[*https://hereisbosco.com/*](https://hereisbosco.com/?ref=stonewallnews.net)*, and are expected to sell out fast. More shows are scheduled for later in the year.* ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhaus-sasha-velour.jpeg?resize=800%2C1000&ssl=1) Sasha Velour / Photo by Mettie Ostrowski ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhous-lady-camden.jpeg?resize=800%2C1000&ssl=1) Lady Camden / Photo by Maximillian Tortoriello ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhaus-midori-monet.jpeg?resize=800%2C1000&ssl=1) Midori Monet / Photo by Miss International Queen USA ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhaus-stacey-starstruck.jpeg?resize=800%2C1000&ssl=1) Stacey Starstruck / Photo by Eric Magnussen ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/grindhaus-angel-baby.jpeg?resize=800%2C1000&ssl=1) Angel Baby / Photo by Stephen Anunson --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--24.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Catherine O’Hara, Beloved Actress and Comedian, Dies at 71 URL: https://www.stonewallnews.net/catherine-ohara-beloved-actress-and-comedian-dies-at-71/ Last updated: 2026-07-23T16:02:32.000Z Catherine O’Hara, the celebrated Canadian-American actress and comedian, has passed away at the age of 71\. Her manager confirmed the news on January 30, 2026, sharing that she died peacefully at her home in Los Angeles following a brief illness. O’Hara leaves behind a legacy of humor, heart, and unforgettable performances that have endeared her to generations of fans around the world. Born in Toronto, Canada, in 1954, O’Hara began her remarkable career with the legendary comedy troupe The Second City, which later evolved into the groundbreaking sketch show “SCTV.” Her sharp wit and comedic timing shone on “SCTV,” earning her an Emmy Award for writing in 1982 and establishing her as a comedic force to be reckoned with. O’Hara’s film career is a treasure trove of beloved classics. She brought her unique charm and energy to Tim Burton’s “Beetlejuice” (1988) as the eccentric Delia Deetz, a role she reprised to great acclaim in the 2024 sequel, “Beetlejuice Beetlejuice.” Her portrayal of Kate McCallister, the frantic yet loving mother in “Home Alone” (1990) and its sequel, “Home Alone 2: Lost in New York” (1992), remains a holiday tradition for families worldwide, her memorable performances capturing both comedy and genuine emotion. Her collaborations with director Christopher Guest in mockumentary favorites such as “Waiting for Guffman” (1996), “Best in Show” (2000), and “A Mighty Wind” (2003) showcased O’Hara’s comedic brilliance and versatility. Each role demonstrated her ability to infuse characters with depth and humanity, earning her the admiration of her peers and audiences alike. However, it was her role as the eccentric and theatrical Moira Rose in the Emmy-winning sitcom “Schitt’s Creek” that brought O’Hara renewed acclaim and a devoted global fanbase. Her performance as Moira — a character both hilarious and heartfelt — earned her an Emmy Award in 2020 and solidified her place as a television icon. Beyond her on-screen work, O’Hara lent her voice to animated classics like “The Nightmare Before Christmas” (1993) and “Frankenweenie” (2012), bringing life to unforgettable characters. In recent years, she continued to impress audiences with roles in HBO’s “The Last of Us” and Apple TV’s “The Studio,” earning Emmy nominations for both performances and demonstrating her enduring relevance and talent. Off-screen, O’Hara was a devoted wife and mother. She married production designer Bo Welch in 1992, and together they raised two sons, Matthew and Luke. The family made their home in Los Angeles, where O’Hara was named honorary mayor of Brentwood in 2021—a testament to her warmth and generosity in her community. Catherine O’Hara’s passing is a profound loss to the entertainment world. Her ability to bring humor and humanity to every role made her a cherished figure both in Hollywood and beyond. Fans will forever treasure the joy she brought into their lives through her work, her spirit living on in the laughter and love she inspired. From her early days in Canadian comedy to her status as a global icon, Catherine O’Hara’s legacy will endure. She will be deeply missed, but her remarkable body of work ensures that her influence and memory will continue to delight and inspire for generations to come. Rest in peace, Catherine O’Hara. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/ohara1.jpg?resize=1544%2C1152&ssl=1) Eugene Levy, Catherine O’Hara, Dan Levy, and Annie Murphy / IMDb The Legendary Roles of Catherine O'Hara / YouTube --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--76.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | Things My Husband Says URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-things-my-husband-says-2/ Last updated: 2026-08-16T16:25:53.000Z “Since you’re now in public office, I should probably tell you all the weird things you do—and all the ways you’re wrong.” My husband, Robert, offered this loving threat shortly after I began my term as a Spokane City Council Member. Robert has always had quick wit and an almost alarming level of communication skill—especially when it comes to poking fun at me. Over time, I started collecting his best lines under the hashtag **#thingsmyhusbandsays** online. My husband does *not* follow me on social media (which, honestly, may be one of the great secrets to our relationship’s success). So while our friends get to laugh—usually at my expense—my remarkable husband remains blissfully unaware, free to be 100% himself. That is… until a colleague or complete stranger approaches him in public and says, “We LOVE your quotes.” At which point I receive a quick glare, and I am immediately in at least two troubles. Thankfully, he always forgives me. Eventually. Usually. With conditions that often involve the procurement of his favorite snacks. As the world has grown heavier—and as Rob and I have faced our own harder seasons—I’ve found his ability to keep laughing, keep noticing joy, and keep offering lightness to be more than charming. It’s been essential. Lately, I’ve become increasingly aware of how often the world tries to rob us of our joy and energy. And it’s made me more determined than ever to steal it back—intentionally, stubbornly, and sometimes with snacks. Part of that is fiercely protecting my sources of joy. It is the fuel we need to keep fighting and persisting. My husband is high on that list. Here are a few of my favorite **#thingsmyhusbandsays** from the past few years—offered as proof that love can look like laughter, and commitment can sound suspiciously like roasting. --- **After I attempted to cook a meal…** “You’ve had many successes in your life… tonight was not one of those. But you shouldn’t stop trying.” And, later: “Well, if anyone is going to discover a wrong way to cook fish, it’s going to be you.” --- **On my home decorating attempts…** “Sometimes I question if you’re really gay… and then I see you hung tassels that have tassels, and I feel reassured.” Or this wisdom: “Just because there’s room doesn’t mean there’s space.” Or this: “I’m wondering if you actually have a phobia of a square foot of un-decorated wall space?” --- **After returning from a public event…** “I’m always amused when people get twitter-pated around you… because I know you, and you’re a total weirdo.” --- **On preparing for a radio interview…** “Your haircut is so bad they’re going to hear it over the airwaves.” --- **Upon getting ready for bed…** “You should know you’ve caused me twelve annoyances today… but I do still love you.” --- **When I told him I needed to be mean and intimidating in an upcoming meeting…** “That’s great. You’ll be about as mean and intimidating as a teddy bear throwing his jellybeans.” --- **Offering encouragement (in his own special way)…** “I appreciate how you make strong, bold decisions… sometimes they’re wrong, but at least they’re strong and bold.” --- **Upon discovering my toothbrush had been used…** “I’m going to be in bigger trouble now, but in my defense… we’re married, and your toothbrush was the only thing I could find.” --- **When informing me we were going hiking…** “We *ARE* going hiking, and you *WILL* like it.” --- **To prepare me for a conversation…** “Hey, I’m going to say some things, and then you’re going to say, ‘You’re absolutely right. I agree and understand.’ Got it?” --- **Before I was scheduled to speak to his colleagues…** “I see you’re speaking to my class tomorrow… I should probably pre-approve your outfit.” --- **Commenting on my sense of fashion…** “You can’t wear any of that… because you’re not and have never been a teenage muscle jock.” Or, on a different day: “I’m glad you think you look good… and hopefully the world will be kind to you and accept that.” Or: “I know you used to teach for FIDM… and then I remember that those who can’t do teach and then it makes more sense.” --- **Upon correcting my laundry method…** “I debated letting you continue to believe that when you overstuff the dryer like that, it all magically dries… but I think it’s time you finally knew the truth. I always take it out and reload it for you.” --- **After I asked him for a favor…** “I’m currently frustrated with you… but I’ll be less frustrated in twenty minutes and will respond then.” --- **When I mumbled and asked if he’d like ramen at the Buddhist temple…** “I’d LOVE to eat ramen at a nudist temple!” --- **After he got braces…** “I’m going to need you to start mommy-birding me all the good foods I’m missing.” --- **When I asked about suspicious charges on our credit card…** “The world often feels like it’s shrouded in darkness and misery. So I want you to know that sniffing the fragrances of beautiful candles brings me joy… now I’ll tell you about the candles I charged to our credit card.” --- **When he was frustrated with me…** “Be warned. I’m having very strong feelings at the moment. Half of them are directed at you. The other half are because I’m hungry.” --- **After I lost my sense of taste due to COVID…** “Hon, take a look at our house. You lost that sense a long time ago.” --- **When someone criticized me and I asked him if I’m insufferable…** “No. Unfortunately, I have to suffer you all the time.” --- **On our future deaths…** “When you die, I plan to pass a few days later… because I won’t have anyone to find my phone or keys anymore, and that will be unbearable.” --- **On being successful in life…** “Part of my success is that I know my favorite pizza is olive. But I don’t need to hold out for only olive pizza. I know how to enjoy the heck out of a pepperoni or a cheese.” --- **When I asked if the berries we were picking were edible…** “Don’t be silly. Everything is edible… at least once.” --- **On whether he’ll ever stop loving me…** “No. You’re stuck with me. No one else has the strength, charm, and charisma needed to put up with you.” --- Some receive love letters. I receive emotional support through sarcasm, snack-based diplomacy, and affectionate verbal uppercuts. And somehow, in the middle of it all—between the chaos, the stress, the world’s heaviness, and the occasional dryer intervention—his humor has become one of the most steady, healing forces in my life. Because when someone can make you laugh while life is trying to break you… That’s not just comedy. That’s love. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-9-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### The Final Bow: Celebrating the Radiant Life and Legacy of Bret Hanna-Shuford URL: https://www.stonewallnews.net/the-final-bow-celebrating-the-radiant-life-and-legacy-of-bret-hanna-shuford/ Last updated: 2026-07-19T15:35:18.000Z The lights of Broadway shine a little differently now. The theater community — a world built on storytelling, vulnerability, and the magic of connection — has lost one of its most vibrant storytellers. Bret Hanna-Shuford, a talent whose warmth radiated far beyond the footlights, has taken his final bow at the age of 46\. While his departure leaves a profound silence where his laughter once rang, his life remains a resounding anthem of authenticity, love, and artistic resilience. To know Bret’s work was to witness a masterclass in joy. From the emerald ambition of *Wicked* to the whimsical enchantment of *The Little Mermaid* and *Chitty Chitty Bang Bang*, Bret did not just perform roles; he inhabited them with a generous spirit. He was the kind of performer who understood that theater is an exchange of energy. Whether onstage at the Lunt-Fontanne Theatre or in front of a camera for *The Wolf of Wall Street*, he gave everything he had to the audience. Bret’s most significant role, however, was not found in a Playbill. It was the life he built offstage with his husband, Stephen Hanna-Shuford. Together, as the “Broadway Husbands,” they did something revolutionary simply by being themselves. In a world that often complicates LGBTQ+ existence, Bret and Stephen offered a window into the beautiful simplicity of queer joy. They showed that a fairytale romance is not just for Disney princes on stage — it is something real, tangible, and hard-won. Their love story evolved into a new chapter with the arrival of their son, Maverick, in 2022\. Bret embraced fatherhood with open arms, pouring his heart into every moment. As a proud dad, he radiated joy and became a passionate advocate for LGBTQ+ families, demonstrating that family is built on love and commitment. However, his joyful and fulfilling world was turned upside down when he was diagnosed with two rare and aggressive cancers: hemophagocytic lymphohistiocytosis (HLH) and peripheral T-cell lymphoma. Faced with challenges that would overwhelm most, Bret approached his battle with the same grace, strength, and determination that defined his life. True to his nature, he did not hide his struggle. Instead, he shared it openly, transforming his vulnerability into a beacon of hope and resilience. Even during hospital stays and treatments that disrupted his graduate studies in Florida, Bret’s creativity never wavered. His upcoming children’s book, *Good Night, Break a Leg*, serves as a poignant reminder of the lasting impact artists have. Through their work, they leave behind pieces of their soul, ensuring their voice and spirit continue to inspire long after they are gone. In conclusion, the incredible legacy of Bret Hanna-Shuford is honored — a true Broadway star who gave his heart and soul to every performance, onstage and off. His light, creativity, and courage touched countless lives, leaving a legacy that continues to inspire. This is his standing ovation — a celebration of a life lived with passion, grace, and purpose. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Stephen-Hanna-Shuford-And-Bret-Hanna-Shuford-BroardwayHusbands.com-2.jpeg) Stephen Hanna-Shuford and Bret Hanna-Shuford - BroadwayHusbands.com *To learn more about Broadway Husbands, visit the official website at www.BroadwayHusbands.com.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--41.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | The Long View, the Quiet Work URL: https://www.stonewallnews.net/out-on-the-ranch-12/ Last updated: 2026-07-12T18:41:47.000Z January has a way of stripping things down to essentials. Our mornings are frosty, our breath steaming the air. The daily work does not care who won an election, only that it be done. Out here at the ranch, the seasons keep their own rhythm, and that perspective matters when the nation feels like it’s lurching from headline to headline, crisis to crisis. We literally picked ourselves up out of our comfortable blue bubble of Capitol Hill, Seattle, and moved into a rural, economically depressed, red-bubble mountain community. We did it right after the Bush/Gore hanging chads mess, when Democrats were talking about leaving safe ground, going where we weren’t wanted, and doing the slow work of change anyway. We believed that call then, and we believe it now. We wanted to make progressive change manifest in the world through hospitality, literally opening our home to the public daily, since buying a blank parcel of land in 2005. We were here for the worst of #43—the Great Recession of ’07–’09—when everything felt fragile and unfinished and the ranch itself was still finding its legs. We were here for the magic of #44, watching hope collide with a parallel conservative reality that took shape almost immediately. The local chatter was ratcheted, unhinged, and easily debunked. We were here for the upheaval of #45, when emboldened radicalization found permission from the top. Locals said out loud that they hated us, in townie Facebook groups. Groups that were moderated by conservatives, who mistook cruelty for “free speech,” while silencing dissent from liberal and minority voices. As above, so below: the behavior modeled nationally became license locally. Trans people were targeted and unalived at an accelerating pace. Hate stopped whispering and started shouting. We were here for #46, when the nation—handed over like a crash victim—was painstakingly stabilized. The ship was patched, righted, and set back on a steady course. But oligarchs and their echo chambers insisted otherwise. Red hats stayed on and banners stayed up, grievances calcifying into identity. And we were here for the election of #47\. Fireworks, gunshots, and roars of triumph echoed through the valley from conservatives convinced their long-promised reckoning had finally arrived. Then something interesting happened. By February, fewer red hats in town. By April, the house with the banner-lined fence along the American Legion cemetery went quiet—everything taken down. By May, old election signs disappeared. By summer, the right-wing minority in this blue state retreated from governance and leaned into social media trolling, shifting from civic life to grievance performance in comment threads. By November 2025, those radicalized bubbles were growing smaller, tighter, and more rabid. They’ve been fed a steady diet of fear: the immigrant, the trans person, the drag queen, the Black or brown neighbor. They are told they are the majority by virtue of skin color and religion, even as their communities are beginning to move on without them. Out here at the ranch, we’ve learned something that’s easy to forget in the churn of national politics: change doesn’t announce itself with fireworks. It shows up quietly, like conservative moderators in townie Facebook groups being removed because intolerance is no longer tolerated. For those fighting this administration, for those exhausted by the chaos conservatives have sown nationally, here is the lesson the land keeps teaching us: stay. Stay visible. Stay rooted. Stay boringly, stubbornly present. The right thrives on spectacle and exhaustion. They want us to burn out, move away, go quiet. The antidote isn’t matching their volume—it’s outlasting them. It’s building community that doesn’t center them. It’s caring for each other in ways that don’t trend but do endure. We didn’t move out here to win arguments. We moved out here to live our values where they were least welcome. That choice carried us through recessions, demagogues, and national whiplash. It carries us now. As the turbulent new year proceeds, the work ahead is not glamorous. It looks like mutual aid to neighbors. It looks like protecting trans kids in small towns and shielding immigrants from state violence. It looks like refusing to cede rural America to people who confuse hate with heritage. It looks like planting trees whose shade we may never sit under. At the ranch, winter always gives way to spring. Not because it’s promised—but because it’s practiced. Day after day. Chore after chore. So take the long view. Do the quiet work. And remember: even here in the rural mountains—especially here—progress is happening, whether the loudest people notice or not. Keep up the resistance, or as my Italian immigrant forebears fighting fascism would say: “*Bella ciao, Bella ciao, ciao, ciao*.” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-8-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Alex Jeffrey Pretti: Another ICE Victim Killed in Minneapolis URL: https://www.stonewallnews.net/alex-jeffrey-pretti-another-ice-victim-killed-in-minneapolis/ Last updated: 2026-07-17T21:15:58.000Z The streets of South Minneapolis became the scene of tragedy on Saturday, January 24, when Alex Jeffery Pretti, a 37-year-old ICU nurse, was fatally shot by federal immigration agents. The incident has sent shockwaves through a community already reeling from heightened federal law enforcement activity, sparking outrage and demands for answers. Pretti, by all accounts, was an upstanding member of his community. A homeowner and University of Minnesota graduate, he dedicated his career to helping others, serving as an intensive care nurse for the U.S. Department of Veterans Affairs. He was a legal gun owner with a permit to carry and had no serious criminal record. A neighbor described him as “not a violent person.” This morning, Pretti found himself in the middle of a tense confrontation involving U.S. Immigration and Customs Enforcement (ICE) agents on Nicollet Avenue. Eyewitness accounts and video footage show Pretti attempting to de-escalate the situation and help people navigate the chaotic scene. During the encounter, agents wrestled Pretti to the ground. Within seconds, multiple gunshots were fired, and the man who spent his life saving others lay dying on the sidewalk. He was later pronounced dead at a local hospital. Pretti’s death is the latest — and most alarming — in a series of violent encounters involving federal agents in Minneapolis. It comes just seventeen days after the killing of Renee Good by an ICE agent, an event that had already triggered mass protests across the city. These incidents are part of “Operation Metro Surge,” a federal immigration crackdown that has brought thousands of agents into the state and created an atmosphere of fear and distrust. The response from local and state officials has been swift and furious. Minnesota Governor Tim Walz condemned the shooting as “sickening” and demanded an end to the federal operation. Minneapolis Mayor Jacob Frey echoed these sentiments, questioning how many more tragedies must occur before the federal government recognizes the harm its tactics are causing. As the community mourns the loss of a man described as a hero — both in his career and in his final moments — a larger storm gathers. Protesters have assembled, the National Guard has been activated, and the chasm between local authorities and federal agencies widens. The tragic death of Alex J. Pretti has become more than an isolated incident; it is now a flashpoint in a growing national crisis over the role and accountability of federal immigration enforcement. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--26.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Saint Planthony: The Plant Guru Guy URL: https://www.stonewallnews.net/saint-planthony-the-plant-guru-guy/ Last updated: 2026-07-23T16:01:41.000Z Anthony D’Alto is nurturing a lively haven, nestled in the heart of Seattle, where humor and horticulture come together seamlessly. Known online as “Saint Planthony,” D’Alto, 31, has transformed a modest Capitol Hill plant shop into a viral sanctuary, drawing thousands with his infectious blend of wit, wisdom, and greenery. With a smartphone in one hand and a pothos plant in the other, he’s become a digital evangelist, showing how laughter and a bit of flora can be transformative. Beneath his flamboyant exterior is a deeply passionate nature enthusiast with an insatiable curiosity. D’Alto’s journey to plant stardom is anything but conventional. His move from Florida to Seattle in 2023 marked a turning point, igniting his passion for plants and his advocacy for mental health. D’Alto’s expertise comes not from formal education but from years of hands-on experimentation. His intuitive grasp of plant biology allows him to translate complex care instructions into practical advice accessible to both novices and seasoned gardeners. Rather than positioning himself as a distant authority, he’s a trusted friend — ready to explain why a fiddle-leaf fig might drop its leaves or how a little humor can help both plants and people thrive. Saint Planthony’s widespread appeal began on TikTok and Instagram, where he captivated millions by combining practical plant care with sharp humor and pop culture references. His feeds are a kaleidoscope of content: one moment, he’s breaking down the finicky watering schedule of a calathea; the next, he’s delivering a tongue-in-cheek monologue on global affairs while elbow-deep in potting soil. A particularly memorable video — a blend of politics, plants, and psychology — amassed over a million views, cementing his place as a formidable digital presence. “I never expected the world to be so full of support,” D’Alto reflected, recognizing the vibrant community that has blossomed around him. At the heart of the Saint Planthony phenomenon is The Plant Store on Capitol Hill, affectionately dubbed the “Gay Plant Store” by locals and internet fans. The nickname, sparked by a cheeky sign out front, has become a symbol of inclusivity and community. Stepping into the shop feels less like entering a retail space and more like joining a lively community hub, where the air is thick with humidity and hospitality. D’Alto’s videos often feature this unique environment — a place where plant education is seamlessly blended with what he wryly calls “thrilling thornication.” His ability to improvise content amid daily shop life adds an unmistakable authenticity, turning the store into a pilgrimage site for fans seeking not just *Monstera* but belonging. A significant part of Anthony’s appeal is his undeniable charisma. With a magnetic presence and striking looks, he attracts fans who are as drawn to his persona as to his expertise. Yet his allure goes far beyond appearances. Saint Planthony represents a new kind of expert influencer: approachable, transparent, and genuinely sincere. He readily shows his true self, a quality that resonates deeply with his audience. His quick wit and openness help dissolve the usual distance between creator and follower, cultivating a fan base that trusts his guidance as much as it admires his aesthetic. More than anything, Saint Planthony serves as a source of emotional support for his viewers. In a world often marked by uncertainty, D’Alto’s content acts as a pressure valve, offering relief from daily stress. Though his videos entertain, they also provide a space where it’s acceptable to feel overwhelmed. By balancing humor with heartfelt sincerity, he validates his audience’s anxieties and offers a gentle escape into a greener, kinder world. Through his work, he shows that even small spaces can offer profound comfort when the wider world feels overwhelming. To Anthony, plants are more than decorations — they’re companions and grounding mechanisms in turbulent times. To learn more about the man behind “Saint Planthony,” I met him for coffee on a cold Seattle morning, as the city buzzed outside. Our conversation explored his inspirations, the roots of his digital persona, and the advice he shares with his growing community. **Frank Gaimari: Can you share a bit about your journey into gardening and plant care?** Anthony D’Alto: My journey into gardening and plant care began during one of the most difficult periods of my life. I was living in Florida, recently single, without a car, and feeling completely stuck and isolated. One day, searching for something to focus on, I picked up a couple of plants from the supermarket. At first, I couldn’t even keep them alive, but with nothing else to do and no friends or partner around, I became determined to figure out how to care for them. That small act of nurturing gave me a sense of purpose, and slowly, it started to pull me out of my depression. Around the same time, I began exploring the healing potential of mushrooms to help with my depression and PTSD, which had roots in a chaotic childhood. This wasn’t about recreation; it was a genuine attempt to find a path to healing. I was amazed by how these natural organisms could shift my perspective and help me see the world differently. That experience, combined with my growing connection to plants, completely changed my life. Plants became my anchor, offering me something to care for and learn from. Within a few months, I had over 150 plants, and each day brought new discoveries about them and about myself. Plants didn’t just spark my curiosity; they helped me heal. They lifted me out of a dark place and revealed the beauty and magic in the world that I hadn’t seen before. **FG: What inspired you to start creating TikTok and Instagram videos?** AD: I’ve always had a creative streak when it comes to making videos. It began back in 2002, when I got my first video camera in second grade. The camera came with editing software, and I immediately fell in love with the process of creating something that captured my inner world. Back then, sharing videos meant working with VHS tapes or battling dial-up internet, but for me, it was always about finding a way to show the world from my perspective. Fast-forward to the winter of 2020, when I lost my job and slipped into a deep depression. During that difficult time, I decided to return to video creation, making animations, dream-inspired clips, and anything that felt meaningful enough to share. It gave me a renewed sense of purpose and a much-needed outlet for self-expression. Eventually, I got the job at The Plant Store, which helped take my mind off things and provided a new environment to explore. One day, I thought, “Why not make a video about plants?” I posted it, and it received around 3,000 views, far more than any of my previous videos. That moment was a turning point: I realized people were genuinely connecting with what I was creating, and it motivated me to keep going. Now, creating videos isn’t just about sharing my perspective; it’s about building a community. It’s a way to share what I’ve learned, connect with others, and create something meaningful together. **FG: How do you come up with ideas for your videos?** AD: Coming up with ideas for my videos is a mix of creativity, overthinking, and finding inspiration in everyday moments. I’ve always had a very active mind. Sometimes it feels like my brain is constantly running “what-if” scenarios. For much of my life, that overthinking could feel overwhelming, but I’ve learned how to redirect it and use it to my advantage. Now, instead of spiraling into intrusive thoughts, I channel that energy into brainstorming ideas for my videos. Many of my ideas come to me while I’m pacing around, whether at home or at The Plant Store, earbuds in and lost in thought. Movement really helps me think, and I’ll let my mind wander until something clicks. Inspiration might come from a comment I’ve read, a headline I’ve seen, or even just a random thought that pops into my head. I rarely script my videos. Instead, I jot down a few key points and let the rest unfold naturally. When I first started my page, I had a series where I’d introduce the weekly plant shipments at the store, giving them playful personalities like “Gay” or “Lesbian” plants. People loved it, but I quickly realized I couldn’t keep calling plants “Gay” every week and have it feel fresh. That realization pushed me to experiment with new ideas, weaving in topics like mental health and current events. I’ve found that being honest about struggles, whether they’re my own or about something happening in the world, really resonates with people. It’s not about pretending everything is perfect; it’s about finding humor and connection in tough times. The comments from my audience are also a huge source of inspiration. Early on, people would leave heartfelt feedback, sharing what they loved or wanted to see more of. Even now, as my page has grown, I still look at the comments to see what’s resonating. It reminds me that the things I’m struggling with aren’t unique. Thousands of people out there feel the same way. When I can make someone feel seen or even get a laugh, that’s what keeps me going. It’s all about creating a space where people can connect, feel understood, and hopefully find a little joy in the process. **FG: How do you balance humor and sincerity in your content?** AD: Balancing humor and sincerity in my content comes naturally to me. It’s how I’ve always dealt with life’s challenges. Growing up in a chaotic household with an abusive stepfather, my sister and I coped by turning everything into a joke. No matter how tough things got, we always found a way to laugh about it. For us, humor wasn’t about ignoring the pain; it was a way to make difficult situations bearable. That mindset has definitely carried over into my videos. I believe people want to feel truly acknowledged. They don’t want to be bombarded with fake enthusiasm or hollow corporate positivity. That’s why I try to break down those barriers by being honest about what frustrates me too. At the same time, I don’t want to fuel anger or negativity. There’s already enough of that online. Instead, I want my videos to meet people where they are, whether they’re feeling overwhelmed or simply need a moment to breathe. My goal is to say, “Yeah, it sucks, but let’s calm down, laugh about it, and keep going.” If I can help someone get out of bed or make them feel a little less alone, then I’ve done my job. **FG: What role do plants play in your personal life and mental health?** AD: Plants are more than a part of my life. They’re a lifeline. They give me a sense of control in a world that often feels unpredictable. Caring for them, whether it’s watering, trimming, or simply watching them thrive, creates a small, safe ecosystem that brings me peace and stability. They’re not just a hobby; they’re a source of grounding and perspective. When I look at the little world I’ve nurtured, I’m reminded that even during chaos, there’s room for growth, beauty, and calm. Plants don’t just decorate my space; they anchor me. **FG: What’s your favorite plant and why?** AD: My favorite is the Black Magic Begonia. It’s mesmerizing. The plant has deep, almost black leaves with red stems, and when sunlight shines through from behind, the leaves glow a vibrant red. It’s breathtaking. **FG: What’s next for Saint Planthony?** AD: I’m starting a YouTube channel, something I’ve dreamed of doing for more than two years. It will give me the opportunity to dive deeper into my special interests and share even more of what I love with others. I’m excited to create longer, more meaningful content and connect with people on a different level. Looking ahead, my ultimate dream is to create a true “third space” for the community. I imagine transforming an old church into a greenhouse, filling it with plants to make a peaceful, welcoming place where people can connect, recharge, and experience nature without having to travel far from home. I want it to be a sanctuary, a place where anyone can walk in, breathe deeply, and feel a sense of belonging. In the end, Saint Planthony is doing more than selling plants; he is nurturing a community. He reminds us that even when the world feels like it’s withering, there is always room for new growth — both in our homes and within ourselves. Through his playful videos, candid advice, and the welcoming atmosphere of his Capitol Hill shop, Anthony D’Alto has created a space where everyone is invited to put down roots and flourish. Meeting D’Alto in person only deepened my admiration. I found him to be as kind and gentle as his online persona suggests, radiating genuine warmth and curiosity. Our conversation left me feeling like a member of his ever-growing community — a fan not just of his plant wisdom but of the compassion and joy he brings to everyone who crosses his path. D’Alto can be found on Instagram at [https://www.instagram.com/saintplanthony/](https://www.instagram.com/saintplanthony/?ref=stonewallnews.net) and Facebook at [![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/anthony1.jpeg?resize=310%2C503&ssl=1)](https://www.facebook.com/reel/2140979046437644) Saint Planthony --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--79.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Queens of the Dead: The Zom-Com You Can’t Miss URL: https://www.stonewallnews.net/queens-of-the-dead-the-zom-com-you-cant-miss/ Last updated: 2026-07-17T21:16:38.000Z Step aside, *Rocky Horror* — a new cult classic has arrived, bringing more glitter than a Pride parade and more gore than a haunted house at Halloween. *Queens of the Dead* is poised to snatch the crown as the new must-see movie. Audiences can expect sequins, sass, and survival — because this Queer zom-com doesn’t just serve, it slays. Set in Brooklyn, the story kicks off on the night of a massive warehouse drag show. What starts as a typical evening of shade-throwing and lip-syncing quickly devolves into chaos when a zombie apocalypse breaks out. The queens, club kids, and their frenemies must set aside their drama to fight off the brain-thirsty undead. And they’re not your typical zombies. Imagine influencer zombies: live-streaming their rampages and snapping selfies mid-bite. Nina West dazzles as Ginsey Tonic, the drag matriarch who blends nurturing Mother Hen qualities with the resilient spirit of a Final Girl. Katy O’Brian delivers fiery performances as Dre, while Margaret Cho brings her signature humor as Pops. The charming Cheyenne Jackson makes a memorable appearance, and Riki Lindhome shines in her role. A standing ovation goes to Jaquel Spivey. Kudos as well to Tomás Matos, Quincy Dunn-Baker, Jack Haven, Dominique Jackson, Samora La Perdida, Shaunette Renee Wilson, and Eve Lindley, who round out the cast and elevate the drama to new heights. Under Tina Romero’s direction, *Queens of the Dead* isn’t just a movie—it’s a wild, unapologetic celebration that gleefully explodes horror, queerness, and influencer culture all at once. Sure, the plot has its messy moments, but honestly, that’s half the fun. This film is a party from start to finish. Whether you’re here for the camp, the scares, or the standout performances, this movie offers something for everyone. So grab your popcorn, settle in, and let this unforgettable party unfold. Now streaming on numerous platforms. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/queens2.jpg?resize=604%2C755&ssl=1) Queens of the Dead --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--28.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Nina West: A Queen of Heart, Humor, and Humanity URL: https://www.stonewallnews.net/nina-west-a-queen-of-heart-humor-and-humanity/ Last updated: 2026-07-17T21:17:06.000Z This past month, I had the incredible privilege of seeing Nina West and a dazzling lineup of drag queens perform live at *A Drag Queen Christmas* in Seattle. The show was a breathtaking spectacle — glittering, glamorous, and overflowing with pure joy. Each queen took the stage with unforgettable performances, but for me, Nina was the undeniable highlight of the evening. As the host, she radiated warmth, humor, and boundless positivity, lighting up the stage with every word and gesture. By the end of the night, I wasn’t just entertained, I was truly inspired. Her remarkable ability to connect with audiences, make us laugh, and send us home feeling uplifted was nothing short of magical. It was an evening I’ll never forget. Seeing her live made me curious about the journey that brought her to this moment. Born on August 10, 1978, in Detroit, Michigan, and raised in small-town Greentown (North Canton), Ohio, Andrew Levitt discovered an early passion for theater and storytelling. That love for the arts eventually brought him to Columbus, Ohio, where the iconic drag persona Nina West was born. She has since inspired millions and become one of the world’s most beloved drag queens — a testament to her resilience, creativity, and heart. I first discovered Nina during season 11 of *RuPaul’s Drag Race*, on which she quickly became one of my favorite queens. Her performances were a master class in camp and creativity, blending humor with heartfelt messages that resonated deeply with me and so many others. She didn’t just compete; she created a legacy, earning the title of Miss Congeniality and solidifying her place as a queen who leads with kindness. Her impact extends far beyond the runway, as she is a multitalented artist who has made her mark in music, theater, and television. Her groundbreaking children’s album, *Drag Is Magic*, celebrates individuality and self-expression with songs that inspire kids to embrace their authentic selves. Beyond her music, she has showcased her talents on stage, most notably as Edna Turnblad in the national tour of *Hairspray*. The role was a perfect match for her vibrant personality, and her performance breathed new life into the iconic character, earning glowing reviews and solidifying her reputation as a dynamic performer. Additionally, she starred in the horror film *Queens of the Dead*, further demonstrating her versatility and boundless creativity. What truly sets Nina apart, though, is her unwavering commitment to making the world a better place. She has raised hundreds of thousands of dollars for LGBTQIA+ organizations, including The Trevor Project and the Human Rights Campaign. Through her performances, fundraising, and advocacy, she has become a powerful voice for equality and acceptance. Nina doesn’t just entertain — she educates, uplifts, and inspires. When I saw her perform in Seattle, it wasn’t just her incredible talent that left an impression on me — it was her heart. She has a rare ability to turn a packed theater into an intimate gathering, making every person feel seen and valued. Inspired by her warmth and authenticity, I decided to reach out with a few questions I thought her fans — myself included — would love answered. True to form, Nina was beyond gracious, kind, and enthusiastic, agreeing to an interview without hesitation. What followed was a conversation as vibrant and uplifting as the queen herself, in which she shared insights into her journey, her advocacy, and her vision for the future. **Frank Gaimari: Hosting *A Drag Queen Christmas* must have been a truly unique experience. What was your favorite part of connecting with audiences across the country?** Nina West: Pinpointing my favorite part of the tour is a challenge, because I truly love it all. Meeting the fans, hearing their stories, and feeling their energy brings me so much joy. I love hosting these shows, stepping onto the stage, and sharing something magical with the audience. Traveling across the country during the holiday season and soaking in the beauty and spirit of each place was incredibly special. If I had to choose one thing that stands out, it’s the connection. Last year’s tour reminded me how powerful it is to connect with people on a basic, human level. Bringing joy to others, especially during tough times, is deeply meaningful. Looking out into the audience and seeing people smiling, laughing, and letting go of their worries, even for a little while, is an indescribable feeling. It’s a privilege to be part of that. What makes it even more incredible is seeing how audiences, no matter where they’re from, share the same reactions to joy, hope, and laughter. It’s a beautiful reminder that, at our core, we’re all connected by these universal emotions. That’s the best part of the gig — witnessing that connection, feeling that energy, and knowing I get to help create those moments of happiness. **FG: Growing up in Greentown, Ohio, did you ever imagine that drag would take you to such incredible heights?** NW: Honestly, no. I mean, I always had this feeling deep down that I was meant to do something big, something that would make an impact. I felt that calling in my bones, even as a kid. But if you had told me back then that this would be the path I’d take — that drag would be the vehicle to carry me to where I am today — I don’t think I would have believed you. It’s funny how life works. You have these dreams, these inklings of something greater, but the way it all unfolds can be so unexpected. I never could have predicted that the art of drag, something so vibrant, creative, and deeply personal, would become the thing that not only shaped my career but also allowed me to connect with so many people in such a meaningful way. It’s been a journey beyond anything I could have imagined, and I’m so grateful for it. **FG: What inspired you to make *Drag Is Magic*?** NW: I started working on the album after the landmark marriage equality ruling. It was a transformative period, watching so many of my queer friends marry and start families. Witnessing our community grow in such a beautiful way was incredibly inspiring. I’ll never forget one friend’s comment that stayed with me. They said they wanted to raise their kids with an education that reflected their values — their joy, their love, and the vibrant spirit that defines our community. That simple thought hit me deeply. It planted a seed, and I couldn’t stop thinking about how important it is for children to grow up surrounded by stories, music, and messages that celebrate love, diversity, and acceptance. That’s where the idea for *Drag Is Magic* began. It grew from a desire to create something that could bring joy and meaning to families and reflect the beauty of our community and the values we hold dear. Seeing how families have embraced it and how it’s resonated with both kids and parents has been one of the most fulfilling experiences of my life. **FG: You’ve raised significant funds for LGBTQ+ organizations. What motivates you to use your platform for activism?** NW: So many things have fueled my passion for activism, but at its core, it all comes back to one simple yet powerful idea: I never want anyone in our community to feel isolated, alone, or like they don’t matter. That thought has always been the driving force behind everything I do. No one should ever feel that their life is inconsequential or irrelevant. Everyone deserves to know they are seen, heard, and matter. That belief motivates me to use my platform to make a difference. It pushes me to raise funds, speak out, and fight for change. Knowing I can amplify voices and create spaces where people feel valued and supported — that’s what keeps me going. It’s what drives me every single day. **FG: How did it feel to step into the role of Edna Turnblad in the touring production of Hairspray?** NW: MASSIVE! IMMENSE! EXCITING! A DREAM! That’s exactly how it felt to step into the role of Edna Turnblad in the touring production. Even now, it feels surreal to say that I’ve had the privilege of playing her. *Hairspray* isn’t just one of the greatest Broadway musicals ever written — it’s a cultural touchstone. The source material is iconic, and the story carries so much heart, humor, and meaning. To be part of that legacy is nothing short of extraordinary. What makes it even more special is the lineage of brilliance behind the role. Following in the footsteps of Divine, Harvey Fierstein, and so many other remarkable Ednas is an honor I don’t take lightly. Edna is one of the most beloved characters in American theater — she’s funny, vulnerable, and full of love. Getting to bring my own voice and perspective to such an iconic role was a dream come true. **FG: What’s the most rewarding part of being a role model for young LGBTQIA+ people and their families?** NW: I never set out to be a role model, but I’ve come to understand the importance of that role. For me, it’s about creating a space where people feel seen, respected, and heard — something we all need. The most rewarding part is hearing from fans who share how my work has made them feel safe or understood. Those moments remind me that what I’m doing matters, and that’s incredibly meaningful. **FG: Can you share a moment from *RuPaul’s Drag Race* that had a lasting impact on you?** NW: I think my elimination from season 11 was the greatest thing that ever happened to me, even though I didn’t realize it at the time. In that moment, it felt like the end of a colossal dream, but what I didn’t see was that it was the beginning of an even greater chapter in my life. That’s really what the whole experience has been — a series of moments that have shaped me in ways I couldn’t have imagined. I’m so grateful that Ru took a chance on me and gave me the opportunity to be part of the show. Because of that, I’m now living my dreams, and I owe so much of that to him. It’s something I’ll always be thankful for. **FG: How do you stay grounded and maintain your positivity while balancing such a busy career?** NW: Honestly, I stay grounded by surrounding myself with amazing friends who keep me honest, lift me up, challenge me, and support me. They’re my foundation and my biggest source of strength, and they’re the reason I’m able to keep going, no matter how busy life gets. **FG: What’s next for Nina West? Are there any new projects or dreams you’re excited to pursue?** NW: I’m thrilled to be developing a brand-new solo show, which will premiere in my hometown of Columbus, Ohio, before heading to Provincetown this summer. It’s such a joy to keep exploring new creative avenues and challenging myself. I like to keep as many irons in the fire as possible — there’s always something new to dream up and bring to life! Nina West is more than a drag queen — she’s a beacon of light, love, and laughter in a world that needs it most. Whether dazzling audiences, creating music that inspires self-expression, or championing LGBTQIA+ causes, Nina’s impact is profound. She shows us that magic happens when we embrace who we are and use our gifts to uplift others. Nina’s website is [https://www.ninawest.com/](https://www.ninawest.com/?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/nina-west-still-2.jpg?resize=1600%2C1200&ssl=1) Nina West / Photo by Jennifer Englert ![](https://franksfilmreview.com/wp-content/uploads/2026/01/nina-west-in-hairspray-broadway-national-tour-1024x576-1.avif?w=1024) Nina West / Edna Turnblad in Hairspray / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/nina-west-queens-of-the-dead-still.jpeg?resize=999%2C562&ssl=1) Nina West / Queens of the Dead / IMDb --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--29.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Love, Laughter, and a Splash of Gay: Tony n’ Tina’s Wedding URL: https://www.stonewallnews.net/love-laughter-and-a-splash-of-gay-tony-n-tinas-wedding/ Last updated: 2026-07-17T21:17:33.000Z Get ready to say “I do” to one of the wildest, most heartwarming events Seattle has ever seen! *Tony n’ Tina’s Wedding* isn’t just a show — it’s a party where every guest is family and every moment is filled with laughter, drama, and more than a little bit of fabulousness. Since its off-Broadway debut in 1988, this immersive experience has redefined what it means to “go to the theater,” inviting audience members to join the onstage madness as guests at the most uproarious wedding reception ever conceived. You’re cordially invited to celebrate the union of Tony Nunzio and Tina Vitale, two young lovers from feuding Italian-American families. The ceremony is heartfelt — and hilariously unpredictable — but the reception is where things really heat up. Picture yourself dancing to a wedding singer, savoring a full Italian feast, and getting swept up in the kind of family drama that would put your own relatives to shame. With a tipsy priest, bickering bridesmaids, and relatives who never learned the meaning of “indoor voice,” you’ll be in the thick of the action — whether you planned it or not. But this isn’t just a love story between a boy and a girl — it’s a celebration of queerness. Since the show’s creation, Tina’s brother has been a central part of the story, bringing authenticity and heart to the wedding. His presence infuses the production with a timeless, unapologetically Queer energy, reminding us that families today are as diverse as they are loving (and just as likely to argue over who gets the first slice of cake). Directing the festivities is Tony Lauria, whose passion for inclusion and representation shines through in every detail. As a proud member of the LGBTQ+ community, Lauria infuses the production with authenticity and joy, blending seasoned New York actors with Seattle’s brightest talents. The result? A cast that feels like a real, if slightly unhinged, family — one you’ll be happy to claim as your own, if only for one unforgettable night. Curious to learn more, I spoke with Lauria about what makes this production so special. **FG: What drew you to *Tony n’ Tina’s Wedding*, and what has kept you passionate about it over the years?** TL: What first drew me to *Tony n’ Tina’s Wedding* was the thrill of improv and the energy of New York City’s theater scene. As a young actor with a knack for thinking on my feet, I auditioned twice — once in 1990 and again in 1991\. The second time, I landed the role, and what followed was five and a half unforgettable years performing seven shows a week. At the time, I thought my journey with the production had ended. But in 2004, the opportunity to direct the touring production reignited my love for this one-of-a-kind show. What keeps *Tony n’ Tina’s Wedding* so exciting is its ability to evolve. It’s not just a show — it’s a living, breathing experience that grows with the times. Over the years, it has adapted to reflect pop culture, remaining as relevant today as when it first began. But what truly keeps it fresh is the magic of bringing it to new cities. Every town has its own personality, and working with local casts infuses the production with new energy and perspectives. Each cast member brings something unique — choices, humor, and interpretations that surprise and delight me, even after more than two decades. The real magic of *Tony n’ Tina’s Wedding* lies in its ability to connect people — audiences and performers alike. I’ve had the privilege of collaborating with some of the most talented, funny, and creative performers across the country. Their passion and originality breathe new life into the show every time, and that’s what keeps me coming back. It’s not just theater — it’s an ever-changing celebration of creativity, community, and connection. **FG: What do you think makes this show so timeless and universally appealing, and what do you hope audiences take away from their experience?** TL: The timeless appeal of *Tony n’ Tina’s Wedding* lies in its ability to evolve while staying rooted in something everyone can relate to—a wedding. Weddings are universal, filled with love, chaos, laughter, and unforgettable moments. And just like any great wedding, this show is a party — a wildly fun and hilariously unpredictable one. What makes it special is the immersive experience. From the moment the audience steps in, they’re not just watching — they’re part of it. We’ve perfected the art of making people feel like they’ve attended the most entertaining, over-the-top wedding ever. It’s an experience that leaves people laughing, dancing, and talking about it long after it’s over. Our goal is simple: we want audiences to let loose, embrace the chaos, and leave feeling like they were part of something unforgettable. If you come ready to have fun, we’ll make sure you leave with memories of the best “wedding” you’ve ever attended! **FG: How do you balance the scripted elements of the play with the improvisational interactions with the audience?** TL: Balancing the scripted elements with the improvisational interactions is all about creating the perfect illusion of a real wedding. From the moment guests arrive, they’re stepping into a world that feels authentic — complete with a wedding singer, an MC, and even a caterer. The atmosphere is so familiar that most people instinctively know the flow of the event, allowing us to blend the planned with the spontaneous seamlessly. The magic of improv happens before the ceremony begins and during the reception, where the cast mingles with the audience, creating unscripted, laugh-out-loud moments that feel completely organic. When it’s time to shift focus back to the scripted scenes, we know exactly how to command attention and bring everyone together. It’s a delicate dance between chaos and control, and it’s what makes the experience so immersive and unforgettable. The audience isn’t just watching a wedding — they’re living it. **FG: Do audience members dress up for the show, and if so, how has it added to the overall experience?** TL: Absolutely! Many audience members love to dress up for the show, and it adds an incredible layer of authenticity to the experience. Of course, not everyone does — but those who show up underdressed might find themselves at the receiving end of a playful comment from the bride! What’s impressive is how each city brings its own flair to the event. When the audience embraces the wedding vibe and comes dressed to impress, it elevates the room’s energy and makes the experience feel even more immersive. It’s like stepping into a real wedding where everyone is part of the celebration. Whether they’re rocking cocktail attire or their best party outfit, it all adds to the fun and makes the night unforgettable. **FG: How do you ensure that LGBTQ+ characters are both funny and respectfully portrayed, and why is representation important in a show like this?** TL: Representation is at the heart of *Tony n’ Tina’s Wedding*, and we take great care to ensure that LGBTQ+ characters are portrayed with both humor and respect. Tina’s brother, who identifies as Gay, has been part of the show since its creation. Back then, his storyline reflected the cultural realities of the time — his mother was in denial about his sexuality, even though he was out to her. As the world has evolved, so has the character. Today, the conflict has shifted to something more nuanced: his mother now wishes he’d date a nice Italian young man instead of his older Puerto Rican boyfriend. It reflects how families — and society — have grown, while keeping the humor grounded in relatable dynamics. A Gay actor typically plays the role, and we encourage them to bring their full humanity, heart, and individuality to the character. This isn’t just about representation — it’s about authenticity. Including Queer characters in an immersive show like this is essential, because it mirrors the diversity of the real world. Weddings are celebrations of love, family, and community, and everyone must see themselves reflected in that joy. It’s not just representation — it’s connection, and it’s what makes the show feel so real and so meaningful. **FG: How do you celebrate your Queer identity through your work, and what does that mean to you?** TL: As an actor, director, and musician, my Queer identity is an integral part of my creative voice. Everything I’ve lived through — from coming out at 19 to surviving the turbulent ’80s, the hopeful ’90s, and the rollercoaster years since — shapes how I approach my work. Coming out in 1982 wasn’t easy. It was a tough, unforgiving time to be openly Gay, but I made it through. I’m still here, and that’s something I celebrate every single day. My journey, my resilience, and my pride fuel everything I create. It’s not just about surviving — it’s about thriving, and that’s the energy I bring to every project. **FG: What’s the wildest or most memorable thing an audience member has done during a performance?** TL: Over the years, I’ve seen plenty of wild moments — especially all the surprise engagements — but one memory from the ’90s takes the cake. Back then, I was playing the best man, and part of the bit was passing around baggies of fake coke to the audience. Harmless fun, right? Well, not this time. I handed one to the wrong guest — a police officer. Before I knew it, he was on his feet, ready to escort me out of the theater in handcuffs. The audience thought it was part of the show, laughing and cheering, while I was sweating bullets. Thankfully, the stage manager swooped in, explained it was just a prop, and saved me from what could’ve been the most awkward arrest in theater history. **FG: If you could invite any celebrity to be a guest at Tony n’ Tina’s Wedding, who would it be and why?** TL: If I could invite any celebrity to *Tony n’ Tina’s Wedding*, it would have to be Bill Murray. He was my first comedic hero, my earliest influence, and the reason I fell in love with the art of absurdity. As a kid, his iconic lounge lizard persona struck a chord deep in my soul — it was weird, it was twisted, and it was brilliant. That character shaped me in ways I’m still discovering. My career-long dedication to my own warped, pansexual, and delightfully insipid lounge-lizard interpretation is my way of paying homage to the genius that is Bill Murray. Having him at the wedding? That would be the ultimate full-circle moment — and I’d probably spend the entire evening trying to make him laugh. *Tony n’ Tina’s Wedding* is more than a play — it’s a riotous, loving salute to the chaos of family, the power of community, and the beauty of love in all its forms. Whether you show up in wedding attire or as your fabulous Queer self, you’ll leave with memories and maybe a few new family members. Your ticket includes dinner, dancing, an unforgettable show, and endless laughter. Tickets are selling quickly, so gather your friends, bring your family, and get ready for a night of pure joy. Don’t wait — secure your spot now at [http://www.tonylovestina.com/get-tickets](http://www.tonylovestina.com/get-tickets?ref=stonewallnews.net) for the wedding event of the year! Use promo code “Gaytastic” for a special discount. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/tony-lauria-tony-n-tinas-wedding-still-4.jpeg?resize=4334%2C3251&ssl=1) Tony Lauria / tonylovestina.com ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/15.webp?resize=1500%2C1000&ssl=1) Tony n’ Tina’s Wedding / tonylovestina.com ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/tony-n-tinas-wedding-banner-photo.jpg?resize=526%2C275&ssl=1) Tony n’ Tina’s Wedding / tonylovestina.com --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--25.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Firefly Market Aug 8, 4-8pm URL: https://www.stonewallnews.net/firefly-market-aug-8-4-8pm/ Last updated: 2026-07-14T20:49:35.000Z [Visit Vancouver's Firefly Market](https://www.queerpnw.org/markets?ref=stonewallnews.net). Related article: [Queer Community Network: Creating Art, Community and Education in Vancouver](https://www.stonewallnews.net/queer-community-network-creating-art-community-and-education-in-vancouver/) ### Twinless: A Masterpiece of Emotional Complexity URL: https://www.stonewallnews.net/twinless-a-masterpiece-of-emotional-complexity/ Last updated: 2026-07-19T15:28:54.000Z *Twinless* isn’t just a film — it’s a visceral journey into the raw, unfiltered realities of grief, identity, and the human need for connection. At its heart, it’s a Queer story, unapologetically authentic and unafraid to delve into the complexities of flawed, searching individuals. The story centers on Roman, a man struggling to navigate life after the devastating loss of his twin brother, Rocky. His grief is a storm of anger, isolation, and self-doubt, leaving him at odds with himself and those around him. Roman’s pain is unmistakable, but it’s his yearning for connection that drives the narrative forward. His journey leads him to a support group for twinless twins, where he meets Dennis, a peculiar and enigmatic figure played by the film’s writer and director, James Sweeney. As their relationship deepens, the plot unravels secrets and explores how loneliness can push people toward unexpected, and sometimes questionable, choices. The result is a story that feels deeply personal yet universally resonant, especially for anyone who has ever felt out of place or disconnected. What makes *Twinless* stand out is its fearless portrayal of Queer identity and the emotional weight of isolation. This isn’t a sanitized or simplified depiction of grief — it’s messy, complicated, and deeply human. Roman’s anger and self-imposed isolation are not just character traits; they are the driving forces of his journey, making his search for solace more poignant. Dennis, on the other hand, defies easy categorization. He gradually reveals layers of vulnerability and desperation, embodying the lengths people will go to in order to connect. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T164722.365.jpg) James Sweeney and Dylan O’Brien / IMDb The film’s refusal to shy away from the complexities of its characters is one of its greatest strengths. Rocky, Roman’s twin, is shown as selfish and hedonistic, living for the moment, without regard for the emotional consequences. This feels frustratingly real, adding depth and nuance to the story. In *Twinless*, Queer characters are allowed to be messy, flawed, and fully human, reflecting the intricacies of real life and relationships. Aisling Franciosi delivers a standout performance as Marcie, Roman’s steadfast anchor in a world that feels increasingly precarious. Marcie is not just a supporting character; she is the film’s emotional compass, offering warmth, empathy, and a sense of stability. She doesn’t try to fix Roman or his grief; instead, she offers him acceptance and understanding. Franciosi brings a quiet strength to the role, creating a character who is calming and assertive. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T164649.308.jpg) Aisling Franciosi / IMDb Dylan O’Brien delivers a masterful dual performance as both Roman and Rocky, capturing the stark contrast between the brothers. As Roman, he embodies the raw vulnerability of grief; as Rocky, he exudes magnetic yet unsettling charisma. James Sweeney’s portrayal of Dennis is equally compelling, blending charm with an undercurrent of unease that perfectly complements the themes of vulnerability and deception. Visually, *Twinless* is a feast for the senses. Greg Cotten’s cinematography captures the moody, introspective atmosphere of Portland, using the city’s overcast skies and muted tones to mirror the film’s emotional depth. Sweeney’s direction is a delicate balancing act, seamlessly blending dark comedy and psychological drama. Every scene feels intentional, drawing the audience deeper into the characters’ world. *Twinless*, which premiered at the 2025 Sundance Film Festival, was met with widespread acclaim, earning the Audience Award in the US Dramatic Competition and a Special Jury Award for O’Brien’s exceptional performance. It’s success is a testament to the power of authentic storytelling, particularly in its unapologetic embrace of Queer narratives. This film is a must-watch — one that demands to be felt as much as seen. It’s a bold, unapologetically Queer exploration of grief, anger, and the unexpected ways we find connection in a disconnected world. Now available to stream on all major platforms. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/01/twinless-movie-poster.jpg?resize=1215%2C1800&ssl=1) Twinless --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--19.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Chaos, Color, and the Quiet Work of Becoming: The Artwork of Chuck Gumpert URL: https://www.stonewallnews.net/chaos-color-and-the-quiet-work-of-becoming-the-artwork-of-chuck-gumpert/ Last updated: 2026-07-23T17:13:06.000Z ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/headshot-2025_edit_3---800x600-1.png) Chuck Gumpert, courtesy photo For more than twenty years, Chuck Gumpert has been painting toward something that can’t quite be named—only felt. His large-scale abstractions and impressionistic landscapes hold tension and release in equal measure, moving between darkness and light, chaos and calm, angst and peace. They are paintings that don’t explain themselves so much as invite you to stay. Art has always been part of Gumpert’s life. One of his drawings appeared on the cover of his preschool yearbook, an early marker in a childhood shaped by art classes, attentive teachers, and a deep instinct for making. He went on to study fine art at Cypress College, though it wasn’t until his early twenties that painting became a professional practice. That gap mattered. It gave him time to grow into his voice rather than rush toward it. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/A_Quality_of_Mercy_60x60_Chuck_Gumpert_2025.png) “A Quality of Mercy” 60 x 60 inches, oil & mixed media, 2025 > “A Quality of Mercy” was created last fall for a solo pop-up exhibition — DUALITY — at “storeFRONT Gallery” in Seattle in October. > It sold to a long-time collector in Southern California who had lost their art collection along with their entire home in the devastating wildfires last winter. > It was to replace one of mine they had purchased nearly 20 years ago. > In spite of the circumstances, it was lovely to interact with a collector and connect with them about how meaningful their art is to them. Raised in Orange County, Gumpert’s sense of possibility widened dramatically when he studied abroad in Cambridge, UK. Seeing a world beyond the familiar made it impossible to return unchanged. Not long after, he moved to Seattle—a shift that would shape both his work and his life. At the time, he wasn’t out to anyone. Seattle became a place of slow unfolding, where distance from home allowed space for self-understanding, and where he began to find people who were affirming, supportive, and safe. His husband, Christopher, has been central to that journey. The two have been together for over twenty-three years and began painting side by side early in their relationship, initially as something playful—creative date nights without expectation. Over time, those experiments drifted toward abstraction, almost by accident. Gumpert found freedom there: less pressure to represent, more room to feel. That openness is still what draws him back to abstraction. “I always default to it,” he says, because it’s never the same twice. While motifs and color palettes may reappear, repetition isn’t the goal. Expression is. Evolution is. That commitment—to not painting the same thing over and over—can be risky, but it’s also what keeps the work alive. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Walking_With_LeGuin_40x20--1-.png) “Walking With LeGuin” 40x 20 inches, oil & mixed media, 2025 Nature is a constant presence. Living less than a mile from the forest, Gumpert pulls from what’s immediately around him. His *Taller Than the Trees* series suggests implied forestscapes that feel surreal and slightly mystical—rooted in real places but filtered through memory and mood. In recent years, the Puget Sound and the Oregon coast have become equally influential. Tidepools, shorelines, and the movement of water push his work toward fluidity, toward edges that refuse to stay fixed. While Gumpert doesn’t paint queerness literally, it surfaces everywhere. The connection between sexuality and abstraction is subconscious but persistent—a search for light in darkness, a movement from disorder toward something gentler. Those themes emerge organically, not as statements but as sensations. They live in the layers. That layering process is central to his practice. Early stages often involve poured inks and acrylics on a horizontal surface, allowing gravity and chance to take the lead. Gumpert walks away, lets the piece dry, returns the next day to see what has happened. What’s left—those unpredictable marks and flows—guides the next decision. Some moments are adjusted, others left alone as “happy accidents,” traces of something he couldn’t have planned but wouldn’t want to lose. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/StratifiedIllusions.png) “Stratified Illusions” 48 x 36 inches, oil & mixed media, 2017 Texture builds through heavy-body acrylics and gestural applications. In later layers, Gumpert often turns to oil sticks—oil paint in crayon form—which he’s used extensively over the last decade. They allow him to work quickly while retaining the depth and richness of oil. He draws with them, spreads them with palette knives, sometimes uses his hands. The result is a surface that feels both grounded and ethereal, immediate and deep. That sense of duality is especially present in *A Quality of Mercy* (60 x 60), a recent painting shown last October in a group exhibition titled *Duality*. The work holds stillness and movement side by side, heat and coolness, complexity and restraint. There are dark, even sinister passages, but Gumpert sees the light as winning—pouring out, washing over what feels heavy. The title came to him the way many do: indirectly. Music is always playing in the studio, and sometimes a lyric or phrase lodges itself in his mind. Gumpert also finds inspiration in unexpected places—*Star Trek* among them. *A Quality of Mercy* shares its name with an episode that lingered with him, resonating with both the painting and the moment we’re living in. In a world thick with anxiety and division, mercy feels less like an abstraction and more like a necessity. Naming, for Gumpert, is never literal. Titles are entry points rather than explanations. Sometimes he even invites others into the process, asking for suggestions online and seeing what language rises up around the work. Despite decades of experience, he’s still surprised—and deeply grateful—when someone connects with a painting enough to take it home. That exchange, that quiet recognition, is part of what keeps him going. In the end, Gumpert’s work isn’t about control. It’s about trust: in materials, in process, in the slow emergence of meaning. Layer by layer, he paints toward something softer, brighter, and more honest—proof that even in the abstract, light can be found, and mercy can take shape. *Gumpert’s current gallery roster:* *'A' Gallery Fine Art — Palm Desert, CA* *DragonFire Gallery — Cannon Beach, OR* *Alki Arts Gallery — Seattle, WA* *Cole Gallery — Edmonds, WA* *Childhood's End Gallery — Olympia, WA* *Gumpert’s next shows:* *Alki Arts Gallery, Seattle, WA — group show, “Abstract Thoughts” — Aprii, 2026* *DragonFire Gallery, Cannon Beach, OR — group show, "Spring Unveiling" — May, 2026* *Chuck Gumpert can be found online at www.*[*chuckgumpert.com*](http://chuckgumpert.com/?ref=stonewallnews.net) *and @chuckgumpertart on all social media.* [*https://www.chuckgumpert.com/*](https://www.chuckgumpert.com/?ref=stonewallnews.net) ### Frank's Film Review URL: https://www.stonewallnews.net/franks-film-review/ Last updated: 2026-08-25T16:54:42.000Z Frank’s Film Review is a vibrant destination for film lovers, featuring insightful reviews, celebrity interviews, and entertainment stories with a distinctive personal voice. It’s where passion for cinema and great storytelling come together. Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/bafkreifhzg2jw3xjzq6cw23iuqljvxbxnvojm4xyfjzknqjgnd2n5ekvzi-1.jpeg)](https://franksfilmreview.com/queer/?ref=stonewallnews.net) Queer Cinema at Frank's Film Review. [Click here](https://franksfilmreview.com/queer/?ref=stonewallnews.net). [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/boys.jpeg)](https://franksfilmreview.com/?ref=stonewallnews.net) Classic Films [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/Leviticus-Movie-Poster.jpeg)](https://franksfilmreview.com/?ref=stonewallnews.net) New Releases [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/MV5BOWNkZjdjZTgtZThlZC00NGZhLTgxZDktNGRmMmU0OGVjMGE1XkEyXkFqcGc@._V1_-1.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Box Office Hits [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/bafkreib57pqgboh4iqpj7ahjkjwxmziw3hkpj4lvl4n5chbr3ih5dt6o2q.jpeg)](https://franksfilmreview.com/crossword-puzzle/?ref=stonewallnews.net) Lights, Camera, Puzzles! [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/08/BusinessCardFinal--1--81-7.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). --- ### Brynn's Bookkeeping Service URL: https://www.stonewallnews.net/brynns-bookkeeping-service/ Last updated: 2026-07-14T20:50:23.000Z [Visit Brynn's Bookkeeping Service](https://www.brynnsbookkeeping.net/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | This Christmas, Embrace the Gift of Radical Acceptance URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-this-christmas-embrace-the-gift-of-radical-acceptance/ Last updated: 2026-08-16T16:26:51.000Z ### *A Journey from Magic to Mindfulness* --- As a child, I was absolutely certain I would grow up to be a world-renowned magician. Not a hobbyist. Not a guy who does card tricks at parties. A *world-renowned* magician. I rehearsed relentlessly, fundraised to buy expensive props, and devoured every magic special I could find as a teenager growing up in rural Montana. I started performing at 14, adding elaborate balloon sculptures to my act for extra flair. I traveled, performed shows, and even received accolades—like the **Rising Star Award from the International Brotherhood of Magicians**. I once met Siegfried and Roy and David Copperfield. Hope was high. Confidence was… perhaps misplaced. Reality, it turns out, had other plans. Looking back at old videos of my teenage performances, it’s now clear that “world-renowned magician” was not my destiny. There were signs. Many signs. There was the time I took a sword to the ribs during a “torture basket” routine. The time I landed in the hospital after attempting fire breathing. The balloon sculpture incident involving a woman with a latex allergy who was evacuated by ambulance. The moment I sliced myself open while juggling kitchen knives in front of a room full of children. Balloon sculptures, inconveniently, began getting banned due to rising latex allergies. And finally—my personal magnum opus—I performed a magic show in college that ended with the **theater being evacuated and the fire department being called**. At that point, even I had to admit it. I quit magic and balloons for good. I just wasn’t that good at magic tricks. Letting go of that dream was painful. I had to release it piece by piece. But something unexpected happened along the way: the skills I developed as a young magician—confidence, improvisation, reading a room, staying calm under pressure—didn’t disappear. They transferred. Years later, while working for the AIDS Network, I was asked to give a speech in a high-pressure situation. A colleague nervously warned me beforehand. I realized I *should* have been nervous—but I’d stood in front of tough audiences before. This was different, yes, but not unfamiliar. Magic didn’t become my career. But it still shaped me. That pattern—letting go of what wasn’t meant to be while discovering what *was*—has repeated itself many times. When I was diagnosed with epilepsy. When I came out as a gay man. When my first love broke my heart. Each moment forced me to confront a hard truth: **fighting reality only deepens suffering. Accepting it—however unfair—creates space to move forward.** This is what psychologists call **Radical Acceptance**, a core skill in Dialectical Behavior Therapy (DBT), developed by Marsha Linehan. At the Center for Trauma and Stress Education, where I teach and train alongside Harvard-trained physicians, we emphasize this skill often—because it works. Radical Acceptance doesn’t mean approval. It doesn’t mean liking what happened. It means acknowledging reality as it is, so we can respond effectively instead of remaining stuck. Where many of us struggle most is when reality feels unjust. I once applied for a leadership position in an organization I had volunteered for extensively. I was told I was a “shoo-in.” The job went to someone else. A board member later explained it was about “optics”—they didn’t want a gay man in charge. I spent a camping trip with my husband simmering in rage, replaying the injustice, ruining what should have been a beautiful escape. My refusal to accept reality cost me far more than the job ever did. Another time, I served on a board and discovered serious financial mismanagement from before my tenure. When original members left, the remaining few—including me—were left holding the bill. I couldn’t afford it. I paid anyway. Then I retreated to our dark basement for a week, crying to Disney movies. It was my husband who finally turned on the lights—literally—and coaxed me back upstairs. Acceptance didn’t erase the bill. But it allowed me to breathe, regroup, and figure out what came next. Across the country, I see the same pattern. I’ve listened to flood victims unable to move forward because they’re consumed by blame. I’ve worked with teachers frozen by escalating challenges and shrinking resources. I’ve listened to individuals across the country rage over our current politics and in pain every day from that rage. People suffering not only from what happened—but from the inability to accept that it did. A failure to accept reality—however painful—keeps us stuck. Radical Acceptance asks us to do four things: - **Fully acknowledge reality**—mentally, emotionally, physically—without denial. - **Release resistance**, recognizing that fighting reality often hurts more than the reality itself. - **Redirect energy** toward what *can* be changed. - **Remember acceptance is not approval**—it’s clarity. This Christmas, I’m reminded that Radical Acceptance may be one of the most generous gifts we can give ourselves. I’ve never returned to magic or balloon shows. But every time I step onto a stage to teach, train, or speak, I use the skills I learned back then—minus the swords, fire, and latex. Sometimes life doesn’t work out the way we imagined. Sometimes the trick fails. Sometimes the fire department shows up. And sometimes, acceptance is what allows us to stop fighting the illusion—and start building a life that actually works. That, I’ve learned, is real magic. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-10-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Anatomy of a Gay Bar: Spokane Gay Bars Host Legal Debrief for 2SLGBTQIA+ Community URL: https://www.stonewallnews.net/anatomy-of-a-gay-bar-spokane-gay-bars-host-legal-debrief-for-2slgbtqia-community/ Last updated: 2026-07-23T17:01:29.000Z ### Spokane bars host gathering for 2SLGBTQIA+ legal debrief by Gonzaga Law’s Lincoln LGBTQ+ Rights Clinic and the Spectrum Center To understand a gay bar is to understand far more than what’s on the food and drink menu. A gay bar is not defined by alcohol, lighting, or music, but by infrastructure—by the way a community learns to organize itself when formal systems fail it, exclude it, or move too slowly to keep it safe. Historically, gay bars have functioned as many things at once: classrooms and town halls, stages and sanctuaries, places where information moved quickly and care moved quietly, long before any institution was willing to do either. In Spokane—where queer life has often existed without institutional protection—that anatomy has been built and rebuilt over decades. Allen’s Tin Pan Alley, Irv’s, and[ Dempsey’s were among the city’s historic gay bars](https://www.spokanepride.org/dempseyshis?ref=stonewallnews.net), serving as gathering places long before visibility came with any promise of safety. Often queer-owned and queer-operated, these spaces existed not as a branding choice, but as a necessity, shaped by the understanding that survival required proximity. That lineage was fully visible on December 10, on a Wednesday night, inside [nYne Bar & Bistro and Q Lounge on historic Sprague Avenue](https://www.nynebar.com/?ref=stonewallnews.net). At nYne, the bar had been reconfigured not for spectacle, but for care. A complementary taco bar welcomed people in. Ample seating filled the room. A whiteboard stood ready at the front, and community leaders greeted attendees as they arrived, not to screen or police, but to welcome. The invitation had been circulated intentionally—shared directly with individuals and organizations and also posted publicly on social media—signaling that this was a space meant to be accessed. The gathering was a 2SLGBTQIA+ legal debrief hosted by Gonzaga Law’s [Lincoln LGBTQ+ Rights Clinic](https://www.gonzaga.edu/school-of-law/clinic-centers/law-clinic/lgbtq-rights-clinic?ref=stonewallnews.net) and the [Spectrum Center](https://www.spectrumcenterspokane.org/?ref=stonewallnews.net). The conversation moved through healthcare access, education, and the legislative forecast before settling into a careful, accessible overview of the current state of transgender rights. State and federal litigation were discussed with enough grounding to understand not only what is happening, but why it matters, and how those decisions ripple outward into ordinary lives. The room itself reflected the breadth of the community: teachers, nonprofit leaders, legal and medical professionals, veterans, and business owners, sitting together, taking notes together. Some of the most urgent guidance was also the most practical. Attendees were encouraged—plainly and without alarmism—to put estate planning documents in place, particularly given the legal vulnerabilities queer and trans people continue to face. Different avenues for filing complaints when rights are violated were also shared, demystifying systems that too often feel intentionally opaque. This is one of the quieter, enduring functions of gay bars: knowledge circulation. Long before institutional support existed, bars were where queer people learned how to survive, how to prepare, how to warn one another. That role has not disappeared—it has simply adapted. Later that same evening, the anatomy shifted, but remained intact. At Q Lounge, a [Pivot Open Mic](https://www.pivotspokane.com/?ref=stonewallnews.net) unfolded under soft lights and open expectation. Hosted by Ani—who spoke easily and openly about her girlfriend being in the audience—the event was not explicitly labeled as queer, and that, too, mattered. The room drew people from across backgrounds and walks of life, creating a space where queerness was present, visible, and unremarkable in the best possible way. The theme was *the holidays*, but the stories traveled far beyond any single tradition. Rose spoke of Christmas in Haiti. Jacob spoke of Christmas in Texas. Between them and others, the bar moved through geography, memory, warmth, loss, and longing, carried by vivid imagery—sounds, smells, rituals, absences. An intermission divided the evening not as a pause in momentum, but as a breath. Time to refill drinks. Time to exchange quiet recognition. When the storytellers returned, the room felt ready. Solidarity moved through the space without needing to be named. There was laughter—sometimes sudden and loud—and grief—sometimes held in silence. And there was recognition, the subtle understanding that our experiences differ wildly, and we still gather to hear them. This, too, is part of the anatomy of a gay bar: the ability to hold multitudes without flattening them. [Kitty Kane, the owner of both nYne Bar & Bistro and Q Lounge](https://www.khq.com/meet-kitty-kane-the-owner-of-spokanes-oldest-queer-bar/video%5Fe0ad87e2-00ad-11ee-b055-73867d02445c.html?ref=stonewallnews.net), understands this anatomy intimately. When I spoke with her, she was candid about the reality these spaces are facing. *“The pandemic changed how people acted,”* she observed, a statement that carried more weight than it first appears. Crowds are smaller now, people linger less, and spending looks different—not from disinterest or disengagement, but because economic realities have narrowed what feels possible, even in spaces people care deeply about. [nYne Bar & Bistro opened its doors in June of 2010\. ](https://www.spokesman.com/stories/2013/aug/29/old-downtown-garage-made-into-bar-and-bistro/?ref=stonewallnews.net)Thirteen years later, in the space formerly known as the Bartlett, Kitty opened [Q Lounge](https://downtownspokane.org/directory/20302/the-q-lounge/?ref=stonewallnews.net) as a deliberate counterpoint—an alternative to the bright, loud energy next door. Q Lounge offers food and drinks, with an emphasis on craft cocktails made by a small group of experienced bartenders who treat the work as, fittingly, a craft. When you walk in, the bar sits to the left, the stage anchors the back of the room, and beyond it, darts and a pool table invite people to stay. Though Kitty is the technical owner, queer spaces have never functioned on ownership alone. There is a palpable sense of shared stewardship here, carried by staff, regulars, event hosts, and the people who keep showing up. This is not consumption. It is participation. Gay bars are fragile ecosystems. Rising rents, economic strain, political hostility, and cultural shifts all threaten their survival. When a gay bar closes, a community loses more than nightlife—it loses institutional memory, informal care networks, and a place where survival knowledge lives. Keeping these spaces open and accessible requires more than nostalgia. It requires showing up on quiet nights, supporting queer-owned spaces not only when they are crowded or celebratory, but when they are doing the slower, less visible work of care. A gay bar is not where queer people go to disappear. It is where they gather to prepare, to learn, to grieve, to celebrate, and to make sure they are not facing the world alone. On December 10, on Sprague Avenue, the anatomy of a gay bar was fully visible—and it remained alive because the community chose, on an ordinary Wednesday, to hold it together. ### Out on the Ranch | Reclaiming the Holiday Spirit: From Tradition to Spellcraft URL: https://www.stonewallnews.net/out-on-the-ranch-11/ Last updated: 2026-07-12T18:42:27.000Z ### Happy Reclamation Season! --- “Reclaiming my time!” — a phrase popularized by Rep. Maxine Waters in 2017 — has been around for far longer than the meme. But this year, I’ve noticed the profound influence “reclaiming” has had across the nation. It signals a deep, positive shift: people taking back ownership of their time, their space, their traditions, and their celebrations. December carries the same theme. The Big Dark leading up to the Winter Solstice symbolically invites reflection, reassessment, and reclaiming what is ours. This impulse is becoming visible in many arenas of life: voters reclaiming the nation’s narrative at the polls, independent media reclaiming the role of journalism over mainstream partisan spectacle, and social discourse reclaiming space from extreme voices by quietly moving past the noise. This season, reclaiming extends beyond politics or media. It manifests in how we reclaim holidays, traditions, and personal celebrations — away from consumer pressures, religious expectations, or manufactured experiences. Pagan and solstice observances, once fringe, now share the stage with conventional festivities. “Happy Solstice!” is heard as frequently as “Merry Christmas,” alongside greetings for Beltane or Samhain. There’s a quiet but powerful groundswell: people are reclaiming the sacred, the personal, and the celebratory. One example of this reclamation is our annual winter solstice bonfire ritual, which began as a modest gathering in 2007\. It answered a call for a spiritual, communal ritual without religious framing — a space to mark the turning of the year, acknowledge the darkness, and invite light and intention back into our lives. What started with a handful of friends has grown steadily; in 2024, over 125 firewalkers gathered, sharing the warmth of fire, ritual, and community. The bonfire ritual is simple but potent. A circle is drawn, infused with intentions, inviting all to enter. Participants write down negativity to release, along with hopes and dreams to ignite, on slips of paper, folded or rolled as vessels for intention. Other offerings — herbs, wood, personal tokens — can also carry intentions, marked with ink. These are tossed into the fire, negative first, positive after, walking the circle three times in meditation for the release of the negative and three times around for blessings in the coming year. Fire, malleable and transformative, carries intention. Each offering, each walk, becoming a conduit for change, healing, and manifestation. The ritual is brief but its impact resonates far longer. Afterward, participants celebrate with a communal meal, honoring the season and the work done. Through rituals like this, we reclaim what is ours: a holiday that is personal, intentional, and magical. We reclaim tradition, infusing it with meaning, agency, and connection rather than obligation. We reclaim community, gathering without judgment or expectation. We reclaim the narrative of our celebrations, letting them be shaped by intention rather than prescription. Our Holiday Magick is upon us. Some may see a tradition, some see enchantment… Our working wards life brightly through the darkest days toward Solstice. With every bauble, bulb, and bow, we invoke tranquility in the land, a bettering of the general welfare. With silver and gold, we work prosperity forward into the new year. With wreath, garland, and tree, we infuse welcome: Hail Guest! We ask not what thou art. If friend, I greet thee hand and heart. If stranger, such no longer be. If foe, my love shall conquer thee. Securing the seasonal blessings for all who may call. This December, in a world that has long demanded our attention and compliance, take a moment to reclaim your time, your traditions, and your joy. Gather around the fire, write your intentions, release what no longer serves, and invite what you wish to cultivate. There is power in reclaiming, and in the simplest of rituals, magic quietly unfolds. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-9-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Doghouse Leathers: The Beating Heart of Capitol Hill’s Leather and Fetish Community URL: https://www.stonewallnews.net/doghouse-leathers-the-beating-heart-of-capitol-hills-leather-and-fetish-community/ Last updated: 2026-07-20T17:31:21.000Z When you step into Doghouse Leathers on Capitol Hill, it’s clear this isn’t your average store. The air is rich with the unmistakable scent of leather, but what truly sets this place apart is the immediate sense of belonging — a warm welcome, a feeling of safety, and a vibrant network of people that wraps around you like an old friend. At the heart of it all is Dan Daniels. With a genuine smile and an easygoing charm, he’s the kind of person who makes you feel seen and valued the moment you meet him. His dedication to creating a space where everyone feels at home has turned Doghouse Leathers into a cornerstone of Seattle’s leather and fetish community. The business was established with the mission to provide high-quality leather gear in a safe and welcoming environment. Founders Daniels and Jeff Henness envisioned a space where all customers, from seasoned leather enthusiasts to newcomers, could feel comfortable expressing themselves without fear of judgment. Although Henness has sadly passed away, his vision remains a guiding force. His influence is deeply rooted in Doghouse’s core values, including its commitment to the community, and this spirit continues to drive its mission today. The store’s racks are filled with classic leather jackets, vests, and rugged chaps, but they also feature accessories such as harnesses, cuffs, collars, and puppy gear, selected for their style and durability. Additionally, Doghouse sells lubricants, condoms, and high-quality toys, as well as T-shirts. Seeking to understand what truly sets Doghouse Leathers apart, I sat down with Daniels for a conversation. It quickly became evident just how much heart and dedication go into the business every day — and why it means so much to the community it serves. ![](https://www.sgn.org/image/stories/8630) Dan Daniels / Photograph by Frank Gaimari **Frank Gaimari: What inspired the creation of Doghouse Leathers?** Dan Daniels: The idea for our shop came to us during a trip to Chicago for the International Mr. Leather event. While exploring, we visited the Chicago Eagle, which had a small shop on-site. As we browsed, I turned to Jeff and said, "We could do something like this in Seattle." That casual comment planted the seed for what would eventually become Doghouse Leathers. After returning home and discussing it thoroughly, we decided to test the idea by opening a small weekend shop inside The Cuff, where we were both working at the time. The space was very modest — just a 5x7 closet — but it was enough to get started. In those first days, we sold small items like cock rings, belts, and other accessories. It wasn’t a big operation, but it allowed us to run our shop and observe how the community responded. The feedback was very positive, encouraging us to keep going. **FG: What major milestones or changes have stood out in the store’s evolution over the years?** DD: As I mentioned, we started in 2006 with a small shop inside The Cuff. It was a modest beginning, but it gave us the foundation we needed. As word spread and our customer base grew, we moved into our own standalone location at 1312 E. Pike St., just around the corner from the bar. That move was a real turning point for us. Suddenly, we had the space to expand our product line and create the kind of immersive, welcoming shopping experience we’d always envisioned. Eventually, the property was scheduled for redevelopment, and we found ourselves searching for a new home again. In spring 2019, we took another big step — this time to our current location at 715 Pike St. This space was larger, ideally suited to store our growing inventory and better serve our community. Looking back, each move has felt like a step forward — each new location has allowed us to grow, offer more to our customers, and really evolve into the store we are today. **FG: How do you view Doghouse Leathers’ role within the Capitol Hill and greater LGBTQ+/fetish communities?** DD: When we started Doghouse Leathers, our focus was primarily on serving the fetish and leather community. This was the heart of our clientele. However, as the years passed and we moved into larger spaces, our role began to grow and evolve in meaningful ways. With each new location, our client base expanded to include people from across the entire Queer community. While we have consistently remained connected to our roots in the Gay fetish and leather scene, we have also welcomed the remarkable diversity within the surrounding community. Today, Doghouse Leathers proudly serves a wide range of people — individuals of all genders, orientations, and identities. This evolution has been both natural and intentional, as we have worked to create a space that is not only inclusive but also reflective of the vibrant diversity of Capitol Hill and the greater LGBTQ+ community. **FG: Can you tell us about your online store?** DD: Our website is an extension of our physical store, meaning that most of the products you’ll find in-store are also available online. This allows our customers to browse and shop our collection from anywhere, at any time. By visiting [www.doghouseleathers.com](https://www.doghouseleathers.com/?ref=stonewallnews.net), you can explore our wide variety of items. **FG: How do you educate customers about safety, consent, and product care?** DD: Educating our customers is something we take seriously — it’s at the heart of what we do. We want everyone to have a safe and positive experience, so we make sure to offer clear, practical advice on best practices. Our customers range from beginners to experts. For newcomers, we focus on safety and injury prevention. For example, in impact play such as flogging, we specify which body areas to avoid to prevent injury. This approach allows everyone to enjoy themselves safely. When it comes to insertable toys, we walk people through things like which lubricants are safe to use with different materials, and how to clean and care for toys to keep everything hygienic. Our team is essential to this process. We hire experienced individuals who care about the community, and we provide them with continuous training to ensure they are always prepared to assist and answer questions. Ultimately, we aim to cultivate a space where people feel informed, empowered, and supported during their exploration. ![](https://www.sgn.org/image/stories/8631) Doghouse Leathers / Photograph by Frank Gaimari **FG: What do you value most when building your staff, and how do you create a welcoming and knowledgeable environment for customers?** DD: When we bring new staff on board, we prioritize hiring community members who are passionate about our products. By hiring people who are already familiar with and enthusiastic about what we sell, we bring authenticity and expertise that enhance the customer experience. This allows them not only to provide knowledgeable recommendations but also to share their own positive experiences. We also place a strong emphasis on creating a welcoming and inclusive environment for our customers. We encourage our staff to engage with customers in meaningful ways, making them feel at home. This approach applies to everyone, whether they’re local or visiting from out of town. **FG: What are your hopes for Doghouse Leathers in the next 5–10 years?** DD: Looking ahead, it’s honestly exciting — and a little emotional — to think about what the next five or ten years could hold for Doghouse Leathers. This place has already come so far, and I know my late partner would be proud of how much we’ve grown and evolved over the years. People are always asking why I haven’t opened another location in places like Portland or Vancouver. It’s a flattering idea, but it’s also a huge responsibility. Running even one store, especially after losing my partner, has been a big undertaking. I’ve always wanted to make sure that Doghouse Leathers keeps the quality, care, and personal touch that we built together. I’m proud of how our online store has allowed us to reach people far beyond Capitol Hill. It’s been a lifeline for connecting with the broader community — folks who can’t come into the shop but still want that sense of connection and support that we try to offer. As I look to the future, I want to keep growing in a way that feels true to what we started. Whether that means expanding our online presence, trying new things, or just deepening our relationship with the community, I want to do it in a way that honors our roots. I’m committed to making sure Doghouse Leathers stays a welcoming, supportive place for everyone — just like we always intended. **FG: Jeff played a significant role in Doghouse Leathers. Could you tell us about your life together, his contributions, and the legacy he left behind?** DD: Jeff and I started this business in 2006\. We weren’t just business partners — we were life partners for almost 30 years until his passing. Jeff was an amazing person. He wasn’t just part of the leather community. He was a mentor, a teacher, and a leader who made a real difference in people’s lives. He was heavily engaged in establishing and supporting community organizations. A key achievement was his role in founding Seattle Men in Leather. However, his influence extended beyond Seattle, as he was involved across the national leather community. Much of our collective success was fueled by his passion and vision. Jeff’s legacy is at the heart of Doghouse Leathers. His kindness, passion, and dedication to the community still inspire everything we do. Jeff was truly one of a kind, and his spirit is still very much alive in the work we do and the community he loved so much. Doghouse Leathers stands as a testament to what happens when passion, purpose, and community converge. This is a shop where high-quality products meet heart, where newcomers and veterans alike find a place to belong. If you’re looking for more than just leather goods — if you want connection, education, and a feeling of home — Doghouse Leathers is waiting on Capitol Hill. Drop in, and you’ll see why this store is a valued part of Seattle’s Queer community. *Doghouse Leathers is at 715 Pike St. in Seattle and online at* [*www.doghouseleathers.com*](https://www.doghouseleathers.com/?ref=stonewallnews.net)*.* --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--69.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### A Life in Drag: The Legacy of Kierra Darshell URL: https://www.stonewallnews.net/a-life-in-drag-the-legacy-of-kierra-darshell/ Last updated: 2026-07-17T21:18:41.000Z If you ask anyone in Pittsburgh’s drag scene about Kierra Darshell, you’ll hear words like “icon,” “leader,” and “inspiration.” For decades, Kierra has been much more than just a performer — she’s a mentor, an activist, and a shining example of resilience. Her magnetic presence on stage and her unwavering dedication to the local queer community have helped shape a legacy that reaches far beyond the spotlight. Kierra’s story started long before drag was celebrated as it is today. Back then, the art form was on the fringes, and the journey to acceptance was anything but easy. But through her talent and determination, Kierra broke new ground in Pittsburgh, becoming a trailblazer for herself and others who would follow. Her love for her hometown runs deep, and it shows in everything she does — from her performances to her outreach. Known for her polished, glamorous style, Kierra is always the picture of sophistication. Audiences recognize her for her elegant gowns, flawless makeup, and that unmistakable presence — warm, confident, and always commanding attention. Her performances, whether set to soulful ballads or powerful anthems, are emotional and theatrical, leaving audiences moved and inspired. But Kierra’s impact goes far beyond the stage. She’s leveraged her platform to advocate for LGBTQ+ rights and champion important causes. Whether she’s at Pride events, hosting community gatherings, or performing at charity shows, her commitment has helped raise awareness and inspire real change — showing just how powerful drag can be as a force for good. Perhaps one of Kierra’s most lasting contributions is the way she lifts others. She’s mentored countless new queens, offering advice, encouragement, and a helping hand as they find their own voices. Her charity work has raised vital funds for local organizations, making an impact felt throughout the community. Kierra Darshell’s legacy is built on a perfect balance of dazzling glamour and heartfelt activism. She’s a symbol of grace and resilience, and her commitment to community continues to motivate and uplift everyone she encounters. **Frank Gaimari: You are a key figure in the drag scene. Looking back, what’s the most important change you’ve seen in the local community since you started?** Kierra Darshell: Since I started my drag journey in the late 80s, the art form has changed a lot. Back then, drag mainly thrived in underground spaces — small, intimate venues where the community could express itself freely but stayed out of the public eye. It was a subculture that existed quietly, celebrated within close-knit circles. Over time, drag has become much more mainstream, gaining visibility and recognition on a larger scale. This shift has opened countless opportunities for performers, from larger audiences to new platforms for showcasing their art. It’s also brought a sense of pride and validation to the community, as drag is now celebrated as a legitimate and influential art form. It’s been amazing to witness this growth and to see how the local scene has flourished alongside it. The opportunities available today are a testament to how far we’ve come, and I’m proud to have been part of that journey. **FG: Your drag persona radiates timeless sophistication. Which artists have influenced your signature style the most?** KD: My aesthetic has been deeply influenced by a combination of iconic figures and personal mentors who shaped my understanding of beauty, style, and performance. Growing up, I was captivated by the glamour of Diana Ross and the bold, dynamic presence of Patti LaBelle. Their ability to command a stage with grace and power left a lasting impression on me. I also fell in love with the artistry of Bob Mackie, whose gowns embodied sophistication and drama, inspiring me to bring that same level of elegance to my drag. On a more personal level, my drag mother, Denise Darshell, was instrumental in teaching me the true art of drag. She showed me how to embrace my individuality while honoring the traditions of the craft. I also had the privilege of learning from the legendary Misty Knight, who provided invaluable guidance on the art of entertainment and stage presence. Both Denise and Misty were not only mentors but also sources of unwavering love and support throughout my career. Though they have both passed on, their lessons and belief in me continue to guide everything I do. Their influence is woven into every performance, every look, and every moment I spend on stage. I carry their wisdom and spirit with me always, honoring their legacy in everything I create. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/kierra5.jpeg) Photograph courtesy of Kierra Darshell **FG: Mentorship plays a significant role in your legacy. What’s the most important advice you give to a new queen just beginning her journey?** KD: The most important advice I give is to learn the business of drag. It’s so much more than just what happens on stage. Understand your worth, set clear boundaries, and don’t be afraid to say “no” when something doesn’t align with your values or goals. Drag is an art form, but it’s also a profession, and treating it as such will help you build a sustainable and fulfilling career. I also emphasize the importance of staying grounded and focused. Avoid the pitfalls of drugs and other distractions that can derail your progress. Success in drag requires discipline, dedication, and a clear vision of what you want to achieve. One thing I always stress is that you don’t have to choose between drag and other aspirations. You can balance a successful corporate career and a thriving drag career — I’ve done it for over 35 years, and I’m proud to show that both dreams can coexist. It takes hard work and careful planning, but it’s possible to pursue your passion for drag while excelling in other areas of your life. Ultimately, I encourage new performers to stay true to themselves, respect their craft, and never lose sight of their goals. With the right mindset and determination, they can achieve incredible things. **FG: You have combined artistic talent with activism for many years. How do you choose which causes or charities to support, and why does that work matter so much to you?** KD: My journey as an artist and an activist began in the 1980s, with my very first drag performance taking place at an AIDS benefit show. That experience not only shaped my career but also solidified my commitment to using my platform for community advocacy. It taught me the power of drag to bring people together, raise awareness, and make a tangible difference in others’ lives. Over the years, I’ve been fortunate to work with organizations that align with my values and passions. I proudly served on the GLENS Pittsburgh Chapter Board, where I contributed to initiatives supporting LGBTQ+ rights and visibility. Currently, I sit on the Advisory Board of the Pitt Men’s Study, a groundbreaking HIV research program that has been instrumental in advancing understanding and treatment of the virus. These roles allow me to give back to the community that has supported me throughout my career. In addition to advocacy, I’ve always been dedicated to championing the art of drag pageantry. In 1992, I founded the Tri-State All-Star Pageantry system, which includes Miss, Mr., and Newcomer divisions. This system was created to provide a platform for performers to showcase their talent, build confidence, and grow as entertainers. It’s a way for me to give back to the drag community by creating opportunities for others to shine. For me, giving back is at the heart of everything I do. Whether it’s through supporting essential causes, mentoring new performers, or creating spaces for artistic expression, my goal has always been to build a stronger, more inclusive future. I believe that by lifting others, we can make a legacy of empowerment and progress for the next generation of entertainers and leaders. **FG: What does a typical day of preparation look like for you before a major show? Can you walk us through your transformation process?** KD: Preparing for a major show is a mix of planning, self-care, and creativity. I start by selecting my performance songs, making sure each one fits the mood I want to create for the audience. Once my setlist is ready, I gather the outfits, accessories, and wigs I’ll need for each number, ensuring everything is organized and ready to go. Before I begin my transformation, I take some time for myself with a skin-care routine and shaving process. It’s a moment to relax and focus before the excitement of the show. Then I move on to my makeup, where the transformation really begins. I love playing music while I work — what I listen to depends on my mood, but it always helps me get into the right mindset. Once I finish my makeup, I style my wig and do a final check to make sure everything looks perfect. By the time I step on stage, I feel confident and entirely in character, ready to give the audience my best performance. **FG: Drag’s mainstream success has exploded worldwide. If RuPaul called and invited you to be on Drag Race, would you accept?** KD: It’s funny you mention RuPaul’s Drag Race — I’ve never watched a full season of the show. That said, I have enormous respect for its role in bringing the art of drag and female impersonation to a worldwide audience. It has opened doors for many performers and raised drag to a level of visibility hard to imagine when I first started. For me, though, competing on Drag Race was never part of my journey. My focus has always been on creating balance in my life — developing a professional career while growing my drag on my own terms. I’ve spent decades climbing the corporate ladder and producing drag shows right here at home, and that’s where my passion lies. I’ve always believed in carving out my own path and staying true to what fulfills me. While Drag Race is an incredible platform for many, my goals have always been rooted in building a legacy through my work in the local community and creating opportunities for others through the shows I produce. That’s where my heart is, and I wouldn’t trade it for anything. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/kierra-darshell-still-4.jpeg) Photograph courtesy of Kierra Darshell **FG: Among the thousands of performances you’ve done, is there one that you consider your absolute favorite or most meaningful?** KD: My first performance song was “Home” by Stephanie Mills, and it holds a very special place in my heart. To this day, it remains one of my favorite songs to perform because it always takes me back to the moment I fell in love with drag. That song marks the beginning of my journey, and every time I perform it, I’m reminded of how far I’ve come and why I continue doing what I do. Another deeply meaningful moment in my career happened in 2000 when I started hosting a monthly drag search contest. Watching many of Pittsburgh’s now-famous drag stars rise from that stage has been one of the most rewarding parts of my journey. Seeing new talent develop, gain confidence, and find their voice in drag is an incredible experience. Creating a platform that nurtures and celebrates new performers has been one of my proudest accomplishments. It’s a reminder that drag is not just about individual performances — it’s about building a community and paving the way for the next generation of entertainers. **FG: As a community leader, you’ve shouldered many responsibilities. What has been the biggest challenge you’ve faced in your role as a performer and advocate?** KD: Sometimes, the gay community can take drag queens for granted. They often focus on the entertainment we provide without fully recognizing our role as advocates and leaders. Juggling being a performer with the responsibility to promote change and create safe spaces for others can be difficult. What I’ve learned is that knowing your self-worth is crucial. When you lead with love and respect for yourself, you’re better prepared to face challenges directly. Not everyone will support your choices, but it’s up to you to take charge and forge your own path. By staying true to yourself and your values, every challenge becomes an opportunity to grow and make a difference. **FG: How do you rejuvenate your creativity and discover fresh inspiration?** KD: Traveling the world has been one of the greatest ways to recharge and find inspiration. Meeting incredible people from all walks of life, hearing their stories, and experiencing different cultures always reminds me of the power of connection and creativity. The drag community itself is a constant source of inspiration — there are so many unique platforms and spaces where drag thrives, each with its own energy and perspective. Every performance, every interaction, and every new environment offers an opportunity to grow, evolve, and reignite my passion for what I do. It’s about staying curious, open, and willing to embrace the ever-changing landscape of drag, which keeps me motivated to remain in the arena and continue pushing boundaries. **FG: When you decide to hang up your heels, what do you hope your legacy will be?** KD: I hope to be remembered as someone who conquered the drag scene with grace, class, and elegance, while always lifting others along the way. My goal has always been to pave the way for others to live boldly and embrace their authentic selves, showing that drag is not just an art form but a powerful platform for self-expression and community building. Above all, I want young queens to see that longevity in this industry is possible. With focus, dedication, and a true belief in their craft, they can build a career that not only sustains them but also inspires others. If my journey has shown anything, I hope it’s that success comes from staying true to yourself, working hard, and never losing sight of the joy and purpose that brought you to the stage in the first place. Kierra Darshell’s career exemplifies longevity and relevance. She has gracefully navigated the changing drag scene, staying a beloved and respected figure. Her influence is evident in the vibrant local community she helped develop and in the many performers she has inspired. As she continues to perform and advocate, Kierra Darshell remains committed to her community. Even as drag evolves, her work highlights its roots in grassroots activism and local performance. Her legacy isn’t just in the shows she’s done, but in the community she’s built, the funds she’s raised, and the lives she’s impacted. Kierra Darshell isn’t just Pittsburgh’s queen; she is its heart. Facebook: Instagram: [https://www.instagram.com/kierradarshell](https://www.instagram.com/kierradarshell?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--50.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | A Middle Earth Cuddle Puddle: The Healing Power of Touch URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-a-middle-earth-cuddle-puddle-the-healing-power-of-touch/ Last updated: 2026-08-16T16:27:24.000Z During the pandemic, I was diagnosed with heart failure after landing unexpectedly in the ER. The medical team was covered head-to-toe in plastic shields, gowns, and gloves. I spent hours alone in a dark hospital room. My husband wasn’t allowed to enter. I held onto my cell phone like a lifeline, but without a charger, the battery slowly drained. Staff kept promising to find one, but they were short-staffed and overwhelmed. Eventually, the screen went black. And I remember feeling desperate—not just for answers, but for touch. A hand squeeze. A reassuring arm. Some simple, human reminder that I mattered, that I wasn’t disappearing into the noise and machinery. But there was none. When I was finally released, my husband wrapped his arms around me in the parking lot. In that moment, I felt like I was falling apart—and his touch was what held me together. Human touch is one of the first languages we ever learn. Before we form words, identities, or meaning—we learn safety through being held. Touch tells us we exist. I remember being at youth group as a teen playing hide-and-seek in the dark. A boy grabbed my hand and pulled me quietly into a small storage closet so we wouldn’t be found. It was completely innocent. But I remember everything about that moment — how alive and nervous and grateful I felt just being that close to another human. Feeling his arm around me as we were squished together in the dark. Feeling chosen for a moment. That split-second connection imprinted on me in a way I didn’t even understand until years later. It lasted maybe three minutes. But it has stayed with me for decades. That’s the power of human touch. Not romantic touch. Not sexual touch. Just touch paired with presence — the recognition that another human wants you near them. And yet in gay male culture, touch often gets tangled. Many of us grew up in systems that treated our bodies as shameful, our desires as dangerous, and our love as a threat. Some of us learned young that closeness could get us hurt. Many of us survived adolescence by pulling away, armoring up, or training ourselves not to need what humans need most: each other. So today, I want to talk about something beautifully simple, and wildly underestimated: **Consensual human touch as healing, connection, safety — and resistance.** **Why This Matters for Us** One in three Americans feels lonely on a weekly basis according to the American Psychiatric Association. Gay men experience some of the highest levels of loneliness in the country. Studies show LGBTQ+ adults are nearly twice as likely to report persistent isolation. We crave brotherhood, tenderness, belonging — but have been trained to access it only through romance or sexuality. We forget that touch itself can be sacred — separate from performance or expectation. Hugging your friend for five full seconds. Leaning shoulder-to-shoulder during a movie. Lacing fingers with your husband, wife, or partner while walking down the street. A friend silently placing a hand on yours during a hard moment. These tiny gestures reset the nervous system. They tell the body: you’re safe, you’re real, you matter, and you’re not alone. **A Middle Earth Cuddle Puddle** For several months, once a week, two good friends came over and we worked our way through every version of Middle Earth — the extended LOTR trilogy, The Hobbit, the animated films, and Rings of Power. We’d pile onto the couch, laugh, debate scenes, and slowly melt into one collective Hobbit-loving human heap. It was wonderful. Those nights I slept better. That was the healing power of a Middle Earth cuddle puddle. I’m grateful for all the “cuddle puddles” and beautiful humans who have embraced me and allowed me to embrace them over the years. **Touch Is Medicine** This isn’t poetic metaphor — this is literal biology. Healthy touch reduces cortisol, blood pressure, anxiety, and even physical pain. It strengthens the immune system. It reminds the nervous system that the world is survivable. That you’re not alone. For a community that has carried shame, rejection, violence, and loss — this is revolutionary. **We Need To Normalize Gentle Touch in Friendship** Some of my most healing moments were not conversations at all — but simple presence. Sitting next to my husband as we hand out dragon eggs at Hobbit Halloween. Hugging friends before and after sporting events. Leaning into one another during a game night on the patio. The tight embrace of a loan officer friend before we watch a scary movie. The energetic hug from a doctor friend before she beats me at kickball. Touch bypasses shame. It bypasses the fear-spinning mind. It goes straight to the heart. As I face new health challenges in the months ahead, I am thinking deeply about the touches I will need to heal — right alongside the treatments and medications. Our bodies heal better when we do not face the journey alone. **A Small Challenge** Reach out — literally. Hug your friends longer (with permission). Sit closer. Put a gentle hand on someone’s back when they’re sharing something heavy. Let your community not just be the people you know — but the people you feel. Loneliness is not cured by logic. Loneliness is cured by proximity. Our community is tired. Our community is grieving. Our community is rebuilding constantly. Human touch — safe, consensual, kind — is one of the most powerful tools we have to heal each other. And it costs nothing. We were never meant to go through this life alone. We were meant to hold each other up — and hold each other close. So put on an extended version of Lord of the Rings, have over a couple good friends, and invite them to enjoy a Middle Earth cuddle puddle. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-11-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Remembering Bill Dickey URL: https://www.stonewallnews.net/remembering-bill-dickey/ Last updated: 2026-07-13T19:39:54.000Z What I find myself sharing today is sad on many levels, as Portland lost a big part of our community on November 3 with the passing of Bill Dickey. Bill was truly a larger-than-life figure. He was big in his generosity, his stature, his humor, his wisdom, and yes, even his temper. Bill was also one of my closest friends, and his too-early passing is a deep loss for me. The formal obituary has yet to be published in local newspapers of record. But here and now I want to share some reflections on his life, with thoughts from groups and people who knew and appreciated his many accomplishments and contributions. \*\*\*\*\* On November 3, 2025, the Portland/Vancouver community lost Bill Dickey, who succumbed to cancer after a short and brutal illness. Bill was the true personification of “larger than life.” He devoted endless time and dollars to helping local LGBTQ+ organizations and nonprofits obtain their goals. He was the “master of the ask,” often called upon to make the money rain at benefits and fundraisers. Bill was so dedicated to giving that in 2019 he was honored as the Portland recipient of the Association of Fundraising Professionals 2019 Philanthropy Award. According to a Pamplin Media Group article published at the time, “In all, Dickey has given over $2.5 million in cash \[to\] and organized charity events \[for\] more than 100 organizations and given in-kind donations to many more. Recipients have included Basic Rights Oregon, the Oregon League of Conservation Voters, the ACLU Foundation of Oregon, Planned Parenthood of the Columbia-Willamette, DoveLewis Emergency Animal Hospital, and the 42nd Avenue Business Alliance. *Portland Monthly* magazine awarded Dickey \[its\] Light a Fire Award in 2007, and the recognitions haven’t stopped. In 2013, Dickey was named a Queer Hero by the Q Center and a year later received the 2014 Sam C. Wheeler Freedom Award from De Paul Treatment Centers. Both the Multnomah County Democrats and Basic Rights Oregon recognized him as the 2015 Hero of the Year.” Tributes to Dickey have poured in. Here are just a few. · From the Portland Lesbian Choir: “A longtime supporter and friend, Bill Dickey, passed away earlier this week. Bill was dedicated to our community and supported many organizations. His generosity helped so many people and communities in Portland and beyond. He will be truly missed.” · From the Portland Gay Men’s Chorus: “As we celebrate the light of community this season, we honor the life of Bill Dickey, a cherished friend and steadfast PGMC supporter. Bill passed peacefully on November 3, leaving behind a legacy of generosity and care that continues to inspire.” · From Samantha Swaim of Swaim Strategies: “How lucky are we to have lived in Bill Dickey's Portland, \[with\] his generous giving, his dream of a better world for everyone. He loved art. He advocated for all of us. And he gave so much. Our community and our city are better for his love of us all.” · From Cinema 21: “We here at Cinema 21 lost a great friend in Bill Dickey — a man whose energy, generosity, and curiosity shaped so much of the Portland we know and love. His presence filled every room he entered: the laughter, the stories, the eager interest in people and ideas. Bill was a champion of the arts, a devoted supporter of local causes, and a connector of countless lives. He believed in community, in beauty, and in showing up again and again, with heart. Those of us who knew him will remember his big personality and irrepressible humor, but also his thoughtfulness, his kindness, and his deep love for this city and its culture. Portland shines a little dimmer without him, yet the light he shared carries on in every life he touched.” · From media personality Carl Wolfson: “As many of you know, Bill Dickey passed away a few days ago after a battle with lung cancer. I don't think there is a person in Portland who was not touched by his warm spirit, endless philanthropy, and daily good deeds. As cofounder and owner of the printing business Morel Ink, Bill Dickey sponsored my radio show, “Wite to Wire,” for its full 10-year run. I am eternally grateful for his unflagging support and his large and cheerful presence in all of our lives.” Bill’s last public appearance was on October 21, when hundreds of friends and admirers gathered at Portland’s Mother’s Bistro and Bar to pay tribute and offer personal hugs and goodbyes. Bill Dickey passed away two weeks later, in the early morning hours of November 3. He will be deeply missed. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Marty-and-Bill-2019.jpg) Marty Davis and Bill Dickey ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/IMG_4816.jpeg) ### Join the Choligarchy: Margaret Cho’s New Tour URL: https://www.stonewallnews.net/join-the-choligarchy-margaret-chos-new-tour/ Last updated: 2026-07-17T21:19:02.000Z Margaret Cho is hitting the road with a brand-new comedy tour, crisscrossing North America in celebration of her forty-year career. Her latest show, *Choligarchy*, is more than just a series of stand-up dates — it’s a powerful statement about the world today. Audiences can expect an evening of sharp, progressive commentary, all delivered with the unfiltered honesty that has defined Cho’s legacy. The *Choligarchy* tour places Cho’s unique voice front and center. As a queer Asian American woman who has never backed away from the truth, she offers a perspective you won’t find anywhere else. The show features all-new material that tackles the current cultural and political landscape through heartfelt personal stories and fearless humor. It’s an urgent, funny, and deeply moving experience that invites audiences into a space of radical candor. This isn’t just comedy; it’s advocacy through laughter. The tour marks a major milestone — it’s been forty years since Margaret Cho first stepped onto a comedy stage in San Francisco. But calling Cho just a comedian doesn’t fully capture her impact. She’s also an actor, musician, writer, and dedicated advocate — constantly pushing boundaries with her work. From the very beginning, Cho’s career has been defined by her willingness to speak openly about family, identity, sexuality, and mental health. This vulnerability has not only forged a deep bond with her audience but has also paved the way for a new generation of performers to share their own truths. Whether breaking ground with her 1994 sitcom *All-American Girl* or earning five Grammy nominations for her comedy albums, Cho has always been a trailblazer. As a longtime fan, I was thrilled to finally have the opportunity to speak with her. What struck me most was her warmth and candor. Here’s our conversation. **Frank Gaimari: Your career has spanned stand-up, acting, and writing. How does your creative process adapt when you shift between these different modes of expression?** Margaret Cho: My creative process really depends on the type of project I’m working on, and I find that each medium demands a unique approach. When I’m doing stand-up, I’m balancing my own need for self-expression with connecting to the audience, shaping the material to reflect my voice and their reactions. In contrast, working on movies or reality-based projects means stepping into someone else’s world — I’m there to help bring another person’s vision to life, so my mindset shifts to serve the story rather than my own perspective. On the other hand, when I’m making music or writing my book, the experience is much more personal and introspective. These projects give me the freedom to fully explore my own ideas and push the boundaries of my creativity, much like stand-up. Ultimately, whether I’m collaborating or working solo, I adapt my approach to suit the demands and opportunities of each creative endeavor. **FG: Reflecting on projects like *All-American Girl*, what key lessons did you learn that influenced your approach in the entertainment industry?** MC: Working on *All-American Girl* was a pivotal moment in my career, offering invaluable insight into the inner workings of television and Hollywood. Before that experience, I viewed acting as simply another job, but being at the center of the show made me realize how important it is to have my own voice and agency. In hindsight, I wish I had asserted myself more and truly shared my perspective, but I’m grateful for the lessons I learned — even though the process was incredibly challenging. Ultimately, that experience taught me the importance of owning my story and using my platform to its fullest. **FG: You’ve often drawn from your family and Korean heritage in your work. How has your perspective on sharing these deeply personal stories evolved over the years?** MC: I really enjoy sharing stories about my family and personal experiences. When I talk about my life, I’m not intentionally trying to make a formal statement about Korean American culture or the immigrant experience. Instead, I share what has happened to me — these are just genuine moments from my own life that I find worth sharing. What I find especially funny and relatable is the feeling of being an outsider, which I think everyone goes through, regardless of background. In my view, feeling a bit disconnected or on the edge of your own culture is a universal human experience. That’s the perspective I try to bring to my comedy. I want people to see themselves in these stories, to realize that feeling like you don’t quite fit in is something we all share. **FG: You’ve been a vocal advocate for mental health awareness. How do you balance channeling personal struggles into your comedy while also protecting your own well-being?** MC: I believe mental health is incredibly important, and sharing my own experiences has always been healing for me — and I hope it’s healing for others, too. I really value it when other artists talk openly about their mental health journeys because it helps remind all of us that we’re not alone in our struggles. For me, dealing with mental health challenges has always been a part of my life. That’s why being honest and open about it matters so much to me. When I share my story, I’m not only helping myself by breaking the silence, but I’m also creating space for others to do the same. I truly believe that sharing our experiences is one of the most powerful ways we can support ourselves and those around us. **FG: As a prominent voice in the LGBTQ+ community, how have you seen the landscape of queer representation in media change, and where do you see the most urgent need for progress today?** MC: Over the years, I’ve seen a fundamental shift in how queer people are represented in the media. There’s a much stronger sense that we deserve equal rights, and visibility has improved as more stories and voices from our community are being shared. But despite this progress, there’s still significant resistance, especially when it comes to protecting our rights like marriage equality, which is under threat. That’s why we must stay alert and keep advocating for our rights. At the same time, I believe the most urgent need for progress is in supporting and protecting the trans community. The queer movement owes so much to the leadership and contributions of trans people, and we can’t move forward without making sure they are seen, heard, and safe. Uplifting trans voices and ensuring their stories are told is essential, and supporting them should be a central part of our movement. **FG: Your new show, *Choligarchy*, returns to your political-comedy roots. What inspired this sharper, more confrontational direction?** MC: I’m incredibly frustrated with the state of the union, and I believe humor is my only weapon. The richest people in the world are trying to take over. I want to fight fascism with everything I’ve got. This will be my most blistering and brutally honest show yet! Let’s tear down racism, homophobia, and sexism. We need to take action now, before it’s too late to protect what matters most. **FG: When you reflect on your entire body of work, what message do you hope audiences connect with most?** MC: When I look back at my body of work, I hope people laugh — and feel connected. I want them to hear something that resonates — a deeper truth that not only makes them laugh but also reminds them they’re not alone in their thoughts, opinions, ideas, perspectives, or lives. I want people to feel okay. That’s always been my message. For forty years, Margaret Cho has been a trailblazer, building an innovative career on persistence and fearless comedy. Her voice remains as relevant and powerful as ever, and she’s bringing her next chapter to the stage. See Margaret Cho live at Seattle’s Moore Theatre on April 19 at 7:00 pm. Tickets are selling fast — get yours before they’re gone. Tickets: [https://margaretcho.com/](https://margaretcho.com/?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Cho2.jpeg) Margaret Cho / Photo by Nick Spanos ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Cho3.jpeg) Margaret Cho / Photo by Nick Spanos ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/margaret-cho-poster.jpeg) Margaret Cho: Choligarchy --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--5.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | The Season of Thanks and Resilience URL: https://www.stonewallnews.net/out-on-the-ranch-10/ Last updated: 2026-07-12T18:42:56.000Z Thankfulness is found in the turbulent waters of this historic time, by charting a path toward community and away from the idea of rugged American individualism, self sufficiency, and the nuclear family. So many dream of moving to the mountains and become as self sufficient and removed from urbanity as possible. They want land where they can shoot their guns, light their fireworks, and grow all the food they need. Little consideration is given to the road their ancestors built allowing the access out to that land, just the expectation that the road will be there. From our very experience of actually homesteading a 17 acre parcel of land, in the mountains among the national forest, and opening it to the public on a daily basis, we can honestly share: until making toilet paper and light bulbs, one is never self-sufficient, one is survivor. The goal of Self-Sufficiency is a myth that disconnects us from community. The promise that was the nuclear family is another myth that disconnects us from our intergenerations. How often do we see the generations as being different than one another, conditioning us to highlight contrasts, rather than connections. The labels of Boomers, Gen X, Millennials, etc. becoming distillations of differences, bitter liquors to be separated. Many focus on breaking of generational chains rather than building upon previous foundations. Our elder generations are separated from family, placed in institutional care. The nuclear family, no longer able to accommodate or provide care. National polarization trickles downward toward a dissolution of familial ties among siblings and relatives. Each are dwelling within information bubbles that are becoming too fragile to bump into one another, more comfortable with estrangement instead. The blood of online engagement becoming thicker than the waters of relational reality. At the ranch, we have found that if we shift our conditioned perspectives away from nuclear family and toward community connection, toward self-responsibility rather than self sufficiency, we can chart a course through the turbulence of social upheaval. We leaned into these concepts this year to counter the noise, chaos and turmoil of this nation. We find ourselves thankful for having done so. Profoundly, in dark times, our light shines brighter this year for having strengthened ties with those around us in solidarity. In the early years of the ranch, we learned we simply could not grow tomatoes out here without expending a lot of effort. Instead, we found a hot house grower whose core competency was growing incredible on-the-vine tomatoes and bringing them to the local markets. We could rely on this community member and small business for our tomatoes. That taught us to know our core competencies and what we could bring to community. This season we did manage to grow an abundance of turnips. Eight crates of those were donated to our local food bank. We learned to develop rapport, finding those we could invest in and position for success as well. Our very definition of success becoming positioning others to become successful. This year, we worked to expand our ranchhand program to include a few more persons who could use some extra income, or permaculture experience. We are thankful for reconnecting with one person who worked here over 9 years ago, and making new connections with a handyman person and another homestead oriented person. All of them local community members. We leaned into growth this year at a time when others are hesitant. Our growth came in the form of spa amenities as part of a newly constructed bathing pavilion. Our core competency is offering hospitality and creating a space where transformation can happen. Having a sauna, soaking tubs, hot tub, and steamroom fits right into that wheelhouse. Most importantly, to make manifest the new pavilion took connecting with the community. We wanted this to be a building of relationships as well as a construction project. The rapport we were able to make with tradespeople was a moment of grace. We are thankful for having expanded the ranch family to now include their families to come enjoy the fruit of their labors. When someone has vested their time and effort here at the ranch, we return that with what we bring to the table, hospitality. We leaned into art as a form of resistance and that resulted in a scenic barn mural and whimsical bathing pavilion mural that brightens the entire ranch. The transformation adds to that feeling of stumbling upon a sense of the sacred blossoming in front of you when driving up our main drive. Still out in our fields, are our seasonal run of meadow raised turkeys ending the final stretch of their journey. We bring them here as baby chicks in early Spring, and raise them so the public can see what they get from the store. They do a summer job of pasture renovation and bug control, until that Sunday before T-day when they go from farm to table. We are thankful to be able to sell many of them, but even more so, we are thankful to be donating a few to local families in need as well. Our collective Thanksgiving tables seemed to have shifted over the recent years given the polarizing trends. You may have seen some distancing among those who’ve attended your past gatherings. But this season, a new solidarity seems to be rebuilding itself in its place, one that is highlighting Community and our connections to it. This season, try reaching out to your local community if you have space at your table. This is the best time of year to make a new connection or strengthen the bonds of one newly formed. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-10-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Robyn: Creating Music on Her Own Terms URL: https://www.stonewallnews.net/robyn-creating-music-on-her-own-terms/ Last updated: 2026-07-17T21:19:22.000Z Robyn first appeared in the late ’90s as a Swedish teen-pop export. She delivered slick R&B hits such as “Do You Know (What It Takes)” and “Show Me Love.” They were undeniable pop songs — polished and perfectly suited for the times. But the industry machine that created that version of Robyn also tried to contain her. Instead of conforming, she walked away. In 2004, she founded her own label, Konichiwa Records — a move that wasn’t just about business but a declaration of artistic freedom. With complete creative control, the Robyn we know today emerged. Her 2005 self-titled album was a reset, buzzing with a new electronic edge. It gave us the witty swagger of “Konichiwa Bitches” and the devastating synth-pop of “Be Mine!”She was no longer just a pop star; she was an architect of a sound that was vulnerable, sharp, and defiantly her own. Then came 2010’s *Body Talk*, a game-changing project released as three mini-albums across a single year. It was a treasure chest of pop perfection. “Dancing on My Own” became a generational anthem for anyone who’s ever found strength in solitude, turning heartbreak into a powerful act of defiance. The trilogy also gave us the stunning empathy of “Call Your Girlfriend” and the soaring power of “Indestructible.” Robyn had cemented her legacy as a pop visionary, proving that dance music could be innovative, complex, and deeply human. After *Body Talk*, she took her time. Her next album, *Honey*, didn’t arrive until 2018\. It wasn’t the explosive banger many expected. Instead, it was a warm, immersive, and softer record. Born from a period of personal loss and reflection, tracks like “Honey” and the melancholic “Missing U” felt like the after-hours glow of the club: intimate, communal, and healing. A new chapter is about to begin. On November 12, Robyn will release “Dopamine,” her first new single in seven years (video at [https://youtu.be/vitil9qMN6A](https://youtu.be/vitil9qMN6A?ref=stonewallnews.net)). The title alone exudes excitement, hinting at the euphoric energy and pure joy that have always defined her music. Robyn's official website: [https://www.robyn.com/](https://www.robyn.com/?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--35.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### SAN Pride Center: A Legacy of Care That Continues to Feed Spokane URL: https://www.stonewallnews.net/san-pride-center-a-legacy-of-care-that-continues-to-feed-spokane/ Last updated: 2026-07-17T18:55:33.000Z On East Sprague Avenue in Spokane the SAN Pride Center Food Pantry carries forward a four-decade legacy of compassion, community, and care. Operated by the Spokane AIDS Network (SAN), the pantry provides groceries, hygiene items, and connection to anyone in need — continuing the organization’s mission to empower people affected by HIV and AIDS through education, outreach, and advocacy. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000016928.jpg) The entrance to the pantry on the west side of Sprague Ave ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000016920.jpg) SAN volunteer at the check in counter for the pantry ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000016923.jpg) Founded in 1985, SAN began as an informal network of friends, medical caregivers, and community advocates supporting people living with HIV and AIDS. Over the years, SAN has changed locations and services but never its commitment to meeting basic needs and reducing stigma. After major funding changes in 2017, SAN closed its direct prevention and care services, transferring clients to the Spokane Regional Health District. Under the leadership of Executive Director Grant Ogren and Board President Dale Briese, the board voted to preserve SAN’s nonprofit status and continue its community work. Today, SAN shares space on Sprague with Spokane Pride, led by Director Matthew Danielson. Together, the organizations maintain a welcoming community hub that includes offices, a meeting space, and the SAN Market Pantry — open to the public every Friday from 9 a.m. to 2 p.m. Community members living with HIV can also shop Monday through Thursday from 9 a.m. to 4 p.m., supported by Ryan White funding. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image2.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1000016925.jpg) The pantry includes pet food. The pantry operates with four staff members and more than 20 regular volunteers, some of whom are also clients living with or at risk of HIV. In 2025 alone, the program has served over 4,500 individuals in 2,500 households. Of those, 1,170 households include a person living with HIV, and 370 identify as LGBTQ+. On a typical Friday, between 30 and 60 people visit the pantry. Food arrives through a network of local partners — Feed Spokane, Northwest Harvest, 2nd Harvest Zilch Program, Catholic Charities Food for All, Great Harvest Bread Co., and Our Place Community Outreach. When donations run short, SAN supplements its inventory with purchased items funded by grants and public donations, especially dairy and protein products that are harder to source. Among the volunteers is Tamara, who first came to the pantry as a client living with HIV and later joined the team as a regular volunteer. Her story reflects the pantry’s inclusive approach — many who once received assistance now help others, creating a cycle of support that keeps the program strong. In December, SAN will distribute 300 holiday meal boxes, an increase from 196 last year. Each box contains a complete holiday meal — from breakfast to dessert — scaled for households of one to six and including a protein of choice. With the combined efforts of Grant Ogren, Dale Briese, Matthew Danielson, and a dedicated volunteer team, the SAN Pride Center remains a cornerstone of Spokane’s LGBTQ+ and public-health community — feeding bodies, uplifting spirits, and honoring a 40-year legacy of care. ### Thoughts from the Hobbit House | Our Secret Weapon: Sweaty Kickball Hugs & Dragon Eggs URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-our-secret-weapon-sweaty-kickball-hugs-dragon-eggs/ Last updated: 2026-08-16T16:27:57.000Z We’re lonelier than ever, and it’s killing us. We’re forgetting what community looks like—just when it’s what will save us. But community isn’t found in another app- it’s found on the front porch, at a coffee shop, or out on the kickball field. After a recent talk I gave, I closed by encouraging the audience to *find* or *build* their community. I defined community as *chosen connection*—a space that doesn’t erase differences but weaves them together into something stronger. A place where we give, receive, and grow. Afterward, a woman approached me to say she was required to go into her office twice a week, so she saw people there—“That’s my community,” she said. I asked, “Are they people you feel connected to? People you grow with?” She paused, smiled sadly, and said, “No, but that’s what we have to settle for these days, right?” I spoke to a group of college students and asked what their communities looked like. Over 60% mentioned some form of online or virtual group. These spaces have value, but they’re not replacements for face-to-face connection—the kind that feeds our nervous systems, grounds our hearts, and reminds us we’re part of something bigger than ourselves. People are sometimes surprised to learn that I lean more toward being an introvert. Socializing has never come as naturally to me as it seems to for others. One of my best friends moves effortlessly between the most diverse social circles—remembering everyone’s name, their kids, their heartbreaks, their last adventure, even their favorite food—and connecting with each person as if they’re the only one in the room. I’ve always admired that, but years ago I realized something that changed how I see connection: every human carries a piece of life’s giant jigsaw puzzle. Each time I have the privilege of meaningfully connecting with someone, I get to glimpse their piece and share mine—and together, the bigger picture becomes just a little clearer. That realization has shaped the way I build community. None of us hold the full image, but together we can build out an entire corner of it—maybe a horse, a tree, or a waterfall—and begin to see more of what life truly looks like. Community gives us that chance. It’s how we begin to understand the picture we’re all a part of. For my husband, Rob, and me, building community used to be something we *chose* to do. Now, it feels like an act of survival. The world can feel heavy and isolating, but gathering with others—laughing, playing, connecting—has become our antidote. Rob, affectionately known as “Coach Rob,” leads the *Short Shorts* Kickball and Dodgeball Leagues. Twice a month, we throw on our shortest shorts and join others to kick or toss balls around a Spokane park or gym. We don’t keep score. We mix up teams. We high-five, heckle, and laugh until our sides hurt. There’s the emergency room doctor—competitive, hilarious, and sharp as a tack. The mail carrier who never misses a game and always shows up smiling. The investment banker who seems determined to break the world record for shortest shorts—and his pharmacist boyfriend who’s there to call him out. The professor who knows every rule we happily ignore. The policy analyst whose quiet wisdom grounds every conversation. And the potter’s assistant—a friendly force of nature who gives some of the best hugs you’ll ever receive. And so many more. For a few hours, we forget our titles, politics, and worries. We’re just humans—playing, sweating, connecting. Every Saturday, Rob and I co-lead a Front Runners & Walkers group that ends with coffee and camaraderie after shared miles on Spokane’s trails. On our back patio, we host gay movie nights, where laughter and popcorn spill into the cool evening air. And this time of year, we bring Middle Earth to life. “**Hobbit Halloween**” has become a neighborhood tradition at our little Hobbit House—a home built into the hillside, complete with a round red door and a “dragon chute” for candy. Kids and adults alike come to trick-or-treat and “adopt” a dragon egg—each one hiding a tiny baby dragon inside. Friends and colleagues join us on the porch, mugs of cider in hand, as we drop dragon eggs to wide-eyed little ones below. During one particularly busy evening, an elderly man approached me, clasped my hand, and said, “This little thing brings such big joy every year. Thank you for a wonderful excuse to come together.” *A wonderful excuse.* Community doesn’t have to be complicated. Sometimes, all we have to do is provide a wonderful excuse to connect. It can be a lot of work. But it’s the kind that feeds and heals the soul. Because these gatherings remind us of something essential: none of us are meant to do this life alone. In a world that feels fractured and fatigued, community remains our secret weapon. Every time we sit shoulder to shoulder with others—on a porch, a trail, or a dodgeball court—we quietly rebuild something powerful: connection, belonging, and hope. Because in the end, community isn’t just our secret weapon- it’s our shared heartbeat. And maybe, just maybe, that’s how we’ll save each other. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-12-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Michael Musto: The Heart of New York Gossip URL: https://www.stonewallnews.net/michael-musto-the-heart-of-new-york-gossip/ Last updated: 2026-07-17T21:19:44.000Z In New York City’s vibrant culture, only a handful of names become truly synonymous with the city itself. For decades, Michael Musto has been one of them. He’s the decoder of its glitz, the interpreter of its grit, and the keeper of its gossip. You might recognize him as the sharp-tongued commentator from TV, but for New Yorkers, he’s something more fundamental — the ultimate insider that matters. \\That indispensable voice now has a new home. Musto’s monthly column for *Rag Magazine* carries on his tradition of chronicling the city’s pulse, weaving together the worlds of nightlife, Broadway, and downtown attitude with the same mischievous style that made him a legend. For nearly thirty years, his iconic “La Dolce Musto” column in *The Village Voice* was the city’s unofficial diary. If you wanted to know who was trading secrets in a shadowy club or which Broadway show was about to unravel, you read Musto. He revealed a hidden New York, the one that really came alive after the tourists went home. What makes Musto’s writing stand out is a unique mix of qualities. His razor-sharp wit and vast knowledge of pop culture are matched by genuine empathy. He never hesitates to poke fun at the powerful, yet he sticks up for artists and outsiders. Underneath it all is a strong ethical code that means no punching down and a clear respect for what should and shouldn’t be shared. His reporting is shaped by experience, not distance. He didn’t watch nightlife from afar — he dove right in, notebook in hand, from the wild club scene of the ’80s to today’s social media-driven parties. He understood early that New York’s real conversations play out on dance floors and in green rooms. That closeness gives his work rare authenticity. He doesn’t chase culture — he’s there when it sparks. Musto is also a natural bridge, moving easily between the city’s different worlds. One night, he’s at an uptown gala; the next, it’s an underground drag show in Brooklyn. He doesn’t just report events, he deciphers the power plays, showing how these separate scenes connect and influence each other. He follows who’s rising, who’s reinventing, and why a fleeting moment can matter. His work also includes books. His collections *Fork on the Left, Knife in the Back*, and *La Dolce Musto* are widely available, while earlier works like *Downtown* and *Manhattan on the Rocks* are now limited-edition publications. But his presence goes beyond print. On TV, radio, and social media, Musto is always active with sharp takes and sly observations, often spotting the next big thing before everyone else. I reached out to Michael Musto for an interview, unsure he’d have the time. He replied with the generosity that has long defined his career — a career built on showing up, paying attention, and telling the truth with serious style. I also discovered he’s a genuinely kind person. Here are the questions I asked him. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T102038.087-1.jpg) Michael Musto / Michael Musto collection **Frank Gaimari: Reflecting on your early days at *The Village Voice*, was there a defining moment in a nightclub that made you realize nightlife was more than just fun — it was serious cultural territory?** Michael Musto: It was even before I collaborated with *The Village Voice*. On New Year’s Eve of 1977, heading into 1978, I was at the world’s ultimate disco — the glittering Studio 54 — for an explosive extravaganza starring disco goddess Grace Jones. The place was packed like sardines. Jones performed her Euro dance hits in a skimpy outfit as barely dressed, slender young men cavorted around her. After the show, workers pushed a pancake-making machine down the aisles, stopping to crank out one pancake at a time while thousands watched eagerly — the invite had promised breakfast, after all. Watching this desperate, absurd event unfold, it became clear that not only was 1977 over, but that logic and reason were gone too — paving the way for the future to crash in and eventually wipe everything out. The owners went to jail for tax evasion in 1980, and the club eventually changed hands and met a painful death. In the 1990s, seeing the club kids stage weekly debauches at the church-turned-disco, *The Limelight*, had a similarly sobering effect on me. This was about much more than just “nightlife.” **FG: Your reporting is famously firsthand. How do you verify a rumor picked up at a party? What ethical lines do you refuse to cross, even when the night gets wild?** MM: Through experience, I learned which sources to trust and, conversely, which ones have an agenda — such as self-promotion or delusions of grandeur — and should be avoided like the plague. Then, I check with the other side for balance. If something is too outrageous — but all too true — I generally can’t wait to run it, especially when it concerns homophobes and other haters who have lived their lives in vicious and hypocritical ways. Of course, I was never going to run anything too nasty about, say, Angela Lansbury — and there never was anything on her anyway, except that she cursed like a truck driver. **FG: You’ve witnessed NYC nightlife transform from the wild club days of the ’80s to today’s social-media-savvy scene. What’s changed most, and what has stayed the same at its core?** MM: What has changed the most is the sense of urgency. The main reason for going to clubs used to be the need to connect with people, enjoy new music, and catch drag queens who weren’t yet TV stars. The sexual landscape has also shifted dramatically — back then, you went to clubs to size up potential flings or even future husbands. All of that eventually moved online to apps. Now, when I see guys in gay bars glued to their phones searching for hookups, I want to yell, “Look up!” Still, the heart of nightlife remains the same: there’s something about being swept up in a diverse crowd on a dance floor that’s always worth leaving the house for. **FG: With platforms like Instagram and TikTok broadcasting nightlife in real time, has this democratized or watered down the art of nightlife reporting?** MM: Every type of gossip reporting — including nightlife reporting — has been democratized by social networks. I used to compete with a handful of columnists who covered the scene. But nowadays, anyone on earth can leave the house, run into a celebrity, lift their phone, and become a reporting star. Even the celebrities themselves are in on the game, posting about themselves all day. And it’s all fine! Ease and accessibility are good things when it comes to information dissemination. And it only makes me work harder to push, define, and polish my personal take on things, which can never be replicated. There were times when I was the only openly gay gossip columnist in NYC, and I must say I’m thrilled that that could never be the case again. Everyone’s out of the closet, for fear of dishing other people’s tea and not their own! But I can still be the best openly queer columnist in town! **FG: Your books take your experiences from the page to a different format. What inspired your move from columns to writing books?** MM: The columns were always my home base for sharing my takes on everything, but it was also exciting to branch out into books that let me riff on a single topic. *Downtown* and *Manhattan on the Rocks* were my wildly over-the-top explorations of the downtown scene — the latter being a roman-à-clef novel. The books also served as convenient collections where people could sample my work in one place. Even though some of my columns and articles were available online, readers were still eager to buy compilations, appreciating the orderly presentation and the addition of new material. **FG: You’re a familiar face on TV and radio. How do you shift your approach or persona when you move from writing to live broadcasting?** MM: Either way, I am the same person — I move from one venue to another. The talking version of me is more fun than the writing me, which takes a lot of effort and editing. By talking to a camera, I can use my past training and turn my shtick into gab. I become the Michael who breathlessly shares what he just learned with his friends, rather than the literary guy crafting elaborate double entendres out of every word. **FG: Of all the celebrities you’ve interviewed, is there one you wish you’d pressed further? What would you ask them now, given the chance?** MM: One of the few celebrities I’ve never had the nerve to approach is Meryl Streep. We’ve been in the same room — I’ve spotted her — and the proverbial door was wide open for me to go over and gush something appreciative, but I freeze every time. I think the main reason is: What can you possibly say to Meryl Streep? I’m sure she’s never heard “I love your work” before. Bwahaha. Maybe now I’d prod her with, “Did you realize, at the time, just how truly awful *The House of the Spirits* would be?” **FG: How do you handle criticism of your work?** MM: Very poorly. For someone who can exhibit such an acid tongue, I have very thin skin when it comes to my own work. I don’t like being attacked out of jealousy, rivalry, or misinformation. That said, I’ve gotten much better about handling criticism, because as time goes on, more people seem to think you’re some darling old “icon” who is above reproach — though they’re not exactly sure what it is you’ve accomplished, lol. **FG: Has anyone ever threatened you because of what you’ve written about them?** MM: Someday, let’s have a chat. Your hair will stand on end. **FG: What’s your number one piece of advice for young journalists who want to cover the culture and nightlife of New York with the same depth as you?** MM: Don’t assume you can indulge in the glitziest, most hedonistic temptations you’ll be covering — like drugs and all-nighters — without self-control and expect everything to turn out fine. To this day, I don’t do drugs — except for the occasional Advil — and that’s what keeps my mind fresh and reliable. **FG: You’ve adapted your voice across columns, books, and TV. What’s next for Michael Musto? Any new projects or books on the horizon?** MM: When I was in my 30s, I used to joke that people might have to hand-lift me into clubs when I turned 40\. Well, I’m turning 70 now!!! And I’m still making the same joke. I have the ideal job, where I get to experience incredible culture — not just clubs, but also theater, movies, and queer culture — and write whatever I want about all of it. I’m also very immersive: I perform in various shows around town, and I get to appear on TV channels as a commentator. So, I’ll keep doing all the same things as before, thank you! That is my life’s project. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/me-urie-randy.jpeg) Musto with Michael Urie / Michael Musto collection Michael Musto isn’t just New York’s king of gossip — he’s its unofficial historian, capturing the city’s fleeting moments and unforgettable personalities. His work is a living archive, a guidebook for anyone who wants to experience the city’s pulse beneath the surface. If you want to know the real New York — the one that starts when the sun goes down — start with Musto. His stories are where the city’s best secrets live. Rag Magazine: [https://ragmag.nyc/](https://ragmag.nyc/?ref=stonewallnews.net) Facebook: Instagram: [https://www.instagram.com/michaelmusto/](https://www.instagram.com/michaelmusto/?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--7.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Edward Juvier: Veteran of the Broadway Stage URL: https://www.stonewallnews.net/edward-juvier-veteran-of-the-broadway-stage/ Last updated: 2026-07-17T21:20:56.000Z Edward Juvier, a Texas-born Cuban American, has spent nearly two decades captivating audiences nationwide with his versatility, charisma, and dedication to the craft of acting. From his early days in Les Misérables to his current role as Osgood in the national tour of Some Like It Hot, Juvier’s journey is a testament to his passion for storytelling and his ability to connect with audiences on a profound level. Edward’s love for the arts began in his childhood, growing up in a family that valued music and creativity. “Singing was part of my family,” he recalls. “My sister played piano, and our parents would make us perform family shows — her playing, me singing.” His mother’s love for musicals like *The Sound of Music* and *Mary Poppins* further fueled his passion. “We watched them almost as if they were required reading,” he says with a laugh. His first foray into theater came in junior high school with a production of *Oklahoma*. Still, it wasn’t until he performed with a professional company in Galveston at the age of 18 that he realized acting could be a career. “I looked at those actors and thought, this is something people can do for a living. This is a job!” he says. Inspired by the character actors he worked with, Juvier decided to pursue a Life in theater. Edward’s journey took him to the Boston Conservatory, where he honed his craft and graduated in 2000\. Even before completing his studies, he was cast on the national tour of *Les Misérables*, a role that would define the early years of his career. Alternating between the road company and the Broadway production, Juvier describes the experience as “a beautiful start to my career” and a major milestone that allowed him to focus on building meaningful connections in the industry. Juvier’s career is a tapestry of diverse roles and experiences. He has performed in iconic productions like *The Phantom of the Opera*, where he covered 11 different roles, as well as regional productions of *Kinky Boots*, *Gypsy*, and *The Drowsy Chaperone*. His portrayal of Aldolpho in *The Drowsy Chaperone* earned him a Kevin Kline Award nomination, and he has also brought characters like Sancho Panza (*Man of La Mancha*) and Nicely-Nicely (*Guys and Dolls*) to life. His voice has even been featured in the animated series *Pokémon* and *Fighting Foodons*, showcasing his range as a performer. Juvier is currently touring as Osgood Fielding III in *Some Like It Hot*, a queer-forward musical about two men who disguise themselves as women to escape a notorious mobster. As the story unfolds, one of them awakens to his true self. The show reminds us that musicals can be both entertaining and culturally significant, celebrating identity, authenticity, and diversity. Juvier’s character Osgood embodies these themes beautifully, as he is a kind man who leads with love, models acceptance, and proves that goodness can be genuinely captivating. I know the above to be true because I caught his performance at the Paramount Theatre in Seattle. Edward’s comedic timing and charm made the show so much fun, and his portrayal of Osgood was a highlight of the evening. He brought warmth and sincerity to the character, making him not only lovable but also deeply memorable. While Edward aspires to write and direct, his true passion remains in theater. “I’m a creature of the theater,” he says. “I love the ritual of it. I love doing the same thing repeatedly, sharing inside jokes, and the moments with stagehands and performers. It’s truly like going to church for me.” **Frank Gaimari: What does the term “character actor” mean to you, and how has it influenced your career?** Edward Juvier: To me, being a character actor means finding truth in the details. I’ve always been drawn to roles that are a little off-center because they often reveal the heart of the story in unexpected ways. Playing characters like Sancho Panza or Osgood has reminded me that comedy and sincerity can coexist. I love exploring that mix of humor and humanity — that’s where I feel most at home. **FG: You’ve been part of iconic productions like *Les Misérables* and *Phantom of the Opera*. What lessons did you take away from those experiences?** EJ: Both *Les Misérables* and the *Phantom of the Opera* taught me discipline and consistency. Those shows run like beautiful machines, and being part of them showed me the value of maintaining excellence night after night. They also taught me humility. When you step into something that has been running for decades, you realize you’re a small part of a much larger legacy. You learn to honor the work that came before you while finding your own way to keep it alive. Most of all, they taught me how powerful theater can be when everyone is moving toward the same purpose. That sense of unity has stayed with me ever since. **FG: Your role as Osgood in *Some Like It Hot* has been widely praised. What drew you to this character, and how do you make it your own?** EJ: Osgood is such a joyful character. What drew me to him is his openness and goodness. He leads with his heart, and that kind of sincerity can be surprisingly hard to play. I try to approach him with honesty rather than caricature. It’s easy to lean into the comedy, but what makes him special is that he genuinely means every word he says. When you play him from that place of truth, the humor takes care of itself. I also love that I continue to learn from him every day. The way he lets things roll off his back and moves through the world with optimism is something to admire. Getting to share that energy every night is a real gift. **FG: As a Cuban American, how has your heritage influenced your perspective and approach to storytelling?** EJ: My heritage has shaped how I view the world and connect with others. Cuban culture is rich with music, humor, resilience, and a strong sense of community, all of which influence how I tell stories. I am always aware that I can do this because of the sacrifices made by previous generations. The fact that I am a musical theater performer touring the country is only possible because of my parents, grandparents, and great-grandparents. I carry their strength and gratitude with me every day. **FG: What advice would you give to aspiring actors who want to pursue a career in musical theater?** EJ: Be curious and stay kind. Talent matters, but curiosity and kindness will take you even further. Keep learning, stay open, and surround yourself with people who make you better. Also, remember that no one’s path looks the same — there’s no single “right” way to build a career in theater. Stay patient with yourself and trust that your timing is your own. And finally, never forget why you started. The joy that got you here is what will keep you going. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/some-like-it-hot-play--2-.jpg) Some Like It Hot / IMDb **FG: You’ve worked in both regional and national productions. How do these experiences differ, and what do you enjoy about each?** EJ: Regional theater often feels like a creative laboratory. You’re building something from the ground up, and there’s a real sense of discovery in the process. Every production has its own personality, and the relationships formed in those rooms are incredibly special. Touring, on the other hand, gives you the thrill of sharing that work with audiences all over the country. You get to see how different communities respond to the same story, which keeps it fresh and exciting. Both experiences feed each other. The creative spirit of regional work and the discipline of touring balance me out as an artist. **FG: What’s next for you? Are there any dream roles or projects you hope to tackle in the future?** EJ: Right now, I’m enjoying being fully present in *Some Like It Hot*. It’s such a rare gift to be part of a show that celebrates joy and acceptance, and I’m savoring every moment of it. Of course, my goal is to continue building my theatrical career with roles that challenge me and allow me to grow. I’d love the chance to return to Broadway and keep telling stories that make people laugh, think, and feel connected. Edward Juvier’s career exemplifies versatility and dedication. Whether he’s in a comedic or dramatic role, his performances feel authentic and heartfelt. As he continues to bring stories to life, audiences can expect more unforgettable moments from this talented actor. Edward’s website: [https://www.edwardjuvier.com/](https://www.edwardjuvier.com/?ref=stonewallnews.net) “Some Like It Hot” review: [https://franksfilmreview.com/2025/09/19/a-joyful-dazzling-escape-some-like-it-hot-sizzles-at-the-paramount/](https://franksfilmreview.com/2025/09/19/a-joyful-dazzling-escape-some-like-it-hot-sizzles-at-the-paramount/?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/10/some-like-it-hot-play-5.jpg?resize=1120%2C630&ssl=1) Some Like It Hot / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/10/edward-juvier-3-1.jpeg?resize=600%2C750&ssl=1) Edward Juvier / IMDb Some Like It Hot National Tour Preview --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--48.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out & In Business | Sustainable Business Beyond Hustle, Toward Wholeness URL: https://www.stonewallnews.net/out-in-business-4/ Last updated: 2026-07-12T19:13:13.000Z Entrepreneurship and small business culture love to glorify hustle. We’re told that success means scaling fast, posting constantly, and staying “on” at all times. The algorithm rewards urgency, and often our peers echo it back: move faster, do more, never stop. But for those of us building purpose-driven businesses—especially queer and values-aligned ones—this tempo can feel off. We often crave something steadier. Something human. Something sustainable. If you’ve ever worried that you’re growing too slowly, here’s a reframe: Slow growth isn’t failure. It’s proof you’re building with integrity, not urgency. **The Rhythm of a Sustainable Business** A sustainable business moves in rhythm with itself, not with the noise around it. It honors the seasons of work, creativity, and quiet. There’s as much wisdom in pausing as there is in growing. In nature, there’s no endless harvest. Trees rest in winter to prepare for spring. Our work deserves the same cycle. Sustainability isn’t about perpetual motion—it’s about protecting the energy that allows us to keep creating, serving, and thriving over time. For queer and community-centered entrepreneurs, that rhythm matters. We often build our work around values like care, integrity, and connection. Those things can’t exist in a constant rush. **Slow Doesn’t Mean Small** We’ve been taught to equate speed with success, but slow growth is not small growth—it’s deep growth. When you move at a sustainable pace, you make decisions from clarity rather than fear. You build relationships that last. You create offerings that feel aligned rather than reactive. Fast growth can be fragile. Slow growth builds roots. The quiet seasons in business aren’t wasted time; they’re integration time. They’re when new ideas form, when systems get refined, when you find your next right step instead of your next quick win. **Boundaries as Care** Sustainable business also means knowing when to stop. Boundaries aren’t barriers between you and success—they’re the structure that keeps your work healthy. Setting limits on your availability, taking time offline, or saying no to misaligned opportunities are not acts of avoidance. They’re acts of devotion—to your well-being, your creativity, and your long-term impact. Rest is not rebellion. It’s maintenance. It’s what allows you to stay present and purposeful for the long haul. **Redefining Success** Many of us started our businesses to live in alignment—to make a living without losing ourselves. But the pressure to “keep up” can slowly pull us away from that original vision. Real success isn’t about constant expansion. It’s about building something that supports your life, not consumes it. It’s the freedom to choose your pace, to define your version of “enough,” and to move through your work with integrity and ease. Slowing down isn’t stepping back. It’s stepping into wholeness. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-5-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### Out on the Ranch | Find Balance with an Alpaca, Find Balance in Life URL: https://www.stonewallnews.net/out-on-the-ranch-9/ Last updated: 2026-07-23T17:49:20.000Z We tease here at the ranch that we have animal pastures and people pastures, and both require husbandry. There is much to be learned about humanity by caring for animals. Particularly, camelids, which include alpacas and llamas, bring a very unique set of lessons to the human than that of other livestock.. As “high protocol” animals, alpacas are very different than their more traditional farmyard compatriots, goats. If one has had experience interacting with goats, they learn just how forward these hoofed creatures can be with humans. Goats will come right up to you, demand scratches and pets, eagerly search your pockets for those hidden treats, sampling the taste of your clothes, all while also pooping around you. It’s what goats do. Camelids are very different. They are naturally averse to being touched. In the early marketing of alpacas to the North American public, they were billed as the ‘huggable investment’, a moniker that had alpaca breeders chuckling. While alpacas can be desensitized to touch, it is not in their nature to want a hug. Such fawning action from the human will repel that animal away from you. To wit, alpacas present our tourists with the object lesson of consent and permission. We learn not to anthropomorphize our human sensibilities on to the alpaca, but rather attenuate our human behavior to that of the camelid. These high attraction value animals certainly are a magnet for the public, a veritable living unicorn of sorts. Tourists want to have a meaningful interaction with them when they visit us. So, as a good shepherd to both the herd of alpacas, and the horde of tourists, I find myself stepping in as if an ambassador to the meeting between two different cultures. When children visit us, we ask them if they’d like to learn the secrets of alpaca speak. Wide eyed, they lean in when I tell them that it’s their posture and how they behave, rather than any sounds or vocalizing, which are key to attracting the attention of an alpaca. “Can I pet the alpaca?” The most commonly asked question, is met with the answer of, “Sure, but you must pet them with your nose and not your hands.” You can see the wheels turning as both child and adult try to grasp the disjointed concept of using one’s nose for touch rather than smell. But, a nose-to-nose boop with an alpaca is actually a very respectful and trust building “Hello.” Along with that retooling of human understanding, they will learn that their arms might as well be two mutant llama necks swinging around. Reaching out yours to an alpaca literally translates into, “move away! You are in my space!” The camelid will happily oblige and put distance between the outstretched arm, a disappointment for those thinking they will give some free pets. To an alpaca, any interaction is about seeking consent and permission. So, every visit a tourist has with the herd is an opportunity to present a very human object lesson. One must first build trust in order to make contact with any camelid. We talk about the concept of coming into balance with the animal before ever considering making contact. For the human, coming into balance in any social situation demands not only an understanding of oneself, but also the audience or group being engaged. We often see imbalance in many social situations, one human dominating a conversation while the rest of the group slowly loses interest for not being included. With camelids, that interaction is quick and decisive. If a person pays no heed to the space in which the alpaca resides, the alpaca will quickly absolve them of any interaction, being driven away by such independent behavior rather than interdependent behaviors which consider the group. To come into balance with alpacas means understanding how we present ourselves. Our posture drives the bulk of that conversation. Children are much more adaptable to this than adults seem to be. They quickly learn that when an alpaca is facing you directly, they are presenting their narrow profile. An alpaca facing a person is assessing trust. However, a person facing an alpaca does so with their broad front profile, that puts them in opposition to the alpaca. The animal thinks the human is demanding engagement and becomes wary of any movement. The better way to understand such a concept is the example of standing together on an elevator. Humans don’t stand face-to-face in such a small space, they stand shoulder-to-shoulder, or, narrow profile to narrow profile. When standing with an alpaca, the human learns not to face them, but to turn sideways, presenting their narrow profile to the alpaca. Suddenly, posture shifts everything. Instead of standing in opposition to the animal, standing sideways finds the human joining their herd. Trust is being built, and camelids are all about building trust first. Humans interacting with camelids, learning about trust building through posture and positioning, understanding the concept of finding balance within a group, begin to develop a deeper sense of what connecting with another is all about. Alpacas as teacher and coach have seen numerous high-energy kids, especially the ones that run around feral while parents try to rein them in, suddenly connecting their behavior to the camelid consequence of moving away from them. No matter the pouting or protestations, if they aren’t in balance with the alpaca, they aren’t going to get any interaction. Once that clicks, a child’s behavior adapts, many times to the surprise of the parent. These animal interactions become humbling lessons in regulating our own behaviors, tempering our emotional responses, and learning adaptability within a new situation. Alpacas and llamas have many lessons in humanity to share. Out on the ranch, we are blessed with the opportunity for them to teach the public a class in grace and social awareness. Engaging with a camelid, is a formative childhood experience. Each visit with an alpaca holds the opportunity to learn how to become more humane. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-11-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Sex, Sequins, and Stardom: Inside the World of Chi-Chi LaRue URL: https://www.stonewallnews.net/sex-sequins-and-stardom-inside-the-world-of-chi-chi-larue/ Last updated: 2026-07-17T21:20:10.000Z Chi-Chi LaRue, born Larry David Paciotti on November 8, 1959, in Hibbing, Minnesota, is a name synonymous with boldness, creativity, and unapologetic authenticity. A trailblazer in the drag and adult entertainment industries, LaRue’s journey from a small-town upbringing to becoming a celebrated icon is nothing short of extraordinary. Although I had heard the name Chi-Chi LaRue, I knew little about the person behind it. Intrigued, I decided to reach out, and to my surprise and delight, LaRue responded. What followed was a warm and candid conversation that left me feeling like I had just spoken to an old friend. LaRue’s charm, humor, and openness put me entirely at ease. In the early 1980s, Larry Paciotti moved to Minneapolis, where he began performing in drag as Chi-Chi LaRue. Pronounced “She-She Lah Roo,” the persona was larger-than-life—flamboyant, brash, and unapologetically fabulous. LaRue quickly became a local sensation, captivating audiences with a mix of humor, charisma, and undeniable talent. This stark contrast to the quieter Larry Paciotti marked the beginning of a lifelong reinvention. In 1986, LaRue relocated to Los Angeles, a city brimming with opportunities for someone with ambition and flair. Initially hired by Catalina Video as a publicist and sales representative, LaRue’s deep understanding of the adult film industry soon set him apart. By 1989, he made his directorial debut under the pseudonym Taylor Hudson, as his drag name was considered too feminine for the industry at the time. LaRue’s career as a director flourished, with hundreds of films to his name, primarily for Falcon Studios. He later expanded his work to include collaborations with Vivid Video and his own label, Rascal Video. LaRue’s films were known for pushing boundaries, blending storytelling with eroticism in a way that challenged norms. Titles like *Lost in Vegas* and *Heaven2Hell, Part 1 & 2*, showcased his ability to create compelling narratives within the adult genre. Beyond his creative vision, LaRue became a vocal advocate for safer sex practices in the adult film industry. In 2006, he famously refused to work with studios that did not require condom use, setting a standard for responsibility and care in a field often criticized for its lack of regulation. LaRue’s influence extended far beyond the adult film world. He directed music videos, including one for RuPaul’s *Drag Race* alum Willam Belli, and even performed in a glam-rock band called the Johnny Depp Clones. His drag persona allowed him to connect with audiences in ways that transcended the adult industry, making him a beloved figure in the Queer community. In addition to his many accomplishments, LaRue made a guest appearance in Madonna’s 1992 music video for *Deeper and Deeper*, further cementing his status as a pop culture icon. To gain a deeper understanding of LaRue’s experiences and insights, I took the opportunity to ask him several questions. He graciously shared his thoughts, providing a more personal glimpse into his journey. **Frank Gaimari: What inspired you to create the drag persona Chi-Chi LaRue, and how has it evolved over the years?** Chi-Chi LaRue: When I first started doing drag with three friends, we called ourselves the Weather Gals. Our style was more of a “hag drag.” We didn’t take it too seriously, but the crowds absolutely loved us. We ended up winning several drag contests at First Avenue, the iconic venue where “Purple Rain” was filmed. In fact, I had the incredible experience of being in *Purple Rain* myself, which was truly unforgettable. **FG: What role do you think drag plays in shaping Queer culture and visibility today?** CL: I believe drag is a powerful expression of queer culture, and I absolutely love it. Drag is not only fun but also incredibly informative. Icons like Sister Roma and many others use drag as a platform to educate and fight against oppression. Drag queens are often the first to step up and help in any situation that threatens gay or queer existence. While I have a deep appreciation for old-school drag, I also enjoy shows like RuPaul’s *Drag Race*. However, I think the show has given some people the impression that if you’re not doing a death drop, flying from the ceiling, or performing cartwheels, then you’re not doing drag, which couldn’t be further from the truth. I’m good friends with RuPaul and many of the queens who have competed on the show. That said, I’ve also encountered some queens from the show who aren’t very friendly and have let the fame go straight to their heads—just being honest, lol! **FG: What was it like directing your first adult film?** CL: I was both terrified and incredibly eager. My head was swirling with ideas, but I had no idea what I was doing—truly flying by the seat of my pants. The first movie I directed was called *Flexxx* for “In Hand Video,” marking my debut feature film. Before that, I directed a segment for William Higgins in *Hardmen*, which featured men dancing, stripping, and performing solo scenes. I must admit, my segment was the standout of the series, at least in my opinion! After directing my first movie, I was utterly hooked. That first experience sparked a passion that led to a directing career spanning over 40 years. Over the decades, I’ve had the privilege of creating some truly exciting and memorable films… and, admittedly, a fair share of not-so-great ones. Let’s say it’s been a wild ride! **FG: You’ve worked with some iconic performers—what do you look for when casting talent for your movies?** CL: I was always taught that if a guy had two out of three key qualities, he was a contender for a movie. Those three qualities were: face, body, and dick! These days, it feels like porn stars are falling out of the sky, and the content creators on platforms like *Just for Fans* are stunning. It’s incredibly exciting to see how the industry has evolved! **FG: How do you approach storytelling in adult films, and what sets your work apart from others in the industry?** CL: I’ve always had a knack for coming up with concepts. Honestly, you can turn just about anything into a porn movie—two guys walking down the street, someone painting a house—the possibilities are endless. You can also dive into more fantastical themes, as I did with my movies *Heaven2Hell*, *Night Riders*, and my *Link* series. To this day, I think my favorite movie I ever directed was a story-driven film called *Wrong Side of the Track*, starring Johnny Hazzard. The concept for that movie came from a simple video clip Steven Walker shot in Palm Springs. It showed Johnny walking down the railroad tracks, and after watching it, I was inspired to create an entire movie around that moment. **FG: You’ve been a vocal advocate for safer sex practices in the adult industry. What motivated you to take that stand?** CL: It was alarming to see that people were still making movies without practicing safer sex. When I started, I knew I couldn’t take part in those practices. At the time, some were resorting to unorthodox and misguided methods, like squirting nonoxynol-9 into people’s bodies, thinking it would offer protection. I took a strong and vocal stand against it, and I’m proud to say I helped change the minds of prominent industry leaders, including Chuck Holmes from Falcon, who eventually adopted condom use in productions. My commitment to safer practices wasn’t limited to gay productions—I also refused to make straight films without using condoms, including the movies I directed for Vivid. I believe the women I worked with truly appreciated that stance, and it reinforced the importance of prioritizing health and safety in the industry. **FG: What are some misconceptions people have about the adult film industry, and how would you address them?** CL: I think many people assume that an adult film set is filled with drugs and sex even before the cameras start rolling, but that couldn’t be further from the truth. In fact, I once kicked down a bathroom door because some of my actors were doing crystal meth in the bathroom of the location. I had to pay for the door, but it was worth it. As someone who has struggled with alcoholism and addiction myself, I was determined not to let that kind of behavior be a part of my productions. It was important to me to maintain a professional and respectful environment on set. **FG: How did your struggles with addiction impact your life and career, and what led you to seek help?** CL: I made a lot of mistakes during my drinking days, and I even lost a couple of drag and DJ gigs because of it. Thankfully, I have some of the most incredible friends who stood by me and supported me during my times of need, even when I slipped up. I’m endlessly grateful to them and always will be. **FG: What advice would you give to others in the LGBTQ+ community who may be struggling with addiction?** CL: As a chronic relapser myself (though I truly hope those days are behind me), I’ve learned that people won’t seek help until they’re ready or have hit their rock bottom. I’ve witnessed the devastating effects of substance abuse, particularly with drugs like crystal meth. I’ve seen people lose themselves, fade away, or even lose their lives unnecessarily. It’s heartbreaking every time. **FG: Looking ahead, what are your goals for the future, both personally and professionally?** CL: I’m going to keep doing the things I love, like DJing and drag, until the wheels fall off—why stop now? Currently, I’ve faced resistance from specific individuals who are trying to prevent me from continuing to direct. It’s more challenging these days, with so many content creators doing their own thing, which I think is fantastic. However, I believe the era of making full-length movies is slowly becoming a thing of the past. One thing I still thoroughly enjoy is being part of the Chicago Grabby Awards, which I’ve had the honor of hosting for the past 26 years. I’m excited to say I’ll be hosting again in 2026—it’s always such a highlight for me! **FG: If you could design a museum exhibit about your life and career, what would be the centerpiece, and why?** CL: That’s a tough question to answer because I’ve had so many exciting moments in my life. I’ve been fortunate enough to meet some of my idols, many of whom I’m still friends with today—icons like Elton John, Boy George, Andy Bell of Erasure, RuPaul, and Rob Halford of Judas Priest. I even had the incredible experience of being in *Purple Rain* with my idol, Prince, and appearing in a Madonna video—two artists I absolutely adore. I’ve been truly blessed and fortunate to do so many things I once could only dream about. And the best part? I feel like there’s still so much more to come! Chi-Chi LaRue’s journey embodies the spirit of reinvention and the importance of staying true to oneself. Whether behind the camera or in front of an audience, LaRue continues to inspire and entertain, leaving an indelible mark on the entertainment and film industries. It’s clear that Chi-Chi LaRue is not just a name—it’s a legacy. Join Chi-Chi LaRue’s Facebook community: ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/10/img_1450.jpg?resize=692%2C960&ssl=1) Photo courtesy of Larry David Paciotti ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/10/img_1543.jpg?resize=1148%2C1205&ssl=1) Photo courtesy of Chi-Chi LaRue ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/10/img_8037.jpg?resize=1284%2C1699&ssl=1) Photo courtesy of Chi-Chi LaRue --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--47.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### From Cult Classics to Political Camp: Craig Chester’s Next Act URL: https://www.stonewallnews.net/from-cult-classics-to-political-camp-craig-chesters-next-act/ Last updated: 2026-07-30T23:34:25.000Z Craig Chester is a name synonymous with authenticity, creativity, and resilience in the film and television industry. Born on November 8, 1965, in West Covina, California, Chester’s path to becoming an acclaimed actor, writer, and director is truly inspiring. From overcoming personal challenges to breaking barriers in LGBTQ+ representation, Chester’s career stands as a powerful example of perseverance. Significant challenges marked Chester’s early years. Diagnosed with long face syndrome at age 15, he underwent extensive reconstructive surgeries to address the condition. This transformative experience shaped his perspective and fueled his determination to pursue a career in the arts. Moving to New York City in 1985, Chester studied at the American Academy of Dramatic Arts, where his acting style caught the attention of industry veterans like Joanne Woodward. Chester’s breakout role came in the critically acclaimed film *Swoon* (1992), a retelling of the infamous Leopold and Loeb murder case. His performance earned him an Independent Spirit Award nomination and established him as a force in independent cinema. Over the years, Chester appeared in a string of notable films, including *Kiss Me, Guido*, and *I Shot Andy Warhol*, showcasing his versatility. In 2005, Chester wrote, directed, and starred in *Adam & Steve*, a romantic comedy that has since become a cult classic. The film, co-starring Malcolm Gets, Parker Posey, and Chris Kattan, explores the ups and downs of a gay relationship with humor, heart, and a touch of absurdity. Critics praised Chester’s performance and sharp writing. The film’s blend of slapstick humor and genuine emotion resonated with audiences, cementing its place as a beloved piece of queer cinema. Aside from acting, Chester has made significant contributions as a writer with his memoir, *Why the Long Face?* Published in 2003, it received high praise for its humor and honesty. Chester later moved into television, writing for popular shows like *True Blood* and creating pilots for major networks. His talent for crafting compelling stories has made him a highly sought-after figure in the industry. Chester returns with a new film, *Adam & Steve: Escape from MAGA*, bringing back classic characters to address today’s political climate. The movie explores love, resilience, and resistance, highlighting LGBTQ+ experiences with Chester’s humor. Eager to learn more about his life and new project, I had the privilege of speaking with him. What follows are his thoughtful and compelling answers to my questions. **Frank Gaimari: As an openly gay man in the entertainment industry, how has your identity shaped your career and the stories you choose to tell?** Craig Chester: Being an openly gay man has significantly influenced my career, mainly due to the era I was born into. I came out in 1992, the same year my first film, *Swoon*, was released. At the time, coming out was widely seen as career suicide, and both my family and agents were deeply concerned about how it might affect my future. I had just played my breakout role as Nathan Leopold, Jr., earning a Spirit Award nomination for Best Actor and appearing in *US Weekly* and *Interview Magazine*. Doors were opening. I was meeting with some of my favorite directors, including Mike Nichols and Martin Scorsese. I was ready for a major acting career, similar to the meteoric rise of a Timothée Chalamet today. However, the early ’90s marked the height of the AIDS epidemic, a time when my identity as a young gay man was inseparable from politics. Events like the marches on Washington and the “Silence = Death” movement weren’t just historical moments — they were also deeply personal. Staying in the closet would have meant compromising my integrity, and I knew I couldn’t do that and still respect myself. I believe being openly gay led to a far more interesting career. As a gay actor, I have embraced queer roles in a series of compelling films, where my identity has become an asset rather than a limitation. When I transitioned to writing, my first screenplay, *Save Me*, was developed at Fox Searchlight and explored the Ex-Gay movement. That was followed by *Adam & Steve*. In many ways, my politics and experiences have entirely shaped my career and the stories I choose to tell. F**G: Your work explores themes of love and relationships within the LGBTQ+ community. How much of your personal experience influences the stories you write about?** CC: Everything I write or respond to as an actor is almost always based on my own experiences, and I’ve always drawn inspiration from my life. For three years, I had a monthly *Sex and the City*\-type column in *Genre Magazine*, where I wrote about dating and being a gay actor. That column is what led to my book deal for my memoir. **FG: *Adam & Steve* has become a cult classic in LGBTQ+ cinema. What inspired you to write and direct such a bold and hilarious love story, and did you expect it to resonate so deeply with audiences?** CC: I wrote *Adam & Steve* because, for years, I would attend gay film festivals, stand on stage, and do Q&A sessions for all these dark queer movies I was in — where I was playing a murderer, a drug addict, or some effete, bitchy snob. I started noticing that the audiences at these festivals were almost always gay couples. One time, someone raised their hand and asked, “When will someone make a movie about us — normal gay guys in a relationship?” I thought, “Hmmm, good point. I’ll make that movie.” The inspiration, I suppose, came from my own life. I’ve had boyfriends, met the parents, and experienced all the things you see in mainstream romantic comedies, but I wanted it to feel authentic to my experience as a gay man. It was close to my real life — Parker Posey really was my best friend, and I wrote the part for her. What you see on screen is what our friendship was like at the time. I was new to recovery, so I included that. The unlucky family is very much based on my own. So, you know, write what you know! ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T185326.649.jpg) Adam & Steve / Craig Chester and Malcolm Gets / IMDb **FG: As an actor and director, how do you balance the creative demands of being in front of and behind the camera? Which do you prefer?** CC: I absolutely hated directing the movie. I’m not a director, and the original director was let go two weeks before we started shooting, so I stepped in at the last minute. It was just so much to handle — directing and going to western dance-off rehearsals at the same time. I’m a perfectionist, and as an actor, I take my craft very seriously. Acting requires concentration, and it isn’t easy to stay focused when you’re juggling a million things in your mind, including being the director. But I did it, and it turned out fine. I do enjoy post-production, though. I loved working with Roddy Bottum on the score, and editing was fun. Now that I’ve directed the web series and played Adam again, I’ve found it easier the second time around. If I direct again, it will only be because I’m a writer, and directing is a means to an end — to ensure what’s in my head makes it onto the screen. **FG: The chemistry between you and Malcolm Gets in *Adam & Steve* was electric. How did you approach casting and building that dynamic on screen?** CC: When I wrote *Adam & Steve*, I was making extra cash doing screenplay coverage for Miramax. Each week, I would receive a stack of scripts to break down for the movie executives, summarizing what each was about and whether it should move forward or not. From that experience, I learned that comedy is difficult to read, and tone is challenging to communicate effectively on the page. The *Adam & Steve* script, on paper, was incredibly over-the-top — almost John Waters-esque. Within the first ten pages, there’s coke, vomit, and diarrhea! I knew in my head that my movie was also very sweet, but that sweetness didn’t come across on the page. So, instead of sending the script out for potential producers to read, I staged live readings with my friends in NYC and invited producers to the performances. That way, I could control how it was perceived and bring out the sweetness through the performances. The staged readings themselves gained some popularity. Alan Cumming played Steve in one of them, and in another, I played Steve opposite Mike Albo as Adam. One day, I was sitting across from Malcolm Gets in a social setting and thought, “Huh, he might be good to play Steve in one of these readings.” We did the reading, and that one featured me as Adam, Malcolm as Steve, Parker as Rhonda, and Chris Kattan as Michael. That night was magical. Malcolm and I had this natural but very real chemistry, and so did Parker and Chris. It all just came together. I absolutely love Malcolm as a person. I love him in a way that exists in its own category — because we have this movie together, this baby, in a sense. He is my movie husband, and I would literally do anything for him. Our on-screen chemistry is one of those inexplicable things, and it’s still there, twenty years later. **FG: Your new film, *Adam & Steve: Escape from MAGA*, sounds like a fascinating continuation of the story. What inspired you to revisit these characters in today’s political climate?** CC: The first conversation I had about the election last November was with my producer, Kirkland Tibbels, who produced *Adam & Steve* and was set to produce its sequel this year. However, he told me that, because Trump won, our potential investors suddenly got cold feet — and not only that, but they were also leaving the country! It’s always hard to make an indie film, let alone a gay one. However, with all the uncertainty in the market, it became even more challenging. I was in Florida at the time and called my friend Emily Lansbury to vent about our investors leaving the country and how *Project 2025* was going to become a reality. Emily said, “You should just make some *Adam & Steve* TikToks about this bullshit! Instead of having them retire, have them running away from Christian Nationalists!” I loved the spirit of that idea so much that I wrote it, assembled a group of funny actors, and shot it. In this post-MAGA world I’ve created, Adam & Steve’s marriage has no value to anyone but them. The film explores what it means to be a gay person in America today. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/chester1.png?resize=843%2C605&ssl=1) Adam & Steve: Escape from MAGA / Craig Chester and Malcolm Gets ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/chesterarticle2-1.jpeg?resize=1200%2C900&ssl=1) Craig Chester / IMDb **FG: Can you share any details about the cast? Are there any returning actors from the original film, or new faces we should be excited about?** CC: We had no budget, so it doesn’t feature any big-name actors. However, I was able to cast some of my favorite comedians. Nadya Ginsberg, who had a small part in the first movie (as a drunk cocktail waitress at Parker’s comedy club), absolutely blew us all away in this. I think she’s a genius. The same goes for Irene Bremis, whom I met when I was a guest on a podcast, she co-hosts with Rachel Dratch called Woo-Woo. I had seen Irene’s comedy special on Netflix and was thrilled to get her on board — they both play crazy MAGA Christian ladies. Michael Musto and Charles Busch also have cameos — they’re in the Gay Work Camp that Adam is sent to! Cherry Dazzle, one of the Dazzle Dancers in the first movie, plays a vital role in the show, reprising her original character. And Nora Burns and David Ilku, who I’ve been a fan of forever, are also part of the cast. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/chesterarticle3.jpeg?resize=1200%2C900&ssl=1) Adam & Steve: The Second Coming / Nora Burns and Malcolm Gets It was an absolute pleasure speaking with Craig Chester; his passion, creativity, and sharp wit are evident in all his endeavors. This fall, make sure to watch *Adam & Steve: Escape from MAGA* on [Netflix](https://youtu.be/rgVjFrF0AwM?si=Apn4GGyIMjlHr4SI&ref=stonewallnews.net) — it’s a bold, hilarious, and thought-provoking film that is not to be missed! Autobiography: [https://a.co/d/ijTCnnC](https://a.co/d/ijTCnnC?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--20.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out & In Business | When Your Values Shift, But Your Brand Doesn’t URL: https://www.stonewallnews.net/out-in-business-3/ Last updated: 2026-07-12T19:13:37.000Z ### *How to Evolve Your Business Without Burning It All Down* --- You started your business with purpose. You poured your heart into the brand, the website, the mission statement. You knew who you wanted to serve. You felt aligned and excited. But now? Something doesn’t quite fit. Your offerings may feel stale. Maybe your audience has changed, or you have. Perhaps you’ve been quietly questioning things, but haven’t said it out loud. You’re not broken or unmotivated if it takes more energy to show up, market yourself, or talk about what you do. You might just be outgrowing something. **You’re allowed to evolve.** This is especially true for queer, creative, and values-driven business owners. Our work is personal. So when our values shift, or we go through a big life change, the business we built might start to feel misaligned. It’s not that it’s bad. It’s that it’s not true anymore. But when your brand is tied to your identity, changing it can feel like betrayal. To your audience. To your past self. To the version of you that built this thing with so much hope. So instead of evolving, you endure. You keep showing up as the version of you that people expect. Even when it feels like a costume. It works—until it doesn’t. Until the tension gets too loud to ignore. Signs you might be outgrowing your brand: - You feel disconnected when you reread your website or bios. - You avoid marketing because it doesn’t feel honest anymore. - Your audience isn’t engaging like they used to—and maybe you’re not either. - You’re energized by new ideas, but scared to shift. - You crave more depth, nuance, or change. If this feels familiar, you’re not alone. I’ve walked this path, and I coach others through it too. It’s vulnerable - and it’s also full of possibility. **Your brand is not your identity.** It’s a snapshot of who you were when you created it. It was true then, and it helped you grow. But it doesn’t have to stay frozen in time. You don’t need to torch everything and start over. But you do need to listen. Questions to explore: - What parts of your work feel heavy or “off”? - What do you wish you could say out loud in your business? - Who are you becoming, and what kind of work feels aligned with that version of you? - What would change if you let your business grow with you? **You’re allowed to change.** You’re allowed to pivot, pause, reimagine, and rebuild. You’re allowed to stop performing a past version of yourself. **There is no shame in evolving.** Your business was never meant to be static—it’s a living expression of who you are and how you want to serve. Let it grow with you. **Curious what a values-aligned shift could look like in your own business?** I coach purpose-driven, self-employed humans—especially queer business owners—through pivots, realignments, and the messy middle. Learn more at loveyourlife.co. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-6-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### Love You Madly: A Memoir of Friendship, Fame, and Resilience URL: https://www.stonewallnews.net/love-you-madly-a-memoir-of-friendship-fame-and-resilience/ Last updated: 2026-07-17T21:21:22.000Z Jeff Copeland’s memoir, *Love You Madly, Holly Woodlawn*, vividly depicts his extraordinary friendship with the iconic transgender actress, set against the vibrant, chaotic backdrop of Hollywood. More than just a biography, the book offers a personal, heartfelt portrayal of Copeland’s journey as a young, ambitious writer navigating the unpredictable highs and lows of the entertainment industry. Set in the mid-1980s, the story follows Copeland, a Missouri graduate with dreams of becoming a screenwriter, as he encounters the captivating Holly Woodlawn. Once the celebrated star of Andy Warhol’s films, Holly now lives in quiet obscurity, her life a poignant mix of fading glamour and hardship. This chance meeting sparks a friendship that dramatically alters the trajectory of both their lives. Together, they co-author the bestselling autobiography, *A Low Life in High Heels*, and embark on a whirlwind journey filled with fame, creativity, and personal challenges. In *Love You Madly*, Copeland revisits their shared history with humor, honesty, and tenderness. The book recounts not only how they met but also the trials and triumphs of writing their book. From the very first page, Jeff’s writing pulls you in with its vivid storytelling and unflinching exploration of life’s complexities. Woodlawn’s vibrant, larger-than-life personality leaps off the page. At the same time, Copeland weaves his own experiences as a gay man and writer into the narrative. What makes *Love You Madly* so compelling is its raw honesty. Copeland doesn’t shy away from the messy realities of their lives — Holly’s struggles with addiction, the challenges of being a transgender woman in a prejudiced world, and his own battles with self-doubt and the pressures of Hollywood. After reading the book, I had the privilege of speaking with Jeff, who graciously answered my questions about the memoir and his journey with Holly. Here are the questions I asked him. **Frank Gaimari: What do you think Holly Woodlawn’s legacy represents, and how did you aim to capture that in *Love You Madly, Holly Woodlawn*?** Jeff Copeland: Holly’s greatest impact extends far beyond her contributions to the underground cinema — it lies in her unwavering advocacy for diversity, equity, and inclusion. As a young gay child, Holly faced immense societal pressure to deny her true self. This internal conflict eventually led her to run away from home, embarking on a journey to find authenticity and acceptance. Those years were fraught with hardship — living on the streets and turning to prostitution as a means of survival. In *Love You Madly, Holly Woodlawn*, my goal was to fully immerse readers in her journey, capturing the extraordinary resilience and unwavering determination it takes to survive and pursue a better life. **FG: How did you balance staying true to Holly Woodlawn’s real-life story while adding your own creative perspective to the narrative?** JC: As a humorist, I saw this crazy story as a comedy of errors. Holly was genuinely hilarious, and I wanted to capture her essence on the page. The reality we experienced together was so ridiculous that humor often emerged organically, with little effort. However, crafting the book’s tone was a delicate balance, as the story is multi-layered. It developed over numerous rewrites, and achieving consistency wasn’t always easy. The biggest creative challenge for me was ensuring I hit all the emotional notes without the story dragging. I wanted this book to be a page-turner, and all the elements I needed to accomplish that were present: plenty of drama, lots of conflict, and it all hinged on how I presented them. There were many sides to Holly. She was endearing, warm, compassionate, and hilarious. But she was also afflicted, and I had many challenging experiences with her. But my sole intent in writing this book wasn’t to bash her. It was to honor her, celebrate our friendship, and take readers on a wild ride that would have a profound impact. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design-2026-05-16T084742.329.jpeg) Holly Woodlawn / Copyright ©️Peter Palladino **FG: What’s the most unexpected thing you’ve learned about yourself through the process of writing this book?** JC: The most surprising thing I learned was that I could write another book and get it published. When I began working on this story ten years ago, I didn’t envision it as a book. I thought it might make an interesting article or perhaps a short story. The idea of writing a whole book felt intimidating to me. The voice I had created for *A Low Life in High Heels* was the only one I knew, and that voice wouldn’t work for *Love You Madly*. I needed to develop my own voice, which initially proved challenging because Holly’s voice kept emerging. I constantly had to push her away and say, “Back off, bitch!” However, over time, I did manage to develop a voice, and I believe it works well for the story. **FG: What was the most rewarding part of writing about someone as iconic and multifaceted as Holly Woodlawn?** JC: The most rewarding aspect for me was reliving all the fantastic and outrageous times we shared. I also love that, through this book, young people will have the opportunity to discover Holly. Thirty years ago, when *A Low Life in High Heels* became a success and reignited Holly’s fame, people minimized and overlooked my contributions to the story. Whenever Holly spoke about our collaboration, she essentially said that she spoke while I typed. This downplayed everything I did to make that book possible. Therefore, writing this new book on my own and receiving such a positive response has not only been rewarding but also incredibly validating. **FG: How did your experience writing *A Low Life in High Heels* influence your approach to *Love You Madly, Holly Woodlawn*? Did any lessons or insights from that journey shape the creation of this book?** JC: I was honestly disappointed with the numerous typos I noticed after the publication of *A Low Life in High Heels*. I wrote it so quickly that I didn’t have time to polish it thoroughly. In contrast, *Love You Madly, Holly Woodlawn* took ten years to complete, and because it hadn’t been pre-sold, I had the luxury of taking my time. I worked diligently to create a clean, succinct narrative that really packs a punch. I wanted to fulfill the wishes Holly left unfulfilled in the previous book with this new one. For example, while we were working on Low Life, Holly dreamed of a wild, fun, and vibrant cover, but she never received that. With Love You Madly, I created a cover that she would love. We faced many challenges with A Low Life, and Love You Madly, Holly Woodlawn was my opportunity to correct those issues and make things right. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Holly3.jpeg) Holly Woodlawn / Copyright ©️Peter Palladino **FG: What insights or emotions do you hope readers will take away about Holly after reading your book?** JC: I want people to love Holly the way I did when we were together, living at the Las Palmas Apartments and working on Low Life. I want them to laugh out loud and savor all the wacky adventures we experienced. Most importantly, I want people to understand that the essence of the human spirit is what truly matters. That is what defines a person, not their sexual organs. When Holly and I were collaborating, people frequently asked me if she “cut it off” or what bathroom she used. Who cares? Yet, people were completely preoccupied with her genitalia. So, when I write about that in *Love You Madly*, I do it in an over-the-top way. This was intentional, almost like a covert “fuck you” to everyone who was rude enough to ask those stupid questions. I want people to understand the difficult choice Holly faced when she dropped out of school and left home at 15\. Her story highlights a harsh reality: if the government genuinely prioritized diversity, equity, and inclusion, perhaps children who feel different wouldn’t be so overlooked or unsupported. This reminds me of Anita Bryant’s infamous “Save Our Children” campaign in 1977\. I was 14 when I saw Anita get a pie in the face on the evening news. I vividly remember my grandmother watching alongside me, saying, “They should leave her alone.” Hearing those words from someone I loved deeply, knowing they reflected a rejection of who I truly was, was devastating. That kind of rejection leaves lasting scars on a child. If Holly had grown up in a society that celebrated diversity and fostered inclusivity, her path might have been very different. Instead, she faced challenges that no child should ever have to endure. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/holly6--1-.jpeg) Holly Woodlawn / Copyright ©️Peter Palladino **FG: If Holly were here today, how do you think she would respond to your portrayal of her in the book?** JC: She would be thrilled because the portraits of her are gorgeous. It’s such a fun story, and she is an absolute delight. We had our ups and downs, but even when she was having a hissy fit — screaming about Madonna or cursing me out — she was hilarious. **FG: What was the most challenging part about sharing your own story alongside Holly’s? Did you ever feel exposed by revealing so much of yourself?** JC: I felt it was essential to reveal certain things about myself because I thought it was important for readers to understand why I got involved with Holly in the first place. We were two desperate, broken misfits struggling to make our dreams come true because, quite frankly, that’s all we had to look forward to. For fans of Hollywood history, LGBTQ+ culture, or anyone who appreciates a story of perseverance and love, this book is a must-read. Holly’s story is one of triumph and tragedy, humor and heartbreak, and Copeland’s heartfelt prose ensures her legacy will continue to inspire for generations to come. Don’t miss your chance to take a walk on the wild side — grab your copy of *Love You Madly, Holly Woodlawn*, and experience the magic of this unforgettable memoir. *Love You Madly, Holly Woodlawn* book link: [https://a.co/d/iCl0MBl](https://a.co/d/iCl0MBl?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/holly5.jpeg?resize=640%2C960&ssl=1) Love You Madly, Holly Woodlawn ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/jeffcopelandauthorphoto.jpeg?resize=750%2C1000&ssl=1) Jeff Copeland ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/09/holly1.jpeg?resize=1600%2C1118&ssl=1) Jeff Copeland, Holly Woodlawn, & Teresa Conboy / Photo by Sean Hean --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--49.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | What’s in a name? URL: https://www.stonewallnews.net/out-on-the-ranch-8/ Last updated: 2026-07-12T18:43:58.000Z Recently, we had a party check into one of our yurts, a grandpa and adult son coming up to help the grandson build a house up the road from us. It was their first time staying at the ranch. During our check-in routine, grandpa pipes up, “my wife wanted me to ask, is your business name a reference to the Gay community?” My answer was, “While it’s a hat tip to our LGBTQ community roots, it’s actually a filter to prevent us from serving the wrong guests.” This completely flummoxed him. “What do you mean?” He asked. I told him, that our business name is a blessing because it’s a trigger word for the kind of person we do not want to have patronize our business. We don’t discriminate, because it is illegal to do so, but, if one is a Conservative, a radicalized Republican, or a Christian nationalist, they self-discriminate for us. As it turns out, trigger words like “Pride” or “woke”, or clutch-the-pearls, “diversity, equity, inclusion”, stop the Intolerant, who actually discriminate, in their tracks. Does a “Christian Bookstore“ discriminate against Jewish or other religions, along with gay people, by their name? Well, they certainly aren’t stocking items to celebrate Jewish holidays (also looking at you Hobby Lobby), and they certainly aren’t attracting their business either. Are they ok with that? Absolutely, you know they are. Does a business with the word “Pride” in it discriminate against Christians? Not in the least. In fact, if Christians can swallow their “pride”, and get past their own trigger word, they find themselves leaving us a five star review. But, for those who are so embedded in their righteousness, that word stops them in their tracks. Their own world view, (the one where they loathe gay people) prevents them from seeing beyond that sense of entitlement. Consequently, our business name, hanging proudly from our front gate, acts as guardian and gatekeeper. Like a magical ward, it has prevented those with ill intentions from patronizing our establishment. “Oh, but aren’t you afraid of losing business?” Grandpa queries further. “Not at all! In business, it is so important to serve the right customers. Just like that Christian bookstore does a brisk business in their religious niche.” Right from the start, anyone other than a Christian, would know they won’t find what they are looking for inside that bookstore. The assumption that the religious ilk, who don’t like the LGBTQ community, somehow hold enormous power over business because corporations are scaling back on DEI efforts, is not only misplaced, it is disingenuous and destructive for their own religious belief system. It is, in fact, doing generational damage to their own brand. Churches in America are closing in droves. An epidemic of pedophilia is found across their leadership and in practically every house of worship. So much so, that insurance companies offer special coverage to churches for molestation charges. If you attend any Christian church, your church carries this coverage. Those who double down on their religion are circling the wagons around mega-churches, clustering themselves together in increasingly cloistered communities that are the essence of Extinction Bursting behaviors which occur prior to ideological death. Are we losing business from these types? Nope! Again, point in fact, our largest spiritual event of the year at the ranch is the Winter Solstice Bonfire Ritual. There is a hunger for spirituality going unanswered. Each year our event has been growing. Last year saw over 125+ persons walk the fire between 4-6pm. We’ve leaned into that Law of Attraction and the call is being heard by those who would definitely not get hung up on a word like “Pride”. In an age where the religious are trying to power grab the government and impose their worldview on the rest of the nation, where corporations are trying appeasement strategies in cancelling DEI programs, where names and labels are imbued with manipulative perceptions, we don’t beat around the bush with the word “Pride”. So, when we are gingerly questioned about whether it’s a reference to our community, which it obviously is, we are going to point out instead, how it is a better filter for avoiding the wrong kind of guest. That really gets them thinking about the world we live in and how such entitled Christians, are actually, not welcome everywhere like they would believe. It works like a charm. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-12-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Thoughts from the Hobbit House | Conflict, Conviction, and Courage: Lessons from the Front Lines URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-conflict-conviction-and-courage-lessons-from-the-front-lines/ Last updated: 2026-08-16T16:36:46.000Z Conflict. Just the word makes many of us uncomfortable. For me, as a gay man, it has often carried an even heavier weight. When I think of conflict, I don’t just imagine tense conversations—I recall the time someone spit on me in a Walmart. The time food was thrown at me and my boyfriend in a park for simply trying to hold hands in the dark. The day I found slurs spray-painted across my minivan. And yes, the moments when conflict escalated into shoves, punches, and worse. Those memories sit close to the surface, ready to replay at the first sign of tension. Yet over time, I’ve learned to hit *pause*. Instead remembering the greater number of times when facing conflict with courage led to better outcomes—and the many times avoiding conflict only made things worse. Now I try to focus on the times I courageously embraced conflict. Like the time I talked with an ex about the reasons I broke it off as opposed to avoiding him. Now we’re close friends. Or the time I was one of the only ones to oppose a statewide action that eventually was discovered to be harmful. Now I see conflict not as something to fear or avoid, but as a necessary part of growth and progress. Along the way, I’ve developed language, positioning, and reasoning skills that help me navigate tough conversations with more confidence. I’m excited about sharing these tools with others—helping them move from avoidance to being prepared and empowered. I teach a conflict resolution training through the Center for Trauma & Stress Education, but it’s also been one of the most defining parts of my personal journey. I used to be a person who avoided conflict like the plague. I’ve had to rewire how my brain responds to conflict. I’ve taken courses, read books, joined forums, and now I’m increasingly called in to mediate heated disputes between or within nonprofits. At two recent trainings, participants asked me the same blunt question: *“What if conflict can’t be resolved? Can you teach us how to win a conflict?”* That question exposed a flaw in so much of the conflict training out there today: the assumption that every conflict can—and should—be neatly resolved through compromise. But compromise isn’t always the best outcome. --- **Why We Avoid It** Conflict is everywhere: in our families, workplaces, neighborhoods, and communities. But most of us would rather run from it than face it. Research from the Center for Creative Leadership shows only 27% of people feel comfortable engaging in conflict at all let alone have the tools to do so effectively. That leaves the vast majority unprepared when disagreements inevitably arise. The problem is that “go along to get along” doesn’t always serve us. Sometimes it allows harmful behaviors to go unchecked, weakens trust, or forces those with less power to keep surrendering ground until nothing is left. In this moment, “going along to get along” is the surrender of the very ground we need to stand on. --- **The Pizza Problem** Imagine two children each given a slice of pizza. One child decides they want both. A “compromise” might be for the other child to hand over half their slice. But what happens when more kids notice? The one child keeps giving up half until nothing is left. That isn’t resolution. That’s surrender. Sometimes the healthier response isn’t to keep cutting your slice thinner—it’s to stand firm, with others, and say: *No. Enough. Let me eat my pizza.* --- **When Compromise Costs Too Much** Not long ago, I debated a neighbor about gay marriage. They opposed it. I, happily married to my husband, supported it. Eventually, my neighbor shrugged: *“Let’s just agree we both have a point.”* It was tempting to take the easy exit. But agreeing that both sides were equally valid would have meant treating my very marriage—my family—as optional. That’s not compromise. That’s surrender of sacred ground that is deeply personal and important to me. So instead, I said: *“I can’t agree to that. But I can agree to keep working on this.”* --- **A Call to Courage** Conflict doesn’t always end in neat resolutions. Sometimes it ends in hard truths, principled stands, or long, uncomfortable conversations. And that’s okay. Because the real power of conflict isn’t in pretending everyone is right—it’s in building the courage, skills, and resilience to face the hard stuff together. Here are some great places to start: practice listening without interrupting, take a conflict training, practice and role play an uncomfortable conversation with a friend, etc. Compromise has its place. But so does conviction and courage. And in today’s world, we need to focus our efforts on stockpiling the last two. We deserve to enjoy our pizza slice. In the spirit of courageously embracing conflict, I enjoy mine with pineapple. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-13-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Conversation Pieces: Christopher Mathie on Fear, Freedom, and Form URL: https://www.stonewallnews.net/conversation-pieces-christopher-mathie-on-fear-freedom-and-form/ Last updated: 2026-07-17T19:40:41.000Z ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Mathie_06-2025---600x700-1-1.jpg) Christopher Mathie, courtesy photo For Christopher Mathie, painting has always been a way of being fully alive. Since 1992, he has worked as a full-time artist, creating seascapes, abstracts, and explorations of the human form. His canvases are layered not only with color and texture, but with personal history—stories of queerness, courage, and self-discovery told through brushstrokes. Mathie grew up in Blackfoot, Idaho, where art first came to him as play. He remembers asking his mom daily what he could make and rummaging through the kitchen drawer of supplies to build something new. That early spark turned into a lifelong pursuit, one that eventually carried him far beyond his small-town roots and into galleries across the country. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/bb9818fb-1b7d-4a08-a7ef-bd83e92159d2.jpg) “Growing Pains” 48 x 48 inches, Acrylic & Mixed Media, 2012 > This painting was as part of a larger figurative show in 2012 at a gallery in Port Townsend called AOT (Artists on Taylor). > The show was called Conversation Pieces and had both male and female nudes. The show caused quite a stir with people praying outside the gallery at the opening. Someone went to the city council to get the show closed. And Twitter closed my account over the images, which were not sexual, only nude. > The work was done at a time when I was trying to understand my own identity and cope with a super conservative, religious family. I learned a lot from doing the work and the gallerist had many important conversations as a result with people who came to the show. ### **A Second Coming Out** For many years, Mathie’s paintings were “safe”—landscapes and seascapes that the art market welcomed. But in 2012, he shifted. With encouragement from Port Townsend gallery owner Anna Nassat, he began painting what he had long held back: full-frontal nudes and abstract, colorful depictions of the human body. “This was a coming out for my art,” Mathie says. “I realized I didn’t have to hide. I could make whatever I wanted.” The exhibition took place at Artists on Taylor (AOT) in Port Townsend, WA. Titled *Conversation Pieces,* it featured both male and female nudes. To highlight how far he had come, Mathie also included a self-portrait he had painted years earlier in college—a boy crouched with a shadow hovering behind his head. At the time, he thought the figure was a demon; now he recognizes it as fear lingering. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image21.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Mathie_AOT_08-2012_1_Twitter---600x401.jpg) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Image20.jpg) Some people prayed outside the gallery on opening night, and one person went to the city council in an attempt to have the show shut down. Inside, the gallerist fielded many conversations with visitors who came to see the work. Some wrote letters, and reactions ranged from resistance to deep appreciation. Two female ministers lingered in front of one of the nudes and said, *“This is overwhelming and wonderful—to see a woman running a gallery where the man is naked on the wall.”* “Doing that work helped me get over my own hang ups,” Mathie says. “It was more pure. It was more me.” ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Mathie_Conversation_Pieces_20_Years_Ago_07-2012_Twitter_2.jpg) Christopher Mathie and self-portrait painted during college. ### **From Shadows to Clarity** Years after that old painting, Mathie found himself in another moment of reckoning while hiking on Mount Tam in California. Walking through thick fog, he saw dark shapes in the distance and began to cry, thinking they were demons. “And then I had a feeling that my grandmother and all of the elders scooped in and told me it was going to be okay. I realized the black things in the fog were branches, and the fear I had was my own psychology.” For Mathie, making art works the same way. “When you use art as therapy, you’re tangibly dealing with the thoughts and emotions. Once I release the art, parts of the trauma are gone—or at least dealt with. Looking back at it, it feels like a story.” When he turned 40, a Picasso exhibition in Seattle gave him another shift in perspective. “Picasso said he realized when he was 40 that he wasn’t his family anymore—he could explore his art as himself. That really resonated with me.” Like Picasso, Mathie paints not as an extension of anyone else’s expectations but as himself—queer, unhidden, and free. His work has become a record of that journey: from fear to release, from shadows to light. **“I can make whatever I want; I don’t have to hide behind safe seascapes.”** This painting was as part of a larger figurative show in 2012 at a gallery in Port Townsend called AOT (Artists on Taylor). The show was called Conversation Pieces and had both male and female nudes. The show caused quite a stir with people praying outside the gallery at the opening. Someone went to the city council to get the show closed. And Twitter closed my account over the images, which were not sexual, only nude. The work was done at a time when I was trying to understand my own identity and cope with a super conservative, religious family. I learned a lot from doing the work and the gallerist had many important conversations as a result with people who came to the show. ### Out & In Business | Boundaries Are a Business Strategy URL: https://www.stonewallnews.net/out-in-business-2/ Last updated: 2026-07-12T19:14:17.000Z Many of us start our own business for freedom; the flexibility to work on our terms, to choose our customers, to create something that supports a dream and reflects our values. But even in the most intentional businesses, boundaries can quietly blur. It might happen slowly: a little extra time here, a quick favor there, a few more hours than you’d planned. Before you know it, you’re spending more energy than you’d like on things that don’t fully serve you or your business. This is why boundaries aren’t just a nice-to-have. **They’re the structure that keeps your business healthy.** ***Boundaries for Every Business*** Whether you run a coffee shop, design jewelry, create art, manage a retail boutique, or offer coaching, your boundaries are your infrastructure. In a big company, policies and departments enforce structure. In your small business, you are the structure. Without clear limits, your time, energy, and resources leak away, and so does your ability to keep doing the work you love. ***Where Boundaries Can Start to Slip*** Even if you’re careful, boundaries can loosen in subtle ways: - Saying yes to requests that go beyond what you originally agreed to. - Allowing your availability to expand into time you meant to keep for yourself. - Giving a little extra until it becomes the new expectation. These aren’t always obvious at first, which is why paying attention matters. Small shifts, over time, chips away at your capacity and makes it harder to keep your business sustainable. ***Why Boundaries Are Strategic*** When you think of boundaries as a strategy instead of selfishness, or self-defense, everything shifts. Boundaries do more than protect your time and energy, they actively shape your business. They help create: - **Consistency** → People know when and how they can work with you, and what to expect. - **Respect** → Your work, time, and resources are treated as valuable. - **Sustainability** → You can continue to do the work you love without burning out. ***Ways to Build Boundaries Into Your Business*** - **Time boundaries**: Decide when you’re available — and communicate it clearly. If you respond to messages only during certain hours, let people know. - **Scope boundaries**: Define what’s included in your services or products before you begin. - **Money boundaries**: Set clear payment terms and make them part of your process. - **Personal boundaries**: Protect your well-being by deciding what you will and won’t engage with. Refuse abusive or disrespectful behavior. Protect your mental health by limiting certain types of projects or customers. ***Keeping Them Without Guilt*** Boundaries work best when they’re shared early and often — on your website, in your policies, in everyday conversations. Most people aren’t trying to cross your boundaries — they just don’t know where they are. When you communicate your boundaries with clarity and warmth, they help everyone have a better experience. And remember: boundaries aren’t about shutting people out. They’re about creating the space and stability that allow your business to thrive, and for you to continue to show up. ***A boundary isn’t a wall — it’s a doorway.*** It guides the right people in, makes your work more sustainable, and keeps you connected to the freedom that inspired you to start your business in the first place. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-7-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### The Playwright, the Legend, the Man: Harvey Fierstein URL: https://www.stonewallnews.net/the-playwright-the-legend-the-man-harvey-fierstein/ Last updated: 2026-08-07T16:54:35.000Z ***I WAS BETTER LAST NIGHT: A MEMOIR*** **HARVEY FIERSTEIN** **© 2022 Knopf** **400 pages** At the start of my writing journey, brimming with dreams and youthful naivety, I sent my screenplay to Harvey Fierstein. I didn’t expect a response — he was Harvey Fierstein, after all, a Broadway legend, a Tony-winning playwright, a voice that could shake the heavens. But to my astonishment, he wrote me back. He kindly explained that he was too busy to read the manuscript but wished me luck. Then, with a thoughtful gesture, he signed it and returned it to me. That’s the kind of person Harvey is: generous, thoughtful, and deeply human. Reading his memoir, *I Was Better Last Night*, brought all this rushing back. It’s not just a book; it’s a window into the life of a man who has shaped theater, challenged norms, and lived a life as bold and unapologetic as his work. Harvey’s life is a tapestry of contradictions: glamorous and gritty, triumphant and tragic, larger-than-life yet achingly relatable. He takes us through his journey as a playwright, from the groundbreaking *Torch Song Trilogy* to his other iconic works, and you can feel the weight of his passion for storytelling. He doesn’t just write plays; he writes lives — messy, complicated, beautiful lives. *Torch Song Trilogy* alone is a masterpiece that changed the landscape of theater. It was bold, unapologetic, and deeply personal, tackling themes of love, loss, and identity at a time when such topics were taboo. It earned him two Tony Awards: one for Best Play and another for his unforgettable performance as Arnold Beckoff. And that was just the beginning. Harvey went on to create a remarkable body of work, solidifying his legacy as a theatrical powerhouse. Among his most iconic achievements is *La Cage aux Folles*, a dazzling and groundbreaking musical that celebrates love and family in all their forms. The show earned six Tony Awards, including Best Musical, and remains a landmark in Broadway history. His other works include *Newsies*, *Casa Valentina*, *A Catered Affair*, and *Bella Bella*, each showcasing his storytelling prowess. Notably, Harvey also cowrote the book for *Kinky Boots*, a vibrant, high-heeled celebration of individuality and acceptance. With music by Cyndi Lauper, the show became a global sensation, winning six Tony Awards, including Best Musical. Harvey isn’t just a brilliant playwright — he’s also a remarkable actor, and his performances are as iconic as his scripts. He originated the role of Edna Turnblad in the Broadway production of *Hairspray*, a heartwarming and hilarious portrayal that earned him yet another Tony Award. His other credits are equally impressive, spanning productions like *Torch Song Trilogy*, *Fiddler on the Roof*, *La Cage Aux Folles*, *Gently Down the Stream*, and *A Catered Affair*. On-screen, Harvey brought his charisma to memorable roles in films such as *Mrs. Doubtfire*, where he played the makeup artist who helped transform Robin Williams into the beloved nanny, as well as in *Independence Day* and *Cheers*. Whether commanding the stage, stealing scenes on screen, or working behind the curtain, Harvey’s boundless talent continues to leave an indelible mark on every project he takes on. And then there’s Andy Warhol. Harvey’s stories about rubbing elbows with Warhol and the Factory crowd are as surreal as they are hilarious. He paints a vivid picture of a world where art and chaos collided, where everyone was trying to be someone, and where Harvey, somehow, was just Harvey. What struck me most was his unflinching honesty about the darker facets of his life. He writes about living in Brooklyn and navigating intimate encounters with a rawness that is at once startling and profoundly moving. The early 1980s was a period when the Gay community was beginning to find its voice, freedom, and power. Yet it was also a time marked by the growing shadow of the AIDS epidemic. The trucks and piers of New York City became sanctuaries of liberation, offering a space for men to explore their desires in a world that largely rejected them. But these same spaces came with significant risks, and Harvey confronts that reality head-on. He masterfully captures the duality of the era: the exhilaration of newfound sexual freedom against the harrowing fear and grief wrought by the AIDS crisis. Through it all, his humanity shines through. He neither romanticizes his experiences nor condemns them. Instead, he presents them with unvarnished truth, as essential pieces of his story and identity. Harvey’s battle with alcohol is another thread in this rich tapestry. He doesn’t sugarcoat it. He lays it bare, showing us the pain, the struggle, and the eventual triumph. It’s a reminder that even the strongest among us have their demons, and that overcoming them is a lifelong journey. If you’re a theater lover or someone fascinated by the lives of celebrities, this is the book for you. Harvey’s writing is sharp, funny, and deeply engaging. Not once was I bored. He has a way of pulling you into his world, keeping you hooked with every chapter, every confession, every laugh-out-loud moment. It’s the kind of book you don’t want to put down, and when you do, you feel like you’ve just spent time with an old friend. *I Was Better Last Night* isn’t just a memoir; it’s a love letter to life in all its messy, beautiful glory. It’s a reminder that even legends like Harvey Fierstein are, at their core, just people — flawed, fabulous, and utterly unforgettable. And Harvey, if you’re reading this, thank you for signing my screenplay all those years ago. It meant the world to me. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/08/harveyfierstein3.jpeg?resize=960%2C960&ssl=1) I Was Better Last Night / Harvey Fierstein --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--27.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch | Hope is the Warrior Emotion URL: https://www.stonewallnews.net/out-on-the-ranch-7/ Last updated: 2026-07-12T18:44:26.000Z Nothing can give one the truest sense of what it means to be an American, then to live through being marginalized by your fellow citizens, forming close-knit subcultures and communities, being overrun by a plague and the associated stigmas, and then finding the strength and fortitude to overcome...all within my lifetime. I’ve lived long enough to be a victim, a survivor, and now a witness. I’ve lived through the silence of a country that let men like me die during the AIDS crisis while calling it divine punishment. I’ve seen religious leaders turn pulpits into weapons and shame into policy. And yet—here we are. Still standing. Still building. Still loving. In hindsight, I think that’s why I’m doing the work of hospitality. To call back the country’s moral compass from those who retreated behind the thin veneer of religious justification. To remind America who it really is: not a land of conformity cloaked in sanctimony, but a place of wild, hard-fought liberty carved by the very people it once tried to silence. We—queer folk—have carried more than just rainbow flags. We’ve carried the burden of being this nation’s scapegoat and, somehow, its conscience. Maybe, karmically, it was always meant to be that way: that us Gays would burn off society’s excess hate, transforming from the meek to the messengers, from the whispered secret to the voice that can no longer be ignored. And yet, the struggle is not past tense. It’s ongoing. I’ve seen the cruelty that cynicism cloaked in Christian righteousness can deliver. I’ve felt it from neighbors who show up online to "correct" my lived experience with Bible quotes. They pretend they’re offering truth, but what they really seek is dominance—a fragile echo chamber where their beliefs never get challenged. But, they find out that when you can’t be civil, you don’t get a seat at my table. After fair warnings, they get the wake-up call by being exiled from engagement. Community isn’t owed—it’s earned. Others get such a wake-up call through devastation. I don’t rejoice in that. But I do recognize the pattern. Red states stripped their own safety nets in the name of small government and bootstrap religion. Now they drown in floods with no warning, no support, and no infrastructure. That’s not karma—that’s the inevitable result of policies rooted in punishment, not community. A powerful reminder came to me through The Red Hand Files, where someone asked: Do you still believe in us? The answer cut through my cynicism like lightning: “Cynicism is not a neutral position. It is infectious and destructive. Hopefulness, on the other hand, is hard-earned. It is adversarial. It is the warrior emotion that can lay waste to cynicism.” Hope is not naïve. It’s radical. It demands something of us. And I still believe in it—because I’ve lived it. I’ve lived through the AIDS devastation that taught me the preciousness of life. I’ve watched people grow, evolve, and surprise themselves with compassion they didn’t know they had. To my Christian friends: I hear your defense that you’ve “come a long way.” Maybe some of you have. But there’s still much more work to do. Because the “average Christian,” the quiet one who mutters veiled insults, or compliments laced with ignorance, while touring our ranch, still carries the hubris of assumed moral superiority. When they say things like, “Wow, there are no women here, yet it’s so clean?” or “I didn’t think gay guys could run a homestead,” it’s not cute—it’s cutting. Even when cloaked as curiosity, your worldview seeps out, and we do our best to diplomatically correct such statements of ego. But don’t think we don’t notice. And don’t think we’re staying silent. We are not more afraid of Sharia law than we are of Christian nationalism. We know where the real threat comes from—it’s not from across oceans, but across pews and policy meetings. We’ve felt your judgments physically, spiritually, and politically. We will not let your god sit at our government’s table. Is this biased? Absolutely. But that bias comes from personal experience. If it makes you uncomfortable, good. Maybe it’s time to stop defending and start doing the work of changing that narrative. The Statue of Liberty doesn’t just stand for the religious. It stands for the tired, the poor, the queer, the exiled. And we’re lifting our lamps now, too. We will continue to hold the door open. We will continue to connect Community with our hospitality. We will continue to hold Hope for the right to life, liberty, and the pursuit of happiness. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-13-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Thoughts from the Hobbit House | Gatekeeping Myself: Hard Questions for Aspiring Leaders & Public Servants URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-gatekeeping-myself-hard-questions-for-aspiring-leaders-public-servants/ Last updated: 2026-08-16T16:28:59.000Z I considered running for office years ago, so I sat down and drafted a set of courageous, self-reflective questions—questions I felt I needed to answer honestly before moving forward. This wasn’t an academic exercise; it was born out of genuine concern. At the time, I was disillusioned. A series of previous disappointing and even harmful encounters I’d had with elected and community leaders—some of whose actions made national headlines for all the wrong reasons—had shaken my confidence in our system and in myself and raised an uncomfortable question: *How did these individuals ever get elected or rise to power?* **Learning The Hard Way** Just after coming out in college, I was lonely and searching for connection—especially for gay role models. In my desperation, I made a very stupid mistake. I turned to the internet, a decision that quickly became disastrous. I began speaking with someone who told me he couldn’t reveal his identity due to his job. He seemed kind and wise at first. But that quickly turned. The messages became inappropriate. Then they became threatening. And still, I didn’t turn the computer off but kept responding. Eventually, I discovered who he really was: the closeted and conservative mayor of Spokane. This led to a series of unfortunate events that just turning off the computer could no longer solve or stop. It also led to a scandal that made national news, a documentary, and dominated the national conversation for a time. My roommate and I‘s home was surrounded by TV trucks. I was invited to appear on national news shows with Diane Sawyer and Katie Couric. I declined both. The mayor was the subject of a recall vote which removed him from office. During that period, another elected official reached out, offering support and introducing me to a respected lawyer they said was their “good friend” and a leader in the LGBTQ+ community. They claimed he would help guide me through the media storm and political fallout. Sadly, both individuals had ulterior motives. It was another painful and sobering lesson in the misuse of power. One moment remains etched in my memory: that same lawyer—intoxicated—surprised me in a public setting, shoved me to the ground, and demanded that I follow his instructions and respect his authority. I did neither. Over the weeks that followed, he left drunk voice mails and sent angry texts which I left unanswered. Years later, I was relieved to learn that the lawyer “leader” was arrested and prosecuted for unrelated crimes. Before I’d turned 25, I’d had multiple experiences with the type of leaders I didn’t want to be. I was left to question what a good leader really looks like? **Building a Better Litmus Test** So when I considered stepping into a leadership role myself, I had to be brutally honest. I needed to know I wouldn’t become another cautionary tale. I needed to courageously look in the mirror and ask myself all the painful and hard questions. I needed to invite others to ask me the same. These questions were shaped by more than a decade of working alongside public officials and leaders at the local, state, and national levels; by the insights I gained earning a master’s degree in leadership; serving in various leadership roles, and by the rigorous reflection developed through a three-year leadership fellowship with the Robert Wood Johnson Foundation. After a brief tenure in office myself, I revisited and revised the list—strengthening it with firsthand experience. Since then, I’ve shared these questions with dozens of individuals who were thinking of running for office or serving in a leadership role. In the last few months alone, I’ve had meaningful conversations with more than a dozen prospective candidates. All of them, in one way or another, voiced a version of the same question I’ve wrestled with: *"How could I possibly be good enough?"* or *"Who do I think I am to do this?"* These so-called “gate questions” don’t solve that dilemma—but they do help shape a meaningful and realistic response. They also serve as a baseline for competence, preparedness, and self-awareness in public service. Honestly, I worry most about those seeking leadership who never wrestle with these questions and the threat they pose to those they desire to lead. Every so often, I revisit these questions myself—especially when re-reading Cohn and Moran’s excellent book, *Why Are We Bad at Picking Good Leaders?* I recommend it to anyone considering public office—or any leadership role, for that matter. Here are the current questions I use to assess my own readiness and that of others: --- **Ryan’s Public Service “Gate Questions”** If you answer **no** to any of the following, you may not be ready—yet. 1. **Have I been asked to serve?** A direct invitation often reflects community trust and insight into your potential. 2. **Have I done my homework?** Do I fully understand the purpose, limits, responsibilities, and powers of the role I seek? 3. **Is my own boat ship-shape?** Am I managing my personal, professional, and emotional affairs with integrity? 4. **Do I have solid, constructive ideas for making something better?** 5. **Can I stand strong in the face of personal attacks and criticism?** a. Can I respond calmly and professionally? b. Can I stay mentally and physically healthy while under pressure? c. Can I evaluate criticism fairly, rationally, and without defensiveness? 6. **Can I actively listen without interrupting…** d. …even when I strongly disagree? e. …to complex or nuanced perspectives? f. …to constituents who simply need to be heard? 7. **Can I maintain empathy for my city, community, and humanity—especially under stress?** 8. **Can I tolerate not being liked and hearing negative things said about me…** g. …by friends? h. …in the media? i. …on social media? 9. **Can I make difficult and unpopular decisions when I believe they’re right?** 10. **Can I accept that doing the right thing may bring no reward—only consequences?** 11. **Do I have the basic tools needed to do the job?** j. *Professionally:* Can I read a budget? Understand policy? Navigate bureaucracy? k. *Personally:* Do I have a strong support system, hobbies, and internal motivation? 12. **Can I handle disappointing others—even those I deeply respect?** 13. **Have I identified something in this work that brings me joy and purpose?** 14. **Can I remain humble and grounded, regardless of outcome or recognition?** 15. **Can I make principled compromises to effect needed change?** 16. **Is my family/support network supportive and prepared for the burden it will place on them?** 17. **Finally, Do I need it?** …if yes, it’s likely you’re not ready to serve. --- **Why This Matters Now** I don’t share these questions to discourage (although for some that’s absolutely necessary). I share them because I’ve seen what happens when people lead without asking them. Public service demands more than ambition or identity. It requires clarity of purpose, personal resilience, real skills, and a willingness to be shaped by challenge, not consumed by it. We live in an era of collapsing trust. Voters are cynical. Institutions are fragile. And every day, another leader is exposed for lacking the character the job demands. We don’t need perfect people. We need prepared people. People who know who they are before they ask others to follow them. People who have done the inner work. People who lead from **conviction**, not **ego**. These questions won’t make you perfect. But they might make you honest. And in public service and leadership, that’s everything. These questions help me measure readiness while holding myself accountable, and they’ve helped others clarify their “why.” They’ve made me a better leader, listener, and neighbor. **What Would You Add?** Public service isn’t about perfection. But it should be rooted in preparation. What questions would *you* add to this list? Let’s build a better bench of leaders—starting with better questions. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-14-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Out on the Ranch | Of Filial Piety and the Spirit That Endures URL: https://www.stonewallnews.net/out-on-the-ranch-6/ Last updated: 2026-07-12T18:44:59.000Z There’s a quiet strength that settles in your bones when you care for your elders. Not out of obligation, but out of love—and reverence. The ancient Confucian value of filial piety has become more than a concept to me; it has shaped the arc of my adult life. It’s simple: care for your parents and elders. I’ve buried both my parents. My father passed in 2001, taken by a most brutal form of brain cancers: glioblastoma multiforma. Before our guest ranch was even conceived, in the summer of 2000, we moved both him and my mother into our little 600-square-foot condo in Seattle so he could undergo radiation treatment at the University of Washington Medical Center. It was cramped. It was intense. It was a blessing to become his caretaker. My mother left us in 2022\. Pulmonary fibrosis. Another cruel, terminal disease, born of her fierce battle with breast cancer and the radiation that came with it. She had endured so much over the years—brain implants, back surgeries—and yet her spirit never dimmed. She wanted to spend her final chapter here at the ranch. When she called one day asking, “Have you ever heard of a park model home?” I started planning immediately. By March 2020, she had moved into her tiny home here. Days later, the world went into COVID lockdown. Our timing, as it often is in the flow of life, was divine. That tiny home sat in a spot that became sacred; Her home, Her view, Her quiet passing. Afterwards, we tried to work the tiny home into accommodation offerings at the ranch, but, it didn’t really work. I would meditate on this at the altar to my ancestors. I would look upon mom’s little red plastic purse with Snow White on it, the one she brought to America from Italy when she was five years old, and ponder, ‘what would mom have me do?’ My mother would come through resoundingly clear, ‘sell it!’ She always wanted to see us get amenities for the ranch. So, that’s exactly what we decided to do. We put it up for sale in late 2024 and it wasn’t long until a couple synchronistic connections led us to a young family with two toddlers. They were looking for just something like this to move to the family compound. It was an oddly perfect match, as if meant to be. But, there was a wrinkle. They wouldn’t be able to purchase it until their own house sold after they listed it in March of this year, 2025\. I did have other bites from buyers and could have even accepted a higher offer. No one passed the vibe check like this family. I was willing to wait, and they were willing to put down some earnest money. Their house sold and they bought the tiny home. We went to the county offices to transfer the title. It was an unexpected several-hour affair, mostly spent waiting for the cogs of bureaucracy to turn. Whilst it was tedious, it went smoothly. Mind you now, this was me with the mom, dad, toddler brother and toddler sister in princess dress. The children were extremely well behaved, considering the long wait. Honestly, it was pleasant spending the time with them. Finally, we are called back to the counter for the last pen strokes. We are just wanting to get it all done and be out of there. Standing with mom and toddler sister, we await the clerk. This was the actual moment where ownership changes hands. The mom is trying to keep daughter entertained and asks her, “Tell David who your favorite princess is.” The toddler looks at me and says, “Snow White.” Then, puts finger on bottom teeth and smiles coyly at me to see if I heard. Her mom responds, “well that’s an odd one to pick from the ones you like, but it’s perfect.” Yes, toddler princess, it is perfect. The perfect symbolic hat tip to a little red plastic purse with Snow White upon it. I just smiled and said to myself, “thanks for the sign, mom.” Over the years, the ranch has grown into something more than just alpacas and yurt-dwelling glampers. The ashes of beloved friends and chosen family members have joined this sacred space. That’s the rhythm of this land. That’s the echo of filial piety. In every act of service to our elders—be it as small as a meal or as immense as hospice—we gain something beyond words. A deepening of spirit. A sharpening of purpose. A tether to the lineage that brought us here. Mom’s legacy at the ranch lives on with our newly constructed amenities area. It was only when I was ready that this poem found its way to me. I share it here with you now, in honor of all who have had the blessing to experience filial piety: "A limb has fallen from the family tree. I keep hearing a voice that says, ‘Grieve not for me. Remember the best times, the laughter, the song. The good life I lived while I was strong. Continue my heritage, I'm counting on you. Keep smiling and surely the sun will shine through. My mind is at ease, my soul is at rest. Remembering all, how I truly was blessed. Continue traditions, no matter how small. Go on with your life, don't worry about falls. I miss you all dearly, so keep up your chin. Until the day comes we're together again." — Author Unknown ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-14-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Thoughts from the Hobbit House | Seeing Clearly in Dark Times: The Power of Hope and Healing URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-seeing-clearly-in-dark-times-the-power-of-hope-and-healing/ Last updated: 2026-08-16T16:30:13.000Z When horror and harm dominate our vision, we risk losing sight of the good that still surrounds us. And when we lose that vision, we surrender a vital source of power—one we need not only to heal, but to keep moving forward. At the Center for Trauma and Stress Education (CTSE), I help facilitate trauma response and recovery programs for communities affected by unimaginable pain. Over the years, I’ve worked with people impacted by natural disasters, school shootings, public health crises, and war—people whose stories carry unspeakable weight. Yet again and again, I’ve seen that the ability to recover doesn’t come down to the severity of the trauma. More often, it’s about whether people are able to reclaim a source of hope. Three years ago, I worked with military personnel involved in the evacuation of Afghanistan. The stories they shared were heart-wrenching—stories of families separated, impossible choices, and a devastating suicide bombing at Abbey Gate that killed 13 U.S. service members and more than 170 civilians. One soldier said quietly, “When all you can see is the dark, why do anything? Why date, hang out with friends, or build something? You’re not going to be able to see it anyway.” I understood that perspective deeply. As a child, I was abducted from swimming lessons. The harm experienced had a lasting impact. In the years that followed, I wore what I’ve come to think of as “dark glasses”—a lens of fear, mistrust, and negativity that distorted how I viewed people, the world, and myself. When you're wearing those glasses, you expect the worst. You fear change. You assume people mean harm. Worst of all, you stop dreaming. You forget how to hope. Learning to take off those glasses—and keep them off—has been one of the most important journeys of my life. It’s what’s allowed me to show up fully as a husband, friend, advocate, and educator. And it’s what I try to help others do every day. No matter the trauma, no matter the darkness we’ve walked through, it *is* possible to see light again. But we have to train our minds to find it. At CTSE, we use a simple but powerful technique called **"Better Moment Bookmarks.”** It’s designed to counter our brain’s natural tendency to fixate on the negative. If we aren’t intentional, we can live through six good days and one bad one, and only remember the bad. That kind of imbalance distorts our worldview, saps our strength, and undermines our ability to dream—when dreaming is exactly what we need to solve big problems. **Better Moment Bookmarks help us rewire our thinking.** Here’s how it works: Each day, when you find yourself feeling even a flicker of peace, joy, or safety—*pause.* Maybe it's during your morning coffee, walking your dog, or laughing with a friend. In that moment: **A. Turn your attention, with intention, to the experience.** Describe it to yourself in clear, nonjudgmental terms. What’s actually happening? **B. Engage all five senses.** What do you see, hear, taste, feel, and smell? **C. Be completely present.** Let your mind rest in the now. **D. “Bookmark” the moment.** Make a mental note: *This matters. This is real.* **E. Revisit your bookmarks regularly.** Set aside time each week to reflect on the moments you saved. Let them remind you of the good that exists. This practice doesn’t erase trauma. It doesn’t diminish the real struggles happening all around us. But it *does* help build the resilience we need to face them. We’re living in challenging times—emotionally, politically, and socially. The fight for justice, truth, and compassion requires people who are emotionally fueled and mentally clear. That clarity won’t come if we’re only looking through lenses of despair. The good is still out there. You just have to look for it—and remember it when you find it. About CTSE: The Center for Trauma and Stress Education (CTSE) is a non-profit organization dedicated to helping address stress and trauma, and the issues that cause them, through evidence-based training programs and consultation. For more information visit [www.CTSEPrograms.org](http://www.ctseprograms.org/?ref=stonewallnews.net) ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-15-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Rick R. Reed’s The Man from Milwaukee: A Chilling Fusion of Fact and Fiction URL: https://www.stonewallnews.net/rick-r-reeds-the-man-from-milwaukee-a-chilling-fusion-of-fact-and-fiction/ Last updated: 2026-07-20T13:25:47.000Z Few figures in modern history evoke such a mixture of revulsion and morbid fascination as Jeffrey Dahmer. His gruesome crimes, which shocked the world in 1991, continue to serve as a stark reminder of humanity’s capacity for darkness. Against this unsettling backdrop, Rick R. Reed has crafted a compelling and provocative novel, *The Man from Milwaukee*, a psychological thriller that pushes the boundaries of horror and human psychology. Set against the backdrop of Jeffrey Dahmer’s arrest, this novel explores the life of Emory Hughes, a young man in Chicago grappling with profound inner turmoil. Stricken by grief over his mother’s battle with AIDS and caught in a relentless cycle of self-doubt, Emory struggles to accept himself. In his search for connection, he begins writing letters to Dahmer in prison, drawn to the notorious killer as a kindred spirit — someone equally consumed by inner darkness. As his fixation grows, Emory’s fragile hold on reality starts to fracture, leading to a tense and haunting confrontation with Tyler Kay, a compassionate and openly gay colleague who offers him a glimmer of acceptance and hope. Reed’s ability to intertwine real-life horror with fictional storytelling is remarkable. The novel is not merely a crime story; it is an exploration of the fractured psyche of a man on the edge, delving into the societal and personal traumas that shape such individuals. It delves into the human condition, examining themes of grief, loneliness, and the search for connection amidst chaos. The result is a story that is unsettling and profoundly resonant. *The Man from Milwaukee* gripped me so completely that I found it nearly impossible to put down. Eager to delve deeper into the story and uncover the mind behind it, I reached out to Rick to explore his creative process, inspirations, and the themes that make this novel so unforgettable. Here are my questions — and his insightful answers. **Frank Gaimari: *The Man from Milwaukee* intertwines real-life horror with a fictional narrative. What inspired you to explore Jeffrey Dahmer’s crimes as a backdrop for this story?** Rick R. Reed: I’m a true-crime junkie, and much of my work in the darker, thriller, suspense, and psychological genres stems from a deep fascination with the darker side of human nature. In 1991, when Jeffrey Dahmer was arrested, I became captivated by the case, partly because of how close it came to home. Having lived in Chicago for over two decades, I was just a 90-minute drive from Milwaukee, where Dahmer committed his crimes. I had visited Milwaukee many times and even frequented some of the same bars he did. Dahmer had also spent time in Chicago, visiting places I often went to myself. This made me wonder: could our paths have crossed? He was somewhat attractive, and I couldn’t help but think there was a chance I might have gone home with him. The thought gives me chills — imagining what might have happened if our lives had intersected. Adding to my fascination was the timing of his arrest, which coincided with the release of my first novel, *OBSESSED*. Dell published it as part of a brand-new and innovative horror imprint called Abyss, which featured authors like Poppy Z. Brite (now Billy Martin), Kathe Koja, Dennis Etchison, Michael McDowell, Tanith Lee, and many others. Riding the excitement of being a newly published author with a major publisher, I decided to write to Dahmer in prison and sent him a copy of my freshly minted book. I wanted to see if he would allow me to tell his story. He never replied, and I don’t even know if he received the book or my letter, but the experience left a lasting impression. Dahmer and his crimes became firmly rooted in my mind, and I knew that one day, I would write about him. **FG: Emory Hughes is such a complex and troubled character. How did you approach creating his psychological depth and his connection to Dahmer?** RR: Emory’s fascination — some might say obsession — with Dahmer, like mine, began when Dahmer’s crimes came to public light in July of 1991\. Emory was a deeply closeted young man, wrestling with his impulses and desires. He didn’t want to be who he was and loathed himself for it. As someone who was also deeply closeted and once married to a woman, I could draw from my own self-loathing during that time in my life to create Emory. Emory saw in Dahmer a kindred spirit and came to believe they were alike — both fighting impulses they detested in themselves but found too powerful to ignore. Like me, Emory wrote to Dahmer in prison, and that’s where the story was born. **FG: The book delves into themes of grief, loneliness, and self-loathing. How do you balance these heavy emotional themes with the thriller elements of the story?** RR: I believe that balance came naturally. The thriller elements are inextricably linked to the theme, each propelling and driving the other. **FG: The setting of 1991 Chicago plays a significant role in the novel. How did you go about recreating the atmosphere of that time and place?** RR: I lived in Chicago for about 23 years and know the city very well (in fact, I just visited last week). I was familiar with all the places Emory experienced. His trips on the L, his workplace, and his ventures into bars and bookstores were all things I experienced as a young man, often with the same fears, dread, and curiosity. It wasn’t difficult to “live” in that time and place again because I knew it so well. **FG: Congratulations on having your book optioned for a film adaptation! How does it feel to have your story come to life on screen? Which aspects of its essence do you hope the movie will capture the most?** RR: Like my novel *IM*, which was also optioned by a respected producer/director, *The Man from Milwaukee* has gone from option to nowhere. Still, I hold out hope. It was under consideration at Blumhouse just a few months ago, so I remain optimistic. The screenplay, written by the producing team who optioned it, is excellent, considering the book’s deep psychological and interior nature. If the movie ever gets produced, I hope it captures Chicago’s gritty essence and the beauty of Emory’s family connections, particularly his bond with his wayward sister, who eventually finds her way, and their mother, who, in 1991, was dying from a plague we now call AIDS. I also hope it conveys the mystery and ambiguity of an unreliable narrator, along with the very dark psychological themes. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-18T064619.699.jpg) Rick R. Reed / Facebook Rick R. Reed is a celebrated author who has garnered numerous accolades, including being a Lambda Literary Award finalist and winning multiple Rainbow Awards. With an extensive body of work spanning over sixty books, he has established a reputation for blending horror, psychological depth, and social commentary into compelling narratives. His storytelling uniquely challenges and captivates readers, offering chilling entertainment and profound insight. To explore more of his work and learn about his creative process, you can visit his website. Rick’s website:[https://rickrreedreality.blogspot.com/2025/07/ai-describes-me-perfectly.html](https://rickrreedreality.blogspot.com/2025/07/ai-describes-me-perfectly.html?ref=stonewallnews.net) [![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/BookCover_RickRReed1_24720251554.jpeg?resize=500%2C750&ssl=1)](https://a.co/d/05Bgm3Eh?ref=stonewallnews.net) The Man from Milwaukee --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--58.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out & In Business | Stop Pretending You’re Not a Real Business URL: https://www.stonewallnews.net/out-in-business/ Last updated: 2026-07-23T17:52:58.000Z Let’s be honest: a lot of us are out here running businesses… and still not calling them that. You market yourself and your services. You invoice people. You have loyal clients. You pour care, creativity, and strategy into what you do. But then, when someone asks, “What do you do?” you freeze. Or you downplay it. Or you say some version of: “Oh, it’s just this little thing I do on the side.” I’ve been there too. So, here’s a loving nudge: **stop pretending you’re not a real business**. **Why We Do It** For many of us, especially queer, trans, neurodivergent, disabled, or working-class folks, claiming the label of “business owner” can feel loaded, if not outright dangerous. We’ve learned to survive by flying under the radar. We’ve seen how systems punish visibility. We’ve taken in the belief that we have to work twice as hard just to be taken seriously. So instead, we: - Keep our prices low to be “accessible” (but burn ourselves out) - Avoid licenses or structure to dodge scrutiny - Hesitate to call ourselves professionals or experts unless we’ve checked every box - Stay quiet about our work, even when it’s excellent These behaviors aren’t just self-sabotage. They’re adaptations. They come from a history of navigating hostile systems and from the very real desire to stay safe. Left unchecked, these patterns can wear down both your business and your belief in it. **A Reframe: Legitimacy as Care** What if being a “real business” wasn’t about buying into capitalism, but about building a container strong enough to hold your work? Being legitimate isn’t about filing LLC paperwork or hiring a graphic designer, even though those things can help. It’s about allowing your work to be seen, respected, and supported by others, and just as importantly, by you. That might look like: - Raising your rates so your work is actually sustainable - Getting a business license so you feel protected, not exposed - Updating your website or telling people what you actually do - Saying, “Yes, I run a business,” without apology or deflection Legitimacy doesn’t mean performance. It means clarity. It means showing up in a way that honors the value you offer—on your own terms. **If This Feels Tender** If this touches a nerve, I want you to know that you’re not alone. Many of us resist claiming the word “business” because we don’t want to sell out. Good. That means your values are intact. But being a real business doesn’t mean becoming someone else. It means building something that reflects you: your needs, your rhythm, your politics, and your community. You don’t have to do it like the bros on YouTube. You don’t have to scale. You don’t have to chase passive income or seven-figure dreams. You just have to stop shrinking. Your work is real. Your impact is real. So what would change if you let yourself believe it was also a real business? *Want a reminder?* I made something for you. If you’d like something tangible to remind you that your business is legitimate, download the “Legitimacy Looks Like Care” digital poster or phone wallpaper here: ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Dana-Clark-8-1.jpeg) Dana Clark (she/her) is a certified life coach who works with purpose-driven, self-employed humans realign their work with their values—especially under capitalism. Queer and deeply relational, Dana creates coaching spaces rooted in clarity, care, and quiet resistance. She's been coaching since 2008 and is especially drawn to those navigating shifts in personal direction, business or both. Learn more at [loveyourlife.co](https://loveyourlife.co/?ref=stonewallnews.net). ### Brent Archer: A Gay Pacific Northwest Author Crafting Stories of Love and Discovery URL: https://www.stonewallnews.net/brent-archer-a-gay-pacific-northwest-author-crafting-stories-of-love-and-discovery/ Last updated: 2026-07-17T21:22:11.000Z Nestled in the heart of West Seattle, Brent Archer has built a life and a career as dynamic and vibrant as the region he calls home. Brent’s inspiring journey from engineering student to acclaimed author of Gay contemporary romance exemplifies the transformative power of pursuing passions and embracing reinvention. Originally from Spokane, Washington, Brent’s story continues in Seattle, where he initially pursued a degree in electrical engineering at the University of Washington. However, it didn’t take long for him to realize that his true interests lay elsewhere. This epiphany led him to switch his focus to international studies with a minor in history, an academic path that would later influence his storytelling. After graduation, Brent’s life took on a multifaceted rhythm, balancing accounting jobs with a budding career in musical theater and dance. By the age of 30, he earned a certificate in accounting and became the financial controller of a nonprofit arts organization. Despite professional success, the creative spark of writing never faded. It wasn’t until 2012 that Brent decided to share his writing with the world. A visit to his cousin, Delilah Devlin, an accomplished author, proved to be a pivotal moment. Inspired by Delilah and her sister, Elle James, another successful writer, Brent took a leap of faith and submitted his first story, Dear Bryan. It was quickly accepted for publication, marking the beginning of a new chapter in his life. With unwavering support from his husband and family, Brent embraced his calling as an author, crafting heartfelt stories that have resonated with readers worldwide. Travel has played a significant role in Brent’s creative process. From Seattle’s cozy coffee shops to the distant landscapes of Iceland, New Zealand, and France, his adventures have infused his stories with rich settings and authentic characters. Having visited most of the United States, Canada, and several countries abroad, Brent’s goal is to explore every continent and US state. These experiences not only inspire his work but also deepen the emotional landscapes of his novels. When not writing or traveling, Brent often works at a local wine shop, playfully calling it “research” for his next project. As an author in the LGBTQ+ romance genre, Brent has faced challenges but remains dedicated to authentic storytelling. His books, such as Blaze of Cortez and Throuple Honey, along with a story in the recently published Own Voices anthology Romance Is a Drag, resonate with readers for their heartfelt narratives, vibrant characters, and universal themes of love and acceptance. Whether creating standalone novels or building upon his series, Brent’s remarkable body of work is a testament to the power of pursuing one’s passions and embracing the unpredictable journey of life. Over lunch, I had the pleasure of getting to know Brent better, a man whose books I’ve long admired. As we talked, I discovered not only his sharp insights but also his genuine compassion, qualities that have since turned him from an admired author to a valued friend. Here are the highlights of our conversation. **Frank Gaimari: What inspired you to transition from accounting to writing romance novels?** Brent Archer: Writing started at an early age for me. I entered a young writers’ contest in fourth grade in Spokane. I still have the little, blue-covered “book” I called Space Specialties. In eighth grade, I attended the Young Writers’ Conference and read a chapter from a time travel adventure I had started. We were allotted time to read, but when mine was up, the group asked if I could continue reading to finish the chapter for them. Throughout high school, I wrote poetry and what is now known as fan fiction for Doctor Who, including two complete screenplays. Nothing was ever submitted for publication, but I loved writing them. At the University of Washington, my lecture notes often had artwork or poems written in the margins. Once I embraced theater and dance, my writing took a long hiatus. Fast forward 15 years. I have two first cousins who are successful romance writers: sisters Delilah Devlin and Elle James. When our grandmother moved from Spokane to Arkansas after my grandfather died, I would write letters to her. Delilah pulled me aside one day when I was visiting and said, “We know you can write,” referring to the letters I sent to Grandma at least once a week. She showed me a “Calls for Submission” board online and told me to pick one and write a short story. I wrote Dear Bryan and submitted it to an anthology. It was accepted, and I was hooked, so I kept writing. Despite my following three or four stories not being accepted, I pursued a writing career while maintaining my day job in accounting. When I told Elle that Dear Bryan had been accepted, she said, “Welcome to the dark side!” **FG: How do your travels influence the settings and characters in your books?** BA: Travel is an immense love and passion in my life. My eyes were opened to the world when I took my first trip overseas in 1992 with the dance ensemble. The travel bug bit me hard. In my writing, I strive to make my characters well-rounded and curious about the world, whether they are that way from the start or evolve through the experiences they encounter. My first series of books was an adventure romance that began in Seattle but evolved into a treasure hunt throughout Europe. Memories of Coromandel, in my Rain City Tales series, is primarily set in Auckland, New Zealand. It mirrored, in many ways, the trip I took to New Zealand in 2009. This summer and autumn, I’ll be in Europe and plan to write a story set in the UK while I’m there. Dear Bryan, my first romance short story was also set primarily in England. **FG: Can you share the story behind your first published work, Dear Bryan?** BA: During my time at the University of Washington, I dated someone named Bryan for just under a year. When he traveled to England for the spring and summer quarters, we stayed in touch by exchanging postcards and letters. That correspondence later became the inspiration for Dear Bryan. Shortly before writing the story, I revisited those letters and thought it would be a compelling creative choice to incorporate postcards at the start of most major scenes. The editor appreciated this approach, and the story was accepted. **FG: What challenges have you faced as an author in the LGBTQ+ romance genre?** BA: Finding my audience has been one of the biggest challenges I’ve faced. LGBTQ+ authors face the added burden of being a “sensitive issue” when it comes to advertising, so all the workshops touting foolproof marketing ideas and methods don’t necessarily translate for us. I also find that many readers are more likely to purchase LGBTQ+ romances if the author’s name is female. Though I’m happy for anyone to read my work, I gear my writing to Gay men. We’ve had a difficult time finding books that realistically portray our lives in works of fiction, and, consequently, my stories aren’t necessarily heteronormative. I endeavor to write about my boys as realistically as possible. This doesn’t always translate for readers who are used to a specific romance formula. My goal is to reach Gay men and show that our stories of our authentic selves are just as deserving of a happily ever after as those characters in formula-driven romances. **FG: How do you balance your day job at the wine shop with your writing career?** BA: I started writing while working as a financial controller for a nonprofit arts organization. Despite working 40-60 hours a week, I managed to carve out time to write, either during my lunch breaks or immediately after work. I’d take the bus back to my neighborhood, stop at my local pub on the way home, and write for an hour with a glass of wine. After changing jobs, I continued dedicating my lunch breaks to writing. I’d walk several blocks from my office to my favorite lunch spot, order pretty much the same thing every day, and write, usually managing to get between 500 and 700 words per session. During the pandemic, I was laid off. Instead of working, I spent the time I’d usually be at my computer writing, establishing sprinting groups with other authors over Zoom. I also took on another job: caring for my elderly parents. Now, I juggle writing with family caregiving, but I’ve managed to keep up my Zoom writing sprints. I write for at least an hour, five days a week. **FG: Which of your characters do you relate to the most, and why?** BA: Clark Adamson shares many characteristics and thought processes with me. He’s an accountant, works for a nonprofit, and is a do-gooder, loyal, and attuned to how others feel. Clark is introduced in Past Secrets Present Danger, has his own love story in The Wedding Weekend, appears in Mitch’s Men, and plays an integral role in encouraging his cousin to come out and take a chance on a relationship in Blaze of Cortez. I love his story arc and the way he helps others while maintaining his sense of humor. He’s also a bit mischievous, and if you ask anyone I’ve done theater shows with about my backstage antics, they’ll tell you I have a playful streak of my own! **FG: What advice would you give to aspiring authors looking to self-publish?** BA: I switched to self-publishing after my first series and a few novellas weren’t selling, and I was having challenges with royalties. It’s difficult, don’t get me wrong, but there’s a lot more freedom and control. I’m able to choose my titles, my covers, and retain control over artistic choices and marketing. There are numerous options for all aspects of book production. Don’t be afraid to try everything and see what works for you. Most importantly, spend each day writing if possible. You can’t edit a blank page. **FG: Do you have any upcoming book releases? If so, could you share some details about them?** BA: I released two novels last year, Throuple Honey and Blaze of Cortez. My next release will be in the fall as part of a Queer anthology edited by author Shane Morton. Earlier this year, I had a story featured in Romance Is a Drag: A Queer Anthology #1, and the upcoming release will be the third volume in his Own Voices anthology series. The new story will be a holiday tale titled Boston Italian Christmas, featuring a nurse and a veteran. It will also be tied into the story from the first volume. Although I’m not yet certain of the exact release date, it is expected to be available during the 2025 holiday season. I’m also hoping to release the second story in my Black Rock Cult series this winter or spring. Titled Hiding Hayden, it follows a small-town police officer who protects and hides a newspaper reporter from a local cult. **FG: If you could co-write a book with any author, living or dead, who would it be and why?** BA: Madeleine L’Engle, if the story is romance or literature. Clive Cussler, if it’s an action-packed adventure. Both authors were inspirations for me growing up, especially during my teen years. I still return to L’Engle’s books during difficult times in my life. Her stories provided me with hope and healing during some of my lowest moments. On the other hand, Cussler’s books captured my imagination and inspired me to pursue a career in oceanography at university. Unfortunately, I get seasick, and the science weed-out classes ended that dream. Instead, I earned a degree in international studies! Still, I feel a deep connection to the sea, and I’ll always love a good adventure novel. Brent Archer’s life and career are a testament to creativity, resilience, and the courage to pursue one’s dreams. From his roots in the Pacific Northwest to his adventures across the globe, Brent’s stories reflect the beauty and complexity of the human experience. Whether you’re a fan of romance, drama, or compelling storytelling, Archer’s works are a must-read. Explore his books on Amazon or visit his website [https://brentarcher.net/publications/](https://brentarcher.net/publications/?ref=stonewallnews.net) to learn more. For the full range of books available, go to Amazon: ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/brent3__300x451_1872025143916.jpg?resize=300%2C451&ssl=1) The Officer’s Siren ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/brent2__300x450_1872025143916.jpg?resize=300%2C450&ssl=1) Rediscovering Todd ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/brent1__300x451_187202514396.jpg?resize=300%2C451&ssl=1) Throuple Honey --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--46.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### David Archuleta’s Earthly Delights: A Celebration of Queer Identity and Pop Brilliance URL: https://www.stonewallnews.net/david-archuletas-earthly-delights-a-celebration-of-queer-identity-and-pop-brilliance/ Last updated: 2026-07-20T13:20:23.000Z *“I realized I don’t have to hide who I am anymore,” Archuleta shares, his voice tinged with both relief and excitement. “For so long, I felt like I was living a double life, trying to fit into a mold that wasn’t me. But now, I’m finally free to be myself, and that’s the most liberating feeling in the world.”* David Archuleta has always been a star who radiates authenticity. From the moment he stepped into the spotlight at the tender age of 17, his angelic voice and magnetic personality captured the hearts of people worldwide. But in recent years, the Miami-born singer-songwriter has undergone a profound transformation — one that has redefined not only his music, but also his identity. With his latest EP, Earthly Delights, set to release on August 15, Archuleta is stepping into a bold new chapter of his career, one that’s as fearless as it is deeply personal. At the heart of this evolution is a story of self-discovery, courage, and the unrelenting pursuit of truth. After coming out in 2021, Archuleta has embraced his queer identity with a level of vulnerability and conviction that’s nothing short of inspiring. His music, once defined by its polished pop sensibilities, now brims with raw emotion and unfiltered honesty. Tracks like the gospel-inspired ballad Hell Together and the euphoric dance anthem Afraid to Love showcase a newfound depth and complexity, reflecting the highs and lows of his journey. “I realized I don’t have to hide who I am anymore,” Archuleta shares, his voice tinged with both relief and excitement. “For so long, I felt like I was living a double life, trying to fit into a mold that wasn’t me. But now, I’m finally free to be myself, and that’s the most liberating feeling in the world.” This sense of liberation is evident in Earthly Delights, a collection of songs that explore the full spectrum of human experience — from the sweetness of connection to the sting of heartbreak, from sensuality to self-acceptance. The EP’s lead single, Crème Brulée, has already become a global sensation, blending playful flirtation with Archuleta’s signature vocal prowess. Meanwhile, the follow-up single, Can I Call You, delves into the vulnerability of longing and the courage it takes to reach out for love. David Archuleta’s journey of self-discovery hasn’t just transformed his music — it’s also ignited a passion for advocacy. Since coming out in 2021, he has leveraged his platform to champion LGBTQ+ rights, serving as a beacon of hope for those navigating their paths to authenticity. His openness and courage have inspired countless fans, and his efforts were recognized in 2024 when he received the GLAAD Media Award for Outstanding Breakthrough Music Artist. “Winning the GLAAD award was such a humbling moment,” he reflects. “It reminded me that sharing my story isn’t just about me — it’s about creating space for others to feel seen and heard.” In our conversation, Archuleta shared candid insights into his personal and professional evolution. Here are some highlights from our interview: **Frank Gaimari: Coming out is such a personal journey. What was the moment you knew you were ready to share your truth with the world?** David Archuleta: Once I was able to fully accept that part of myself, I felt ready to share it with everyone. **FG: How has your relationship with your family evolved since coming out?** DA: My relationship with my family has grown closer since coming out. At the same time, some of my siblings were deconstructing our religion, which mirrored my process of questioning religious beliefs about sexuality. This shared experience of exploring new perspectives brought us together. Later, my mom and another sister also began to question their beliefs, which strengthened our bond even more. **FG: What was the most challenging part of writing songs about your personal experiences, like falling in love with a man?** DA: No challenges, really. I write about what’s going on in my life. Maybe the most challenging part is figuring out what sound I’m looking for as an artist. **FG: Crème Brulée has such a playful and flirtatious vibe. How does it feel to explore this side of yourself in your music?** DA: I hope it gives fans a new take on my sound — something that feels familiar but also reflects a progression in my development as an artist, which directly ties to where I am as a person. I feel a sense of curiosity, freedom, exploration, and sensuality, which is a fun space to explore as an artist. **FG: How do you hope your music will resonate with fans who might be struggling with their own identity?** DA: I hope they can see that, regardless of your age, discovering more about yourself and becoming more comfortable in your skin doesn’t have to follow the same timeline as others to lead a fulfilling life. It doesn’t always look linear either, as you may encounter bumps along the path — prior beliefs about yourself may resurface, and it’s okay to take your time to process them. **FG: What’s one piece of advice you’d give to your younger self, back when you were starting on American Idol?** DA: Success doesn’t have to come all at once or at a young age. Things are electrifying now and will bring many exciting opportunities. However, success isn’t everything and won’t determine whether you find meaning and purpose in your life. Many great things will come from moments in front of an audience, as well as from personal, day-to-day experiences where you can blend in. Don’t shy away from the public eye — it’s not as dangerous as you think. The combination of public and private moments will create a meaningful life. **FG: As you prepare to release Earthly Delights, what do you hope listeners take away from this new chapter of your career?** DA: I hope people can feel the joy that life has to offer, even if they discover it later than expected. Life can be messy and full of drama, but there’s still so much to enjoy. Take time to appreciate the calm moments and cherish your favorite experiences — whether it’s through music, photos, or how you spend your weekends. Those memories are always fun to look back on. For me, it’s been about embracing parts of life I once thought were the hardest or darkest, like allowing myself to fall for someone I never thought I could. Letting go of my fears and stepping into the unknown has been freeing and even fun. It’s given me new perspectives, deeper understanding, and added so much more color to my life. I hope this inspires others to do the same — to feel comfortable in their skin, explore their sensuality, and discover new sides of themselves. Life is full of “Earthly Delights,” so take the time to enjoy them. David Archuleta’s Earthly Delights EP drops on August 15, and fans won’t have to wait long to experience his new music live. Catch him on his North American Earthly Delights headline tour, including a performance in Seattle on September 23 at Tractor Tavern. Tickets are on sale now — don’t miss this chance to see David bring his bold new sound to life on stage! Concert tickets: [https://laylo.com/davidarchuleta/m/earthlydelightstour](https://laylo.com/davidarchuleta/m/earthlydelightstour?ref=stonewallnews.net) Pre-order Album link: [https://orcd.co/earthlydelightsep](https://orcd.co/earthlydelightsep?ref=stonewallnews.net) ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/07/davidarchuleta.jpeg?resize=5000%2C5000&ssl=1) Earthly Delights / Photograph courtesy of David Archuleta --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--65.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### A Journey of Surrender and Strength: Leather Forever by Pete Fitz URL: https://www.stonewallnews.net/a-journey-of-surrender-and-strength-leather-forever-by-pete-fitz/ Last updated: 2026-07-20T13:24:09.000Z Pete Fitz’s *Leather Forever* is a bold and emotionally rich novel that peels back the layers of identity, submission, and yearning, set against the backdrop of the leather contest world. This isn’t your run-of-the-mill romance; it’s a character-driven story that dives into themes of power, trust, and self-exploration with unapologetic honesty and a touch of erotic flair. Jesse Reed is a charming and driven chiropractor who, on the surface, seems to have it all. But beneath his polished exterior lies an ache for something intangible. Everything changes when he meets Grant Morgan, a seasoned dominant whose sharp gaze and confident demeanor ignite a deep-seated passion within Jesse. What begins as a casual flirtation quickly evolves into mentorship, and under Grant’s guidance, Jesse embraces his desire for structure, discipline, and the safety that comes with surrender. The story follows Jesse’s transformation from a curious novice into a confident leather contestant. With Grant’s mentorship pushing him to grow, he steps into the grueling world of leather contests, which demand more than charm and good looks. Competing in both Los Angeles and New York, Jesse must prove his worth not only as a submissive but also as an individual with strength, conviction, and a vision for his place in the leather community. The question is, can Jesse keep his footing in this world while discovering who he is at his core? One of the story’s strengths lies in the richly detailed backdrop of the leather contest scene. The author immerses readers in the rituals, protocols, and political undercurrents of the community, creating an authentic experience. Fitz writes with deep knowledge and respect, showcasing the community and lifestyle he loves. This narrative serves not just as a story but as a love letter that warmly welcomes even those new to the genre. After completing *Leather Forever*, I found myself eager to delve deeper into Pete Fitz’s work and the story behind his creative journey. I decided to reach out, and to my delight, he responded. **Frank Gaimari: What inspired you to write a story that focuses on the emotional journey and the competitive aspects of the leather scene?** Pete Fitz: I came up in leather when contests were more than just bar pageants — they were a rite of passage for gay men exploring masculinity in a space that didn’t shame them for it. These contests revealed who you were under pressure and introduced us to a larger chosen family. I wanted to capture that mix of nerves, hope, and desire, as well as the emotional journey that often gets overlooked in contest stories. For many of us, these contests were where we found our voice — and our people. **FG: You mention the community rituals and politics in the book. How important is it for you to educate readers about these aspects through storytelling?** PF: It matters to me deeply. Leather culture is often reduced to clichés, but in reality, it’s layered, full of rituals, history, and, yes, some messy politics. Storytelling is the best way to share that complexity without lecturing, allowing readers to see how these customs create connection and meaning. For example, I still feel close to the men I competed with for the title of Mr. LA Leather in 2001\. Those bonds don’t disappear when the contest ends — they become part of the fabric of who we are. **FG: As an author, how do you ensure that your portrayal of BDSM and leather culture is respectful and accurate?** PF: Honestly, I’ve lived it. But I also keep listening, paying attention to how the scene evolves, and ensuring that the way I write about power exchange, consent, and kink reflects real people and real dynamics — not just porn tropes. Writing about kink comes with a responsibility, and it’s one I take seriously, especially in a world where misinformation is everywhere. And yes, the community politics you saw in LA this past season? Some of that might find its way into Book 2. **FG: Are there particular themes or messages you hope readers take away after reading your novel?** PF: I want readers to understand that submission and dominance aren’t about humiliation — they’re about trust, honesty, and self-discovery. Kink can be a path to understanding what you need and who you truly are, not a distraction from it. And love in this world isn’t at odds with discipline — it can be built on it. It’s simply a different kind of love, and sometimes it takes time to realize that’s okay. **FG: If you could give one piece of advice to someone curious about exploring the leather scene or BDSM lifestyle, what would it be?** PF: Take your time, stay curious, and try new things. Don’t be afraid to learn — and that applies to Doms just as much as subs. Many great Doms start by subbing to understand how it feels, while others step into dominance from the beginning. Find mentors you trust (it’s normal to ask around and check references), listen more than you speak, and always remember that kink should enhance your life, not replace it. If you’re interested in *Leather Forever*, you can find Pete’s book on Amazon.com. It’s available in paperback, hardback, and e-book format. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/07/leather-forever-cover.jpg?resize=1600%2C2385&ssl=1) Leather Forever --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--60.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### “Pride Over Fear Since 1974”: Publisher Renee Raketty on the SGN’s Storied History, Troubled Present, and Resilient Future URL: https://www.stonewallnews.net/pride-over-fear-since-1974-publisher-renee-raketty-on-the-sgns-storied-history-troubled-present-and-resilient-future/ Last updated: 2026-07-23T17:04:08.000Z When Renee Raketty became the publisher of the Seattle Gay News in June 2024, “it was probably the easiest transfer of ownership … in Seattle in a long time,” she said. Then-publisher Mike Schultz — who now publishes *Stonewall News Northwest* — was moving out of town and offered to sell Raketty the paper. The offer came over email, she said, and the rest was just paperwork, meetings, and finally a celebratory dinner. At first, she couldn’t believe it was reality. Raketty, who for [over two decades ](https://www.sgn.org/story/75916?ref=stonewallnews.net#:~:text=an%20exciting%20future.%22-,Longtime%20connection,-Raketty%27s%20history%20with)has worked for the outlet as a contributing writer and then a managing editor, said the idea of publishing the paper had never crossed her mind. “\[Given\] when I started here, to imagine I’d be a publisher one day is really mind-blowing,” Raketty said. From 2001 to 2024, Raketty had worked under three publishers: longtime owner George Bakan, then, after his passing, his daughter Angela Cragin, and finally Schultz. “They're all highly qualified and all just excellent people in their own way and brought so many different gifts to this paper,” Raketty said. “I feel honored knowing all of them and having a chance to work under all three of them, because I've learned something different from each one.” ### **A storied history** The *SGN* is over 50 years old now, and though it’s been through crises before — “ When people tell me that this paper is gonna close, I laugh, because … I've heard that so many times,” Raketty joked — it’s also been there for Seattle’s LGBTQ+ community through some of the city’s darkest times. “ It's amazing to me to be at the helm of a newspaper that's been around 51 years,” Raketty said. “We've really covered the ups and downs of our community. When we started, it was still illegal to have Gay sex in Seattle. Our first office was firebombed. And … I’ve received so many death threats over the years, and unfortunately that’s increasing again, mostly because I happen to be Transgender.” When the AIDS crisis hit Seattle, the *SGN* was the first to report on it, Raketty said. “We were sharing the first public health information. Once we found what this thing was, we were the first to put up safer sex messaging,” Raketty said. “We actually ran our own safe sex pamphlet in our paper, because back then, the Reagan administration wasn’t even mentioning the words ‘HIV’ or ‘AIDS.’” “During those days, so many of our readers, so many of our staff, so many of our people … were just dying left and right due to the HIV/AIDS crisis,” Raketty added. “We would report their names in our paper free of charge.” She described attending presentations on the *SGN*’s 50-year anniversary and hearing from long-time readers who told her that back in those days, they found out their friend died from reading the paper. One story that struck her was from a person who was a child during the early days of the crisis. “Their uncle had disappeared, and no one would talk about it,” Raketty said. “As an adult, they searched their uncle’s name and found the obituary in our paper. It was closure for them.” The *SGN*’s history is part of what makes the paper so special. So [under Schultz](https://www.sgn.org/story/75916?ref=stonewallnews.net#:~:text=Under%20his%20leadership), every issue dating back to its origination in 1974 was digitally archived in high-definition color. They can be accessed from the *SGN*’s website. When Raketty thinks about the paper’s past, and about the moments in her career she’s proudest of, it’s the stories with impact. “ I remember one story I wrote about hate crimes in Seattle,” she said. “One of many, unfortunately, was about straight guy who got gay-bashed outside Hattie’s Hat, and the story itself led to the city attorney’s office conducting a study of hate crimes in Seattle, which led to a whole big project. I \[also\] remember writing about a campaign in Tacoma and learning that the campaign manager actually couldn’t vote and reporting on that, and I think that did impact the outcome of the election. “I was so honored that my work has impacted people in such important ways. Often when we write these articles, we don't really know the impact immediately, but it's kind of fun to look back on what happened as a result of the work you did.” She also remembers watching, and writing about, history in the making: Seattle’s first civil unions, and later, the first legal marriages between same-sex couples. “It’s a memory I hold very dear to my heart,” Raketty said. ### **This past year** In her first year as publisher, Raketty has made bold moves. She launched Gay sports coverage and hired a dedicated sports reporter. She’s sent reporters to cover protests, not just in Seattle but around the country. “We actually had a reporter in New York covering a protest in Bryant Park,” Raketty said. She’s working to grow the outlet’s social media presence and traffic, and with reporters to develop “thought-provoking, investigative pieces.” Being bold in the publishing business is risky, Raketty said. “We’ve invested a lot of money into making these changes, and it’s kind of a crap shoot.” But with a dedicated staff, the paper’s 51-year-history, and her own two decades of experience, she believes they’re well on their way to making the paper relevant for the next 51 years. Her first year hasn’t all been rainbows and Queer joy, however. Raketty took the reins in June 2024, and by November, Donald Trump had been reelected. In January, he was inaugurated, and from day one, flooded the zone with anti-immigrant and anti-LGBTQ+ policies. “I was so surprised by the level of brutality right out of the gate from this administration,” Raketty said. “I was expecting a slower rollout of anti-LGBTQ policies, but nope. The first day, they got to it.” Quickly, the Trump administration impacted not just the community served by the *SGN* but Raketty herself: as a Trans woman, she [struggled to get a passport](https://www.cascadepbs.org/politics/2025/06/despite-federal-ruling-trans-seattleites-cant-update-passports/?ref=stonewallnews.net) that reflected her identity. Federal policy has cast a shadow on the second half of her first year as publisher, but Raketty feels the responsibility of her role, and she’s meeting the moment. “ I feel like I'm the right person at the right time for this paper,” Raketty said. “I’ve been there at so many integral \[points for\] our community, and I've seen the progress firsthand. I've seen the efforts that went into making that progress happen, the people behind the scenes, and the hard work it involves. I have firsthand knowledge of who we are and why we should be proud of who we are and why we should fight to keep who we are.” Raketty views the *SGN*’s responsibility not as a neutral observer but as a community connector and mobilizer. “With the Trump administration basically seeking to erase LGBTQ people from public life and legal existence, I think it’s more important now that the paper use its voice to speak up, talk back, and mobilize our community as it has done historically,” she said. “ We've seen attempts to erase Trans people from history before,” she added. “We've seen attempts to erase, erase Lesbian, Gay, Bisexual people from history before. They were never successful. They will not be successful. “But I have to be honest: painful times are ahead. I think all you can do is get outta bed every day and just go to work and continue to do the work you do, because it's so important. “We just can't give up or give in when a new bully arrives on the horizon. It doesn't matter if they’re at the helm of the federal government or they’re in your backyard. We need to stand up for each other, and fight back, and we need to be there for other minority communities and their struggles as well.” ### **The future** Envisioning a future for the LGBTQ+ community and the *SGN* under some brutal federal policies has required bravery and creative thinking from Raketty, informed by the *SGN*’s past. “ This year we're sticking our heads out again by interviewing and endorsing candidates for public office,” she said. “This is a time where we gotta hold our elected leaders and policy makers to account and hold their feet to the fire when it comes to standing up for marginalized members of our community.” She’s also made steps to rekindle connection and activism by reviving the *SGN*’s community calendar, both on the website and in a one-page print insert, and by building alliances with other minority communities, so as to stand strong in the face of the Trump administration. And much of *SGN*’s future continues on the path set by her mentor Bakan and previous publishers. “We’re trying to continue to use our journalistic integrity to report the news for our community, asking those tough questions that a lot of influencers wouldn’t ask of our leaders,” Raketty said. The *SGN* is going to continue to call out misinformation perpetuated by the political right and politicians trying to score political points, make money, and stay in power by throwing Queer people under the bus. “When I became publisher, we changed the \[motto\] of our paper to ‘Pride over fear since 1974,’” Raketty said. “This paper has been the bulwark of resistance, organizing, and leadership for our community … I will do everything in my power to make sure that the rights those who came before me fought for will be maintained. We will come back from this momentary difficulty, and we’ll come back stronger.” ### Ryan Oelrich Seeks Spokane City Council Seat, Calls for Community Support URL: https://www.stonewallnews.net/ryan-oelrich-seeks-spokane-city-council-seat-calls-for-community-support/ Last updated: 2026-07-17T21:22:33.000Z Ryan Oelrich, a monthly columnist in this publication, and a well-known figure in Spokane, has thrown his hat into the ring to fill the vacant seat on the Spokane City Council. Known for his extensive community involvement and multifaceted personal and professional background, Oelrich’s candidacy offers a compelling narrative of service, creativity, and resilience. Ryan Oelrich, a monthly columnist in this publication, and a well-known figure in Spokane, has thrown his hat into the ring to fill the vacant seat on the Spokane City Council. Known for his extensive community involvement and multifaceted personal and professional background, Oelrich’s candidacy offers a compelling narrative of service, creativity, and resilience.

His dedication to Spokane is evident in his role as executive director of Priority Spokane, a nonprofit organization addressing critical community challenges, including improving high school graduation rates and combating student homelessness. Through collaboration and strategic leadership, Oelrich has worked to better the lives of Spokane’s residents. His commitment extends further through his past service as chair of the Spokane Homeless Coalition and as a member of the Spokane Regional Continuum of Care board, where he has focused on tackling homelessness through comprehensive, preventative strategies. Beyond his work in advocacy, Oelrich is also known for his creative streak, which has left an indelible mark on the community. From intricate balloon sculptures to the whimsical “Spokane Hobbit House” he built into the side of his home; his artistic endeavors demonstrate his unique approach to community engagement. These projects are not merely for fun; they serve as a reminder of the importance of fostering joy and connection, qualities Oelrich believes are essential in building a stronger, more united Spokane. An openly gay man, Oelrich embraces his role as a representative for marginalized communities, highlighting the progress Spokane has made in LGBTQ+ inclusion while acknowledging the work still to be done. He considers visibility and advocacy a privilege and strives to ensure that others feel empowered and supported, regardless of their background or circumstances. As the City Council deliberates its decision, Oelrich is actively seeking the support of Spokane’s residents. He encourages community members to voice their opinions to the Council, emphasizing the importance of public participation in shaping the city’s future. His message is one of collaboration and inclusiveness, inviting citizens to join him in envisioning a better Spokane. I had the opportunity to speak with Oelrich about his vision and goals for the Spokane City Council position. The questions below offer insight into the priorities he champions and the perspectives that shape his candidacy. **Frank Gaimari: Thank you for taking the time to speak with me. Before we dive into the questions, is there anything you’d like to share?** Ryan Oelrich: My priority is to ensure everyone understands this opportunity to serve on the Spokane City Council. If a Council Member resigns or becomes unable to serve, the remaining members of the Council are responsible for appointing a replacement to fulfill the remainder of the term. This interim appointment lasts until voters elect a new member through a public vote. I have submitted my name as a candidate to fill the remainder of the District 2 Council term, ensuring that we represent our residents in District 2 adequately. The remaining term will last only three months. **FG: You actively engage in addressing homelessness and youth issues through your work with Priority Spokane and the Spokane Homeless Coalition. How do you plan to use this experience to implement meaningful policies on the City Council?** RO: The term would only be three months, which is precious little time to responsibly research, coordinate, communicate, and carry out potential new legislation. My focus would be on ensuring council members have access to accurate information and a diverse array of community experts on these issues. I’d draw on over a decade of research, site visits across the country, and work on homelessness and behavioral health issues in my decisions and work with the Council. I would persistently refute many of the tired and disproven tropes around homelessness that, unfortunately, keep making their way back into the conversation. **FG: You’ve mentioned being a troubled youth yourself. How has your journey shaped your approach to helping young people, and how will this influence your decisions as a council member?** RO: My personal experiences and recovery journey have given me a deeper understanding and empathy. They’ve also been a driving force in my life, ensuring that children are adequately protected, supported, and cared for. Over the past year, I’ve co-chaired the Spokane Early Learning Task Force and helped lead an effort to improve access to early learning in our region, ensuring that children receive support during their most formative years. A healthy and thriving community must begin with ensuring our children have a proper start. I’d look for opportunities to support efforts that accomplish this while on the Council. **FG: Given your experience serving on the Spokane Regional Continuum of Care board, which specific strategies would you recommend to address homelessness in Spokane effectively?** RO: Affordable housing. It must start with ensuring that individuals have access to homes. I wouldn’t want to duplicate any of the many great efforts already underway to address homelessness. I believe we still need to address zoning and permitting for tiny homes, as well as modular and mobile homes. When I was on the Council last time, I was excited to vote in favor of changes to zoning and parking requirements that allowed for greater flexibility in the types of homes available. **FG: Your whimsical projects, like the Hobbit house and balloon art, have brought joy to the community. How do you see creativity playing a role in engaging Spokane residents in civic matters?** RO: Many issues are vying for our attention. Creativity helps you stand out and capture attention amid all the noise. My recipe for successful communication and engagement is honesty, authenticity, humor, and humility. Over the last three years, I’ve had the opportunity to lead trauma response efforts with the Center for Trauma and Stress Education. I’ve facilitated training and programs for the military, flood victims in North Carolina and here in Washington State, law enforcement, medical personnel, teachers, and more. It has given me a deep appreciation for the various ways I need to communicate and engage with our diverse populations and residents in creative ways. **FG: Having been voted “Best Philanthropist” and recognized for your community work, what leadership qualities do you believe set you apart from other candidates?** RO: I don’t yet know who the other candidates are, so I can’t speak to what sets me apart from them. I hope a talented, experienced, and diverse group of individuals applies so that the Council will have a great pool to pick from. However, I believe my ability to listen (as I teach a class on active listening), prioritize, and ask effective questions serves me well in this position. I’m also not afraid of conflict and appreciate that conflict is often necessary for growth. I’ve had experience making unpopular and difficult decisions, which is also helpful. **FG: As an openly gay man, how do you plan to advocate for inclusivity and representation for marginalized communities in Spokane?** RO: Advocacy for inclusivity and representation requires building trust and meaningful relationships, thoughtful planning, and sustained action. It requires listening first and being willing to have courageous conversations. I’d continue to use my voice and platform to spotlight or echo the many diverse and experienced voices we have in our community. **FG: What is your long-term vision for Spokane, and what are the top three priorities you would focus on if selected for the Council?** Fostering a stronger sense of identity is crucial for the Spokane community. Having spent several decades working in this city, I’ve observed that we often struggle with self-esteem as a community, which I believe is tied to a lack of a clear identity. Too often, we compare ourselves to cities like Seattle or Boise, leaving us feeling as though we don’t measure up. This mindset can prevent us from confidently uniting to solve problems and address challenges. However, Spokane has a rich history of coming together to achieve incredible things. I would focus on initiatives that celebrate our shared history and strengthen our community identity. Improving coordination and collaboration is another priority. As a nonprofit professional, I’ve witnessed how a lack of coordination can worsen already complex problems. I’ve been a strong advocate for fostering cooperation and will continue to emphasize this while serving on the Council. By working together more effectively, we can address challenges in a way that creates meaningful and lasting solutions for Spokane. Housing is a foundational issue that impacts many of the challenges Spokane faces. Ensuring that everyone has a place to call home is essential. Although we’ve made progress, we must continue to expand diverse housing options, such as co-housing and tiny homes. My husband and I embarked on our own tiny home journey a few years ago, which gave me valuable insight into these innovative solutions. Spokane has a history of rising to the occasion, as evidenced by its success during the 1974 World’s Fair when it welcomed and housed millions of visitors. I believe we can once again come together to expand our housing stock and meet the community’s needs. **FG: How do you plan to work with other council members, especially those with differing viewpoints, to achieve common goals for the city?** RO: I’d continue to listen first, ask good questions, and do my best to be clear and concise in my responses. I enjoy healthy debate and the pursuit of the best solutions and truth that arise from rich dialogue. I would lean into this with my conversations with other council members. **FG: You’re seeking public support for your candidacy. What message would you like to convey to Spokane residents about why you’re the best choice for this position?** RO: As part of the appointment application process, it can be helpful to have individuals voice their support for you by contacting the current council members. I’d be honored and grateful to those who are willing to send an email to our current council members voicing their support. Having held the position before under similar circumstances, I’d be able to hit the ground running this time with a much better understanding of the role and requirements. I am also grateful to have a great team of individuals whom I can trust to provide sound advice and courageously tell me what I need to hear. The chief of that team is my husband. He’s been a rock-solid partner, advocate, and encourager—and most importantly—he holds me accountable and is never afraid to ask me tough questions. He pushes me to be better, which is also essential to this work. Ryan Oelrich’s pursuit of a city council seat combines a diverse professional portfolio, a deep commitment to equity, and an original approach to leadership. His candidacy represents more than just a personal ambition; it’s a call for the Spokane community to come together, make their voices heard, and envision a city that thrives on inclusivity and innovation. For Oelrich, this is a shared effort, and now, more than ever, community involvement will shape the decisions ahead. *To support Ryan Oelrich, you can reach the Spokane City Council members at* [*https://my.spokanecity.org/citycouncil/members/*](https://my.spokanecity.org/citycouncil/members/?ref=stonewallnews.net) --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--42.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Zappone Seeks Re-Election: A Vision for Spokane’s Future URL: https://www.stonewallnews.net/zappone-seeks-re-election-a-vision-for-spokanes-future/ Last updated: 2026-07-17T21:22:54.000Z Zack Zappone, a proud Spokane native and current District 3 representative on the Spokane City Council, is seeking re-election to further his efforts in shaping the city’s future. Born into a working-class, union family, Zappone’s upbringing instilled in him the values of perseverance, fairness, and a deep connection to his hometown. Today, he draws upon those principles to guide his work as a public servant, fighting for the needs of Spokane’s families. Zappone’s story begins in Spokane, where he graduated from North Central High School. Raised in a family with a legacy of hard work, he developed a profound appreciation for Spokane’s character and its people. His early experiences working at McDonald’s helped fund his dreams, and securing a full-ride scholarship paired with his academic achievements propelled him to Princeton University, where he earned a master’s degree in public policy and urban planning. Rather than pursuing a conventional post-Ivy League route, Zappone chose to return home to Eastern Washington. He began a teaching career in Kennewick Public Schools, sharing his passion for education as an English and history teacher. He later became a Fulbright Scholar, expanding his horizons internationally in Colombia before returning to Spokane to serve as both an advocate and an educator. Now, while balancing the responsibilities of the City Council, Zappone continues to teach social studies part-time at his alma mater, North Central High School, serving as a mentor and role model to the next generation of Spokane leaders. Zappone made history in 2021 as Spokane’s first openly queer person elected to city council.\* This achievement symbolized a broader shift toward diversity and inclusivity in Spokane’s government. Representing District 3, which spans northwest Spokane and includes Browne’s Addition, Zappone focuses on policies that amplify the voices of working- and middle-class communities. His legislative priorities focus on key issues, including housing affordability, public safety, and infrastructure improvements. Zappone has been instrumental in advocating for housing density reforms to tackle Spokane’s housing shortage, including expanding options for “missing middle” housing throughout the city. He has also supported initiatives for fare-free public transit, emphasizing accessibility and economic mobility for residents. Additionally, he has championed Safe Street initiatives that enhance safety for all road users, including cyclists, pedestrians, and drivers. A defining characteristic of Zappone’s leadership is his ability to build bridges and find common ground. He frequently works across political divisions, championing practical solutions to complex issues. For example, Zappone collaborated with conservative colleagues to reduce parking requirements along transit routes and to eliminate all parking minimum mandates citywide. Zappone advocates public safety through a balanced approach. He supports citywide bans on encampments while also working to expand access to essential services, such as behavioral healthcare and affordable housing. This dual focus aims to address the root causes of these challenges. His pragmatic style ensures that Spokane’s policies are both compassionate and effective. Over his first term, Zappone has secured funding for community health clinics within low-income schools, fostered investments in local business districts, and helped streamline processes to reduce blighted properties while encouraging development. His efforts reflect a focus on making Spokane a place where all residents can thrive. As part of this article, I had the opportunity to talk with Zack Zappone to discuss his re-election campaign and vision for Spokane. Here are the questions I posed to Zappone, along with his responses. **Frank Gaimari: What inspired you to pursue a career in public service and run for Spokane City Council?** Zack Zappone: Growing up in Spokane, I witnessed inequalities in our community, which became more apparent when I attended college on the East Coast. Many of my friends back home didn’t have the same opportunities as some of my peers in college. This realization motivated me to become a teacher and relocate to the Tri-Cities, where I could work with low-income students and provide them with opportunities to succeed. Despite their hard work, these students faced significant barriers, such as a lack of access to healthcare, unsafe neighborhoods, and a shortage of living-wage jobs. I went on to graduate school for public policy and returned to Spokane right before the pandemic. During the pandemic, I stepped up to serve my community by volunteering with my dad to deliver over 100,000 meals with Spokane Food Fighters. I ultimately decided to run for Spokane City Council to continue advocating for working and middle-class families, ensuring they have a fair shot at success. **FG: How has your background as a teacher influenced your approach to policymaking?** ZZ: As a teacher, I witness the everyday impacts that policy decisions have on my students. For instance, during a council meeting where we will be discussing fluoride, a student might tell me they need to miss school the next day for a dental filling. Policymakers often become disconnected from the real-life effects their decisions have on people. In my classroom, I see those impacts firsthand every day. I also facilitate many discussions and guide my students toward achieving communal goals. Similarly, as a policymaker, I strive to engage with stakeholders, have honest conversations, and work collaboratively to improve our policies for the benefit of everyone. **FG: What challenges did you face as the first openly queer candidate elected to Spokane’s city government, and how did you overcome them?** ZZ: My biggest challenge was personal. I came out as queer just a year and a half before running for office, and I was still navigating my identity during my campaign. I had a conversation with my parents to let them know I’m queer in case it came up during the election. At that time, I didn’t feel completely confident in my queerness, and I hadn’t established strong connections with queer organizations and leaders in Spokane. I had moved back home right before the COVID-19 pandemic, which made me feel like I was going back into the closet. Fortunately, Spokane has a strong and supportive queer community. I reached out to Dean Lynch, a former queer council member, as well as other community leaders for guidance. Since being elected, those relationships have only deepened. I meet regularly with our queer leaders, and we have collaborated on policies and city priorities to ensure that Spokane is a place where everyone belongs. **FG: How do you plan to balance the needs of working-class families with the city’s economic growth initiatives?** ZZ: We need to grow alongside our community members, not in isolation from them. Affordability is a challenge that affects everyone in our community, from working and middle-class families to small business owners and employees of large corporations. I have advocated for a tax code that requires the wealthy to pay their fair share. Although addressing an unfair federal and state tax code is challenging at the local level, I have championed a range of initiatives to foster growth and support working families. These efforts include targeted investments and the removal of unnecessary regulations, all aimed at creating a more equitable and prosperous community. I have led efforts to reform housing and parking regulations, allowing for the construction of various types of housing throughout the city and reducing costly parking mandates that can increase construction costs by $20,000 to $30,000 per unit. I have also invested in school-based healthcare centers to ensure that children have access to healthcare and can quickly return to class. Furthermore, I have allocated millions towards affordable housing projects and supported incentive programs to encourage the development of more housing. Additionally, I have advocated reduced-fare bus passes, enabling families to retain a greater portion of their earnings from each paycheck. **FG: Can you share your vision for improving public safety in Spokane while fostering community trust?** ZZ: Training and transparency are essential for building community trust in public safety. I successfully secured $1.4 million from the state to expand Spokane’s Law Enforcement Training Center, ensuring that every officer receives modern training in de-escalation and crisis response. We are also expanding the co-responder model, which teams behavioral health professionals with officers, and increasing foot and bike patrols so residents can become familiar with the people who protect them. Additionally, I have supported the authority and independence of the Office of the Ombuds. Recently, an incident occurred involving the public and law enforcement at an ICE protest. I fully support an independent investigation to understand what happened, followed by discussions with organizers and law enforcement to learn from the experience and improve future demonstrations. This focus on training and transparency is vital for fostering community trust. **FG: How do you approach collaboration with colleagues who may have differing political views?** As a teacher, I work with individuals from diverse backgrounds and beliefs, and the same approach applies to my role as a council member. I start by building personal relationships to foster understanding between us as individuals. I firmly believe that much of the conflict arises from a lack of communication and familiarity with one another, which can lead to othering, prejudice, and negative assumptions. While we may not always agree with those who have different perspectives, engaging in difficult conversations and actively listening to one another allows us to understand each other better and address the issues that create conflict. I then focus on finding common ground and shared goals so that we can collaborate effectively. For instance, I worked on parking reform with a council member and stakeholders with whom I have significant differences. However, because we all shared the common goal of increasing affordable housing, we were able to come together and make improvements in our community. **FG: What accomplishments during your time on the City Council are you most proud of?** I’m proud of the efforts I’ve led to help us embody our new city motto: “In Spokane, We All Belong.” We not only painted our first Pride crosswalk, but we also transformed an entire intersection into a Pride flag. Unfortunately, an instance of vandalism highlighted a loophole in state law, which states that vandalism on public property is not considered a hate crime, but only on private property. I worked with state lawmakers to close this loophole, ensuring that they classify vandalism targeting LGBTQ+ individuals and other marginalized communities on public property as a hate crime. I’m also proud of our initiatives to remove housing barriers, which have made Spokane a national leader in housing reform and helped stabilize our housing market. Finally, I take pride in the improvements I’ve championed for Safe Streets and access to public transit. The city has begun piloting enhanced bike lanes and pedestrian improvements, while Spokane Transit is implementing a low-income bus fare program. These efforts positively impact the lives of our residents every day. Zack Zappone’s story is one of resilience, service, and dedication to the Spokane community. His leadership represents a high level of what it means to serve a community, blending bold advocacy with practical solutions to forge a better future. With the upcoming election, Zappone remains committed to ensuring that Spokane grows equitably, offering opportunity and security for all its residents. For more information, visit: [https://zackzappone.com](https://zackzappone.com/?ref=stonewallnews.net). *\*Dean Lynch, who was openly queer, was appointed, rather than elected to the city council in 2000, serving for approximately nine months before losing his election. In 2021, Kate Burke publicly came out as queer during the final three months of her term.* ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/289012849_152650643979391_7553471836659391194_n_152650647312724__800x600_2462025151355.jpg?resize=800%2C600&ssl=1) Zack with City Council President Betsy Wilkerson and cousin Judge Jenny Zappone at the city’s Juneteenth celebration ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/PXL_20230610_185412505.MP__800x600_2462025151442.jpg?resize=800%2C600&ssl=1) Zack celebrating Spokane Pride in 2023 with his partner and kids, along with his sister and her kids. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/448126305_468331769077942_3653285535646844048_n_468331739077945__800x600_2462025151442.jpg?resize=800%2C600&ssl=1) Zack marching at the Spokane Pride in 2025 with Mayor Lisa Brown, Council Members Kitty Klitzke and Paul Dillon, city staff, and family ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/332074497_576103501201774_3904758336839427915_n_206119758632479__800x600_2462025151441.jpg?resize=800%2C600&ssl=1) Zack and Spokane Council President Betsy Wilkerson meet with Representative Marcus Riccelli about city issues ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2026/05/326137756_2040308992840599_7794606056393252262_n_198348432742945__800x600_2462025151441.jpg?resize=800%2C600&ssl=1) Zack marching with the city delegation at the Martin Luther King Jr. March --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--16.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | “I Want to Understand”: Dinner with an ICE Agent Who Never Came URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-i-want-to-understand-dinner-with-an-ice-agent-who-never-came/ Last updated: 2026-08-16T16:28:31.000Z I was supposed to have a drink with an ICE agent. His wife had arranged it—she said it was important that I, and others like me, understood. She said her husband was a good man, doing a hard job for the sake of the country, and she wanted me to understand. She said they didn’t want any trouble. That he wasn’t one of the bad ones. That he’d explain everything, and I’d like him. She told me he had a gay cousin. I wanted to understand. I still do. This couple isn’t anonymous to me. She once worked at a nonprofit with a friend of mine. They attend a church where I know the pastor. Our lives nearly overlap—just a few degrees of separation, really. That’s the thing about Spokane. With a little work and cleverness, we know these people. He messaged. “Not all ICE agents are good people,” he wrote, “but a lot are trying to be.” He said he’d explain it all—“over a drink.” “I want to understand,” I replied back. He shared that he had to support his family. He said he’d heard I knew someone who’d been previously taken. He said that was unfortunate but that, “sometimes things are messy.” Some people are being taken “just in case… for safety.” He assured me he’d help me understand. But then he didn’t show up. I sat at the restaurant alone. One drink, one empty chair. And I very much do not understand. --- Two days later, two young men—Cesar Perez and Joswar Rodriguez—were taken into ICE custody in Spokane. Not dragged off the street. Not found in a raid. They were detained at their routine ICE check-in. They had entered the U.S. legally after qualifying for asylum. Both had work visas. Both had sponsors—one a former Spokane City Council President, a Democrat. The other was in the process of securing a former County Commissioner, a Republican. They had court dates scheduled for October. They followed the rules. They were not given notice. No time to call their employers. No chance to hug friends or pack belongings. Just vanished into a system that keeps few receipts and offers even fewer explanations. Alvarez’s sponsor put out a desperate call on social media. That’s how I found out. I’d just left a board meeting, and, as I walked toward the ICE building, I texted my husband: “I’m going to the protest.” I looked up from my phone. There he was, my husband—already standing there, just about to text me the same thing. We joined hundreds of others- teachers, social workers, lawyers, reporters, senior citizens, children- all trying to understand while taking a stand. We both knew where we needed to be. We’d both watched a beloved neighbor disappear into this system just two months ago. A man also here legally on a work visa. He was taken while pumping gas before work. His fiancée, a local schoolteacher, was shattered. So we stood together outside the ICE facility, facing a tall metal fence. Behind it, masked agents in dark sunglasses glared at us—unmoved by our pleas. I stared back, wondering if one of them was the man I was supposed to have a drink with. The “good” man. The one who said, “sometimes things are messy.” The man who promised to help me understand. The man who never showed up. --- I want to believe people are good. I want to believe that broken systems can be mended by those working inside them. I want to understand what would compel someone to sign off on ripping lives apart without warning—lives of people who followed every rule we gave them. But understanding requires honesty. It requires presence. And dinner. And drinks. And conversations that don't disappear when they become uncomfortable. It requires courage. I want to understand. But for now, all I have is an empty chair and more questions than answers. And two more names to remember: Cesar Perez and Joswar Rodriguez. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-3-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Out on the Ranch | Living the Message: What I’ve Learned from Christians at the Ranch URL: https://www.stonewallnews.net/out-on-the-ranch-4/ Last updated: 2026-07-12T18:45:34.000Z When people first hear I’m critical of organized religion—especially Christianity—they sometimes assume that our guest ranch might not be welcoming to people of faith. That couldn’t be further from the truth. The truth is, I care less about what God you pray to and more about how you treat the people around you. If you bring kindness, curiosity, and compassion, then you’re welcome at my table. But if you show up to “save” me or anyone else with unsolicited sermons and dogma, then we’re going to have a different kind of conversation. Over the years, I’ve had my fair share of guests who arrive with a Bible in one hand and a mission in their heart—to tell me about their savior, ask if I’ve been saved, and assume that my queerness is something to be corrected. You can imagine how that goes over with me. As the saying goes, religion is like a penis. It’s fine to be proud of yours—but don’t whip it out in public. But I’m also not here to demonize all Christians. In fact, some of my most heartfelt and healing conversations at the ranch have been with people who identify as devoutly religious. The difference is: they live their faith rather than perform it. Take, for instance, the older couple who stayed in one of our yurts not long ago. They were sweet, talkative folks—he was a veteran, worked in Homeland Security, and let me know he’d voted for 47 three times. He was also a born-again Christian. Now, you might think we’d have nothing in common, but he shared openly, and I listened. Then I shared my experience as a gay man who lost his Army ROTC scholarship under "Don’t Ask, Don’t Tell." I shared my upbringing as 1st Generation American with my immigrant grandparents and parents who came to the US from post-fascist Italy. I shared my spiritual beliefs. We talked about what it means to truly be “welcoming” in a religious space, and how that often doesn’t match the lived experiences for LGBTQ folks like myself. We didn’t agree on everything. But we engaged. We heard each other. I could tell I had some sort of impact. At the end of their stay? A 5-star review with promises to return. I don’t need see a cross—I need see character. When I meet Christians who embody the actual teachings of their prophet —unconditional love, non-judgment, and forgiveness—we're speaking the same language, no matter the theological wrappings. When someone asks me how to respond to a Christian who insists on proselytizing, I say this: First, recognize what’s being revealed. When someone loudly professes their faith or tries to convert others, that’s not strength—it’s insecurity. A person secure in their beliefs doesn’t need to convince others of their merits. If someone asks, “Have you accepted our savior into your heart?” They’re probably struggling with whether they’ve done so themselves. That’s the reveal. Second, hold your boundaries with grace. If someone wants to debate your soul, you can simply reply, “I live my values. If yours are kindness and love, we are walking a similar path.” Lastly, remember that you’re not here to prove anything. You don’t owe anyone an argument. You’re not less worthy because you don’t meet their religious criteria. Remember all that when scrolling through comments on Pride posts. They can all be summed up as bots, trolls, or a character revealing their own insecurities. As Jinx Monsoon says, “water off a duck’s back.” The work we’re doing, celebrated this Pride Month—living our values, holding our boundaries, reclaiming our spaces—is powerful. It's not always easy, but it’s sacred. It’s what changes hearts and minds—not by force, but by example. So, no—I don’t hate Christians. I just hold them to the same standard I hold everyone else. Live what you preach. And if love is at the center of your gospel, we’ll get along just fine. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-15-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Elle/Elle: An Intimate Reflection on Transition, Love, and Resilience URL: https://www.stonewallnews.net/elle-elle-an-intimate-reflection-on-transition-love-and-resilience/ Last updated: 2026-07-20T20:20:13.000Z Premiering on June 12, *Elle/Elle* is far more than just a short film. Directed by Kelley Kali and written by Shonnie Jackson, the 19-minute narrative brings to life a powerful and nuanced story rooted in truth, offering an uncompromising portrayal of self-discovery, resilience, and the complexities of love. At the heart of *Elle/Elle* is Elle, portrayed by the La Georgea, as she navigates the deeply personal terrain of coming out as a trans woman to her gay husband, Fritz, played by Dan Bucatinsky. The story is an intimate reflection of La Georgea’s own life, lending the film a raw authenticity rarely seen in LGBTQ+ storytelling. The plot revolves around a pivotal evening. A dinner party meant to be a social gathering becomes a crucible of emotions instead. The couple unravels as the room fills with buried fears, truths, and pressing challenges. Fritz grapples with the unexpected recalibration of his identity as elle courageously reclaims her own, culminating in a narrative that is both deeply personal and universally resonant. With the guidance of Kelley Kali, whose direction captures the emotional highs and lows with precision, and the skillful writing of Shonnie Jackson, *Elle/Elle* achieves a perfect marriage of authenticity and artistry. La Georgea’s performance is nothing short of a tour de force. She channels both vulnerability and strength into her role, balancing Elle’s pain, hope, and unwavering determination with palpable sincerity. Dan Bucatinsky’s layered performance as Fritz highlights the complexity of navigating change when love and identity collide, while L’lerrét Jazelle’s supporting role adds depth to the tangled web of relationships. *Elle/Elle* stands out not only for its gripping narrative but for its significant contribution to the broader conversation around gender and identity. Coming at a time when authentic representation in film is both crucial and overdue, it brings attention to the unspoken struggles within trans and queer communities. The narrative boldly ventures into the intersectionality of gender and sexuality within a marriage, addressing the often-overlooked challenges faced by individuals and couples as identities shift and evolve. This story isn’t just about the trials of love and self-discovery but also about visibility, acceptance, and the sheer courage it takes to be authentic in a world that often demands conformity. After viewing the film, I had the privilege of interviewing La Georgea to explore the story behind its creation. Below is a carefully curated selection of our conversation, featuring the most insightful questions and answers. **Frank Gaimari: *Elle/Elle* draws inspiration from your coming-out story. What motivated you to share such a personal experience?** La Georgea: It was actually my director, Kelley Kali, whom I consider my sister. A few months after I came out as a trans woman, she had the wonderful but very daring idea to reintroduce me to the world as an actress, in my true gender. Until then, I had only been known as a ‘male’ actor. **FG: How did revisiting such an intimate chapter of your life feel while acting it out on screen?** LG: It was terrifying, to be honest. Yes, I wanted to tell my story in an intimate way that hadn’t been done before, and I absolutely loved Kelley’s idea, but I was also completely petrified. However, I like to commit to a story fully — I honor authenticity, go all in, and, if it’s not scary, is it even worth it? A project needs to feel like a seemingly insurmountable challenge to be truly interesting and, ultimately, move the audience. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-20T093839.107.jpg) La Georgea **FG: Did the filming process reveal any new insights about your journey or feelings surrounding your coming out?** LG: It really didn’t. But it ultimately confirmed my deep commitment to finally living my full and honest truth. Oh, and it restored my trust in my acting abilities, which I wasn’t sure would transition with me! The wonderful L’lerrét Jazelle helped me with that. In a way, I feel like I’m a more honest actor than I’ve ever been before. I no longer have to pretend to be a man. **FG: How involved were you in shaping the script and ensuring the authenticity of the story?** LG: I was 100 percent intimately involved from day one. It was meant to be my true story, so I was all in — no holds barred. Additionally, I was so grateful that the formidable Dan Bucatinsky brought such truth and authenticity to my husband’s character through his brilliant acting and creative input. **FG: What was it like working with Kelley Kali and Shonnie Jackson to bring your story to life, and how did their vision align with your own?** LG: It was wonderful. The interview sessions with Shonnie were a marvel of pure self-discovery. Shonnie HEARD me as much as Kelley SAW me. To be so lovingly and caringly supported by these magnificent artists, to be respected in this way as a woman by other women, and to be seen and heard with such deep consideration meant everything to me at that early stage of my transition journey. These two resplendent Black women are most certainly my staunchest allies. **FG: What message do you hope your story sends to other transgender individuals and their partners navigating similar journeys?** LG: First of all, as in my case, it is never too late! Never too late to come out, to finally live in your full and honest truth. Was it absolutely gut-wrenching and frightening to come out to my husband of so many years? Indeed, it was — but it was also absolutely necessary and ultimately unavoidable. Walk your path, find your truth, and live it in whatever way fits your own personal life. **FG: How has sharing your story in such a public way impacted you personally and professionally?** LG: Personally, not really, but certainly professionally — things are truly starting to happen, as they say. The response has been absolutely overwhelming in the best way possible, and I am so deeply grateful. *Elle/Elle* is a cinematic masterpiece that transcends its brief runtime, leaving a profound and lasting impact on its audience. With its heartfelt exploration of authenticity, love, and resilience, the film resonates on a deeply human level. This is more than just a movie — it’s an experience that will stay with you long after the credits roll. Don’t miss the opportunity to witness this extraordinary work of art. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/06/elle-elle-one-sheet-june-2025.jpeg?resize=1280%2C1600&ssl=1) Elle / Elle Elle / Elle --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--68.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Dive Into Fun and Fabulousness at Trixie Motel URL: https://www.stonewallnews.net/dive-into-fun-and-fabulousness-at-trixie-motel/ Last updated: 2026-07-20T13:22:13.000Z Discover the vibrant spirit of Palm Springs at Trixie Motel, where staying the night is just part of the story. This boutique motel truly celebrates LGBTQ+ culture and campy glamour, perfectly reflecting the playful energy of its desert oasis surroundings. With its iconic bright pink exterior, Trixie Motel immediately sets the tone for a one-of-a-kind experience. It’s a whimsical and welcoming haven where self-expression takes center stage and personality shines. Trixie Motel is more than just retro aesthetics. It’s a space that celebrates the joy and resilience of the Queer community. Each room is carefully designed to ensure that guests feel seen and celebrated. The property’s centerpiece is a stunning pool area, an ideal spot for social media photos, lively gatherings, and soaking under the desert sun. Curious about this one-of-a-kind getaway inspired by the iconic drag superstar Trixie Mattel, I contacted Angel Najera Avila, the property’s manager. He greeted me with warmth and enthusiasm, eager to share what makes this place special. **Frank Gaimari: How does Trixie Motel create a welcoming, inclusive environment for LGBTQ+ travelers?** Angel Najera Avila: We pride ourselves on creating an almost fantasy-like experience from the moment you walk in. As no other property like this exists, we understand that our guests and customers come here to escape. We design our hospitality, aesthetics, and concepts to include everyone, allowing them to shed their labels and tags upon entering the pink gate. **FG: What makes Trixie Motel stand out among other boutique locales in this desert oasis?** ANA: Every room at Trixie Motel offers a one-of-a-kind experience, each crafted around a unique theme. However, what truly sets it apart is the exceptional sense of community among its guests. While many arrive with expectations shaped by what they’ve seen or heard, it’s the shared moments and connections formed here that create an atmosphere unlike any other. This spirit of togetherness has become one of Trixie Motel's most cherished hallmarks — something rare, extraordinary, and nearly impossible to replicate. The atmosphere at our Barbara Bar is something you must experience to truly appreciate. It’s the kind of place where strangers enter as individuals and leave as lifelong friends, brought together by shared laughter and unforgettable sing-alongs to our curated playlists. **FG: Have the staff or guests shared any particularly memorable stories about their time here?** ANA: Absolutely! Every guest’s experience resonates differently, and as the team leader, I’m proud to say that our staff is deeply moved and inspired by the stories we’re privileged to be part of. Whether it’s a mother and daughter reuniting after years apart or a group of friends gathering for their annual reunion, we aim to make every visit truly special. Our unique concept, combined with the incredible passion of our team, makes achieving this goal possible. For many, Trixie Motel represents more than just a getaway — it’s a place to reconnect with their queerness in whatever way is meaningful to them. Time and again, we welcome guests filled with joy and gratitude, excited to experience the magic of our little pink paradise. **FG: How does the motel connect with and support the broader LGBTQ+ community in Palm Springs?** ANA: We are proud to support our community through initiatives like our monthly Trans and Nonbinary evenings, where people of diverse gender identities can connect, share experiences, and exchange valuable information. In addition, we host inclusive pool parties that celebrate self-expression, encouraging everyone to embrace their identity without limits — whether they choose to be bold, Queer, extravagant, or anything in between. The true power of these events lies in the connections they create. They inspire hope, foster a sense of belonging, and help envision a future where labels no longer divide us. Everyone is welcome to join the celebration. Whether you’re heading to Palm Springs for the sunshine, the nightlife, or a little relaxation, Trixie Motel is the perfect home base for your adventure. Book your stay, pack your sunglasses (the sparklier, the better), and prepare to sashay into an unforgettable escape. *Trixie Motel is at 210 W. Stevens Rd., Palm Springs, CA 92262, and online at* [*www.trixiemotel.com*](http://trixiemotel.com/?ref=stonewallnews.net) *. You can reach Angel at* [*angel@trixiemotel.com*](mailto:angel@trixiemotel.com) *or 760-808-0014.* ![](https://www.sgn.org/image/stories/1455) Promo poster for TV series "Trixie Motel" Courtesy of Discovery+ ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-19T062441.090.jpg) Courtesy of Trixie Motel ![](https://www.sgn.org/image/stories/1456) Courtesy of Trixie Motel --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--62.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | From Airballs to Advocacy: How I Learned Teamwork the Hard Way (and Why It Matters Now More Than Ever) URL: https://www.stonewallnews.net/from-the-hobbit-house-from-airballs-to-advocacy-how-i-learned-teamwork-the-hard-way-and-why-it-matters-now-more-than-ever/ Last updated: 2026-08-16T16:29:44.000Z The first team sport I ever played was basketball in sixth grade at Cornerstone Academy in Helena, Montana. I didn’t exactly join the team by choice—my father declared it was time I picked a sport, and, apparently, puppetry and magic tricks didn’t qualify. Spoiler alert: I was terrible. I vividly remember one game where I confidently passed the ball straight to a player—on the *other* team. Another time, I launched a perfect shot… right into the opposing basket. My teammates were understandably unamused. Still, after two years, I clawed my way from “least valuable player” status to something resembling “average.” Progress! That do-it-yourself streak was strong in me, even from a young age. So naturally, when I joined the Army National Guard, I suggested during a tent-building exercise that we each set up a tent solo. Logical, right? My sergeant disagreed. Loudly. He made me run laps, barking, “We fall or fly together, Oelrich—*ALWAYS.*” As it turns out, military tents are definitely not a one-person job. My DIY instincts didn’t serve me any better in dating. Early in one relationship, I asked a guy to the movies and suggested we each see different films, then meet up afterwards to discuss. Efficient! He blinked at me and said, “You know that’s not how dates work, right?” On another occasion, I booked a solo vacation without telling my then-partner. I still can’t believe he stuck around as long as he did. Luckily, I eventually met someone who didn’t just teach me the value of teamwork, he became my team. He’s now my husband, and together we’ve proven time and again that we’re stronger side-by-side. I dream big and paint fast; he reads the fine print, chooses the perfect color, and makes sure the trim is actually level. He turned my solo missions into true collaborations. Together we’ve organized community events, launched fundraisers, started organizations, and survived home renovations. It’s not always easy, but it's always better when we tackle it together. The teamwork lessons I’ve learned from my husband have served me well in my professional life too. I’ve had the honor of leading a stellar team of community leaders at Priority Spokane who together have succeeded in improving our community in ways that no single individual alone could have. Together this team raised high school graduation rates, housed hundreds of homeless children and their families, expanded mental health services, and more. Teamwork makes the dream work. Right now, that lesson feels more important than ever. As the LGBTQ+ community and many others face increasing challenges and attacks, we need our teams more than ever. It’s tempting, when things get hard, to retreat into ourselves—pull back into our shells. But what we really need right now isn’t more turtles. We need wolves. We need to run as a pack, to protect each other, to fight side by side. So, find your team. Join your pack. Build your tent together. And whatever you do, don’t watch a movie alone on date night. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-2-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Out on the Ranch | The Egg Baby Challenge and Other Life Lessons URL: https://www.stonewallnews.net/out-on-the-ranch-3/ Last updated: 2026-07-23T17:50:45.000Z It started with a simple question: “Can I ask you something?” A seven-year-old, fresh off an overnight in one of our yurts, held a mug of morning cocoa like it was sacred. She’d barely slept, the anticipation of seeing the animals too strong to let rest settle in. The alpacas were waiting, and so was I — her tour guide, ranch hand, and partner in curiosity for the day. She asked every question you can imagine and then a few more: Why do alpacas hum? Why don’t we take all the eggs? Could she try hatching some at home? She wasn’t just visiting. She was engaging. So I gave her a challenge. While it would be too difficult to incubate eggs at home without special equipment, I told her she could still act like a mama hen and guard an egg for seven days. “Don’t crack it, don’t lose it. Protect it like it’s precious,” I told her. Her eyes lit up. She left with her egg baby, a postcard from us, and an invitation to send updates on her success. There’s no manual for raising kids around animals, but there are definitely object lessons, if you’re paying attention. That day, she left with more than an experience. She walked away with a mission, a memory, and the seed of something bigger: a sense of care and responsibility. Another child left us with a story, months later, relayed by his mother. Her toddler had picked out one of our “Paca Buddies” alpaca stuffies from the store. Weeks after the trip, he was still taking it to bed each night, cradling it like a baby bird. One morning, he gently pushed mom’s hand away from it: “Don’t touch my alpaca. The farmer says they don’t like to be touched.” He had listened. More importantly, he had remembered. He had absorbed what we try to teach: the principle of consent, delivered through furry alpaca encounters. Of course, not every encounter is quite so tidy. Once, we had two little boys staying with their mom — both adorably wild, both in custom superhero capes. They wanted to help with chores, so I handed out kid-sized tools and brought them down to the chickens. Right on cue, one hen decided to make a grand exit from this world, keeling over in front of them mid-squawk. “She’s just napping,” I told them quickly, mentally revising the morning’s lesson plan. A few moments later, an overzealous rooster made an awkward situation worse. “Okay! Let’s go rake some hay,” I announced, shepherding them back toward the barn, cape tails trailing behind. The younger one was still too shy to approach the alpacas. He watched from a distance, eyes wide, while his older brother raked hay in confused circles. Their mom was amazed. “They usually don’t focus on anything longer than 15 minutes,” she said, half stunned. I just smiled. Sometimes the animals don’t need to say a word. Sometimes their silence is the lesson. Day after day, the barn becomes a classroom, the animals the co-teachers. And the children — their laughter, their questions, their wide-eyed wonder — remind us that the most lasting lessons often come not through instruction but through experience. These kids may not remember every detail of their stay. But they’ll remember what they felt: the weight of an egg in their hand, the sound of an alpaca's hum, the quiet magic of being taken seriously by a farmer who believed they were capable of more. And that, we hope, is enough to last them a lifetime. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-16-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Jonah Blechman: Comedic Genius and Queer Icon URL: https://www.stonewallnews.net/jonah-blechman-comedic-genius-and-queer-icon/ Last updated: 2026-07-20T13:24:54.000Z If you’ve seen *Another Gay Movie*, you’ve witnessed Jonah Blechman’s incredible talent. His portrayal of Nico is not just acting, it’s a masterclass in comedy. Nico is bold, outrageous, and delightfully over-the-top, yet Jonah’s performance brings an irresistible charm to the character. Every line, glance, and wild antic is delivered precisely, leaving you no choice but to laugh and fall in love with him. Jonah brought something unique and unforgettable to that role, turning Nico into one of the most iconic and celebrated characters in LGBTQ+ cinema. Jonah’s brilliance extends far beyond his hilarious and outrageous roles. He has a rare knack for tackling serious, layered characters with unparalleled depth. A great example is his performance in *This Boy’s Life*, where he plays a teenager in a poignant coming-of-age story. His portrayal is raw, heartfelt, and profoundly moving, proving his extraordinary versatility as an actor. Moreover, *This Boy’s* *Life* allowed Jonah to work alongside two acting legends, Leonardo DiCaprio and Robert De Niro. Sharing intense scenes with DiCaprio — including a fight and a kiss — Jonah showcased his dynamic and fearless nature as an artist. Standing toe-to-toe with two of Hollywood’s greatest names, Jonah delivered a compelling and memorable performance, showing that his talent knows no bounds. But Jonah’s artistry doesn’t stop there. In addition to acting, he is a dedicated producer committed to spotlighting LGBTQ+ stories. Through his work, he’s helping to ensure these narratives take their rightful place in mainstream media, pushing for greater representation and authenticity in storytelling. When I contacted Jonah, I wasn’t sure what to expect. However, he effortlessly exceeded my expectations. Jonah was kind, gracious, and witty, making the entire experience delightful. I’m excited to share our edited conversation, which shows his thoughtful insights and sharp humor. **Frank Gaimari: How did being openly gay influence your career choices, especially in the early days of your acting career?** Jonah Blechman: I wasn’t out at the beginning. I started dancing when I was three and doing community theater and commercials when I was eight. So, I was acting long before I was sexual or had any sexual identity. My first film where I played a queer character was *This Boy’s Life*, but at that time, we weren’t saying he was a gay character. I thought of him as effeminate, even though I kiss Leo DiCaprio in the film. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/jonah7.jpeg) Another Gay Movie / IMDb **FG: Were there any challenges you faced as a queer actor in Hollywood, and how did you overcome them?** JB: A moment that stands out in my career was when I was invited to audition for Francis Ford Coppola’s classic film, *On the Road*. However, my agent advised me against it because the role was for a queer character. I was told to stay away from LGBTQ characters because they didn’t want me to be limited in my opportunities by being typecast. I ended up turning down a lot of work. It wasn’t until I landed the role of *Hedwig* on the national tour that I was willing to say yes to being out, no matter what was in front of me. I wanted to do the work I am here to do. I have played many other characters outside of LGBTQ in film and TV, opposite Toby Maguire, Anne Margaret, and Nick Offerman. **FG: Tell us about your experience playing Nico in *Another Gay Movie* and what drew you to the role.** JB: When my manager approached me about *Another Gay Movie*, I initially hesitated to take on the project. I had never worked in comedy before, and I found the concept crude, which led to many strong opinions on my part. However, the idea lingered in my mind, and it troubled me how much it affected me. I enjoy taking on challenges in my work, so I decided to reflect on my feelings about the project and ultimately chose to pursue it. I even took on the role of executive producer for the film. Here’s a funny bit of behind-the-scenes trivia — I was initially drawn to Michael Carbonaro’s character, Andy, while Michael wanted to take on Nico. With the guidance of Todd Stephens, the director, we figured out which roles best suited us. Stepping into Nico’s shoes was daunting at first. It scared me because it was such a femme character, but once I worked with the director, and he helped me to calibrate to that level, it was an extraordinary liberating experience. It’s incredible to know how much joy and laughter Nico continues to bring to audiences. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/jonah6.jpeg) Another Gay Sequel: Gays Gone Wild / IMDb **FG: What was it like revisiting Nico’s character for *Another Gay Sequel: Gays Gone Wild*?** JB: There was a different cast this time. The others from the first film couldn’t continue. Their agents wouldn’t let them. That all happened in the three weeks before we filmed. So, it changed the movie in a big way. But it ended up being an incredible experience. I got to direct and choreograph the *Golden Showers* musical number. It was a thrilling challenge, and I’m immensely proud of the energy it brought to the film. And I got to showcase my singing and dancing. **FG: How do you think LGBTQ+ representation in media has evolved since you started your career?** JB: It’s been three decades since I first played a queer character. There weren’t queer teenage characters represented in film and TV at the time. LGBTQ+ acceptance has grown considerably, and we’re now seeing the nuance of different representations — more genuine and multi-dimensional queer characters. Thank God for that. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/jonah4.jpeg) Another Gay Movie / IMDb **FG: Do you have a funny story from filming *Another Gay Sequel: Gays Gone Wild*?** JB: Absolutely! One of the funniest moments was during the filming of the *Golden Showers* musical number. We shot it in a functioning bathhouse in Ft. Lauderdale, adding authenticity. The funniest part was that the bathhouse remained open during filming. As I sang and danced, men in towels wandered by, looking utterly baffled about what they had just stumbled upon! It was surreal and unforgettable. **FG: Are there any queer roles or stories you’d like to tackle in the future?** JB: Queer or not queer, I’m interested in stories of depth, humanity, humor, and drama across the board. To tell stories with an impact on this world. Whether this is spotlighting difficult subject matter or bringing humor and light. I’m an actor. I happen to be queer, but there is so much more to me and all of us. I want to develop roles and characters that showcase our complexity and humanity. **FG: What advice would you give young LGBTQ+ actors trying to break into the industry?** JB: If the opportunities you want don’t come, create them and amplify your voice. Surround yourself with a supportive, creative community, and always remember that your sexuality is just one part of your story. **FG: What projects or causes are you passionate about outside of acting?** JB: I’m passionate about challenging religious organizations that promote exclusion or hatred toward the queer community. Everyone deserves to feel connected to their spirituality or faith without being alienated for who they are. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/jonah5.jpeg) Another Gay Sequel: Gays Gone Wild / IMDb With over thirty years of experience in the industry, Jonah Blechman continues to inspire, entertain, and advocate for a more inclusive world. Whether you’ve followed him from the beginning or just discovered his work, his contributions to film and LGBTQ+ storytelling are undoubtedly worth celebrating. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--59.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### On Swift Horses: A Tender Portrait of Hidden Love and Self-Discovery URL: https://www.stonewallnews.net/on-swift-horses-a-tender-portrait-of-hidden-love-and-self-discovery/ Last updated: 2026-07-17T21:23:15.000Z *On Swift Horses* is a film that pulls you in with its heartfelt story and engages you with its deep, emotional performances. Directed by Daniel Minahan and set in the sun-soaked 1950s, it’s a movie about love, identity, and the quiet battles we all face. From start to finish, it’s clear that this film is something special. At the center of it all is Muriel, a young woman trying to find her place while building a life with her husband, Lee. The two start fresh in California after Lee’s return from the Korean War. Their plans seem simple, but things get complicated when Lee’s younger brother, Julius, heads to Las Vegas instead of joining them. Edgar-Jones delivers a standout performance as Muriel, effortlessly embodying the duality of a devoted wife while navigating a whirlwind of complex emotions. Her world shifts dramatically when she crosses paths with Sandra, her neighbor, portrayed by Sasha Calle. What unfolds between the two women is intimate and intense. Edgar-Jones delivers a spellbinding performance, making award recognition feel all but certain. Equally impressive is Will Poulter, who masterfully portrays a husband grappling with the heartbreaking struggle to cling to a life slipping through his fingers. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T122235.318.jpg) Daisy Edgar-Jones and Sasha Calle / IMDb Jacob Elordi shines as Julius, infusing the character with a restless energy. He embodies a young man burdened by a troubled past, striving to stay on the right path. The narrative becomes even more captivating with the arrival of Henry, portrayed masterfully by Diego Calva. Together, they bring their forbidden love story to life with remarkable depth and brilliance. Daniel Minahan’s direction brings the 1950s to life in vivid detail. California feels bright and hopeful, while Las Vegas has a smoky allure that pulls you in. The cinematography is stunning, making every scene feel like a time capsule of that era. It’s easy to get swept up in the atmosphere as you follow these characters’ journeys. What makes this film unforgettable is its powerful message — our shared journey to discover who we truly are. *On Swift Horses*arrives in theaters nationwide on April 25\. Don’t miss your chance to witness this cinematic masterpiece as it’s meant to be seen — on the big screen. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/swift5.jpg?resize=396%2C587&ssl=1) On Swift Horses --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--15.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Thoughts from the Hobbit House | Finding and Fueling Courage URL: https://www.stonewallnews.net/thoughts-from-the-hobbit-house-finding-and-fueling-courage/ Last updated: 2026-08-16T16:29:22.000Z I approached the release of Luca Guadagnino’s *Queer* with high expectations, hoping it would offer a profoundly moving and memorable cinematic experience. The casting of Daniel Craig in the role of a queer man was particularly intriguing. It signaled a departure from his iconic portrayal of the suave James Bond and presented an opportunity to showcase his versatility and depth as an actor. Unfortunately, the film and its director fell short of these aspirations. There was something contagious about a “riot.” Children who had never exhibited any behavioral problems suddenly became infected with hatred, anger, and rage and were transformed into destructive foul-mouthed monsters. It also infected staff. I remember being horrified watching two male staff members antagonize children through the safety glass laughing and jeering as they did so. I find myself thinking some of these same staff probably instigated riots in the first place to feed some warped need in their broken souls. But it didn’t infect everyone. I remember one little girl who through two riots I witnessed was somehow immune. She was probably 8 or 9 and an avid reader. She would tip her bed over and push it into a corner. Then she’d drag her blankets and a book over and behind the bed where she would weather the storm. What was it about her I wonder that made her immune? Recovery from a riot could take days. Children would first be shadows of their former selves and often exhausted. It took time for them to regain their humanity and be kids again. The trauma they likely experienced as a result of a riot probably took much longer to heal. For my part I’d sneak tootsie rolls into the classroom to give to the kids afterwards. I think I hoped that a sugary symbol of childhood might hasten their departure from the shadows and back to smiling normal kids again despite the horror of their recent experience. On one occasion, however, a different doctor was on call when a riot started. She courageously went against the ordered practice and sent all staff into the unit. The children were invited into smaller groups and taken to separate rooms. This doctor made the rounds meeting and listening to all of them. When she arrived to meet with the group of children I was with, she started with the statement, “This place sucks.” And she was right- it did. She told them they had every right to be angry. She was candid and honest with the kids. She listened to them. She was kind to them. The riot fizzled out immediately without any monsters. The female doctor was publicly berated by her superior for not following orders, and her job was threatened. Thankfully, years later the male doctor was finally fired and the hospital a subject of several investigations. Inside each of us is a potential monster. Hatred, deceit, taking joy in the suffering of others fuels this monster and starves our humanity. But courage, empathy, kindness, honesty keep the monsters at bay. We have the power to choose which we consume, and we should judge harshly those broken souls who try to feed our monsters. They are broken, so they want us broken too. I find myself thinking about the little girl who was immune to the riots and the brave doctor. Both demonstrated different types of courage in the face of peer pressure, and we need those types of courage right now. The words of another courageous woman also come to mind- Dr. Maya Angelou once said, “You may not control all the events that happen to you, but you can decide not to be reduced by them.” There are too many painful events happening to too many in our communities. I hope we can each find what fuels our courage. I hope we stand up together to face those who try to break us. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Ryan-Oelrich-2-1-1.jpg) Ryan Oelrich is a highly regarded mental health trainer and facilitator, having trained thousands of professionals since 2008\. He’s developed mental health curriculum used by Washington State. He is a Robert Wood Johnson Foundation Culture of Health Fellow and has an MBA and an MA in Leadership. Oelrich was awarded the Peirone Prize for service in 2016 and has received congressional recognition for his work on poverty and homelessness issues. Oelrich has founded 3 nonprofits focused on youth issues, and he’s an advocate for increased collaboration and coordination. ### Out on the Ranch | The Sacred Act of Hospitality URL: https://www.stonewallnews.net/out-on-the-ranch-2/ Last updated: 2026-07-23T17:55:00.000Z Imagine, for a moment, that your home is open to the public every single day. Your front door: an invitation. Your daily routine: subject to interruption by a stranger seeking an experience and connection. Now, add to that the responsibility of hosting overnight guests. We sometimes say teasingly that we have animal pastures and people pastures, both requiring husbandry. This is the life of an innkeeper. This is the life we have embraced at Paca Pride Guest Ranch. In times of chaos and cultural upheaval, hospitality becomes more than just a gesture — it becomes a form of resistance and remembrance. We are reminded of the courage of those who offered safe passage through the Underground Railroad, whose homes became havens in the face of cruelty. We recognize how sacred it is to hold space for others today, especially those who are marginalized or under threat. As members of the LGBTQ+ community, we understand this viscerally. In an era when Queer and Trans rights are again under political attack, opening our gates at the ranch becomes a radical act of affirmation. It is a way to declare that love, dignity, and belonging are not luxuries but birthrights. Hospitality, at its core, is about creating space — for others and for transformation. At a time when the world feels increasingly divided, when doors are locked and hearts are closed, we at the ranch strive to live by a different standard. We believe that to welcome another is to participate in something sacred, something that transcends simple human courtesy. Henri Nouwen, a priest and writer, said, “Hospitality is not to change people but to offer them space where change can take place. The paradox of hospitality is that it wants to create emptiness — not a fearful emptiness but a friendly emptiness where strangers can enter and discover themselves as created free.” There was a time, long ago, when welcoming a stranger was an unshakable virtue. Today, that seems lost amid the noise of suspicion and fear. Our private lives have become insular, our communities fractured. But hospitality — true hospitality — can ripple outward, from the individual to the community, from the community to the world. The simple act of welcoming another without condition is, in itself, an act of radical love. Here at the ranch, we witness this transformation. A traveler arrives, burdened by the weight of their world. They step onto our land, breathe the mountain air, feel the rhythm of a life more connected to the earth. In that moment, they are no longer customers to be served but guests to be honored. There is a difference, after all, between a customer and a guest: A customer expects a transaction; a guest experiences an alchemical exchange. In serving one another, we grow, we learn, we reflect. For hospitality, at its deepest level, is a mirror. Others reflect back to us the very things we carry within ourselves: our fears, our judgments, our capacity for kindness. We cannot love, hate, or feel sensitive to another without it revealing something about our own hearts. When we judge, we are merely holding up a mirror to our own insecurities. When we offer kindness, we affirm the goodness within ourselves. To live as a host in this world is to embrace a continuous lesson in humanity. Cherie Carter-Scott, in *If Life Is a Game, Then These Are the Rules*, reminds us: Every person we meet is a teacher, every experience an opportunity to grow. There are no mistakes, only lessons. Everything we need is already at hand. And above all, the answers we seek will never be found outside of us — they have been within us all along. In opening our home to others, we have come to understand that hospitality is not simply about offering a bed and a warm welcome. It is about creating a space for people to become more fully themselves. It is about breaking down barriers, about choosing connection over fear, about recognizing that humanity, in all its varied expressions, is sacred. As we prepare for another summer, for another season of guests and strangers-turned-friends, we are reminded once again why we do what we do. This is not just about running a guest ranch. This is about nurturing a space where transformation happens — one conversation, one night under the stars at a time. And perhaps, in doing so, we can remind the world of what it has forgotten: that to welcome another is to welcome the divine. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-17-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Todd Stephens: Trailblazer in LGBTQ+ Cinema URL: https://www.stonewallnews.net/todd-stephens-trailblazer-in-lgbtq-cinema/ Last updated: 2026-07-22T16:10:23.000Z Known for his influential films, Todd Stephens still remains an unsung hero to many. This interview aims to change that, providing an opportunity to explore the visionary filmmaker and his incredible journey. As one of the first directors and producers to bring genuine LGBTQ+ stories to life on screen, Todd has played a key role in highlighting underrepresented voices. Growing up in Sandusky, Ohio, he has dedicated his career to crafting narratives celebrating the beauty of queer lives. With over two decades of experience, Todd has developed a unique style marked by heartfelt emotion, sharp humor, and unflinching honesty. His debut feature, *Edge of Seventeen* (1998), is a semi-autobiographical coming-of-age story that established him as a pioneer in LGBTQ+ storytelling. He followed it with *Gypsy 83* (2001), a heartfelt exploration of identity and belonging. Later, he embraced camp and humor with the cult favorite *Another Gay Movie* (2006) and its sequel, *Another Gay Sequel: Gays Gone Wild* (2008). Most recently, his film *Swan Song* offers a softer, more introspective narrative, earning praise for its portrayal of perseverance and self-discovery in queer life. **Frank Gaimari: What early experiences or influences sparked your passion for filmmaking?** Todd Stephens: My love for movies, particularly horror films, began in childhood and quickly became a lifelong passion. In high school, I took my first steps into filmmaking by writing and directing a horror project titled *Rest in Peace*. Later, I honed my skills at NYU’s film school, and by the time I turned thirty, I took to heart the advice of my professors: “Make a film about what you know.” Drawing from my life experiences, I created my first feature film, *Edge of Seventeen*. **FG: What was your first big break in the film industry, and how did it happen?** TS: My break came after the release of *Edge of Seventeen*. My career took off in ways I couldn’t have imagined. The film garnered numerous awards and reached renowned festivals like Sundance. That success didn’t just validate my love for filmmaking; it opened doors, cementing my place in the industry and setting the stage for everything that followed. **FG: *Edge of Seventeen* is such a personal and iconic film. What inspired you to tell that story, and how much of it is autobiographical?** TS: *Edge of Seventeen* is my story–my coming-out journey. At that time, I was deeply inspired by the film *Beautiful Things*, which portrayed a young man grappling with his sexuality. Its honesty struck a chord, and I felt compelled to create something equally heartfelt yet distinctly my own. I poured my life, emotions, and experiences into *Edge of Seventeen*. It became a love letter to my younger self and anyone navigating their own messy, beautiful path toward self-discovery. **FG: *Another Gay Movie* and its sequel have become cult classics. What was your vision for these films?** TS: After *Edge of Seventeen*, I faced intense pressure to cross over and create a more mainstream, *straight* film. The industry’s push to conform felt overwhelming, but as a gay man and filmmaker, my identity is inseparable from my work. In a quiet act of defiance, I made Gypsy, the protagonist of my next film *Gypsy 83*, straight–but gave her a gay best friend. Ironically, when the film was released, the criticism had nothing to do with mainstream appeal. Instead, I was told it wasn’t gay enough. The whole experience was incredibly frustrating, leaving me caught between opposing expectations. At that moment, I vowed never to compromise my vision or succumb to outside pressure again. Fueled by that frustration, I decided that my next film would be unapologetically gay–the biggest, boldest, and most outlandish gay movie ever conceived. And thus, *Another Gay Movie* was born. **FG: *Swan Song* has received widespread acclaim. What drew you to this story, and how did you navigate the creative process?** The inspiration for *Swan Song* came from a man named Mr. Pat, who lived in my hometown. He was a larger-than-life figure, a mix between David Bowie and Liberace. He would light up the dance floor at our local bar, the Universal Fruit and Nut Company. His flamboyant costumes were awe-inspiring, and he was captivating to watch. I never forgot about him. A line from the film says, “Even though I didn’t know you, you changed my life.” That perfectly reflects what Mr. Pat meant to me. His fearless self-expression encouraged me to embrace my authenticity. The film masterfully captures his spirit, resilience, sense of identity, and steadfast dedication to being unapologetically true to himself. **FG: Out of all the films you’ve worked on, do you have a personal favorite?** TS: That’s such a hard question! But if I had to pick, it would be *Gypsy 83*. This film is close to my heart, partly because it’s the underdog. It didn’t receive the attention it deserved, and the version released wasn’t what I had envisioned. I was forced to cut so much during editing, and, in the process, some incredible material was left on the cutting room floor. I’m thrilled to announce that the restoration of *Gypsy 83* is almost complete, returning the film to its original vision. The re-released version will be released this summer, and I can’t wait for audiences to experience it as I intended. **FG: Sandusky often takes center stage in your work. What makes the town such a compelling backdrop for your stories?** TS: Sandusky is my hometown. Being queer there in the 1980s was not easy. However, I’ve developed a strong connection to the place as I’ve gotten older. Sandusky appears in three of my films because I know it well, and that familiarity brings my stories to life. It serves as an ideal setting for exploring what it means to be queer in a small town. **FG: Can you share any upcoming projects or films you’re working on with us?** TS: My next project is a biopic about Mae West. Without giving too much away, she was a trailblazing queer icon. Mae was an extraordinary woman–brave, bold, and ahead of her time. She was the first to put queer people on stage and believe it or not, was arrested for writing a play featuring drag queens. Her story is rich with history and significance, and there’s so much about her that the LGBTQ+ community and the world deserve to know. **FG: Reflecting on your journey, what are you most proud of, and what legacy do you hope to leave?** TS: I’m proud that my films center on gay narratives and that I resisted the pressure to conform and mainstream my work. As a gay man, my purpose has always been to create authentic LGBTQ+ stories, and that’s the legacy I hope to leave behind. Todd Stephens’s work is a vibrant tribute to queer identity, resilience, and the art of authentic storytelling. Through his films, he illuminates the importance of representation while capturing the beauty and complexity of LGBTQ+ lives. If you haven’t yet experienced Todd’s films, now is the perfect time to explore these powerful stories that resonate worldwide. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/toddstephensswansong2.jpeg?resize=6016%2C4016&ssl=1) Swan Song, photo by Chris Stephens ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/agm7_photo-by-chris-stephens.jpg?resize=3008%2C2000&ssl=1) Another Gay Movie, photo by Chris Stephens ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/gyspy836.jpeg?resize=1200%2C900&ssl=1) Gypsy 83, photo by Gina DeGirolamo ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/12-10_ags2496-copy.jpg?resize=1050%2C698&ssl=1) Another Gay Movie Sequel: Gays Gone Wild! Photo by Chris Stephens ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/04/edge3-copy.jpg?resize=880%2C1328&ssl=1) Edge of Seventeen --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--73.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### A Nice Indian Boy: A Charming Rom-Com Celebrating Love and Culture URL: https://www.stonewallnews.net/a-nice-indian-boy-a-charming-rom-com-celebrating-love-and-culture/ Last updated: 2026-07-22T16:11:53.000Z If you’re in the mood for a gay rom-com, *A Nice Indian Boy*, directed by Roshan Sethi, is an excellent choice. The film revolves around Naveen, a reserved Indian man, who unexpectedly finds himself falling for Jay, a white man raised in an Indian household. Their shared appreciation for each other and their Indian culture draws them together, transforming what begins as a casual friendship into a tender connection. Filled with humor and sincerity, their chemistry is endearing and delightful. Like any great love story, they face challenges that could derail their romance. Naveen struggles with self-doubt and fears his traditional parents won’t approve, while Jay deals with his own issues in the relationship. Together, they navigate the complexities of modern love, balancing cultural expectations as they seek self-acceptance. Karan Soni delivers a masterful performance as Naveen, embodying his quiet vulnerability with extraordinary depth. He conveys the inner turmoil of a man on a journey of self-discovery with such nuance that I often felt compelled to reach out and guide him. Jonathan Groff, as Jay, radiates effortless charm and warmth, creating a wonderfully authentic character. Their on-screen chemistry is undeniable, adding a captivating dynamic to the story. Beyond the central romance, the supporting cast truly shines. Sunita Mani is Naveen’s quick-witted sister whose sarcasm evolves into unexpected and heartfelt support. Zarna Garg and Harish Patel are perfectly cast as Naveen’s parents, bringing humor and warmth to the story. Naveen’s mother, in particular, delivers some of the film’s most tender and unforgettable moments. Meanwhile, Peter S. Kim, Naveen’s coworker, brings plenty of laughs, adding to the film’s delightful charm. Director Roshan Sethi does a fantastic job of bringing the story to life, skillfully balancing humor and emotional depth without making it feel forced. Each scene flows naturally, and the pacing captures the story’s cultural richness and emotional beats with finesse. *A Nice Indian Boy* isn’t trying to rewrite the rules of cinema or aim for high-stakes drama or Oscar glory. Instead, it excels in what it sets out to do. It offers a charming and meaningful take on love that resonates with audiences. If you’re a romantic, this film premieres in theaters nationwide on April 4, 2025. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/03/indianboyposter.jpeg?resize=2430%2C3600&ssl=1) A Nice Indian Boy --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--74.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Richard Vyse: A Master of Gay Erotica URL: https://www.stonewallnews.net/richard-vyse-a-master-of-gay-erotica/ Last updated: 2026-07-17T21:23:40.000Z Richard Vyse is considered one of the most revered names in Gay erotica. His art delves into profound themes of identity and sexuality, offering viewers a raw and mesmerizing perspective on intimacy. With a distinctive style that blends traditional painting techniques with contemporary overtones, Vyse’s works challenge societal norms and amplify masculinity. His unapologetic approach has solidified his status as an innovator in modern erotic art and established him as a significant voice in the LGBTQ+ art community. Over the years, Vyse has created an impressive portfolio of exhibitions and features, earning widespread acclaim from critics and audiences alike. As an art collector, I take immense pride in owning several pieces by Vyse. Each has been framed and now occupies a place of honor in my den. Considering Vyse’s global recognition, this interview holds particular significance for me. In our conversation, we explored his artistic journey, the influence of his identity on his creations, and the enduring legacy he hopes his art will leave behind. **Frank Gaimari: Thank you for joining me today, Richard. Can you share how your identity as a gay man has shaped your perspective and voice as an artist?** Richard Vyse: Absolutely. As a Gay man, celebrating masculinity through art is an intuitive and deeply emotional process for me. It fuels my passion for creating Gay erotic art and inspires me to bring my vision to life almost every day. **FG: Your focus on gay erotica as your primary artistic medium is captivating. What drew you to this genre?** RV: After a successful career as a fashion illustrator for a major department store, I needed to pivot when the industry shifted toward photography. Embracing this change, I honed my craft by attending numerous open-life drawing studios, refining my skills, and exploring different mediums. Ultimately, I developed a profound passion for male erotic art, which became the central focus of my creative journey. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/613BB385-C06D-40DD-9EDC-55597CC8C447-1.jpeg) Man Thoughts, pen and china marker **FG: Can you recall a pivotal moment in your career when you felt your work began to make an impact?** RV: Certainly. I started creating a collection of male art and shared it on various Gay art websites, which led to my first sales and boosted my confidence. Encouraged by this success, I submitted my work to the Leslie Lohman Museum in New York City. They incorporated my pieces into their collection and allowed me to exhibit at their Prince Street Gallery in SoHo. Selling most of my artwork at that show was a defining moment. It was the first time I truly felt a sense of success. **FG: How would you describe the evolution of your artistic style over the years?** RV: Experimentation has been key. I’ve worked with various mediums — china marker, watercolor, pen, and acrylics — which have greatly influenced my style. I often incorporate unique figure cropping and unconventional poses to breathe life into my work. Today, my creations reflect multiple styles, depending on the medium I select. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/B324C3FB-EEB2-49D8-BF3F-78C3022DE171.JPEG) Manscape , china marker **FG: Your artwork is rich with emotion and energy. How do you channel intimacy and vulnerability into your pieces?** RV: When inspired by a model’s presence or captivating pose, I feel a rush of passion and adrenaline. This motivates me to translate that moment onto paper using fluid lines and spontaneous brushstrokes, capturing the mood and essence of the scene. **FG: What was the most rewarding feedback you’ve received from critics about your work?** RV: The greatest reward comes when a collector includes my artwork in their collection. Seeing my beautifully framed and cherished pieces in someone’s home is deeply fulfilling. Over the years, many collectors have returned to acquire more of my work, bringing me immense satisfaction and a profound sense of accomplishment. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/9FAA01DD-0F80-4074-AA43-93A2B635A76F.JPEG) Adonis on Line, pen **FG: What legacy do you envision for your art within the LGBTQ+ community and contemporary art spaces?** RV: I’m grateful to have my artwork featured in several prominent international Gay art publications, including Mascular Magazine (UK), Noisy Rain (Mexico), Character (France), and RFD Magazine (US). I’m honored to have over a hundred pieces featured in a monograph for Juturna magazine (Germany). Additionally, my collection, MANart, beautifully produced by Pavel Cerny, will soon be available on Amazon. **FG: Could you share some insights from your educational background? Did your formal training impact your artistic work?** RV: Absolutely. My time at the School of Visual Arts in New York City and the Massachusetts College of Art in Boston, combined with my teaching experience at Pratt Institute in Brooklyn, encouraged me to explore new artistic styles and refine my craft. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/CCFBE1AA-61C5-4362-B303-744772E2DA0B.JPEG) Man Moves, pen and china marker **FG: Were there teachers or mentors who significantly influenced your development as an artist?** RV: Yes, Jack Potter and Dora Mathieu at the School of Visual Arts were remarkable teachers who mastered the art of contour lines. Their teachings inspire me as I strive to convey stories through flowing, sensitive lines that capture form and emotion. **FG: What advice would you offer to young LGBTQ+ artists who are starting or struggling to find their voice?** RV: Every artist’s journey is unique and requires patience alongside consistent practice. I encourage them to resist the urge to copy from a photo directly; instead, they should develop their own interpretation. This could involve cropping the image, adjusting colors, or creating black-and-white works from color photographs, among other techniques. **FG: As we wrap up this conversation, how do you define success as an artist and individual?** RV: Many people measure success by financial gain, but for me, it’s about something much deeper. True success arises when your hard work, passion, persistence, and lessons learned from failure are recognized through the appreciation of your art. This acknowledgment brings incredible fulfillment. There’s also an unparalleled sense of achievement when someone displays your art. That moment truly defines success. **FG: Richard, your insights are illuminating, and your journey is inspiring and moving. Thank you for sharing your thoughts with me today. Your legacy as an artist will endure, leaving an indelible mark on the art world and the LGBTQ+ community.** RV: It’s been my pleasure. Thank you. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/1C5F5C80-0F00-4E1F-85BA-084597BCC383.JPEG) Man on Line, pen Richard Vyse --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--31.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Sex, Drugs, and Studio 54: Louie Mandrapilias Reflects in Flew Too High URL: https://www.stonewallnews.net/sex-drugs-and-studio-54-louie-mandrapilias-reflects-in-flew-too-high/ Last updated: 2026-07-17T21:24:00.000Z Louie Mandrapilias, born on December 20, 1956, in Shreveport, Louisiana, has established himself as a talented author and screenwriter. Now 68 and residing in Los Angeles, Louie captivates audiences with his compelling storytelling. Louie’s memoir, *Flew Too High*, is a testament to his remarkable life and narrative talent. Set against the vibrant and chaotic backdrop of 1970s New York, the book delves into the magnetic allure of Studio 54\. It chronicles his journey through a captivating yet dangerous relationship that drew him into the dark underworld of drug smuggling. What begins as a story of reckless abandon in Manhattan transforms into a spiritual awakening in India. Lauded for its honesty and depth, *Flew Too High* has earned accolades from readers everywhere. Reading Flew Too High was a profoundly moving experience, thanks to its raw and unflinching honesty. Louie spares no detail, delivering a story that is as captivating as it is surprising. Without giving away any spoilers, I can assure you that the twists and revelations will leave you astonished — even speechless. Once you reach the halfway mark, putting this book down will be nearly impossible. Louie took the time to speak with me. Here are his thoughtful responses to my questions. **Frank Gaimari: Your memoir portrays the queer culture of the 1970s, highlighting Studio 54, sex, and the drug scene. What inspired you to write about this chapter of your life decades later?** Louie Mandrapilias: Initially, I set out to share the untamed adventures of my youth as a gay man during the gay liberation movement before the arrival of the AIDS crisis. But as I reflected, I was drawn to the deeper struggles — my journey to embrace my identity and my father’s struggle to accept me. It’s a deeply relevant story for many LGBTQ+ youth today, especially in our current political climate. **FG: Studio 54 was a sanctuary for many in the LGBTQ+ community. What drew you to this environment?** LM: Being a Southern gay college kid who read Warhol’s Interview magazine, it was my entree into debauched society. Once I passed the velvet rope, I had arrived. To be accepted into that world, inhale amyl nitrate on the dance floor, and make out in the balcony as Donna Summer sang Love to Love You, Baby was my moment of becoming. **FG: You link your Southern upbringing and Greek heritage to the inner tensions you faced about tradition, rebellion, and queerness. How has this influenced your storytelling?** LM: My not-so-typical mix of cultures gave me a unique perspective on life. No matter how I tried, I would never fit into anyone’s idea of a Southern gentleman or a good Greek boy. I would always be an outsider, a non-conformist who would have to chart his own path. Initially hiding, I had to find my way in the dark. As an adult, I realize my unique worldview is my source for surprising takes on life. **FG: While experiencing the excitement of smuggling and partying, you also go on a spiritual journey in India. How did this change you as a gay man?** LM: Growing up in a religious household, I encountered concepts like “eternal damnation” and “original sin,” which turned me away from God. Even at age 10, something deep within me sensed these teachings didn’t feel right. It wasn’t until a decade later that I encountered Eastern spiritual philosophies centered on love and acceptance. This new understanding transformed my perspective. Discovering that I could cultivate a personal connection with a higher power by acknowledging its presence brought me inner peace. While this journey of self-discovery and spiritual growth has taken a lifetime, it has shaped how I seek and nurture that peace within myself. **FG: The memoir dives into the “battles of the soul” between different aspects of yourself—from desire and addiction to a longing for love and purpose. Did you find peace and self-acceptance through this book?** LM: One of the greatest gifts of this work was making peace with my father. For so long, I blamed him for my loneliness and wondered if I would ever feel complete acceptance. As I relived my childhood, I could put myself in my father’s shoes, struggling to find his way and how difficult it must have been for an immigrant in a new country. It’s not very different from what we continue to see in the U.S. **FG: Your book is a time capsule of a fleeting, permissive era before the AIDS crisis changed everything. What lessons or inspiration do you hope young queer readers today will take from your unforgettable odyssey in Flew Too High?** LM: Even though we’re not politically out of the woods, the LGBTQ+ community has a strong, collective voice that we did not have in the ’70s. I hope they understand the significant strides we’ve made, the advances in health and medicine that so many gay brothers and sisters gave their lives for, so that today’s queer community has a greater chance for well-being. Of course, the battle isn’t over! **FG: You’ve hinted at a sequel to Flew Too High. Can you share details about what readers can expect in the next chapter of your story?** LM: The next book delves deeper into the struggles of addiction and the oppressive grip of government control. Old criminal habits don’t disappear overnight, and the impending crisis of “gay cancer” — a term tragically coined during the early AIDS epidemic — was about to change everything. As we made progress in opening the closet door and gaining societal acceptance, suddenly, it slammed shut again. Imagine being a young, sexually active person told to stop living authentically or face dire consequences. We lost countless lives, but many of us survived. I feel profoundly grateful to share this ongoing journey and the lessons it teaches us. Louis Mandrapilias’ book is available on [Amazon](https://a.co/d/0gcEGpKm?ref=stonewallnews.net) and in bookstores everywhere. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2025/03/louie11.jpeg?resize=1800%2C2691&ssl=1) Flew Too High --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--45.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Stephanie McVay: A Cherished Maternal Figure in LGBTQ+ Cinema URL: https://www.stonewallnews.net/stephanie-mcvay-a-cherished-maternal-figure-in-lgbtq-cinema/ Last updated: 2026-07-17T21:25:47.000Z Stephanie McVay is more than an actress — she’s an unexpected yet beloved maternal figure within the gay community. Her sincerity and side-splitting charm on-screen create something magical, making her a cherished figure in LGBTQ+ cinema. Born on November 8, 1954, Stephanie McVay is now 70 years old and continues to be a vibrant and versatile actress. Her career has showcased her remarkable talent across various roles, from deeply emotional to hilariously irreverent. While her life is relatively private, her on-screen persona speaks volumes, embodying the love, acceptance, and quirky energy the LGBTQ+ community celebrates. McVay first gained recognition in Edge of Seventeen (1998), a poignant coming-of-age film about a teenager grappling with his sexuality in the 1980s. Her portrayal of a supportive yet occasionally bewildered mom was authentic and resonated deeply with viewers. Her character wasn’t perfect, but she was genuine — a mix of love and human imperfection that struck a chord with many. Her rise as an icon didn’t stop there. She stepped into the realm of campy queer comedy in Another Gay Movie (2006), playing Bonnie Hunter. This film, which wasn’t afraid to be outrageous and over-the-top, gave McVay the chance to shine differently. Her character was hilariously brash yet refreshingly relatable, capturing the heightened absurdity of the story while remaining lovable. Stephanie reprised this role in Another Gay Sequel: Gays Gone Wild! (2008), solidifying her place as a gay cultural icon with her unmatched comedic timing and heartfelt humor. The magic of Stephanie McVay’s roles lies in her ability to make audiences laugh while also providing a grounding presence. For those in the LGBTQ+ community who may not have experienced unconditional love in real life, her characters symbolize safety, support, and motherly affection. She has crafted roles that feel like home to many viewers, giving them moments of solace and joy through the screen. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/steph8.jpeg) Gypsy 83 / Courtesy Luna Pictures Stephanie showcases her talent across a rich and diverse range of genres and formats. She has graced television with roles in shows like Mom, The Office, Superstore, and The Romanoffs. From sweet older women to scene-stealers with sharp one-liners, McVay’s ability to adapt is nothing short of impressive. Her recent role in 2021’s Swan Song, another LGBTQ+-themed project, proves that her impact continues to evolve and remains timeless. I had the opportunity to interview Stephanie over the phone about her life and career. Here are our conversations: **Frank Gaimari: What inspired you to pursue acting, and how did you find your way into LGBTQ+ cinema?** Stephanie McVay: My journey in performance began in grade school when I played the Lion in The Wizard of Oz. I got the part with the condition that I learned how to roar. I went home and practiced my roar diligently and nailed it. Once on stage, the acting bug bit me, and I never looked back. Throughout high school, I participated in the drama club and, after school, engaged in community theater. My entry into LGBTQ+ cinema was a happy accident. I was living in Manhattan when I stumbled upon an ad in Backstage looking for an actress. I auditioned and was surprised to land the role. Todd Stephens, the director and producer of the film, told me I reminded him of his mother. That moment began my journey into this magical corner of filmmaking, and it’s been an incredible ride ever since! **FG: Many fans see you as an iconic “mother figure” in gay films. How do you feel about this legacy, and what does it mean to you personally?** SM: Being a “mother figure” is an incredible honor, and I take great pride in that title. When members of the LGBTQ+ community come up to me and say, “I wish you were my mother,” my heart swells with joy. I embrace everyone with open arms and listen to their stories. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/steph9.jpeg) Another Gay Movie / Courtesy Luna Pictures **FG: What draws you to roles in LGBTQ+ films, and how do you approach portraying such meaningful relationships on screen?** SM: I feel truly blessed to have Todd Stephens in my life because he consistently reaches out to me for these roles. The characters I portray possess similar traits, so I draw inspiration from my mother, who was loving, compassionate, and very accepting. **FG: Do specific moments or scenes from your career stand out as impactful or unforgettable?** SM: One scene from Edge of Seventeen is particularly impactful for me. It’s when I’m sitting at the piano, and my son reveals to me that he’s gay. That scene never fails to touch my heart and bring a tear to my eye. **FG: Do you have a personal connection to the LGBTQ+ community that has influenced your work or understanding of these stories?** SM: Yes. I appreciate the friendships I’ve built with the LGBTQ+ community. Their support, love, and perspectives have significantly enhanced my life. **FG: Looking back at your career, what are you most proud of? Are there any upcoming projects or roles you’re excited about?** SM: Reflecting on my career, I feel great pride in my journey. Every role I’ve taken in film and television has been significant. As for the future, I’m excited about what lies ahead — my career is far from over. My passion for acting will never fade. I recently spoke with Todd Stephens about an upcoming film, and he mentioned his interest in casting me for the project. I’m hopeful the film receives the green light and can find myself in front of the camera again. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/swan-song1_photo-by-chris-stephens.jpg) Swan Song / Courtesy Luna Pictures **FG: The ending of Edge of Seventeen leaves much open to interpretation, especially concerning the mother’s journey. One lingering question is whether she ultimately came to accept her son’s homosexuality.** SM: The 1980s were a challenging era for LGBTQ+ individuals and their families, marked by widespread misunderstanding and a lack of resources for parents navigating their children’s identities. Despite the complexities and emotional struggles depicted in the film, I believe there is a deep love between the mother and son. She embraces her son for who he truly is. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/Untitled-Design---2026-07-11T063538.488.jpg) Edge of Seventeen / Courtesy Luna Pictures Talking with Stephanie McVay felt like catching up with an old friend. Her warmth and openness made the conversation enjoyable. She answered my questions with care, leaving me excited for her future and in awe of her impressive work. Stephanie is a true treasure of the LGBTQ+ community. Her positive impact is unmistakable. --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--4.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net). ### Out on the Ranch URL: https://www.stonewallnews.net/out-on-the-ranch/ Last updated: 2026-07-12T18:47:08.000Z In 2004, after living on Capitol Hill with my husband, we and our best friend made the decision to move to the mountains, departing a metropolis that was about to burst forth with an insane amount of growth. This was when Democrats were in crisis and issued a clarion call to get out of our blue bubble and move to an area where change needed to happen. We heeded that call. We had already been blessed to enjoy the national forest during the summers, camping in a yurt that we would set up for the season at the LGBTQ+ campground along the famed, scenic Mountain Loop Highway. This sparked our love of the area’s beauty and the magical experience of “glamping.” Parlaying that experience, we wrote a plan to bring that magic to the public. We wanted to make manifest positive change in the world through hospitality, with the reinvention of the family farm. It was a time when people were starting to talk about agrotourism, sustainability, and green principles — and how better to experience that than staying on a farm, with alpacas setting the pastoral scene? So we bought a 17-acre parcel of previously logged land. Not only did we have to build a homestead, we also had to build a business, including permitting for a hospitality operation. Imagine if you would, three Gay men moving to the rural mountains outside of Granite Falls, known for timber and quarries. If there truly was a frontierland, this would be it. Would we be accepted? Would we see success? What challenges would we have out here as Gay men? I am happy to share that Paca Pride Guest Ranch has become an ecotourism attraction for the many that venture to the hiking trails and scenic beauty of our beloved national forest. Oh boy, what a journey it has been too! All along the way, we were unabashedly Gay — it never occurred to us that we would need to exercise caution or care in a rural area. Quite the opposite, we would be authentic always, lean in, and represent — even our business name would include a hat-tip to our community. We’ve got twenty years under our belt now and plenty of stories to share about what this experience has been like. As we reap what we sow, the harvest has been bountiful, with inspiring moments. Sometimes those become repeating patterns that continue to humble us. A common occurrence is playing host at the ranch to families with their preteens and teenagers. They return again for another visit a season or two later. It’s that second visit when we experience something profound. After they settle into their yurt or campsite, the mom will come back up to the reception desk, a few tears welling up in her eyes. “Do you remember the last time we stayed?” she asks us. With slight trepidation, I respond, “Yes we do,” having no idea what I’m being set up for — they just arrived and she’s in tears. “Well, my (son/daughter) was struggling. The last time we stayed, they saw you guys as such role models for who LGBTQ people could be that it gave them the courage to come out to us.” This has become a common experience at the ranch and reminds us that we are doing the right work, in the right place, at the right time. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/David-Capocci-18-1.jpg) David Capocci is one of the owners of the homestead campground, Paca Pride Guest Ranch, along with his husband, Glenn Budlow, and business partner, Tim Leingang. Having purchased land to build a legacy project in the mountains, they went from city boys to rural ranchers, turning their yurt camping experience into a business plan to reinvent the family farm and bring “glamping” to the public. This column shares their ongoing experience in working and living as out and proud members of their community in their guest ranch setting. Learn more at [https://pacaprideguestranch.com](https://pacaprideguestranch.com/?ref=stonewallnews.net) ### Queer: A Missed Opportunity in LGBTQ+ Cinema URL: https://www.stonewallnews.net/queer-a-missed-opportunity-in-lgbtq-cinema/ Last updated: 2026-07-17T21:26:26.000Z I approached the release of Luca Guadagnino’s *Queer* with high expectations, hoping it would offer a profoundly moving and memorable cinematic experience. The casting of Daniel Craig in the role of a queer man was particularly intriguing. It signaled a departure from his iconic portrayal of the suave James Bond and presented an opportunity to showcase his versatility and depth as an actor. Unfortunately, the film and its director fell short of these aspirations. The primary shortcoming of *Queer* lies in its lack of a cohesive narrative. Rather than delivering a structured and engaging story, the film feels more like a collection of loosely connected scenes. It focuses on an alcoholic gay writer living in Mexico City, a premise that had the potential to provide a profound exploration of isolation, identity, and personal struggle. However, the execution is flawed, and this promising concept never fully materializes. A fragmented, disjointed storyline persists, failing to establish meaningful emotional or thematic connections. ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2024/12/Untitled-Design-2026-07-01T065934.517.jpg?resize=1024%2C768&ssl=1) Daniel Craig and Drew Starkey in Queer (2024) / IMDb ![](https://i0.wp.com/franksfilmreview.com/wp-content/uploads/2024/12/Untitled-Design-2026-07-01T070141.672.jpg?resize=1024%2C768&ssl=1) Daniel Craig in Queer (2024) / IMDb This incoherent approach undermines the film’s potential as a character study. Daniel Craig’s performance, while earnest, is constrained by a screenplay that offers him little to work with. His portrayal is overshadowed by the directionless storytelling, leaving what could have been a bold and career-defining role unrealized. It is frustrating to see an actor of Craig’s caliber unable to shine due to the limitations of the material. Ultimately, *Queer*is a missed opportunity. Its fragmented narrative and inability to engage with its themes substantively result in a hollow and unfulfilling viewing experience. While the film flirts with the promise of emotional depth, it never follows through, leaving the audience questioning what they have just seen. Unfortunately, I cannot give this film more than two stars. ![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/MV5BNTM4ZjI2NTMtYzA1OC00ZTUwLTgzYzYtYTQ2NDc4YWU5MDNlXkEyXkFqcGc@._V1_.jpeg) Queer --- [![](https://storage.ghost.io/c/d5/95/d595da8d-ecfc-467e-9765-406e3e9a8989/content/images/2026/07/BusinessCardFinal--1--14.jpg)](https://franksfilmreview.com/?ref=stonewallnews.net) Discover more at Frank's Film Review. [Click here](https://franksfilmreview.com/?ref=stonewallnews.net).